'Respect Life Sunday/ Oct. 2
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Reprint Stille Wut Und Zerstörungszorn
v Für keinen und um jeden Preis Reprint Stille Wut und Zerstörungszorn. In einer Gesellschaft der Außenseiter wäre er der Repräsentant: Vadim Glowna 1990Von Gundolf S. Freyermuth vol. 2013.01 info glowna 1/24 freyermuth.com Daten Vadim Glowna geboren 26. September 1941 in Eutin, gestorben 24. Januar 2012 in Berlin Alle nachstehenden Angaben nach dem 1993 erschienenen Buch Gundolf S. Freyermuth, „Spion unter Sternen. Lauschangriffe auf Hauptdarsteller“, Ch.Links: Berlin. Top-3-Filmrollen Vater Seemann und Pilot bei der Lufthansa, Mutter Hausfrau. Ausbildung Hamburgisches Schauspielstudio Top-3-Filmrollen Schwarz in Zbynek Brynchychs “Die Nacht von Lissabon” nach Erich Maria Remarques gleichnamigem Roman (TV, 1971) • Regisseur in Reinhard Hauffs “Der Hauptdarsteller” (TV, 1977) • Paul in Hans W. Geissendörfers “Ediths Tagebuch” nach dem gleichnamigen Roman von Patricia Highsmith Top-3-Nebenrollen Gefreiter Kern in Sam Peckinpahs “Cross of Iron” (“Steiner - das eiserne Kreuz”, 1976) • Dr. Jaeckli in Terence Youngs “Bloodline” (1979) • Sebastian in Claude Chabrols “Quiet Days in Clichy” (1989) Top-3-Regiearbeiten “Desperado City” (1981) • “Dies rigorose Leben” (1982) • “Des Teufels Paradies” (1987) vol. 2013.01 info glowna 2/24 ` freyermuth.com Ehrungen Interview Daten: 1975 - Erste Preis für Regie beim 16. Thessaloniki Film Festival (für “Eurydice BA 2037”) 14. und 15. Juli 1990 in Berlin; veröffentlicht 30. August 1990 • 1981 - Camera d’Or beim Festival International du Film Cannes (für “Desperado City”) • 1981 - Gilde Filmpreis für besten -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Introduction
NOTES INTRODUCTION 1. Nathanael West, The Day of the Locust (New York: Bantam, 1959), 131. 2. West, Locust, 130. 3. For recent scholarship on fandom, see Henry Jenkins, Textual Poachers: Television Fans and Participatory Culture (New York: Routledge, 1992); John Fiske, Understanding Popular Culture (New York: Routledge, 1995); Jackie Stacey, Star Gazing (New York: Routledge, 1994); Janice Radway, Reading the Romance (Chapel Hill: University of North Carolina, 1991); Joshua Gam- son, Claims to Fame: Celebrity in Contemporary America (Berkeley: Univer- sity of California Press, 1994); Georganne Scheiner, “The Deanna Durbin Devotees,” in Generations of Youth, ed. Joe Austin and Michael Nevin Willard (New York: New York University Press, 1998); Lisa Lewis, ed. The Adoring Audience: Fan Culture and Popular Media (New York: Routledge, 1993); Cheryl Harris and Alison Alexander, eds., Theorizing Fandom: Fans, Subculture, Identity (Creekskill, N.J.: Hampton Press, 1998). 4. According to historian Daniel Boorstin, we demand the mass media’s simulated realities because they fulfill our insatiable desire for glamour and excitement. To cultural commentator Richard Schickel, they create an “illusion of intimacy,” a sense of security and connection in a society of strangers. Ian Mitroff and Warren Bennis have gone as far as to claim that Americans are living in a self-induced state of unreality. “We are now so close to creating electronic images of any existing or imaginary person, place, or thing . so that a viewer cannot tell whether ...theimagesare real or not,” they wrote in 1989. At the root of this passion for images, they claim, is a desire for stability and control: “If men cannot control the realities with which they are faced, then they will invent unrealities over which they can maintain control.” In other words, according to these authors, we seek and create aural and visual illusions—television, movies, recorded music, computers—because they compensate for the inadequacies of contemporary society. -
