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Bibliographie Zu Andrej Tarkovskijs Leben Und Werk Bibliographie zu Andrej Tarkovskijs Leben und Werk SCRIPTE UND KINOERZÄHLUNGEN Tarkovskij (o. J.), Andrej: Učebnaja rabota „Konzentrat“. [www.tarkovsky.net.ru/stalker/word/tarkov_koncentrat.php]. Tarkovskij (o. J.), Andrej: Literaturnaja zapis’ kinofil’ma „Stalker“. [www.tarkovsky.net.ru/stalker/word/stalker_lit_write.php]. Tarkovskij (o. J.), Andrej: Montažnyj plan fil’ma „Stalker“. [www.tarkovsky.net.ru/stalker/word/stalker_m_plan.php]. Tarkovskij (o. J.), Andrej: Montažnyj plan fil’ma „Zerkalo“. [www.tarkovsky.net.ru/stalker/word/mirror_scenario.php]. Tarkovskij (1964a), Andrej /Michalkov-Končalovskij, Andrej: „Andrej Rublev“, in: Iskusstvo kino, 1964, Heft 4, S. 139–200. Tarkovskij (1964b), Andrej / Končalovskij, Andrej: „Andrej Rublev, Szenario, 2. Teil“, in: Iskusstvo kino, 1964, Heft 5, S. 126–158. Tarkovskij (1970), Andrej: „Belyj den’. Rasskaz“, in: Iskusstvo kino, 1970, Heft 8, S. 109–113. Tarkovskij (1976), Andrej: „Gofmaniana“, in: Ikusstvo kino, 1976, Heft 8. [www.tarkovsky.net.ru/stalker/word/tarkov_gofmaniana.php]. Tarkovskij (1990), Аndrej / Mišarin, Aleksandr: „Zajavka na scenarij chudo žest- vennogo fil’ma ‚Prokaza‘. Zajavka na scenarij chudožestvennogo fil’ma po romanu F. M. Dostoevskogo ‚Idiot‘“, ed. V. I. Fomin, in: Kinovedčeskie zapiski, Nr. 11 (1990), S. 165 ff. Tarkovskij (2008), Andrej: Belyj-belyj den’. Rasskaz Andreja Tarkovskogo, sti- chi Arsenija Tarkovskogo. Vstuplenie Andreja A. Tarkovskogo (= Bright, bright day, russ.) – London: White Space, 2008. SCHRIFTEN ZUR THEORIE Tarkovskij (o. J.), Andrej: „O Vladimire Vysockom“ (verfasst am 31. Okt. 1981) [www.tarkovsky.net.ru/stalker/word/tarkov_visocky.php]. Tarkovskij (1964), Andrej: Kogda fil’m okončen. – Moskva, 1964. Tarkovskij (1967), Andrej: „Zapečatlennoe vremja“, in: Iskusstvo kino, 1967, Heft 4, S. 69–78 [www.tarkovsky.net.ru/stalker/word/tarkovsky_time.php]. Tarkovskij (1979), Andrej: „O kinoobraze“, in: Iskusstvo kino, 1979, Heft 3, S. 80–93. Tarkovskij (1983), Andrej: „Tarkovskij“, in: Aprà (1983). 587 Norbert Franz Tarkovskij (1984a), Andrej: „Rencontre avec le public“, in: Positif, no 284 (1984). Tarkovskij (1984b), Andrej: „Tutte le arti devono mirare a formare l’uomo organi- co del futuro“, ed. Velia Jacovinio, in: Avanti. Supplemento, 08. Jan. 1984. Tarkovskij (1985), Andrej: „Ecco il mio cinema“ ed. Maurizio Porro, in: Corriere degli spettacoli, 05. Jan. 1985 (= Supplemento al Corriere della sera). Tarkovskij (1986b), Andrej: „A propos du Sacrifice“, in: Positif, on 303 (Mai 1986). Tarkovskij (1987b), Andrej: „Film e propositi. Il cinema secondo Tarkovskij“, in: Cinemasessanta 1 (Jan.–Febr. 1987). Tarkovskij (1987c), Andrej: „Èloge de l’homme faible“, in: Cahiers du cinéma 392 (Febr. 1987), S. 40. (= Auszug aus Andrej Tarkovskijs „L’Âme du temps“). Tarkovski (1989), Andrei: „L’artiste n’est jamais libre“, in: Cahiers du Cinéma, Heft 423 (1989), S. 40–45. span: „El artista jamas es libre“, in: Cine Cubano, Heft 134 (1992). Tarkovskij (1989a), Andrej: „Slovo ob Apokalypsise“ (Vorwort: Igor’ Zolotusskij), in: Iskusstvo kino, 1989, Heft 2, S. 95–100 (Vortrag, 1984 in London ge- halten). Tarkovskij (1989c), Andrej: „XX vek i chudožnik“, in: Iskusstvo kino, 1989, Heft 4 [Vortrag aus dem Jahr 1984 bei Festival Saint James]. Tarkovskij (1990a), Andrej: „Lekcii po kinorezissure“, in Iskusstvo kino, 1990, Heft 7. Tarkovskij (1990b), Andrej: „Lekcii po kinorezissure“, in: Iskusstvo kino, 1990, Heft 8. Tarkovskij (1990c), Andrej: „Lekcii po kinorezissure“, in: Iskusstvo kino, 1990, Heft 9. Tarkovskij (1990d), Andrej: „Lekcii po kinorezissure“, in: Iskusstvo kino, 1990, Heft 10. Tarkovskij (1991), Andrej: „Desjat’ lučšiuch fil’mov“, in: Kinovedčeskie zapiski, Nr. 14 (1991), S. 54 [Faksimilie der Liste, die Tarkovskij für L. Kozlov zu- sammengestellt hat]. Tarkovskij (1992), Andrej: Uroki režissury. Učebnoe posobie. – Moskva: VIPPK, 1992. [www.tarkovsky.net.ru /stalker/archive/tarkovsky_uroki.pdf]. Tarkovski (1993), Andreï: „Dostoïevski au cinéma“, in: Cahiers du Cinéma, Heft 476 (1994), S. 86–89. Tarkovskij (2008), Andrej: Martirolg. Dnevniki 1970–1986. – Firenze: Institut imeni A. Tarkov skogo. 588 Bibliographie ÜBERSETZUNGEN Andrej Rublev Dt.: Andrej Rubljow, Filmtext und Dokumente (= Rublev u. a., dt.), hg. Freunde d. Dt. Kinemathek. – Berlin: Freunde d. Dt. Kinemathek, 1969. 113 S.; Andrej Rubljow. Filmerzählung, übs. v. Ute Spengler. – Berlin: Limes 1992 [bibfan #381]. Engl.: Andrei Rublev. Übs. Kitty Hunter Blair. Introduction by Philip Strick. – London: Faber and Faber Limited 1991. Franz.: „Andrei Rublev“, in: L’Avant-Scéne Cinéma 238 (1979); Andrej Rubliov, Paris, Editeurs Français Réunis, 1970. Ital.: Andrej Rublëv. Sceneggiatura del film. – Maggioli Editore, 1983. Andrej Rublev. – Milano: Garzanti, 1992. Andrej Rublëv. Il tes- to, ed. F. Vigni. – Firenze: Quaderni della Mediateca Regionale Toscana, n. 1, 1987. Ung.: „Andrej Rublëv (I)+ (II)“, in: Filmkultúra, n. 6, 1969 und n. 1, 1970. Belyj den’ Tschech.: „Bily den“, in: Film a Doba, n. 9, 1974. Gofmaniana Dt.: Hoffmanniana. Szenario für einen nicht realisierten Film. Übs. Gertraude Krueger. – München: Schirmer und Mosel, 1987 (= Tarkovskij -Edition, Band 2). Frz.: „Hoffmanniana“, in: Cahiers du Cinéma, on 400, ottobre 1987. Ndl.: Hoffmanniana. Übs. Robbert-Jan Henkes [et al.]. – Amsterdam: Rothschild & Bach 1991. (= Bibliotheek Rothschild & Bach, 6.) Tschech.: „Hoffmaniana“, in: Film a Doba, n. 11, 1989. Martirolog. Dnevniki 1970–1986 Dt.: Martyrolog 1, Tagebücher 1970–1986. – Berlin: Limes 1989; Dt.: Marty- rolog II, Tagebücher 1981–1986. – Berlin: Limes 1989 (21991); [Rez. v. beh in: Filmwärts 1990; Kohlmann (1990), Götz in: Film & Fak- ten 1990]. Engl.: Time within time: The diaries 1970–1986. Übs. Kitty Hunter-Blair. – Calcutta: Seagull Books 1991. [Rez. v. Graffy (1991), Julian in: Sight and Sound 1991]; Time within time: The diaries 1970–1986. Übs. Kitty Hunter-Blair. – London: Verso Books 1993; Time within time: The diaries 1970-1986. Übs. Kitty Hunter-Blair. New edition. – London: Faber and Faber 1994; [Rez. v. Petrie (1995), Graham in: Canadian Journal of Film Studies 1995]. 