December 3, 2018 SERENBE PLAYHOUSE 2019 10Th

Total Page:16

File Type:pdf, Size:1020Kb

December 3, 2018 SERENBE PLAYHOUSE 2019 10Th December 3, 2018 SERENBE PLAYHOUSE 2019 10th Anniversary Season – Shenandoah, Ragtime & Hair OPEN CALL AUDITION NOTICE NOTE: Georgia’s Serenbe Playhouse, founded by Brian Clowdus, has earned national recognition for its large-scale outdoor, site specific productions. In recent years, the theatre has re-staged musicals like Rodgers and Hammerstein’s Carousel within an actual carnival, Grease at a drive-in movie and a 2016 production of Miss Saigon that landed a Vietnam-era Huey helicopter mid-show. Last summer, Serenbe took on its most ambitious project to date with a staging of the Tony-winning musical Titanic that incorporated an actual sinking of the luxury liner each night on one of Serenbe’s lakes. SHENANDOAH Founder & Artistic Director: Brian Clowdus V/T: Serenbe Playhouse Director: Brian Clowdus AEA Guest Artist, Tier II Choreographer: Bubba Carr Min. $473 p/w + pension and health Music Director: Chris Brent Davis Non-Eq: Salary is negoatable Music: Gary Geld Lyrics: Peter Udell Book: Peter Udell, Philip Rose & James Lee Barrett Casting: Binder Casting/ Chad Eric Murnane, CSA 1st Rehearsal: 2/12/19 1st Preview: 3/13/19 Open: 3/15/19 Close: 4/7/19 with possible extension thru 4/14 SEEKING: [CHARLIE ANDERSON] Male, Caucasian, late 40s to early 60s. A strong, earthy farmer. A widower who rules his large family with authority and tenderness. He is handsome, full of charisma and charm and physically in good shape. Objects to the Civil War and doesn’t want to get involved but is forced to take action when his youngest son is taken hostage by Union soldiers. Baritenor. [ROBERT ANDERSON] Male, Caucasian, to play 12 years old. Charlie’s youngest son. He is taken prisoner by Union soldiers. A typical country boy. Playful, tough and sweet. Boy Soprano. [GABRIEL] Male, African American, to play 12 years old. A slave, charming and friend of Robert. Boy Soprano. [SAM] Male, Caucasian, mid 20s. Jenny's handsome suitor and later husband. Upstanding and shy young Confederate soldier. Non-singing role. [ANDERSON BROTHERS] Male, Caucasian, early to late 20s. Seeking 5 men to play Charlie Anderson’s sons: JACOB (late 20s), JAMES (mid to late 20s, NATHAN (early to mid 20s), JOHN (early 20s), HENRY (18+ to play 17). Strong & strapping, handsome. All sons are very much like their father. All must sing and move well. Baritenor. [REV. BYRD] Male, Caucasian, late 40s to early 60s. Short-tempered preacher, very much duty oriented to God and the country. This role will cover CHARLIE ANDERSON. Baritenor. [SERGEANT JOHNSON] Male, Any Ethnicity. Confederate officer passionate about his duty to the state. [MALE ENSEMBLE] Male, Any Ethnicity, early to late 20s. All types are welcome. Seeking strong NON-AEA athletic dancers who sing. The male ensemble will also cover the ANDERSON BROTHERS, SERGEANT JOHNSON, LIEUTENANT, TINKHAM, CAROL, CORPORAL, MARAUDER, ENGINEER, CONFEDERATE SNIPER. [FEMALE ENSEMBLE] Female, Any Ethnicity, early to late 20s. All types are welcome. Seeking strong NON-AEA athletic dancers who sing. The female ensemble will also cover JENNY & ANNE. SYNOPSIS: The musical story of one family’s struggle during the American Civil War will come alive in a site-specific, immersive new production. Their personal story of heartbreak and ultimately hope amidst tragedy will be staged alongside an actual Civil War reenactment to bring this personal story to life like never before. 2 RAGTIME Founder & Artistic Director: Brian Clowdus V/T: Serenbe Playhouse Director: Brian Clowdus AEA Guest Artist, Tier II Choreographer: Bubba Carr Min. $473 p/w + pension and health Music Director: Chris Brent Davis Non-Eq: Salary is negoatable Music: Stephen Flaherty Lyrics: Lynn Ahrens Book: Terrence McNally Casting: Binder Casting/ Chad Eric Murnane, CSA 1st Rehearsal: 4/9/19 1st Preview: 5/8/19 Open: 5/10/19 Close: 6/9/19 with possible extension thru 6/16 SEEKING: [COALHOUSE WALKER JR.] Male, African American, 25 - 35. A leading man of power, presence, pride, character and enormous charisma. His gentle spirit is tested by how he is treated as an African American in the early 20th Century. Confident