PRODUCTION GUIDE by Del Mehes and Michael Dorland
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Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
Iiq Cinema Canada
iiq cinema Canada Wedding In White, Canadian Film of the Year for 1972. If the Great Canadian Novel has yet to be written, then the Great Canadian Film has yet to be made. But our filmmakers gave it a good try this year, and they've come up with a number of heavyweight contenders for the title. BY GEORGE CSABA KOLLER The plush carpeted corridors of Ontario Place were filled with exuberant cinephiles for the 24th Annual Presentations of CLASS CATEGORIES the Canadian Film Awards. The Cinesphere wore its gala cloak of ghttering hghts, and even the chilly wind blowing in from Wedding In White Best Feature Film by William Fruet Dermet Productions Lake Ontario couldn't dampen the enthusiasm of the cheerful Selling Out Best Documentary Film and expectant crowd. The best artists andcraftsmen working in by Tadeusz Jaworski Unit Productions the medium of film in Canada were assembled in the world's Child Behaviour Equals You Best Educational Film most unique movie theatre to hearthe resiilts of the judging. by Peter Cock Crawley Films Dans La Vie Best Animated Film The ceremonies were far from superlative, but then maybe by Pierre Veilleux TOffice national du film we should stop mimicking the Oscars. M.C. Jacques Fautaux Francoise Durocher, Waitress Best TV Drama Film kept things moving at a breakneck speed to clock the by Andre Brassard I'ONF proceedings under the hour allotted for it on television. Je Chante a Cheval . Avec Willie Lamothe (Ontario's educational channel covered it, but where was the Best TV Information/Public Affairs Film by Pierre Bernier, Jacques Leduc, & Lucien Menard I'ONF CBC?) It was truly a bi-hngual and bi-cultural affair, one of the This Is a Photograph Best Theatrical Short few ever held in Toronto. -
Les Tisserands Du Pouvoir Part I, II
CINEMA CAN •A D A Claude Fournier's widow who spends her life sneaking drinks; Juliette Huo t portrays a bossy nun; and Anne Les Tisserands du Letourneau shows up in Tisseral1ds as an angular lesbian dressed in men's suits. pouvoir Part I, II Finally, whatever the streng ths and weaknesses of Les Tisserands dll pOll voir, th e (La Revolte) picture's history lesson is clear, and the issues are spelled out. The mill workers didn't just lose their identity; some of them, including children s Part I of Claude Fournier's Les who worked brutally long hours in dangerous Tisserands dll pOIwoir begins, Baptiste conditions, lost their limbs, and even their lives. Lambert (Gratien Gelinas) , an old It would not be unfair to argue that Tisserands man who ca me to Woonsocket, Rhode is se ntimental, melodramatic, and convention Island as a child, is exploding with ally staged and shot, but Fournier is a pop~li s t angerA because the local TV station plans to cancel who wants to make movies about the people he its French-language broadcasts. Baptiste genuinely ca res about in a fo rm that large complains to the TV people and to municipal numbers of those people will actually watch . politicians, but they all dismiss him as a senile He's not going for cool, post music-video crank. anxiety; he aims at the tear-ducts, the gut, and After all, times have changed. The textile mill the groin And he gets his shit-disturbing Baptiste worked in when he was young is about Remy Girard, Pierre Hebert and Pierre Chagnon in t he height of fashion messages across to audiences that enjoy to be torn down so that the Japanese can build a receiving them. -
PRODUCTION GUIDE by Del Mehes and Michael Dorland
LINE Mfl"g PRODUCTION GUIDE by Del Mehes and Michael Dorland Bonnie Sherr Klein/Trene Lilienheim Eagle sec Jennifer Scott p. assf s. Ethan INTERNATIONAL CINEMA Angelico/Abbey Neidik dist NFB re Rill, Bill Bannerman, David Maltese, he following Is a list of films in production (actually before lease date Summer 1984. Gabe Fallus accountant Norma Rose the cameras) and in negotiation in Canada. Needless to say, CORPORATION d.o.p. Barry Bergthorson focus puller; T MARIO Edie Craddock tech. p. John Grimsditch the films which are still in the project stage are subject to (514) 284-9354 video tape operator Norbert Von Der- changes. A third category, In Pre-production, will be used to SEN VA-T-EN GUERRE LE CRIME heidt loc. sd. mix. Thomas Hidderley indicate films which are in active pre-production, having set a From the novel "La sablifere" by Claude boom Michael O'Connor art d. Carol D'OVIDE PLOUFFE Jasmin, this feature film about a boy's date tor the beginning of principal photography and being Spier asst art d. Dan Davis const Feature film and television mini-series imaginary world began shooting July 18 man. Bill Harman art dept trainee engaged in casting and crewing). Films are listed by the name of based on the novel by Roger Lemelin in the Ues-de-la-Madeleine, until end- Louise Doyle set dec. Elinor Rose Gal- the company which initiated the project, or with which the shooting mid-July to mid-October August, and in Montreal until mid- braith asst set dec Christine MacLean project is popularly associated. -
