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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Unfair Advantage #3 DEBT
What Schools Will Never Teach You About Money By Robert T. Kiyosaki ™ If you purchase this book without a cover, or purchase a PDF, jpg, or tiff copy of this book, it is likely stolen property or a counterfeit. In that case, neither the authors, the publisher, nor any of their employees or agents has received any payment for the copy. Furthermore, counterfeiting is a known avenue of financial support for organized crime and terrorist groups. We urge you to please not purchase any such copy and to report any instance of someone selling such copies to Plata Publishing LLC. This book is dedicated to those who step up This publication is designed to provide competent and reliable information regarding the and become part of the solution. subject matter covered. However, it is sold with the understanding that the author and publisher are not engaged in rendering legal, financial, or other professional advice. Laws and practices often vary from state to state and country to country and if legal or other expert assistance is required, the services of a professional should be sought. The author and publisher specifically disclaim any liability that is incurred from the use or application of the contents of this book. Copyright © 2012 by Robert T. Kiyosaki. All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means or stored in a database or retrieval system, without the prior written permission of the publisher. Published by Plata Publishing, LLC CASHFLOW, Rich Dad, Rich Dad Advisors, ESBI, and B-I Triangle are registered trademarks of CASHFLOW Technologies, Inc. -
Save Me HV PK
SAVE ME Directed by Robert Cary Story by Craig Chester and Alan Hines Screenplay by Robert Desiderio Starring Chad Allen, Robert Gant, Judith Light 96 minutes, color, 2007 First Run Features 630 Ninth Avenue, Suite 1213 New York, NY 10036 (212) 243-0600/Fax (212) 989-7649 www.firstrunfeatures.com 1 of 18 SYNOPSIS 1 Save Me is a love story about Mark, a sex and drug addicted young man who after an accidental overdose finds he’s been checked into a Christian retreat for ‘Ex-Gays’. Gayle, the director of the ministry run together with her husband Ted, believes she can help cure young men of their ‘gay affliction’ through spiritual guidance. At first, Mark resists, but soon takes the message to heart. As Mark’s fellowship with his fellow Ex-Gays grow stronger, however, he finds himself powerfully drawn to Scott, another young man battling family demons of his own. As their friendship begins to develop into romance, Mark and Scott are forced to confront the new attitudes they’ve begun to accept, and Gayle finds the values she holds as an absolute truth to be threatened. A complex and deeply sympathetic look into both sides of one of the most polarizing religious and sexual debates in America. SYNOPSIS 2 Though there is no sound scientific evidence that sexual orientation can be changed, the ex-gay movement has been at the polarizing center of religious and sexual debates in the U.S. since the 1970s. In Save Me , an exceptionally layered, intelligent and sensitive drama brought to life by director Robert Cary, Mark (Chad Allen) a self-destructive addict hooked to anonymous sex and narcotics finally hits bottom. -
Rich Dad Poor
Rich Dad Poor Dad will… • Explode the myth that you need to earn a high income to become rich • Challenge the belief that your house is an asset • Show parents why they can’t rely on the school system to teach their kids about money • Define once and for all an asset and a liability • Teach you what to teach your kids about money for their future financial success Robert Kiyosaki has challenged and changed the way tens of millions of people around the world think about money. With perspectives that often contradict conventional wisdom, Robert has earned a reputation for straight talk, irreverence and courage. He is regarded worldwide as a passionate advocate for financial education. R o b What The Rich Teach Their Kids About Money – “The main reason people struggle financially is because they e That The Poor And Middle Class Do Not! have spent years in school but learned nothing about money. r The result is that people learn to work for money… but never t learn to have money work for them.” T . – Robert Kiyosaki K i y Rich Dad Poor Dad – The #1 Personal Finance Book of All Time! o “Rich Dad Poor Dad is a starting point for anyone looking to gain control of their s financial future.” – USA TODAY a k i www.richdad.com ™ $16.95 US | $19.95 CAN Robert T. Kiyosaki “Rich Dad Poor Dad is a starting point for anyone looking to gain control of their financial future.” – USA TODAY RICH DAD POOR DAD What The Rich Teach Their Kids About Money— That The Poor And Middle Class Do Not! By Robert T. -