and stubborn, he is pushed to the point of violence by repeated injustices and a system set up for his failure. Powerful Baritone with soaring high notes up to a High A. [SARAH] Female, African-American, early 20s. Lovely, innocent and shy, yet a deeply emotional and strong-willed woman. Falls in love with Coalhouse after much resistance and then she is not only betrayed by him but left alone and pregnant. She and her son are saved by Mother and it is there that she is found by Coalhouse who has come back a changed and better man. Must be an extremely gifted actress of much depth with a stellar powerhouse voice. Soprano with high belt. [TATEH] Male, Eastern European Jewish immigrant, 30 – mid 40s. An artist and loving father, he embodies the determined spirit and ingenuity of the American Jewish Immigrant experience. Bursting with optimism for a better future, he uses his wit and charm to succeed in chasing his American Dream. Baritenor. [FATHER] Male, Caucasian, 30 – mid 40s. A wealthy and successful business man. He is resistant to the social and political changes shaking his traditional views of America. Leading man with a powerful and rich Baritone voice. [YOUNGER BROTHER] Male, Caucasian, mid 20s to 30. Charming & handsome with a boyish wonder and the ability to play a dark, intense and high-strung young man. Idealistic and searching for a sense of self, he is inspired by the teachings of the revolutionary Emma Goldman and joins The Coalhouse Gang in the fight for social justice. Tenor. 3 [GRANDFATHER] Male, Caucasian, 50s – 60s. The father of Mother and formerly a professor of Greek and Latin. He is upper class and entirely resistant to the social and political changes in America. Baritone. [LITTLE BOY] Male, Caucasian, 8 – 10 years old. The son of an upper-class New Rochelle family. Precocious and highly observant, he is uniquely prescient about the changing world. Boy Soprano. [LITTLE GIRL] Female, Eastern European Jewish immigrant, 8 – 10 years old. The earnest and sweet young daughter of Tateh. She is excited by the unlimited opportunity of America. Mezzo with minimal solo singing. [WILLIE CONKLIN/ENSEMBLE] Male, Caucasian, 20s – early 30s. Irish-American fire chief. An exterior joviality belies his mean spirit and intolerance towards the African American community. Must be able to do a strong Irish accent. [J.P. MORGAN/ENSEMBLE] Male, Caucasian, late 30s to early 40s. A pompous and incredibly wealthy businessman. Character Baritone. [HARRY HOUDINI/ESNEMBLE] Male, Hungarian, 30s – 40s. The famous magician and bodybuilder, he represents the success of the American Immigrant. Should be in good physical shape. Tenor. [HENRY FORD/ENSEMBLE] Male, Caucasian, 40 – 60. The bombastic American inventor and entrepreneur who is both a visionary and a bigot. Tenor with great strength and character nuance. [BOOKER T. WASHINGTON/ENSEMBLE] Male, African American, 40s – early 50s. An eloquent and educated orator. He preaches peace and cooperation between the races as the key to the success of the African American community in America. Baritone. [SARAH’S FRIEND/ENSEMBLE] Female, African American, 20s – 30s. Warm and soulful, she ferociously leads the Harlem Ensemble during Sarah’s funeral. Powerhouse Gospel belt with a tremendous upper register. [MALE ENSEMBLE] Male, Any Ethnicity, early 20s – early 50s. All types are encouraged. Performers must sing and move well. The male ensemble will cover principal and supporting roles as well as featured moments. [FEMALE ENSEMBLE] Female, Any Ethnicity, early 20s to early 50s. All types are encouraged. Performers must sing and move well. The female ensemble will cover principal and supporting roles as well as featured moments. SYNOPSIS: The Tony Award-winning musical based on E.L. Doctorow’s acclaimed novel of the same name, it is a picture of this nation’s hopes and pains as we entered the twentieth century. Telling the diverse stories of African Americans, immigrants, and 4 the elite upper-class, with a mix of real-life historical figures it paints a canvas of a country on the verge of a new era. 5 HAIR Founder & Artistic Director: Brian Clowdus V/T: Serenbe Playhouse Director: Brian Clowdus AEA Guest Artist, Tier II Choreographer: Bubba Carr Min. $473 