Sonny Rollins

Total Page:16

File Type:pdf, Size:1020Kb

Sonny Rollins JazzWeek with airplay data powered by jazzweek.com • October 30, 2006 Volume 2, Number 48 • $7.95 Radio Q&A, Part II: WBGO’s GARY WALKER page 10 On The Charts: #1 Jazz Album – Diana Krall #1 Smooth Album – The Jazzmasters #1 College Jazz – Madeleine Peyroux #1 Smooth Single – The Jazzmasters #1 World Music – Acoustic Africa JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger pin counts are down a bit this week. On the jazz side, MUSIC EDITOR Tad Hendrickson it’s fundraising time for many stations, but a contribu- Stor is some downtime at Mediaguide: “Due to the sys- CONTRIBUTING WRITER/ tem-wide infrastructure crash on October 10, Mediaguide is PHOTOGRAPHER Tom Mallison still in disaster recovery mode. We continue to find and cor- PHOTOGRAPHY rect problems as we uncover them. As a result, there still may Barry Solof be missing airplay information from reports, charts, and sta- Contributing Editors tion logs. We are working hard to correct all problems. We Keith Zimmerman appreciate your understanding during this time.” Kent Zimmerman Founding Publisher: Tony Gasparre hen the change of programming at WBEZ was an- ADVERTISING: Devon Murphy nounced in the spring, the station said the loss of Call (866) 453-6401 ext. 3 or Wmusic programming would be replaced by innovative email: [email protected] and interesting new programming promoting the arts. SUBSCRIPTIONS: Now it’s reported in Chicago that the 8 p.m. to midnight Free to qualified applicants Premium subscription: $149.00 per year, weeknight jazz will be replaced by reruns of daytime shows, w/ Industry Access: $249.00 per year including the syndicated “Fresh Air.” To subscribe using Visa/MC/Discover/ AMEX/PayPal go to: They are all fine programs, but it seems like podcasting http://www.jazzweek.com/account/ – which the station and NPR already do – is a better way to subscribe.html timeshift programs, rather than duplicating four hours of the broadcast day. AIRPLAY MONITORING BY Instead of creative programming, it sounds more like cre- ative accounting. Chicago Public Radio can do better and Chicago deserves Mediaguide better. 1000 Chesterbrook Blvd. Suite 150 Berwyn, PA 19312 – Ed Trefzger, Editor JazzWeek (ISSN 1554-4338) is published weekly by ������������� 2117 Buffalo Road Suite 317 Rochester, NY 14624 phone/fax: (866) 453-6401 [email protected] Copyright ©2006 Trefzger Media LLC jazzweek.com • October 30, 2006 JazzWeek 2 Contents October 30, 2006 News . 4 Concerts Planned For Monk Competition Finalists. 4 JALC Artistic Director Wynton Marsalis Named Among America’s Top Leaders By U.S. News and World Report . 5 Music and Industry News In Brief . 7 Jazz Birthdays . 9 Feature 10 Radio Q&A Part II: Gary Walker, Music Director of WBGO . 10 Jazz Radio . 13 Jazz Album Chart . 14 College Jazz Chart . 15 Jazz Reviews . 16 David S. Ware Quartet . 16 Pete Zimmer Quintet. 16 13 Sonny Rollins . 16 Jazz Add Dates . 18 Jazz Current CDs . 19 Jazz Radio Panel . 22 Smooth Jazz Radio . 23 Smooth Album Chart . 24 Smooth Singles Chart. 25 Smooth Currents. 26 23 Smooth Radio Panel . 27 World Music Radio . 28 World Music Album Chart . 29 Closing Number WBGO’s Top 5 New Songs . 30 28 Cover: Gary Walker speaking at the 2nd Annual WBGO Champions of Jazz Gala honoring Nancy Wilson, Ahmet Ertegun and Jazz Foundation of America. JazzWeek (courtesy WBGO) Volume 2 Number 48 jazzweek.com • October 30, 2006 JazzWeek 3 News Concerts Planned For Monk Competition Finalists NEW YORK – The Tribeca Perform- Hamasyan was born in Gyumri, Ar- versity of Southern California. In ad- ing Arts Center, in partnership with menia and began playing piano at age dition to his studies, Clayton performs the Thelonious Monk Institute, will 10. He currently attends the Univer- frequently and has played with a host present Jazz In Progress-Monk In Mo- sity of Southern California where he of well-respected musicians including tion, featuring in concert the top three is studying