This Is a Test
‘AFTER THE FALL’ CAST BIOS ANDREA BOWEN (Jenna Danville) – An industry veteran at the age of 19, Andrea Bowen has not stopped working since she appeared on Broadway at the age of 6 as Young Cosette in Les Miserables, becoming the youngest Cosette in the show's 16-year run. She went on to originate the role of Marta Von Trapp in the 1998 Broadway revival of The Sound of Music and the role of Adele in the 2000 Broadway musical production of Jane Eyre. She also appeared as Young Dorothy in the Lincoln Center Workshop production WAS, directed by Tina Landau, and as Leisl at the Hollywood Bowl in The Sound of Music with John Schneider and Melissa Errico. In the summer of 2008 she starred in the hit play Dog Sees God at the Hudson Backstage and in the LA Theatre Works production of Speech and Debate with former SNL cast member Nora Dunn. Best known for her portrayal of Julie Mayer on the hit TV series “Desperate Housewives,” for which she won two Screen Actors Guild Awards for Best Performance by an Ensemble, Bowen’s numerous television credits include a series regular role on ABC's “That Was Then,” recurring and guest appearances on “Boston Public,” “Without A Trace,” “Law & Order,” “Third Watch,” “Arliss,” “One Tree Hill,” “Nip/Tuck,” “Strong Medicine,” “Law & Order: Special Victims Unit” and “King of the Hill.” In 2007, Bowen starred opposite Jennie Garth in the multi-award winning film, “Girl, Posi+ive,” in which she played a high school student infected with the AIDS virus. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
UTIS Booklet Final.Qxd:Layout 1 02.04.2007 19:43 Uhr Seite 2 UNDER the IRONED SHEETS Keane Fans Air Their Dirty Laundry ⅚
UTIS Booklet final.qxd:Layout 1 02.04.2007 19:43 Uhr Seite 2 UNDER THE IRONED SHEETS Keane fans air their dirty laundry ⅚ presented by Keane.at UTIS Booklet final.qxd:Layout 1 02.04.2007 19:44 Uhr Seite 4 Atlantic by Joanna Palazzolo is it any wonder? by Radioplay To me there has always been a haunting element to the lyrics in Atlantic. Whilst Like many fans, I first heard Is It Any Wonder? when it received its U.K. radio pre- thinking about which song I wanted to cover for UTIS I could hear my own ver- miere on Jo Whiley's Radio 1 show in April 2006. To say I was astonished was an sion of Atlantic going around in my head. I wanted to slow things down and create understatement - I loved the song itself, but was particularly blown away by the sonic effects that they'd managed to achieve using pianos and synths - some an atmosphere with the lyrics. When I hear this song I think of being up in an particularly "guitar-like" sounds, most notably the piano riff with its heavy wah aeroplane flying back and forth from my home in England to New York to visit my and distortion. then boyfriend now husband, which is why I ended the song with a jet plane. The lyrics speak of my thoughts and fears on those journeys whilst crossing the At- I decided to attempt to cover the track for two main reasons - firstly, its just a lantic. I wanted to give the song a different feel as if I was in a place where lo- great song and its good to hear Keane doing something so full-on. -
11 Pm Spring 1990 Edmonton Prime Time TV Schedules 7 Pm
Spring 2000 Edmonton Prime Time TV Schedules 7 p.m. - 11 p.m. February 25 - March 17, 2000 Monday Tuesday Wednesday Thursday Friday Saturday Sunday 7 Royal Air Farce Olympians On The Road Mr. Bean Thin Blue Line Wind At My Back It's a Living Pit Pony Country Canada Red Green Show Dooley Gardens 8 22 Minutes Marketplace Royal Air Farce the fifth estate Witness Drop the Beat Venture Red Green Show Hockey Night In Movie/Special 9 Bette Show Canada The Nature of Things Life & Times Da Vinci's Inquest Le Dortoir 22 Minutes 10 The National Sunday Report CBXT Magazine Undercurrents 7 Wheel Of Fortune Twice In A Lifetime Felicity Jeopardy! 