p/w + pension and health Music Director: Chris Brent Davis Non-Eq: Salary is negoatable Music: Galt MacDermot Book & Lyrics: Gerome Ragni & James Rado Casting: Binder Casting/ Chad Eric Murnane, CSA 1st Rehearsal: 6/4/19 1st Preview: 7/3/19 Open: 7/4/19 Close: 8/18/19 with possible extension thru 9/8 SEEKING: **Looking for great actors with strong improv sensibilities who move well and are comfortable with nudity. [BERGER] Male, Any Ethnicity, 20s. Born in Queens, NY but pretends to be from Manchester, England. The charismatic and extroverted leader of the tribe, Berger is incredibly sexy with enormous charisma, shockingly liberated, bold, and in-your-face. An irreverent free spirit. Great actor with very strong comic chops. Authentic rock n’ roll voice. Baritenor. Must move well, have a very athletic body and be comfortable with nudity. [CLAUDE] Male, Any Ethnicity, 20s. Romantic and introverted protagonist of the story. Claude is a conflicted young man dealing with the pressures of his parents and the challenges of being drafted in the Vietnam War. Free spirit with great acting and a lovely singing voice - Bari-Tenor. Should move well, have a very athletic body and be comfortable with nudity. [DIONNE] Female, African American, 20s. Strong, knows herself, she believes in non- violent resistance, and is a follower of MLK. She is incredibly mature for her age. She has a huge capacity for love.
Recommended publications
  • The Dinner Theatre of Columbia
    The Dinner TheaTre of Columbia Presents SepTember 11 - november 15, 2015 The Dinner TheaTre of Columbia Presents Ragtime, the Musical Book by Terrence McNally Music by Lyrics by Stephen Flaherty Lynn Ahrens Based on “Ragtime” by E.L. Doctorow Directed & Staged by Toby Orenstein & Lawrence B. Munsey Musical Direction by Ross Scott Rawlings Choreography by Ilona Kesell Set Design by Light Design by Sound Design by David A. Hopkins Lynn Joslin Mark Smedley Costumes by Lawrence B. Munsey Ragtime, the Musical is presented through special arrangement with Music Theatre International, 421 West 54th Street, New York, NY 10019. 212-541-4684 www.MtiShows.com Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Fog & Strobe effects may be used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com PRODUCTION STAFF Directors .................................................................. Toby Orenstein & Lawrence B. Munsey Music Director/ Orchestrations............................................................ Ross Scott Rawlings Production Manager ................................................................................. Vickie S. Johnson Choreographer .................................................................................................. Ilona Kessell Scenic Designer ........................................................................................
    [Show full text]
  • Cheryl Lynn (Neeley)Yancey 108 Southdown Circle Stephens City, VA 22655 Home: (540)868-2844 Office: (540)545-7247
    Cheryl Lynn (Neeley)Yancey 108 Southdown Circle Stephens City, VA 22655 Home: (540)868-2844 Office: (540)545-7247 A. Education Background The George Washington University, Washington DC 1955-1989 Master of Fine Arts, Scenography Indiana State University, Terre Haute, Indiana 1981-1983 Bachelor of Science, Speech Communication and Theatre Education Lincoln Trail College, Robinson, Illinois 1978-1980 Associate of Science, Psychology B. Current Position Shenandoah University, Winchester, Virginia 1995-Present Associate Professor, Costume Design C. Teaching Experience Shenandoah University Stage Costuming, Stage Makeup, Advanced Stage Makeup, Costume Design 1 & 2, Costume Rendering 1 & 2, Fashion History 1 & 2, Vocal Production, Costume Construction, Pattern Drafting, Craftwork, Tailoring, Millinery, Allentown College of St. Frances de Sales, Center Valley, PA 1989-1995 Theatre Crafts, Public Speaking, Costume Design, Stage Makeup, Costume History, Voice for the Stage, Pattern Drafting and Costume Construction, Costuming for Dance The George Washington University, Graduate Teaching Assistant Costume Construction, Makeup Design, Theatre Production (Guest Lecturer), Understanding the Theatre (Guest Lecturer) Duke Ellington School for the Arts, Washington, DC Summer 1986 Costume Design and Construction Lake Central High School, St. John, Indiana 1983 Student Teaching, Speech and Drama D. Theatre Experience -- Professional - Costume Design 2015 A Funny Thing Happened Shenandoah Summer Music Theatre on the Way to the Forum The Wiz Shenandoah Summer