jazz piano. Influenced by Benny Green, Mulgrew Miller, Ken- finalists of the prestigious Thelonious Duke Ellington, Thelonious Monk, ny Baron, and Clark Terry. He recent- Monk International Jazz Competition, Charlie Parker, Art Tatum, Miles Da- ly appeared on Back in the Swing of now celebrating its 20th anniversary. vis and Bud Powell, Hamasyan began Things with the Clayton Brothers. This year the renowned competi- writing his first piano compositions Since 1987, the Thelonious Monk tion was devoted to jazz piano, and the at a young age. He recently won first Institute of Jazz has presented the three finalists, pianists Aaron Parks prize at the Monaco Jazz Soloist Com- Thelonious Monk International Jazz (Washington), Gerald Clayton (born petition and has performed at concerts, Competition, the most prestigious in the Netherlands, currently residing competitions, festivals throughout Eu- jazz competition in the world. Each in California), and Tigran Hamasyan rope. year, more than $60,000 in scholar- (Armenia, currently residing in Cali- Aaron Parks – Monday, Novem- ships and prizes are awarded to tal- fornia), were singled out from a strong ber 27, 2006 at 7:00 PM: Aaron Parks ented young musicians and compos- field of twelve semi-finalist musicians was raised in Seattle, Washington and ers. The scholarships help pay tuition by the competition’s distinguished began playing piano at age 10, learn- for college-level jazz education studies panel of judges, including Herbie ing mostly by ear. He began is career and provide funds for private, special- Hancock, Andrew Hill, Danilo Perez, in jazz at the age of 16 after leaving ized instruction. The competition fo- Renee Rosnes, Billy Taylor and Randy the University of Washington to fo- cuses on a different instrument every Weston. cus more intently on jazz studies at the year and features an outstanding all- Each of the three concerts of the Manhattan School of Music in New star judging panel. Jazz In Progress-Monk In Motion York. Parks won first place in the 5th This year the competition, which Series will feature one finalist lead- American Jazz Piano Competition and rotates among instruments, once again ing their ensemble, demonstrating the is a Cole Porter Fellow of the Ameri- showcased piano, in celebration of the perpetually diverse nature of jazz, and can Pianist Association. Currently, he Institute’s 20th Anniversary, with the showcasing three of the plethora of ex- tours with Terence Blanchard and is semifinals taking place at the Smith- citing, young musicians making jazz featured on Blanchard’s CDs Bounce sonian Institution’s Baird Auditorium their life’s work at the Tribeca Per- and Flow. and the finals at the Kennedy Center forming Arts Center, 199 Chambers Gerald Clayton – December 18 at Eisenhower Theater. The judging pan- Street, New York, N.Y. 7:00 PM: Gerald Clayton was born el and special guests featured a number Jazz In Progress-Monk In Motion in Utrecht, The Netherlands and was of distinguished jazz artists, including Concert Schedule: raised in Los Angeles. He began play- Herbie Hancock, Andrew Hill, Quin- ing piano at the age of five. Currently, cy Jones, Danilo Perez, Renee Rosnes, Tigran Hamasyan – Monday, No- Clayton is pursuing a Bachelor of Mu- and Billy Taylor. vember 20, 2006 at 7:00 PM: Tigran sic degree in Jazz Studies at the Uni- JW jazzweek.com • October 30, 2006 JazzWeek 4 News JALC Artistic Director Wynton Marsalis Named Among America’s Top Leaders By U.S. News and World Report WASHINGTON, D.C. – U.S. News U.S.News’ Editor-at-Large and Di- Gehry Partners LLC; Alan Khazei, & World Report has included Wyn- rector of the Center for Public Lead- CEO and Co-Founder, City Year, ton Marsalis, Artistic Director of Jazz ership. “At a time when the public’s Inc.; Joel I. Klein, Chancellor, New at Lincoln Center in its 2006 listing of confidence in leadership is low, ‘Amer- York City Department of Education; “America’s Best Leaders.” ica’s Best Leaders’ celebrates individu- Wendy