589 Norbert Franz Frz.: Journal 1970–1986. Traduction du russe par Anne Kichilov avec la col- laboration de Charles H. de Brantes. – Paris: Cahiers du Cinéma 1993. Ital.: Diari 1970–1986. – Firenze: Meridina, 2002. Martirologie: Diari 1970–1986. – Firenze: Ed. della Meridiana / Firenze: Istituto Internazionale Andrej Tarkovskij, 2002. O kinoobraze Dt.: Über die Bildsprache im Film, übs. Iris Gusner, hg. v. Betriebsakademie des VEB DEFA Studio für Spielfilme. – Potsdam: Studio für Spiel- filme, 1981. Franz.: „De la figure cinématographique, in: Positif, on 269 (Dez. 1981). Ital.: „Sulla figura cinematografica“, in: Cinemasessanta 1 (Jan.–Febr. 1987). Neuabdruck in Borin (1987) und in Circuito Cinema, n. 30, giugno 1987. Offret Dt.: Opfer: Filmbuch. – München: Schirmer-Mosel 1987 (= Tarkovskij-Edi- tion 1.); [Rez.v. Hoffmann (1987), Kay in: Medienwissenschaft 1987; Jeremias (1987), Brigitte in: EPD Film 1987]. Slovo ob Apokalypsise Ital: L’apocalisse. – Firenze: Edizioni della Meridiana 2005; [Rez. v. Comuzio (2006), Ermanno in: Cineforum 2006]. Stalker. Montažnyj plan Frz.: „Stalker“, in: L’Avant-Scéne Cinéma, n. 427, dicembre 1993. Ital.: „Stalker. Fogli di montaggio“, in: XVI Mostra Internazionale Nuovo Cinema. – Pesaro, giugno 1980. Neudruck in: Rassegna sovietica, 6 (nov.–dic. 1980). „Stalker. Sceneggiatura del film“, in: Antologia della fantascienza, n. 25, 1981. Zapečatlennoe vremja Dt.: Die versiegelte Zeit. Gedanken zur Kunst, zur Ästhetik und Poetik des Films. Aus dem Russischen übersetzt von Hans-Joachim Schlegel. – Berlin-Frankfurt a. M.: Ullstein, 1985. [Rez. v.: Fischer (1986), Jens Malte in: Medienwissenschaft 1986; Gregor (1985), Ulrich in: EPD Film 1985] (Neuausgabe: Berlin: Alexander Verlag, 2009, 22012). Die versiegelte Zeit: Gedanken zur Kunst, zur Ästhetik und Poetik des Films. 2. erweiterte Neuauflage. – Berlin: Ullstein Verlag 1986. Die versiegelte Zeit: Gedanken zur Kunst, zur Ästhetik und Poetik des Films. Korrigierte Ausgabe der 2. Auflage 1986, für die Taschen- 590 Bibliographie buch-Fassung neu gestaltet. – Frankfurt a. M.: Ullstein Verlag 1988. (= Ullstein-Buch 34476). Die versiegelte Zeit. Gedanken zur Kunst, Ästhetik und Poetik des Films, hg. v. Hans-Joachim Schlegel, Nachwort v. Maja Turovskaja, übs. v. Peter Rollberg. – Leipzig [u. a.]: Kiepenheuer 1989 (Lizenz- ausgabe: Frankfurt am Main/Berlin: Ullstein 1991). Die versiegelte Zeit: Gedanken zur Kunst, zur Ästhetik und Poetik des Films. – Frankfurt a. M.: Ullstein Verlag 1996. Die versiegelte Zeit: Gedanken zur Kunst, zur Ästhetik und Poetik des Films. – Frankfurt a. M.: Ullstein Verlag 2000. (= Ullstein-Buch 35931). Die versiegelte Zeit: Gedanken zur Kunst, zur Ästhetik und Poetik des Films. Neuausgabe. Vorwort von Dominik Graf. Nachwort von Hans-Joachim Schlegel. – Berlin: Alexander Verlag 2009; [Rez. v. Kürten (2009), Jochen in: Film-Dienst 2009]. Die versiegelte Zeit: Gedanken zur Kunst, zur Ästhetik und Poetik des Films. Aus dem Russischen und mit einem Nachwort von Hans- Joachim Schlegel. Mit einem Vorwort von Dominik Graf. Erwei- terte und bearbeitete Neuausgabe. – Berlin: Alexander Verlag 2012. „Eine Art, das Leben zu rekonstruieren“, in: Film und Fernsehen 17 (1989), Nr. 10 (Okt.), S. 18–23. Engl.: Sculpting in time: Reflections on the cinema. Übs. Kitty Hunter-Blair. – London: Bodley Head 1986; [orientiert sich an der dt. Neuauflage von 1986]. Sculpting in time: Reflections on the cinema. – New York: Knopf
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