8 Roswell W5 Law & Order ER Power Play Little Men Charmed 9 Who Wants To Be A Who Wants To Be A Whose Line Is It Third Watch The City Cold Squad Once and Again Millionaire? Millionaire? Anyway? 10 Drew Carey Who Wants To Be A Law & Order: Special America's Most Who Wants To Be A Ally McBeal The West Wing CFRN Norm Millionaire? Victims Unit Wanted Millionaire? 7 That '70s Show Party Of Five Beverly Hills 90210 Dawson's Creek Greed: The Series Traders Touched By An Angel That '70s Show 8 3rd Rock Fire and Ice: The Second City Family Law Stargate SG-1 Amazon 60 Minutes God, Devil & Bob Richard Riot 9 Dharma & Greg Friends Simpsons NYPD Blue City of Angels Providence Pretender Becker Jesse Malcolm in the Middle 10 Raymond Will & Grace Frasier Saturday Night Live La Femme Nikita Profiler X-Files CITV Grapevine Frasier Stark Raving Mad 7 Friends Star Trek: Voyager Frasier Movie 8 Relic Hunter Movie 9 Dead Man's Gun Movie 10 News News Highlander CKEM Alfred Hitchcock Canadian Local Foreign Spring 1990 Edmonton Prime Time TV Schedules 7 p.m. -
Women's Leadership in Primetime Television an Introductory Study
Women’s Leadership in Primetime Television An Introductory Study Natalie Greene Spring 2009 General University Honors Capstone Advisor: Karen O’Connor Greene 1 Women’s Leadership in Prime-time Television: An Introductory Study Introduction When television executives report their core audience, women always come out ahead. A 2007 Nielsen Media Research report showed that, with only two exceptions, every broadcast network channel had more female viewers than men. ABC’s female audience almost doubled its male audience during the 2007-08 season (Atkinson, 2008). 1 Women onscreen, however, seem to reflect a different reality, making up only 43% of characters in the prime-time 2007-08 season (Lauzen, 2008). 2 As studies going back as far as the 1970s show, women on screen not only fail to represent the proportional makeup of women in society, they also overwhelmingly show a stereotypically gendered version of women (McNeil, 1975; Signorielli and Bacue, 1999; United States Commission on Civil Rights, 1977). This paper aims to address the evolution of women’s leadership in prime-time network scripted television from 1950 to 2008. Because of the way that women have been traditionally marginalized in television, it is important to study the shows that have featured women as lead characters. Characters such as Lucy Ricardo ( I Love Lucy, 1951-1960) influenced later female leads such as Ann Marie ( That Girl, 1966-1971), Mary Richards ( The Mary Tyler Moore Show, 1970-1977) and Murphy Brown ( Murphy Brown, 1988-1998). Thus, along with an introduction to socialization theory and feminist television criticism, this paper covers a selection of some of the most influential female characters and women-centered shows of this period. -
What the Rich Invest In, That the Poor and Middle Class Do Not!
Guide to Investing What the Rich Invest In, That the Poor and Middle Class Do Not! If you purchase this book without a cover, or purchase a PDF, jpg, or tiff copy of this book, it is likely stolen property or a counterfeit. In that case, neither the authors, the publisher, nor any of their employees or agents has received any payment for the copy. Furthermore, counterfeiting is a known avenue of financial support for organized crime and terrorist groups. We urge you to please not purchase any such copy and to report any instance of someone selling such copies to Plata Publishing LLC. This publication is designed to provide competent and reliable information regarding the subject matter covered. However, it is sold with the understanding that the author and publisher are not engaged in rendering legal, financial, or other professional advice. Laws and practices often vary from state to state and country to country and if legal or other expert assistance is required, the services of a professional should be sought. The author and publisher specifically disclaim any liability that is incurred from the use or application of the contents of this book. Copyright © 2012 by CASHFLOW Technologies, Inc. All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means or stored in a database or retrieval system, without the prior written permission of the publisher. Published by Plata Publishing, LLC CASHFLOW, Rich Dad, Rich Dad Advisors, and ESBI are registered trademarks of CASHFLOW Technologies, Inc.