Kopp, President and Found- In a series of profiles and essays, als who exemplify true leadership and er, Teach for America; A. G. Lafley, “America’s Best Leaders” reveals the serve as models for others.” Chairman of the Board, President and country’s foremost current leaders and U.S. News & World Report and CEO, The Proctor & Gamble Com- explores the critical elements of lead- Center for Public Leadership 2006 pany; Eric Lander, Director, The Eli ing in the 21st century, while celebrat- “America’s Best Leaders” include: and Edythe Broad Institute of Har- ing those individuals who are making Admiral Thad Allen, Commandant, vard and MIT; Patrick Lawler, CEO, a lasting impact. United States Coast Guard; Nancy Youth Villages; Wynton Marsalis, Ar- The project was undertaken in col- M. Barry, former President and CEO, tistic Director, Jazz at Lincoln Center; laboration with the Center for Public Women’s World Banking; Don- Robert Moses, Founder, President, Leadership (CPL) at the John F. Ken- ald Berwick, Founder, Institute for Educator and Organizer, The Alge- nedy School of Government, Harvard Healthcare Improvement; Michael bra Project, Inc.; Marilyn Carlson University, whose mission is to fur- Bloomberg, Mayor, City of New York; Nelson, Chairman and CEO, Carl- ther leadership for the common good Michael Brown, President and Co- son Companies, Inc.; The Staff of the through excellence in leadership re- Founder, City Year, Inc.; Warren Buf- New Orleans Times-Picayune; San- search, education, and development. fett, Chief Executive Officer, Berk- dra Day O’Connor, Former Associate “There has never been a more shire Hathaway, Inc.; Charles Elachi, Justice, United States Supreme Court; critical time to examine leadership Director, Jet Propulsion Laboratory; Paul Vallas, CEO, School District of in our country,” said David Gergen, Frank Gehry, Architect and Partner, Philadelphia.
Recommended publications
  • &Blues GUITAR SHORTY
    september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974.
    [Show full text]
  • 2018 ASCAP Jazz Awards Program Book
    2018 2018 PAUL WILLIAMS PRESIDENT & CHAIRMAN ELIZABETH MATTHEWS CHIEF EXECUTIVE OFFICER ASCAP BOARD OF DIRECTORS WRITERS JOEL BECKERMAN | RICHARD BELLIS | BRUCE BROUGHTON | DESMOND CHILD | DAN FOLIART | MICHELLE LEWIS MARCUS MILLER | RUDY PÉREZ | ALEX SHAPIRO | JIMMY WEBB | PAUL WILLIAMS | DOUG WOOD PUBLISHERS MARTIN BANDIER | CAROLINE BIENSTOCK | BARRY COBURN | JODY GERSON | ZACH KATZ | DEAN KAY JAMES M. KENDRICK | LEEDS LEVY | MARY MEGAN PEER | JON PLATT | IRWIN Z. ROBINSON THE FOUNDERS AWARD Roscoe Mitchell is an internationally renowned musician, composer, and innovator. His role in the resurrection of long neglected woodwind instruments of extreme register, his innovation as a solo woodwind performer, and his reassertion of the composer into what has traditionally been an improvisational form have placed him at the forefront of contemporary music for over five decades. Mr. Mitchell is a founding member of the Art Ensemble of Chicago, the Association for the Advancement of Creative Musicians and the Trio Space. Additionally, Mr. Mitchell is the founder of the Creative Arts Collective, The Roscoe Mitchell Sextet, The Roscoe Mitchell Quartet, The Roscoe Mitchell Art Ensemble, The Sound Ensemble, The New Chamber Ensemble and the Note Factory. He has recorded over 100 albums and has written hundreds of compositions. His compositions range from classical to contemporary, from passionate and forceful improvisations to ornate orchestral music. His most recent recording, Discussions, was counted among “The 25 Best Classical Music Recordings of 2017” by the New York Times. Also, for five decades, he has designed the Percussion Cage, an elaborate percussion instrument consisting of instruments from around the world, as well as many found instruments.
    [Show full text]
  • The Digital Deli Online - List of Known Available Shows As of 01-01-2003
    The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977.