    [Show full text]
  • 2019 EVITA Lloyd Webber & Rice the Marriage of Figaro Mozart the Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein
    seagle music colony 2019 EVITA Lloyd Webber & Rice The Marriage of Figaro Mozart The Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein Vespers Monkey & Francine Concerts in the City of Tigers * seaglecolony.org Bringing Music to the Adirondacks Since 1915 The Beechwood Group of Wells Fargo Advisors is proud to support The Seagle Music Colony Joseph Steiniger Senior Vice President - Investment Officer CERTIFIED FINANCIAL PLANNER™ joseph.steiniger@wfadvisors.com Mary E. McDonald First Vice President - Investments mary.mcdonald@wfadvisors.com The Beechwood Group 845-483-7943 www.thebeechwoodgroup.com Investment and Insurance Products: NOT FDIC Insured NO Bank Guarantee MAY Lose Value Wells Fargo Advisors, LLC, Member SIPC, is a registered broker-dealer and a separate non-bank affiliate of Wells Fargo & Company. ©2013 Wells Fargo Advisors, LLC. All rights reserved. 1113-02329 [74127-v4] Table of Contents General Information About Seagle Music Colony Restrooms are located in the Shames Rehearsal Notes from the Directors 3 Studio. Handicapped accessible restroom Seagle Music Colony Board of Directors 4 is at the rear of the theatre lobby. Seagle Music Colony Guild 4 History of Seagle Music Colony 7 Refreshments are provided in the theatre lobby 2018-2019 Seagle Music Colony Donors 8 by the Seagle Music Colony Guild. Donor Opportunities 12 2018-19 Alumni Updates 35 So that all our patrons may enjoy the performance, please turn all cell phones and pagers The Seagle Music Colony Gala 17 to the silent or off positions. The Productions Thank you for attending today’s performance. Evita 14 Monkey & Francine in the City of Tigers 16 The Marriage of Figaro 18 The Manchurian Candidate 22 Seagle Music Colony Oklahoma! 24 999 Charley Hill Road 2019 Fall Season 26 PO Box 366 Schroon Lake, NY 12870 2019 Faculty/Staff & Emerging Artists (518) 532-7875 Faculty & Staff 27 Emerging Artists 33 seaglecolony.org info@seaglecolony.org Our Mission To identify, train and develop gifted singers and to present quality opera and musical theatre performances to the public.
    [Show full text]
  • She a Gem.Qxp WPAS 2/7/19 3:35 PM Page 1
    02-15 She a Gem.qxp_WPAS 2/7/19 3:35 PM Page 1 FAMILY THEATER February 15 –24, 2019 The John F. Kennedy Center for the Performing Arts presents A World Premiere Kennedy Center Commission She A Gem Written by Josh Wilder Directed by Paige Hernandez With Moriamo Temidayo Akibu, Aakhu TuahNera Freeman, Heather Gibson, Alicia Grace, and Kashayna Johnson Choreographer Double-Dutch Coach Scenic Designer Jocelyn Isaac Ebony Ingram Debra Kim Sivigny Costume Designer Lighting and Projections Sound Designer Sarah Woodham Designer Kenny Neal Rob Siler Assistant Scenic Designer Production Stage Emily Lotz Assistant Director Manager Michael Mobley Rachael Danielle Albert Casting Director Michelle Kozlak General Manager Harry Poster Executive Director Mario Rossero Producing Director David Kilpatrick Part of The Human Journey Exploration . Performances for Young Audiences is made possible by Bank of America. Additional support for She A Gem is provided by Adobe Foundation, The Clark Charitable Foundation; Mr. James V. Kimsey; The Macy’s Foundation; The Morris and Gwendolyn Cafritz Foundation; Park Foundation, Inc.; Paul M. Angell Family Foundation; an endowment from the Ryna and Melvin Cohen Family Foundation; U.S. Department of Education; Washington Gas; and by generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Major support for the Kennedy Center’s educational programs is provided by David and Alice Rubenstein through the Rubenstein Arts Access Program . The contents of this document do not necessarily represent the policy of the U.S. Department of Education, and you should not assume endorsement by the Federal Government.