Fonds Gilles Carle
Library and Archives Bibliothèque et Archives Canada Canada Canadian Archives and Special Direction des archives canadiennes Collections Branch et collections spéciales FONDS GILLES CARLE R4308 Finding Aid No. 2236 / Instrument de recherche no 2236 Prepared in 2001 and revised in 2010 by Préparé en 2001 et révisé en 2010 par Andrée Andrée Lavoie for the Cultural Heritage Lavoie pour la Division des archives Division. culturelles. ii TABLE DES MATIÈRES Notice d’inventaire...................................................................iii Scénarios et autres documents relatifs aux films tournés pour le cinéma et la télévision .......1 Manuscrits et autres documents relatifs à la pièce de théâtre La terre est une pizza .........19 Manuscrits et autres documents relatifs à La nature d’un cinéaste ......................21 Manuscrits et synopsis relatifs à d’autres oeuvres de Gilles Carle .......................22 Manuscrits d’autres auteurs.....................................................34 Manuscrits et autres documents relatifs aux Éditions de l’Hexagone .....................38 Correspondance ..............................................................39 Documents personnels .........................................................43 Articles et autres documents relatifs à Gilles Carle ...................................44 Documents relatifs à l’administration et à la comptabilité .............................47 Documents relatifs aux prix et distinctions honorifiques ..............................50 Photographies relatives à Gilles -
40 Ans De Cinéma Pour Rêver Le Pays Pierre Barrette
Document généré le 26 sept. 2021 15:31 24 images 40 ans de cinéma pour rêver le pays Pierre Barrette Gilles Carle vu par… Numéro 123, septembre 2005 URI : https://id.erudit.org/iderudit/5129ac Aller au sommaire du numéro Éditeur(s) 24/30 I/S ISSN 0707-9389 (imprimé) 1923-5097 (numérique) Découvrir la revue Citer cet article Barrette, P. (2005). 40 ans de cinéma pour rêver le pays. 24 images, (123), 6–15. Tous droits réservés © 24/30 I/S, 2005 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Gilles Carle a fait des films durant 40 ans, passant du long métrage de fiction à la publi cité, du documentaire à la télévision avec un égal bonheur mais aussi cette désinvolture dans le geste et la manière, reconnaissables entre tous parce que porteurs à chaque fois de son âme. Peu de cinéastes en effet ont construit au fil des ans une œuvre aussi personnelle et aussi bien ancrée dans le terreau québécois, une œuvre populaire au sens le plus élevé du terme, qui, même dans ses échecs, demeure fidèle aux principes qui l'ont toujours guidée : l'imagination, l'humour, la truculence, un certain laisser-aller parfois qui fait aussi partie de l'art particulier de Gilles Carie. -
PRODUCTION GUIDE by Jose Arroyo
• PRODUCTION GUIDE by Jose Arroyo 3rd a.d. Rose Tedesco cast. d. Stuart Aikin s sey, Arthur Grosser, Stephen Bednarsky, Vlasta post prod. co-ord . Daphne Bailon asst. post. Vrana, Terrence Labrosse, Steve Michaels, CONSEQUEL prod . co-ord. Roberta Kipp cont. Tanna Baker Gayle Garfinkle . RCA Video Productions and he following is a list of films in production (actually before cameras) prod . acc. Jim Siernberg art d. Stephen Roloff Columbia Pictu res Tel evision have acquired dis· PRODUCTIONS LTD. and in negotiation in Canada. Needless to say, the films which are asst. art d. Adam Kolodziej art dept. trainee tribution rights, including TB and home video, for (416) 588·6771 Tstill in the project stage are subject to changes . A third categorY ,ln Rob Ballantyne prop. master Peter Fletcher the US. Screen Gems will distributed the 52 Pre-Production, will be used to indicate films which are in active pre-pro props asst.lbuyer Tim Bider set dec. Jeff Cu episodes in first-run syndication in the US. RCA TOO OUTRAGEOUS duction, having set a date for the beginning of principal photography and Ifer set dresser/buyer lana Ancerl ward. co Columbia Home Video will have home video dis The sequel to Outrageous, shooting from Nov. being engaged in casting and crewing . Films are listed by the name of the ord. Trysha Bakker sd. Stewart French boom tribution rights. Cinar Films Inc. will be handling 28 in Toronto. p. Roy Krosl sc/d. Richard Ben Jack Buchanan plct. ed. George Appleby 1st sales for Canada and other territories. company which initiated the project, or with which the project is popularly ner d.o.p. -
