Oprah Opens ‘Oprah’S the Life You Want Weekend’
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Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Première Européenne Du Thriller NIGHTCRAWLER Rene Russo Et Le Réalisateur Dan Gilroy, Invités Star Au ZFF
Communiqué de Presse Première européenne du thriller NIGHTCRAWLER Rene Russo et le réalisateur Dan Gilroy, invités star au ZFF Zurich, le 8 septembre 2014 Le thriller palpitant NIGHTCRWALER, mettant en scène Rene Russo, Jake Gyllenhaal et Bill Paxton, célébrera sa Première européenne au 10ème Zurich Film Festival. Rene Russo et le réalisateur Dan Gilroy présenteront le film de gala le mardi 30 septembre à Zurich. Commençant sa carrière comme top-modèle, la Californienne Rene Russo se lance dans le cinéma dès 1989, dans des films comme DANS LA LIGNE DE MIRE (1993), GET SHORTY (1995), L'AFFAIRE THOMAS CROWN (1999) ou THOR (2011), donnant la réplique à de grandes stars comme Mel Gibson, Clint Eastwood, John Travolta ou Pierce Brosnan. Productrice TV blindée Les nightcrawlers sont des reporters vidéo qui, dès la tombée de la nuit, sillonnent les rues de Los Angeles pour se retrouver aux premières loges lors d'un accident ou d'un crime. Rene Russo y incarne Nina Romina, une productrice TV blindée pour une chaîne qui relate en exclusivité les crimes de la nuit. Son nightcrawler, Lou Bloom (Jake Gyllenhaal) part, avec sa caméra, à la chasse aux accidents de voiture, aux cambriolages et aux meurtres dans le but de capturer des images les plus scandaleuses possibles. Le réalisateur Dan Gilroy nous livre, avec NIGHTCRAWLER, un thriller à la fois fascinant et horriblement réaliste. Il s'agit de son premier travail de réalisation. En effet, il a jusqu'ici fait ses preuves en qualité de scénariste pour des films comme FREEJACK (1992), TWO FOR THE MONEY (2005), JASON BOURNE: L'HÉRITAGE (2012) et, enfin, NIGHTCRAWLER, produit par Jennifer Fox, Tony Gilroy, Michel Litvak , Jake Gyllenhaal et David Lancaster. -
New Alt.Cyberpunk FAQ
New alt.cyberpunk FAQ Frank April 1998 This is version 4 of the alt.cyberpunk FAQ. Although previous FAQs have not been allocated version numbers, due the number of people now involved, I've taken the liberty to do so. Previous maintainers / editors and version numbers are given below : - Version 3: Erich Schneider - Version 2: Tim Oerting - Version 1: Andy Hawks I would also like to recognise and express my thanks to Jer and Stack for all their help and assistance in compiling this version of the FAQ. The vast number of the "answers" here should be prefixed with an "in my opinion". It would be ridiculous for me to claim to be an ultimate Cyberpunk authority. Contents 1. What is Cyberpunk, the Literary Movement ? 2. What is Cyberpunk, the Subculture ? 3. What is Cyberspace ? 4. Cyberpunk Literature 5. Magazines About Cyberpunk and Related Topics 6. Cyberpunk in Visual Media (Movies and TV) 7. Blade Runner 8. Cyberpunk Music / Dress / Aftershave 9. What is "PGP" ? 10. Agrippa : What and Where, is it ? 1. What is Cyberpunk, the Literary Movement ? Gardner Dozois, one of the editors of Isaac Asimov's Science Fiction Magazine during the early '80s, is generally acknowledged as the first person to popularize the term "Cyberpunk", when describing a body of literature. Dozois doesn't claim to have coined the term; he says he picked it up "on the street somewhere". It is probably no coincidence that Bruce Bethke wrote a short story titled "Cyberpunk" in 1980 and submitted it Asimov's mag, when Dozois may have been doing first readings, and got it published in Amazing in 1983, when Dozois was editor of1983 Year's Best SF and would be expected to be reading the major SF magazines. -
Popmusik Musikgruppe & Musisk Kunstner Listen
Popmusik Musikgruppe & Musisk kunstner Listen Stacy https://da.listvote.com/lists/music/artists/stacy-3503566/albums The Idan Raichel Project https://da.listvote.com/lists/music/artists/the-idan-raichel-project-12406906/albums Mig 21 https://da.listvote.com/lists/music/artists/mig-21-3062747/albums Donna Weiss https://da.listvote.com/lists/music/artists/donna-weiss-17385849/albums Ben Perowsky https://da.listvote.com/lists/music/artists/ben-perowsky-4886285/albums Ainbusk https://da.listvote.com/lists/music/artists/ainbusk-4356543/albums Ratata https://da.listvote.com/lists/music/artists/ratata-3930459/albums Labvēlīgais Tips https://da.listvote.com/lists/music/artists/labv%C4%93l%C4%ABgais-tips-16360974/albums Deane Waretini https://da.listvote.com/lists/music/artists/deane-waretini-5246719/albums Johnny Ruffo https://da.listvote.com/lists/music/artists/johnny-ruffo-23942/albums Tony Scherr https://da.listvote.com/lists/music/artists/tony-scherr-7823360/albums Camille Camille https://da.listvote.com/lists/music/artists/camille-camille-509887/albums Idolerna https://da.listvote.com/lists/music/artists/idolerna-3358323/albums Place on Earth https://da.listvote.com/lists/music/artists/place-on-earth-51568818/albums In-Joy https://da.listvote.com/lists/music/artists/in-joy-6008580/albums Gary Chester https://da.listvote.com/lists/music/artists/gary-chester-5524837/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums -
The Portrayal of Women in Futuristic Science Fiction Movies
Rochester Institute of Technology RIT Scholar Works Theses 2005 Realm of Possibilities: The Portrayal of Women in Futuristic Science Fiction Movies Aru Basu Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Basu, Aru, "Realm of Possibilities: The Portrayal of Women in Futuristic Science Fiction Movies" (2005). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. REALM OF POSSIBILITIES: THE PORTRAYAL OF WOMEN IN FUTURISTIC SCIENCE FICTION MOVIES By Aru Basu Paper Presented in Partial Fulfillment of the Master of Science Degree in COMMUNICATION &MEDIA TECHNOLOGIES Rochester Institute of Technology March 10, 2005 ThesisfDissertation Author Permission Statement Title of thesis or dissertation: REALM OF POSSIBILITIES: THE PORTRAYAL OF WOMEN IN FUTURISTIC SCIENCE FICTION MOVIES Name of author: Aru Basu Degree: Master of Science (MS) Program: Communication & Media Technologies College: College of Liberal Arts I understand that I must submit a print copy of my thesis or dissertation to the RIT Archives, per current RIT guidelines for the completion of my degree. I hereby grant to the Rochester Institute of Technology and its agents the non-exclusive license to archive and make accessible my thesis or dissertation in whole or in part in al forms of media in perpetuity. I retain all other ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. -
DEAD CHANNEL SURFING: Cyberpunk and Industrial Music
DEAD CHANNEL SURFING: Cyberpunk and industrial music In the early 1980s from out of Vancouver, home of cyberpunk writer William Gibson and science fiction film-maker David Cronenberg, came a series of pioneering bands with a similar style and outlook. The popular synth-pop band Images in Vogue, after touring with Duran Duran and Roxy Music, split into several influential factions. Don Gordon went on to found Numb, Kevin Crompton to found Skinny Puppy, and Ric Arboit to form Nettwerk Records, which would later release Skinny Puppy, Severed Heads, Moev, Delerium and more. Controversial band Numb ended up receiving less attention than the seminal Skinny Puppy. Kevin Crompton (now called Cevin Key) joined forces with Kevin Ogilvie (Nivek Ogre) and began their career by playing in art galleries. After their friend Bill Leeb quit citing ‘creative freedom’ disputes, they embarked on a new style along with the help of newly recruited Dwayne Goettel. Leeb would go on to found Front Line Assembly with Rhys Fulber in 1986. The style of music created by these bands, as well as many similar others, has since been dubbed ‘cyberpunk’ by some journalists. Cyberpunk represents an interesting coupling of concepts. It can be dissected, as Istvan Csiscery-Ronay has shown, into its two distinct parts, ‘cyber’ and ‘punk’. Cyber refers to cybernet- ics, the study of information and control in man and machine, which was created by U.S. American mathematician Norbert Wiener fifty years ago. Wiener fabricated the word from the Greek kyber- netes, meaning ‘governor’, ‘steersman’ or ‘pilot’ (Leary, 1994: 66). The second concept, punk, in the sense commonly used since 1976, is a style of music incorporating do-it-yourself (d.i.y) techniques, centred on independence and touting anarchist attitudes. -
Sociophonetics of Popular Music: Insights from Corpus Analysis and Speech Perception Experiments