    [Show full text]
  • Outlook Gloomy for Area Farmers Village Gets Street, Sewage Plan Funds
    Market prices too low Outlook gloomy for area farmers Al Seurynck puts it bluntly : Although prices are low, Randall, the bank's vice- commodity loans last year. Bouck cautioned farmers The PCA gives loans ot up ers are patching their equip- creased, but sales of such "There's no money in cash they may get lower. Seury- president and cashier, pre- Farmers can borrow $2.22 that in order to participate in to 7 years for operating ment together "with baling items as middle-size tractors cropping today." nck, who farms with his dicted a few farmers may not per bushel for 90 per cent of the loan program, if they expenses and machinery. wire and scotch tape, but if is healthy. Prospects this fall both brother, David, almost 1,800 be able to make it financially, the crop. If the price -- don't have on-the-farm stor- Collins said a few cash crop they had the money,- .they Parts sales and repairs locally and nationally are for acres of wheat, dry beans, and will be forced to sell out. currently around $1.70 -- goes age, they will need negotiable farmers may make money would replace it." remain about the same or a bountiful harvest. That, corn, and barley near Gage- Current.prices, the banker above $2.22, growers can receipts for their grain from this year, but most won't. Two implement dealers have increased slightly, he plus carryover from past town, talked on the phone last said, "look like they won't redeem their wheat by paying elevators.
    [Show full text]
  • Bruce Walker Musical Theater Recording Collection
    Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN
    [Show full text]
  • Film, Philosophy Andreligion
    FILM, PHILOSOPHY AND RELIGION Edited by William H. U. Anderson Concordia University of Edmonton Alberta, Canada Series in Philosophy of Religion Copyright © 2022 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200, C/Sancti Espiritu 17, Wilmington, Delaware 19801 Malaga, 29006 United States Spain Series in Philosophy of Religion Library of Congress Control Number: 2021942573 ISBN: 978-1-64889-292-9 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image: "Rendered cinema fimstrip", iStock.com/gl0ck To all the students who have educated me throughout the years and are a constant source of inspiration. It’s like a splinter in your mind. ~ The Matrix Table of contents List of Contributors xi Acknowledgements xv Introduction xvii William H.
    [Show full text]
  • Developmental Cross Training Repertoire for Musical Theatre
    Developmental Cross Training Repertoire for Musical Theatre Women The repertoire suggestions below target specific developmental goals. It is important to keep in mind however that the distinguishing characteristic of musical theatre singing is the variability of tonal resonance within any given song. A predominantly soprano song might suddenly launch into a belt moment. A chest dominant ballad may release into a tender soprano. Story always pre-empts musical choices. “Just You Wait” from My Fair Lady is part of the soprano canon but we would be disappointed if Eliza could not tell Henry Higgins what she really felt. In order to make things easier for beginning students, it’s a good idea to find repertoire with targeted range and consistent quality as students develop skill in coordinating registration. Soprano Mix—Beginner, Teens to Young Adult Examples of songs to help young sopranos begin to feel functionally confident and enthusiastic about characters and repertoire. Integrating the middle soprano is a priority and it is wise to start there. My Ship Lady in the Dark Weill Far from the Home I Love Fiddler on the Roof Bock/ Harnick Ten Minutes Ago Cinderella Rodgers/Hammerstein Mr. Snow Carousel Rodgers/Hammerstein Happiness is a Thing Called Joe Cabin in the Sky Arlen/Harburg One Boy Bye Bye Birdie Strouse/Adams Dream with Me Peter Pan Bernstein Just Imagine Good News! DeSylva/Brown So Far Allegro Rodgers/Hammerstein A Very Special Day Me and Juliet Rodgers/Hammerstein How Lovely to be a Woman Bye Bye Birdie Strouse/Adams One Boy Bye Bye Birdie Strouse/Adams Lovely Funny Thing.