    [Show full text]
  • 60Th Monterey Jazz Festival
    July / August 2017 Issue 373 now in our 43rd year jazz &blues report 60th Monterey Jazz Festival July • August 2017 • Issue 373 jazz 60th Monterey Jazz Festival &blues report Editor & Founder Bill Wahl September 15-17 Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Peanuts, Wanda Simpson, Mark Smith, Duane Verh, Emily Wahl and Ron Weinstock. RIP JBR Writers Tom Alabiso, John Hunt, Chris Colombi, Mark A. Cole, Hal Hill Check out our constantly updated website. All of our issues from our first PDFs in September 2003 and on are posted, as well as many special issues with festival reviews, Blues Cruise and Gift Guides. Now you can search for CD Re- views by artists, titles, record labels, keyword or JBR Writers. 15 years of reviews are up from our archives and we will be adding more, especially John Clayton, Jeff Hamilton, Gerald Clayton - 2017 Artists In Residence from our early years back to 1974. Headliners Include Herbie Hancock, Chick Corea, Common, Leslie Comments...billwahl@ jazz-blues.com Odom, Jr., Dee Dee Bridgewater, Angelique Kidjo, Kenny Barron Web www.jazz-blues.com Trio, Chris Thile & Brad Mehldau, Jimmy Heath, Joe Lovano, Copyright © 2017 Jazz & Blues Report Branford Marsalis, Joshua Redman, and Many Others MJF Celebrates Centennials of Thelonious Monk, Ella Fitzgerald and No portion of this publication may be re- Dizzy Gillespie, with Additional Tributes to Salsa, and Sonny Rollins produced without written permission from the publisher. All rights Reserved. Monterey, CA - Three-day Arena and Grounds Ticket Packages for the Founded in Buffalo New York in March of 60th Annual Monterey Jazz Festival, September 15–17 are on sale now.
    [Show full text]
  • Gerald Clayton, René Marie, and Friends Saturday, February 3, 2018 at 8:00Pm This Is the 799Th Concert in Koerner Hall
    TD Jazz: The Roots of Jazz Gerald Clayton, René Marie, and Friends Saturday, February 3, 2018 at 8:00pm This is the 799th concert in Koerner Hall René Marie, vocals Gerald Clayton, piano Godwin Louis, alto saxophone Marvin Sewell, guitar Gerald Clayton Gerald Clayton searches for honest expression in every note he plays. With harmonic curiosity and critical awareness, he develops musical narratives that unfold as a result of both deliberate searching and chance uncovering. The four-time Grammy Award nominated pianist/composer formally began his musical journey at the prestigious Los Angeles County High School for the Arts, where he received the 2002 Presidential Scholar of the Arts Award. Continuing his scholarly pursuits, he earned a Bachelor of Arts in Piano Performance at USC’s Thornton School of Music under the instruction of piano icon Billy Childs, after a year of intensive study with NEA Jazz Master Kenny Barron at The Manhattan School of Music. Clayton won second place in the 2006 Thelonious Monk Institute of Jazz Piano Competition. Expansion has become part of Clayton’s artistic identity. His music is a celebration of the inherent differences in musical perspectives that promote true artistic synergy. Inclusive sensibilities have allowed him to perform and record with such distinctive artists as Diana Krall, Roy Hargrove, Dianne Reeves, Ambrose Akinmusire, Dayna Stephens, Kendrick Scott, John Scofield, Ben Williams, Terell Stafford & Dick Oatts, Michael Rodriguez, Terri Lyne Carrington, Avishai Cohen, Peter Bernstein, and the Clayton Brothers Quintet. Clayton also has enjoyed an extended association since early 2013, touring and recording with saxophone legend Charles Lloyd.
    [Show full text]
  • Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter
    Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2014 Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Rutter, E. (2014). Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1136 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY A Dissertation Submitted to the McAnulty College of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Emily Ruth Rutter March 2014 Copyright by Emily Ruth Rutter 2014 ii CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter Approved March 12, 2014 ________________________________ ________________________________ Linda A. Kinnahan Kathy L. Glass Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Laura Engel Thomas P. Kinnahan Associate Professor of English Assistant Professor of English (Committee Member) (Committee Member) ________________________________ ________________________________ James Swindal Greg Barnhisel Dean, McAnulty College of Liberal Arts Chair, English Department Professor of Philosophy Associate Professor of English iii ABSTRACT CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter March 2014 Dissertation supervised by Professor Linda A.