Filming in Croatia 2020 1 Filming in Croatia 2020
Filming in Croatia 2020 1 Filming in Croatia 2020 Production Guide cover photo: Game of Thrones s8, Helen Sloan/hbo, courtesy of Embassy Films 2 Filming in Croatia 2020 Contents Introduction · 4 Permits and Equipment · 94 Location Permits · 97 Filming in Croatia · 8 Shooting with Unmanned Aircraft The Incentive Programme · 12 Systems (drones) · 99 Selective Co-Production Funding · 20 Visas · 102 Testimonials · 24 Work Permits for Foreign Nationals · 103 Customs Regulations · 105 Local Film Commissions · 38 Temporary Import of Professional Equipment · 107 Locations · 46 Country at a Glance · 50 Made in Croatia · 108 Istria · 52 Kvarner and the Highlands · 56 Dalmatia · 60 Slavonia · 64 Central Croatia · 68 Crews and Services · 72 Production Know-How · 75 Production Companies · 80 Crews · 81 Facilities and Technical Equipment · 83 Costumes and Props · 85 Hotels and Amenities · 88 Airports and Sea Transport · 89 Buses and Railways · 91 Traffic and Roads · 93 Zagreb, J. Duval, Zagreb Tourist Board Filming in Croatia 2020 5 Introduction Star Wars: The Last Jedi, John Wilson/Lucasfilm © 2018 Lucasfilm Ltd. All Rights Reserved Croatia offers an ideal combination Dubrovnik as the setting for King’s Landing, the fortress of Klis as the city of Meereen, and locations in Šibenik and Kaštilac of filming conditions. It is a small, for the city of Braavos. Numerous locations throughout Croatia hosted the bbc One’s McMafia, awarded best drama series at yet diverse country, with breath- the International Emmy Awards. hbo’s Succession season 2 taking locations; its landscapes finale took the luxurious cruise down the Dalmatian coast before scoring Golden Globe for Best Television Series – Drama. -
Cross of Iron Activités Culturelles Croix De Fer Culture.Unige.Ch Sam Peckinpah
Tarantino & Co. Ciné-club universitaire Cross of Iron Activités culturelles Croix de fer culture.unige.ch Sam Peckinpah Lundi 17 février 2020 à 20h | Auditorium Arditi âge légal: 16 ans Générique: USA, DE, 1977, Coul., Blu-ray, 132', vo st fr Crimée. Là, terrés dans leurs abris minés par Interprétation: James Coburn, Maximilian Schell, les bombes, le désillusionné colonel Brandt James Mason (James Mason) et son adjoint Kiesel (David Warner) voudraient ne pas perdre la face Un officier allemand prêt à tout pour obtenir devant une offensive qu’ils savent perdue. la Croix de fer, une haute distinction de l’armée Stransky (Maximilian Schell), capitaine récem- nazie, entre en conflit sur le terrain avec un chef ment transféré de France où il s’ennuyait, les de section. rejoint avec le but assumé d’obtenir pour sa pomme une croix de fer, la plus haute distinc- Sam Peckinpah, réalisateur de La horde tion possible, la décoration des héros. sauvage, nous livre un film de guerre puissant, Des héros, il n’y en a plus beaucoup après ces spectaculaire et désenchanté. scènes d’affrontement d’une brutalité inouïe, rendues cauchemardesques par le ralenti Croix de fer selon Tom Johnson, qui était devenu la marque de fabrique de Le Blog Du Cinéma Peckinpah. Les corps retombent indéfiniment, Dans un ouvrage qu’il lui consacra en 2001, comme freinés par l’air impénétrable. Le film l’un des meilleurs à ce jour au sujet du n’est pas une partie de plaisir. Le cinéaste cinéaste américain, François Causse définis- choisit de tout montrer, quitte à envoyer val- sait le cinéma de Sam Peckinpah de «violence ser les gentilles fresques de guerre édulcorées du crépuscule». -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