Sociophonetics of Popular Music: Insights from Corpus Analysis and Speech Perception Experiments Andy M. Gibson This dissertation is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Linguistics Department of Linguistics University of Canterbury New Zealand September 2019 To my Dad, who taught me the joy of climbing hills on blustery days. Abstract This thesis examines the flexibility and context-sensitivity of speech perception by look- ing at a domain not often explored in the study of language cognition — popular music. Three empirical studies are presented. The first examines the current state of sociolinguis- tic variation in commercial popular music, while the second and third explore everyday listeners’ perception of language in musical and non-musical contexts. The foundational assumption of the thesis is that the use of ‘American English’ in song is automatic for New Zealand singers, and constitutes a responsive style that is both accurate and consistent. The use of New Zealand English in song, by contrast, is stylised, involving an initiative act of identity and requiring effort and awareness. This will be discussed in Chapter 1,where I also introduce the term Standard Popular Music Singing Style (SPMSS) to refer to the US English-derived phonetic style dominant in popular song. The first empirical study will be presented in Chapter 2. Using a systematically selected corpus of commercial pop and hip hop from NZ and the USA, analysis of non-prevocalic and linking /r/, and the vowels of the bath, lot and goat lexical sets confirm that SPMSS is highly normative in NZ music. -
Grls Are Hard at Work on a Full-Length Album
G.R.L. — Bio Girls rock life. In a world where bullying runs rampant and society places seemingly impossible pressures on women to be everyday superheroes, G.R.L. is geared up to greet the masses with a fun, fresh spin on pop music that speaks to today’s generation. Rising from a soft whisper to a deafening roar, the newly formed dance-pop quintet possesses an undeniable vocal chemistry reminiscent of a modern-day Supremes. Blend their naturally melodic harmonization with show- stopping dance moves and an unbreakable bond, and you’re left with a refreshingly timeless combo that can only result in true pop music domination. Comprised of Lauren Bennett, Paula Van Oppen, Natasha Slayton, Simone Battle and Emmalyn Estrada, G.R.L. is the longtime brainchild of music industry executive Robin Antin. As individuals, these five bright twentysomethings are multi-talented musicians, but together, they form a pop music powerhouse with the uncanny ability to bring positive vibes to every project that presents itself. With their feel-good debut single, “Vacation,” set for release in the summer blockbuster, The Smurfs 2, the GRLs are hard at work on a full-length album. Featuring famed songwriters and producers like Dr. Luke, Max Martin and Bonnie McKee, the pop record promises to incorporate relatable lyrics with a vast array of musical interests, including urban-infused rock and R&B. “We’re working with the best of the best,” Simone says. “With this album, we hope to inspire unity, strength, independence and self-esteem in GRLs all over the world.” Emmalyn adds, “Just like the saying goes, ‘There is no ‘I’ in ‘team,’ and there is no ‘I’ in G.R.L.’” Lauren Bennett (The Funny GRL) Don’t let Lauren Bennett’s strikingly supermodel good looks deceive you. -
Mick Jagger © Felix Aeppli 04-2020 / 09-2021
Memo From Turner Mick Jagger © Felix Aeppli 04-2020 / 09-2021 1001 July 26, 1943 Born in Dartford, Kent: Michael Philip Jagger. 1001A Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone / iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8), BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, John- son)], 6. I Ain’t Got You (Carter), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Carter), 11. Johnny B. Goode, 12. Little Queenie, 13. Beautiful Delilah (all Berry) MJ: vocals; Keith Richards: guitar, Bob Beckwith: guitar, and maybe harmonica (13); Dick Taylor: bass, guitar, drums (probably 13); Alan Etherington: maracas, drums, back-up vocals; – NOTES: Cuts 1-13: 30 minutes reel-to-reel tape of which the original was bought by Mick Jagger at Christie’s auction house, London, May 25, 1995, for £ 50,250; Cut 10: Existence unconfirmed; Cuts 11-13: Might come from a January, 1962, session at Dick Taylor’s home; – In spite of respective rumours, LITTLE BOY BLUE AND THE BLUE BOYS just rehearsed in their parents homes and never had a public appearance. -
KT 4-6-2015 Layout 1