150 Canadian Films
150 CANADIAN FILMS MESSAGE FROM THE PRIME MINISTER OF CANADA Dear Friends: I am delighted to extend my warmest greetings to Canadians on National Canadian Film Day, a Canada 150 Signature Project, presented by REEL CANADA. This one-day event connects Canadians from sea to sea to celebrate the achievements of Canadian filmmakers. The film festival is one of many cultural projects during the Sesquicentennial year that will help build a sense of pride in and attachment to everything our remarkable country represents. National Canadian Film Day focuses on discovery, with opportunities to view culturally diverse Canadian films on television, online and in theatres large and small across the country. I would like to commend REEL CANADA for coordinating this exciting celebration of homegrown film excellence and I encourage everyone to get involved. With so many works to choose from, and an audience eager to explore the best of Canada’s rich film history, National Canadian Film Day is sure to be a resounding success. On behalf of the Government of Canada, I offer my best wishes for an enjoyable and memorable experience. Justin P.J. Trudeau Prime Minister of Canada The Rt. Hon. Justin P.J. Trudeau, P.C., M.P. Prime Minister of Canada MESSAGE FROM THE MINISTER OF CANADIAN HERITAGE As we kick off the 150th anniversary of Confederation, we want to support projects that inspire national pride and strengthen the bonds between citizens from coast to coast to coast. This is why we are pleased to support REEL CANADA and its National Canadian Film Day 150. -
Newsletter 12/08 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 12/08 DIGITAL EDITION Nr. 232 - Juli 2008 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 12/08 (Nr. 232) Juli 2008 editorial Hallo Laserdisc- und DVD- gar nichts mehr. Und so war wie- ohne die US-Titel zu publizieren. Fans, der einmal die IT-Abteilung ge- Das aber wird dann in Ausgabe liebe Filmfreunde! fragt. Und die tat wahrlich ihr Be- 233 nachgeholt. Denn bis dahin Ein Scherzender könnte jetzt sa- stes und spielte die rettende Feu- sind die vielen Daten sicherlich von gen: “Der Newsletter kommt mit erwehr in der Not. Doch Wunder uns geprüft. Wenn Sie also in der einer Woche Verspätung, ist dafür vollbringen kann natürlich auch vorliegenden Ausgabe die aber weniger umfangreich als unsere IT-Spezialistin nicht. Nach Regionalcode 1 DVDs vermissen sonst!” Beide Punkte sind wahr. kurzer Zeit war bereits klar, dass sollten, dann dürfen Sie sich schon Ausgabe 232 kommt in der Tat das ein paar Tage in Anspruch auf die nächste Ausgabe freuen. eine ganze Woche zu spät. Und sie nehmen würde. Was also tun? Ei- ist tatsächlich weniger umfangreich nen Newsletter ohne die amerika- Bevor wir Sie jetzt den deutschen als gewöhnlich. Doch Letzteres ist nischen Neuankündigungen stem- und japanischen DVDs sowie An- keine Folge von Ersterem. Was men oder ihn einfach um eine Wo- nas erstes Gespräch mit Holly- also ist wirklich passiert? Gerade che verschieben? Wir entschlossen wood (Seite 4 bis 5) und Wolfram als wir dachten, dass alle für die uns für die Terminverschiebung. -
Daring and Strong Film with a Powerful And
FORGOTTEN FLOWERS MARKET (LES FLEURS OUBLIÉES) SCREENING COMEDIC DRAMA, COMPLETED OFFICIAL SELECTION 2019 OFFICIAL SELECTION 2019 The much anticipated next fi lm of Quebec cinema’s bad boy. Brother Marie-Victorin (Yves Jacques), author of the Laurentian Flora and founder of Montreal’s Botanical Garden, is bored with heaven and decides to return earth to help Albert Payette (Roy Dupuis) save Quebec’s fl ora from Transgenia, a multinational that is poisoning the Earth with chemicals. Albert, a former agronomist turned beekeeper, greens the rooftops of Montreal with his nephew Jerry Can (Émile Schneider) and his friends from the punk community. Albert introduces Marie-Victorin to his Honey-Mead which he sells to suburban bourgeois ladies to fi nance his