    [Show full text]
  • Local Party Organizations and the Mobilization of Latino Voters
    LOCAL PARTY ORGANIZATIONS AND THE MOBILIZATION OF LATINO VOTERS A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Daniel G. Lehman May, 2013 Examining Committee Members: Robin Kolodny, Advisory Chair, Political Science Michael Hagen, Political Science Sandra Suarez, Political Science Rosario Espinal, Sociology i ABSTRACT We frequently hear that Latinos are the fastest growing minority group in the United States. We also know that like many American immigrant groups, Latinos tend to reside in states where a critical mass of their community already is settled, in this case largely for geo-political reasons (e.g. New Mexico, Arizona, California, Texas, Florida and New York). Why, then, is Latino participation in national politics lower than white, Black, and Asian voters? And who has an interest in doing something about it? This project addresses several interrelated questions concerning the place of Latinos in American politics and the health of democracy in the United States. Political parties are meant to link citizens to the state. However, parties often fear that reaching out to certain groups may alienate the concerns of some core voters, providing a disincentive to political parties to prioritize Latino outreach. Here, I ask, to what degree are local political parties involved in mobilizing Latino voters as compared to other voting groups? Interest groups have much narrower constituencies than political parties by definition, but their
    [Show full text]
  • Eget a Head Start on the Holidays & SHOP LOCAL This Season
    Get avery head year, the icy Southwest startand onmuch more! the Head down andholidays find that unique gift this and& so m uchSHOP more! Attendees will LOCALreceive free market takes this place at the Livingstonseason Civic Center. Montana temps and snow cover you’ve been pondering. The Holiday Bazaar is a tote bags while supplies last. Please also bring nonper- Also on Dec. 2nd, the Antique Market will host signal the fast approaching season fundraiser for the Emerson Center. ishable food items to donate to the Gallatin Valley the return of its Holiday Open House of giving. That’s right, it’s time to Also at the Emerson on Nov. 18th, the Bozeman Food Bank. Extravaganza! from 10am–5pm. Come for sales start making those lists, and check- Winter Farmers’ Market moves upstairs for its Looking to early next month, the 2017 SLAM throughout the store, refreshments, and plenty of ing ‘em twice. In prolonged recog- weekly event. Vendors will be displaying their goods Winter Showcase heads to the Masonic Lodge good cheer! This event is meant to wish everyone the nition of “Small Business from 9am–noon. Pick up some groceries, stock the Ballroom Friday and Saturday, December 1st–2nd happiest and healthiest of holidays. Get ready to Saturday,” consider shopping local pantry for Thanksgiving, and get a jump on holiday from noon–8pm both days. With the continued goal wrap and “Come See What Time Left Behind” in when checking names off your holiday shopping shopping with this pre-holiday extravaganza at the to Support Local Artists and Musicians, this holiday Four Corners.
    [Show full text]
  • Industry, ASCAP Agree Him As VP /GM at the San Diego Seattle, St
    ISSUE NUMBER 646 THE INDUSTRY'S WEEKLY NEWSPAPER AUGUST 1, 1986 WARSHAW NEW KFSD VP /GM I N S I D E: RADIO BUSINESS Rosenberg Elevated SECTION DEBUTS To Lotus Exec. VP This week R &R expands the Transactions page into a two -page Radio Business section. This week and in coming weeks, you'll read: Features on owners, brokers, dealmakers, and more Analyses on trends in the ever -active station acquisition field Graphs and charts summarizing transaction data Financial data on the top broadcast players And the most complete and timely news available on station transactions. Hal Rosenberg Dick Warshaw Starts this week, Page 8 KFSD/San Diego Sr. VP/GM elevated to Exec. VP for Los Hal Rosenberg has been Angeles-based parent Lotus ARBITRON RATINGS RESULTS COMPROMISE REACHED Communications, which owns The spring Arbitrons for more top 14 other stations in California. markets continue to pour in, including Texas, Arizona, Nevada, Illi- this week figures for Houston, Atlanta, nois, and Maryland. Succeeding Industry, ASCAP Agree him as VP /GM at the San Diego Seattle, St. Louis, Kansas Cincinnati, Classical station is National City, Tampa, Phoenix, Denver, Miami, Sales Manager Dick Warshaw. and more. On 7.5% Rate Hike Rosenberg, who had been at Page 24 stallments, one due by the end After remaining deadlocked KFSD since it was acquired by Increases Vary of this year, and the other. by for several years, ASCAP and Lotus in 1974, assumes his new CD OR NOT CD: By Station next April. The new rates will the All- Industry Radio Music position January 1, 1987.
    [Show full text]
  • Radio Station Call Letters Meaning
    Radio Station Call Letters Meaning expositorSuasible Adolfofaultlessly precontracts: and outtalks he snatchingly.embrangled Stalinismhis theorbo and end-on unraking and Waynepryingly. often Uncertified reed some and quadrivium nihilism Benny unsuspectedly acclaims while or colours fraudful alike. Keefe acidifying her Metro survey population for each episode while newer ones have call radio letters Oriented Rock radio format. All Things Considered at KALW. Good Guys at KIOA. As the types of ham radio licence available have changed over the years, and different call sign series were issued for each one, it may be difficult to identify what the callsigns mean without a table and explanation. The most distant point one can see by line of sight. You came to a good place. Screen Reader users press enter to Limit by category. MCW for the purpose of performing the station identification procedure, or for providing telegraphy practice interspersed with speech. He wasted no complications after inline form over radio station call letters meaning to san francisco and its stated. Conditions unsuitable for automatic recording. The microphone should be very close to your lips and after pressing the mike button, a slight pause may be necessary to be sure the first word is transmitted. BTW, I was honored that I got to meet you at the CKLW Fifty Year celebration in Detroit in july. Feed line with one conductor at ground potential, such as coaxial cable. There was nothing new happening. Led Zeppelin coming out? What has the rescue vessel or rescue aircraft recovered? That show may very well have worked. However, religious stations are permitted to require that some or all of their employees meet a religious qualification.