MÉRIDA ENERO 2019 Centro Cultural Fundación Caja Badajoz
MÉRIDA ENERO 2019 Centro Cultural Fundación Caja Badajoz Jueves 10 de enero 20:30 horas cáceres badajoz mérida plasencia Soñadores Jueves 17 de enero 20:30 horas ENERO 2019 La cruz de hierro programación Jueves 24 de enero 20:30 horas El capitán Jueves 31 de enero 20:30 horas 1945 5105 Historia de una Fuga de Mauthausen - Cortometraje ETERNO BERTOLUCCI MÁS HISTORIAS DE LA II GUERRA MUNDIAL EXTREMADURA AUDIOVISUAL EN FILMOTECA Filmoteca de Extremadura · Sala Mérida Centro Cultural Fundación Caja Badajoz Plaza de Santo Domingo s/n · 06800 Mérida Todas las proyecciones son en Versión Original Subtitulada. No se permitirá el acceso a la sala una vez comenzada la proyección. Horario de Taquilla: Desde 30 minutos antes del inicio de cada proyección. Precio de Entrada: General: 1 euro Abono 10 sesiones: 6 euros. fi lmotecaextremadura.gobex.es fi [email protected] Teléfono: 927 005 480 Consejería de Cultura e Igualdad Consejería de Cultura e Igualdad CC-000393-2018 MÁS HISTORIAS DE LA II GUERRA ETERNO BERTOLUCCI MUNDIAL No por esperada ha sido menos sentida la desaparición de Bernardo Bertolucci (1948-2018) autor de El Ultimo Tango en Paris, Novecento, El Conformista, La confl agración bélica que marcó el siglo pasado sigue siendo una fuente El Último Emperador, La Luna, películas cuyos protagonistas rastrean entre inagotable de notables títulos. Este mes contamos con dos películas que son las cenizas la posibilidad de emprender la misma revuelta, de empezar de todo un refl ejo de la condición humana como solo la guerra puede revelar que nuevo, de discutir cada lugar común, de replantearse en sentido mismo y tienen además en común su excelsa fotografía en blanco y negro y el estar profundo voces como amor, vida, sexo o muerte. -
RFC's Library's Book Guide
RFC’s Library’s Book Guide 2017 Since the beginning of our journey at the Royal Film Commission – Jordan (RFC), we have been keen to provide everything that promotes cinema culture in Jordan; hence, the Film Library was established at the RFC’s Film House in Jabal Amman. The Film Library offers access to a wide and valuable variety of Jordanian, Arab and International movies: the “must see” movies for any cinephile. There are some 2000 titles available from 59 countries. In addition, the Film Library has 2500 books related to various aspects of the audiovisual field. These books tackle artistic, technical, theoretical and historical aspects of cinema and filmmaking. The collec- tion of books is bilingual (English and Arabic). Visitors can watch movies using the private viewing stations available and read books or consult periodi- cals in a calm and relaxed atmosphere. Library members are, in addition, allowed to borrow films and/or books. Membership fees: 20 JOD per year; 10 JOD for students. Working hours: The Film Library is open on weekdays from 9:00 AM until 8:00 PM. From 3:00 PM until 8:00 PM on Saturdays. It is closed on Fridays. RFC’s Library’s Book Guide 2 About People In Cinema 1 A Double Life: George Cukor Patrick McGilligan 2 A Hitchcock Reader Marshall Dentelbaum & Leland Poague 3 A life Elia Kazan 4 A Man With a Camera Nestor Almenros 5 Abbas Kiarostami Saeed-Vafa & Rosenbaum 6 About John Ford Lindsay Anderson 7 Adventures with D.W. Griffith Karl Brown 8 Alexander Dovzhenko Marco Carynnk 9 All About Almodovar Epps And Kakoudeki -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