dream of retiring to idyllic Mingan. Lili de la Rosbil (Juliette Gosselin), an idealist young journalist for the Ras-le-Bol blog and Mathilde Gavreau (Christine Beaulieu), a big-time lawyer, will go to great lengths to save the Mexican agricultural labourers forced to work with Transgenia’s poisonous chemicals. This Eco-Fable will see its conclusion meted out on the lush and virgin shores of Mingan where Albert will produce his most Nordic and special Honey Mead yet. Réalisé par André Forcier (Kiss Me Like a Lover, Un cri au bonheur, Les États-Unis d’Albert) Written by André Forcier, Jean Boileau (Coteau Rouge, Je me souviens, La chaîne), François Pinet Forcier (Acapulco Gold), Renaud Pinet Forcier et Linda Pinet Produit par Linda Pinet (Kiss Me Like a Lover), Louis Laverdière (Mom et moi, Ludovic, Histoire de famille) et Jean-François Roesler (A Night of Sweats, Sons of God, Madame Hollywood) Cast Roy Dupuis, Yves Jacques, Christine Beaulieu, Juliette Gosselin, Emile Schneider, “Lots of humor and lots Mylène Mackay, Donald Pilon, Gaston Lepage, Louis Champagne, Alejandro Moran, Alexis Omar Ramos, Jonathan Jimeno Romera, France Castel, Tania Kontoyanni, of love.. -
PERSPECTIVE to the PURPLE PLAYHOUSE
PERSPECTIVE to THE PURPLE PLAYHOUSE Perspective A half-hour program, produced by the National Film Board, Perspective included both documentaries and dramatic productions. Most concerned contemporary issues in Canada, although several films, such as Haiti, were produced outside the country, and a few were historical reconstructions, for example, Wolfe And Montcalm. The opening program in the series, Raw Material, concerned the activities of the John Howard Society, and outlined them in dramatic form, as many subsequent productions dramatized stories drawn from contemporary social issues. The producers took advantage of recent developments in lightweight camera and sound recording equipment and took crews into the streets and on location to make films with a naturalistic style. Monkey On The Back, for instance, was a gritty story of drug addiction, and Night Children followed the rounds of a Children's Aid Society case worker. Other productions employed less naturalistic techniques to make their points. A Case Of Conscience and Is It A Woman's World? both included extended dream sequences to explore a man's guilt over leaving the scene of an auto accident in the former, and to put a male lawyer into a role reversal situation in the latter. Escape was essentially a studio-produced effort, in which a lecturer discusses the different ways we slip out of the real world, and brief skits illustrate his remarks. Writers for the series included George Salverson, Charles Israel, Charles Cohen, Gordon Burwash, and William Weintraub. Stanley Jackson, Don Haldane, Fergus McDonnell, Donald Ginsberg, Jean Lenaver, John Howe, and Bernard Devlin. Julian Biggs, also a director, produced the series for the NFB, and Eric Koch was responsible for the CBC. -
PRODUCTION GUIDE by Jamie Gaetz
• c I N E M A G • PRODUCTION GUIDE by Jamie Gaetz Linn Yann, a Cambodian refugee. p. Bob CAMBIUM FILM & VIDEO Goodwin sc. Christopher Knopf, Da vi d Simons p. FILMLINE man. Fitch Cady d. Simon Wincer d.o.p. Frank he following is a list of films in production (actually before cameras) PRODUCTIONS LTD. INTERNATIONAL INC. Watts lop. Wayne Rogers, Mary Kay Place. and in negotiation in Canada. Needless to say, the films which are (416) 964-8750 [MONTREAL)/ LES PRODUCTIONS Tstill in the project stage are subject to changes. A third categorY,ln THE ELEPHANT SHOW Pre-Production, will be used to indicate films which are in active pre-pro Second cycle of television series. In production ROBERT HALMI JEAN-LOUIS FRUND duction , having set a date for the beginning of principal photography and from August 14 to September 28 in Toronto In (819) 228-9222 being engaged in casting and crewing. Films are listed by the name of the association with the CBC. Participation of PRODUCTIONS company which initiated the project, or with which the project is popularly Telefilm Canada. p. Bruce Glawson, Arnie Zipurskv head writer Mark Shekter SC. Sharon (NEW YORK) LA FAUNE NORDIQUE associated. This is not necessarily the name of the production company. Hampson, Lois Lilienstein, Bram Morrison siory (514) 288-8833/ Series of 6 x 1/2 hour episodes for Radio Where the two companies are different, the name of the production com ed. Robert Sandler slory enos. Molly Thom Quebec. Documentaries shot in the Canadian d. Stan Swan p. man.