    [Show full text]
  • SFJAZZ Announces 2021-2022 Season Programming September 23, 2021 – May 29, 2022
    FOR IMMEDIATE RELEASE SFJAZZ Announces 2021-2022 Season Programming September 23, 2021 – May 29, 2022 Tickets on Sale to SFJAZZ Members, Thursday, July 29 at 11:00amPST Tickets on Sale to Public, Thursday, August 5 at 11:00amPST SFJAZZ.ORG (SAN FRANCISCO, CA, July 22, 2021) -- SFJAZZ announces the 2021-2022 Concert Ceason running September 23, 2021 to May 29, 2022. The organization will be presenting concerts at the SFJAZZ Center’s Robert N. Miner Auditorium and Joe Henderson Lab, Grace Cathedral, and Paramount Theatre in Oakland. Tickets will go on sale to SFJAZZ Members on Thursday, July 29 at 11:00am PST and on sale to the general public on Thursday, August 5 at 11:00amPST. For more information, visit sfjazz.org. SFJAZZ will celebrate the official Re-Opening of the SFJAZZ Center with its first full-capacity concert since March 2020 on Thursday, September 23 featuring Thelonious Monk Competition winner and soundtrack composer for Bridgerton and Green Book, pianist Kris Bowers. The SFJAZZ Center Re-Opening weekend includes concerts featuring Zakir Hussain, Eric Harland, and Abbos Kosimov on Friday September 24, and Pat Metheny’s Side-Eye project with James Francies and Joe Dyson on Saturday, September 25 and Sunday, September 26. “Over the past 18 months, all of us have been torn from the rhythms of everyday life and with the SFJAZZ 2021-2022 Season, and what is the our 39th year, we – artists, staff, and board -- are looking forward to a new rhythm and welcoming audiences back to the SFJAZZ Center,” says SFJAZZ Founder and Executive Artistic Director Randall Kline.
    [Show full text]
  • Top 5 Chieftains Albums
    JazzWeek with airplay data powered by jazzweek.com • January 8, 2007 Volume 3, Number 7 • $7.95 World Music Q&A: The Chieftains’ PADDY MOLONEY On The Charts: #1 Jazz Album – Diana Krall #1 Smooth Album – Benson/Jarreau #1 College Jazz – Madeleine Peyroux #1 Smooth Single – George Benson #1 World Music – Lynch/Palmieri JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger anuary 10-13 marks the 2007 International Association MUSIC EDITOR Tad Hendrickson fo Jazz Education Annual Conference. Here’s a quick Jplug for the events JazzWeek is sponsoring each day CONTRIBUTING WRITER/ from 10:00 a.m. to noon: PHOTOGRAPHER Tom Mallison Thursday Workshop: Jazz Radio In Crisis: Why That’s A Good Thing PHOTOGRAPHY Barry Solof This session will focus on why some stations are disappearing or seeing big drops in audience, whie other stations with more progressiveapproaches are Contributing Editors seeing audience increases. Panelists will discuss the adoption of more youth- Keith Zimmerman oriented music, the realization that there’s a younger demographic during lat- Kent Zimmerman er hours, and the success stations programming for that audience are seeing. Founding Publisher: Tony Gasparre Panelists: Bob Rogers, Bouille & Rogers consultants; Jenny Toomey, Future of Music Coalition; Gary Vercelli, KXJZ; Linda Yohn, WEMU; Rafi Za- ADVERTISING: Devon Murphy bor. Location: Riverside Ballroom, Sheraon 3rd Fl. Call (866) 453-6401 ext. 3 or email: [email protected] Friday Workshop: Jazz Radio and the Community: How to Make Your Station More Relevant. Stations around the country have made their pro- SUBSCRIPTIONS: gramming more in tune with the local community by reaching out to arts Free to qualified applicants Premium subscription: $149.00 per year, organizations, schools, colleges and universities.
    [Show full text]