Reflections Upon a Paradigm of Military Strategy Within the European Common Security and Defense Policy (ESDP)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Calhoun, Institutional Archive of the Naval Postgraduate School Calhoun: The NPS Institutional Archive Theses and Dissertations Thesis Collection 2001-06 Clausewitz and the theory of military strategy in Europe : reflections upon a paradigm of military strategy within the European Common Security and Defense Policy (ESDP) Hartmann, Uwe. Monterey, California. Naval Postgraduate School http://hdl.handle.net/10945/2213 NAVAL POSTGRADUATE SCHOOL Monterey, California THESIS CLAUSEWITZ AND THE THEORY OF MILITARY STRATEGY IN EUROPE – REFLECTIONS UPON A PARADIGM OF MILITARY STRATEGY WITHIN THE EUROPEAN COMMON SECURITY AND DEFENSE POLICY (ESDP) by Uwe Hartmann June 2001 Thesis Advisor: Donald Abenheim Co-Advisor: Daniel Moran Approved for public release; distribution is unlimited i REPORT DOCUMENTATION PAGE Form Approved OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instruction, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden, to Washington headquarters Services, Directorate for Information Operations and Reports, 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302, and to the Office of Management and Budget, Paperwork Reduction Project (0704-0188) Washington DC 20503. 1. AGENCY USE ONLY (Leave blank) 2. REPORT DATE 3. REPORT TYPE AND DATES COVERED June 2001 Master’s Thesis 4. TITLE AND SUBTITLE: Title (Mix case letters) 5. -
PRICES REALIZED DETAIL - Hollywood - Summer 2016 Auction 83, Auction Date
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood - Summer 2016 Auction 83, Auction Date: LOT ITEM PRICE PREMIUM 1 THEDA BARA (36) VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAITS. $3,250 $650 2 (100+) VINTAGE ORIGINAL BEHIND THE SCENES PHOTOGRAPHS OF EARLY $1,500 $300 HOLLYWOOD STUDIOS AND FILMMAKING. 3 MGM STARS OF THE 1930S (53) VINTAGE ORIGINAL PHOTOGRAPHIC $1,300 $260 PORTRAITS BY HURRELL AND BULL. 4 JEAN HARLOW (7) VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAITS BY BULL, $450 $90 GRIMES, AND HURRELL. 5 CAROLE LOMBARD VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAIT BY $225 $45 CLARENCE SINCLAIR BULL. 6 CAROLE LOMBARD (50+) VINTAGE ORIGINAL PHOTOGRAPHIC PORTRAITS. $2,750 $770 7 CLARK GABLE (14) VINTAGE ORIGINAL PHOTOGRAPHS. $300 $60 8 GONE WITH THE WIND (40+) VINTAGE ORIGINAL PRODUCTION PHOTOS AND (1) $1,100 $308 WINDOW CARD. 9 LAUREN BACALL (2) VINTAGE OVERSIZE PHOTOGRAPHIC PORTRAITS BY JOHN $2,250 $450 ENGSTEAD. 10 REBEL WITHOUT A CAUSE (22) VINTAGE ORIGINAL SET CONTINUITY $400 $80 PHOTOGRAPHS. 11 COLLECTION OF (5000+) ORIGINAL VINTAGE AND CONTEMPORARY $37,500 $7,500 ENTERTAINMENT PHOTOGRAPHS. 12 COLLECTION OF (5000+) ORIGINAL VINTAGE AND CONTEMPORARY $35,000 $7,000 ENTERTAINMENT PHOTOGRAPHS. 13 COLLECTION OF (5000+) ORIGINAL VINTAGE AND CONTEMPORARY $37,500 $7,500 ENTERTAINMENT PHOTOGRAPHS. 14 COLLECTION OF (500+) VINTAGE AND CONTEMPORARY OVERSIZE $9,000 $1,800 PHOTOGRAPHIC PORTRAITS. 15 LON CHANEY, SR. VINTAGE ORIGINAL PHOTOGRAPHER SIGNED GLASS PLATE $450 $90 NEGATIVE. 16 COLLECTION OF (1000++) ORIGINAL VINTAGE AND CONTEMPORARY $5,500 $1,100 NEGATIVES, SLIDES, AND COLOR TRANSPARENCIES. Page 1 of 71 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood - Summer 2016 Auction 83, Auction Date: LOT ITEM PRICE PREMIUM 17 IN OLD CHICAGO VINTAGE ORIGINAL SCRIPT.