SUBSCRIPTION THURSDAY, JUNE 4, 2015 SHAABAN 17, 1436 AH www.kuwaittimes.net Man’s arm stuck Wars hamper Abusing power: Interpol puts 2 in a toilet bowl fight against Why some ex-FIFA officials inside mosque hunger in relationships are on ‘red notice’ bathroom3 Middle7 East plain37 bad news wanted19 list Security forces raid farm Min 31º Max 46º in search of wanted ex-MP High Tide 10:15 & 12:30 Low Tide Al-Barrak remains at large; opposition fumes 06:30 & 19:35 40 PAGES NO: 16541 150 FILS By Nawara Fattahova KUWAIT: The Interior Ministry raided a farm in Abdally NA passes law to punish e-crimes owned by the brother of former parliamentarian Musallam Al-Barrak. Brigadier General Adel Al-Hashash, Head of Public Relations and Moral Guidance at the Ministry of Interior confirmed the raid but noted that Al- 10-year jail for setting up website for terror groups Barrak was not captured. “The police was following the law, and only went upon an order to arrest him and had By B Izzak a previous permission from the General Prosecutor to arrest him,” Al-Hashash told the Kuwait Times. Kuwait’s KUWAIT: The National Assembly yesterday passed a Cassation Court - the highest law to combat electronic crimes, stipulating a jail court in the country, upheld a term of up to 10 years for providing online assistance two-year jail sentence against the to terror groups and for money laundering. The legis- former lawmaker on May 18. The lation, supported in the first vote by 28 MPs and verdict is final and cannot be opposed by eight while two members abstained, appealed. -
Cyberpunk 2077
LIÑO 27. Revista Anual de Historia del Arte. 2021 (pags. 125-138) Desarrollos urbanos para futuros distópicos: de Metrópolis a Cyberpunk 2077 Christian Franco Torre RESUMEN El videjuego Cyberpunk 2077, desarrollado por CD Projekt RED, está ambientado en Night City, una megalópolis que el jugador puede recorrer con una libertad inédita, lo que unido a una perspec- tiva en primera persona propicia una sugestiva experiencia inmersiva. Pero al recorrer Night City, el jugador descubre una ciudad que le resulta familiar, tanto en su diseño urbano y arquitectónico como en la naturaleza de su población, ya que la megalópolis de Cyberpunk 2077 recoge toda una iconografía de la representación de urbes distópicas en distintas disciplinas artísticas que se puede rastrear hasta Metrópolis (Metropolis, Fritz Lang, 1927), y que reflejan tanto las intuiciones de sus creadores sobre cómo serán las ciudades del futuro como sus inquietantes reflexiones sobre la ur- banidad de su tiempo. PALABRAS CLAVE Cine, videojuegos, distopías, urbanismo, cyberpunk Urban developments for dystopian futures: from Metropolis to Cyberpunk 2077 ABSTRACT The Cyberpunk 2077 video game, developed by CD Projekt RED, is set in Night City, a megalo- polis that the player can travel with unprecedented freedom besides with a first-person perspective that provides an evocative immersive experience. But when touring Night City, the player discovers a city that is familiar to him, both in its urban and architectural design and in the origin of its population, since the megalopolis of Cyberpunk 2077 contains an entire iconography of the representation of dystopian cities in different disciplines artistic that can be traced back to Metropolis (Fritz Lang, 1927), and that reflect both the intuitions of their creators about the cities of the future will be like and their disturbing reflections on the urbanity of their time. -
An Alternative Place to Play...Page 3A
An Alternative Place to Play..................... page 3A THE ARTS AND ENTERTAINMENT SECTION OF THE DAILY NEXUS For T h e Week o f February 6 , 199 2 SHAKESPEARE■ii i t I VM PAT STULL/Daily Nexus 2 A Thursday, February 6,1992 Icore BSents Mozart's Grand Ole Opera UCSB Opera Theatre Tackles Cosi Fan Tutte as Wolfgang a womanizer when he titled his opera chard Schreiber, who has well over 100 performances Cost Fan Tutte, meaning “All Women Do” (betray under his belt (Cosi being his sixth UCSB production), en their lovers)? Probably not, but Cosi, one of Mo visioned the set. W zart’s last masterpieces, dares to run the appa An old cynical bachelor (Alfonso) challenges his two rently misogynous risk of rendering two young women young love-struck friends, (Ferrando and Guglielmo) to a wantons as they buckle and break what seemed like inde bet: he asserts their lovers (Fiordiligi and Dorabella) would structible pledges of faith to their lovers. be unfaithful if they were given the opportunity. Chiding Breaking vows of allegiance, mistaking lover’s identities, their trust in women’s faithfulness, Alfonso tells them he romantic entanglements seem not only to be the stuff of has “never known a woman who would not be unfaithful, Shakespeare (we’ve seen two exquisite examples this quar given the opportunity.” The young suitors counter his cyn ter with Much Ado About Nothing and Love's Labor’s icism, entrenched in lust Lost) — but also of Mozart. Sadly enough, when the young men agree to Alfonso’s Cosi is a comic opera (Libretto by Lorenzo de Ponte) bet and elaborate scheme designed to expose the two wo and is as appropriate for us as it was for its first audience in men, it works.