    [Show full text]
  • Mainstage Playbill Richard Hopkins, Producing Artistic Director
    Mainstage Playbill Richard Hopkins, Producing Artistic Director written by John Markus and Mark St. Germain, original music by Randy Courts, original lyrics by Mark St. Germain Levin Valayil, Joel Blum, D.C. Anderson, Scott Wakefield. Photo by Matthew Holler. Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. THE FABULOUS LIPITONES written by John Markus and Mark St. Germain, original music by Randy Courts, original lyrics by Mark St. Germain CAST (in alphabetical order) Howard Dunphy.........................D.C. Anderson* Wally Smith...............................Joel Blum* Baba Mati Singh (Bob)................Levin Valayil* Phil Rizzardi..............................Scott Wakefield* Scenic Designers Costume Designer Isabel & Moriah Curley-Clay April Soroko Lighting Designer Sound Designer Musical Staging Christopher Bailey Jason Romney Joel Blum Stage Manager Roy Johns* Musical Director Steven Freeman Director John Markus Season Underwriters Georgia Court, Dennis & Graci McGillicuddy, Anne Nethercott Please Note: There is a strobe light effect used in this production. Originally produced for Goodspeed Musicals by Michael P. Price, Executive Director Goodspeed Musicals has achieved international acclaim for its dedication to the preservation and advancement of musical theatre. Under the direction of Michael P. Price since 1968, Goodspeech produced three musicals each season at the Goodspeed Opera House in East Haddam, Connecticut and specialized in producing and developing new musicals at the Norma Terris Theatre in Chester, Connecticut. For the Goodspeed stages, 19 musicals have gone to Broadway (including Man of La Mancha, Shenandoah, Annie) and over 75 new musicals have been launched. Also integral to its mission, Goodspeed houses the Scherer Library of Musical Theatre and has established the Max Showalter Center for Education in the Musical Theater to educate and train future generations of theatergoers and theatrical professionals.
    [Show full text]
  • Hofstra University Film Library Holdings
    Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.
    [Show full text]
  • Alvin Theater
    Landmarks Preservation Commission August 6 , 1985; Designaticn List 182 LP-1306 ALVIN THEATER (na.v Neil Simon Theater), first floor interior consisting of the ticket lobby, the entrance lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the ba.lcony, the upper part of the auditorium and ceiling; and the fixtures and interior crnponents of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings, and attached decorative elements; 244-254 West 52nd Street, Manhattan. Built 1927; architect, Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1023, Lot 54. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing en the proposed designation as an Interior Landmark of the Alvin Theater, first floor interior consisting of the ticket lobby, the entrance lobby, the auditorium, the stage, the staircases leading from the first floor to the balcony floor and all connecting entrance areas; the balcony floor interior consisting of the balcony, the upper part of the auditorium and ceiling; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings, and attached decorative elements; 244-254 West 52rrl Street, Manhattan, and the proposed designation of the related Landmark Site (Item No.2). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty­ three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation.
    [Show full text]
  • Marcia Milgrom Dodge
    MARCIA MILGROM DODGE Agent Evan Morse The Gersh Agency 41 Madison Avenue, 33rd Floor, New York, NY 10010 212.634.8169 EMorse@gersh.com Career Overview § Freelance director & choreographer of classic and contemporary plays and musicals on Broadway, Off- Broadway, Regional, Summer Stock and University venues in the United States and abroad. More than 200 productions as director and/or choreographer § Tony Award nomination in 2010 for Best Director of a Musical, RAGTIME Revival § Published and produced playwright § First woman hired by The John F. Kennedy Center for the Performing Arts to direct and choreograph a major musical in 2009 (Ragtime) § Creative Consultant for Ringling Brothers & Barnum & Bailey Circus Fully Charged § Member of SDC since 1979; seventeen (17) years of Executive Board service § Resident Director, Born For Broadway, Annual Charity Cabaret, Founder/Producer: Sarah Galli, since 2009 § Associate Artist, Bay Street Theatre, Sag Harbor, NY, since 2008 § Associate Member of the Dramatists Guild, 2001-present § Resident Director, Phoenix Theatre Company at SUNY Purchase, 1993-1995 § Member of Actors Equity Association, 1979-1988 Selected Plays & Musicals (complete resume upon request) I approach revivals as if they are new works and I bring extensive knowledge of classical form and structure to my collaborations with new writers. I work in large venues from 11,000-seat outdoor theatres (Muny) to tiny venues such as 60-seat black box theatres (Workshop Theatre). Major Revivals RAGTIME, Broadway/Neil Simon Theatre & John F. Kennedy Center/Eisenhower Theatre MERRILY WE ROLL ALONG w/ Sondheim & Furth, Arena Stage Reimagined Classics CAT ON A HOT TIN ROOF Drury Lane Theatre FIDDLER ON THE ROOF & THE KING & I Maltz Jupiter Theatre ANGEL STREET & CRIMES OF THE HEART Cape Playhouse MEET ME IN ST.
    [Show full text]