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To What Extent Can Libyan Intellectual Property Laws Protect Traditional Cultural Expressions from Unauthorised Use?
To what extent can Libyan intellectual property laws protect traditional cultural expressions from unauthorised use? A thesis submitted in fulfilment of the requirement for the award of the degree of Doctor of Philosophy by Abdolhamed Masoud M Agal The School of Law The Faculty of Professions The University of Adelaide, Australia 2016 Table of Contents Abstract .................................................................................................................................. iv Declaration............................................................................................................................. vi Acknowledgements ............................................................................................................. vii Dedication ........................................................................................................................... viii 1 General introduction to the thesis ................................................................................. 1 1.1 Introduction ......................................................................................................................... 1 1.2 Research objectives ............................................................................................................. 5 1.3 Research questions .............................................................................................................. 6 1.4 Methodology ...................................................................................................................... -
The Land Rights Movement
25 YEARS OF NATIVE TITLE RECOGNITION Contents Settlement and 1 disposession Yirrkala Bark Petitions 1963 2 The Freedom Ride 1965 2 Wave Hill Station walk off 3 1966–1975 Gove Land Rights case 4 1968–1971 Aboriginal Tent Embassy 4 1972 Yolgnu claimants in the Land Rights case over the Gove Peninsula discuss aspects of Racial Discrimination Act 5 the hearing outside the courtroom in Canberra, September 1970. Source: National Archives of Australia. 1975 Reproduced with permission from Department of Foreign Affairs and Trade Aboriginal Land Rights (NT) 6 © Commonwealth of Australia. Act 1976 Noonkanbah 6 THE ROAD TO NATIVE TITLE: 1978–1980 THE LAND RIGHTS MOVEMENT Mabo No 2 6 1982–1992 Settlement and dispossession Paul Keating Redfern 7 From the time of first European settlement, Aboriginal and Torres Strait Islander Speech 1992 Australians have fought to maintain, and have recognised, their traditional rights to ownership of land. In 1788 the colony of New South Wales was established and the founding of Australia as a British colony had begun. The colony was settled on the basis of the doctrine of international law whereby the continent was deemed to be terra nullius—land belonging to no-one. Despite the obvious presence of Indigenous people, in the eyes of the British the land was considered to be practically unoccupied, without settled inhabitants and without settled law. The Colony was claimed for the British Sovereign on 26 January 1788. There is ongoing debate about the legal status of the ‘settlement’ as the land was clearly occupied and; there was no treaty and no (declared) war. -
Media-Kit-High-Ground.Pdf
HIGH GROUND DIRECTED BY STEPHEN JOHNSON RELEASE DATE TBC RUNNING TIME 1 HOUR 45 MINS RATED TBC MADMAN ENTERTAINMENT PUBLICITY CONTACT: Harriet Dixon-Smith - [email protected] Lydia Debus - [email protected] https://www.madmanfilms.com.au TAGLINE In a bid to save the last of his family, Gutjuk, a young Aboriginal man teams up with ex-soldier Travis to track down Baywara, the most dangerous warrior in the Territory, his Uncle. SYNOPSIS Northern Territory, Australia 1919. The Great War is over, the men have returned home. Many return to their normal lives in the cities in the south, others are drawn to the vast open spaces of the North. A sparsely populated wild frontier. They hunt buffalo, they hunt crocodile, and those that can join the overstretched Police service. Travis and Ambrose are two such men. A former sniper, Travis has seen the very worst of humanity and the only thing that keeps him on track is his code of honour, tested to its limit when a botched police operation results in the massacre of an Indigenous tribe. Travis saves a terrified young boy named Gutjuk from the massacre. He takes him to the safety of a Christian mission but unable to deal with the ensuing cover up, Travis leaves his police outpost and disappears into the bush. Twelve years later, 18-year-old Gutjuk hears news of the ‘wild mob’ – a renegade group of Indigenous warriors causing havoc along the frontier attacking and burning cattle stations, killing settlers. It’s said their leader is Gutjuk’s uncle, Baywara thought to be a survivor of the massacre. -
The String Figures of Yirrkala: Examination of a Legacy
10. The String Figures of Yirrkala: Examination of a legacy Robyn McKenzie Who’s the painted cave man Who lives in Arnhem Land You’ll find it’s Fred McCarthy Tying strings around his hand.1 — Anonymous When the 1948 American–Australian Scientific Expedition to Arnhem Land was all but over and the party was taking stock in Darwin, Howell Walker, the National Geographic Society writer-photographer, asked each participant to respond to two questions: ‘What did they consider the most significant contribution to their field that the Expedition had made possible?’; and ‘What would their respective home institutions consider the most valuable work done by the Expedition?’ Frederick McCarthy, one of three ethnographic researchers on the Expedition (alongside Frank Setzler from the Smithsonian Institution and Charles Mountford, the Expedition leader), not surprisingly stated that the ‘collection of specimens’ of material culture and natural history would be most valued by his institution, the Australian Museum. For the most significant contribution to the field of anthropology, he nominated the archaeological survey he carried out in collaboration with Setzler (see Clarke and Frederick, this volume). He gave equal standing to the collection of string figures he made at Yirrkala: ‘a record number…from one group of natives.’ McCarthy described it as ‘the most complete study of string-figures yet made in one area in Australia’ and noted that it ‘increases the total to three times as many [as] previously known in the whole of the continent’.2 McCarthy’s collection of string figures—constituting by his estimate one-fifth of all ‘known’ string figures in the world at the time—remains the largest of 1 Author unknown, stanza of a ditty/song/poem, typewritten and pasted into McCarthy’s diary on 24 July. -
Arnhem Way 6 Day Northern Territory Drive Route Itinerary
SUGGESTED ARNHEM WAY 6 DAY NORTHERN TERRITORY DRIVE ROUTE ITINERARY Wessel Islands GOVE AIRPORT (Garma) Roper Bar MATARANKA ROPER HWY Considered one of Australia’s last unspoilt areas, Arnhem Land is just waiting to be discovered. The Central Arnhem Road starts 50km south of Katherine and finishes in Nhulunbuy on the Gove Peninsula. This route will take you on an adventure through open savannah woodlands as you cross creeks and spot a variety of wildlife. Please note that when travelling to Arnhem Land you will require a permit from the Northern Land Council. These permits are necessary to preserve the beauty of Arnhem Land. DO CULTURE Arnhem Land has a unique Indigenous TOP TEN THINGS TO DO culture that is perfectly interwoven into the 1. Bush camp at pristine beaches along experiences available. The small population the East Arnhem Land coast is mainly Aboriginal people who live a traditional life. Take a cultural tour or visit 2. Explore the beaches and fresh water the local art and craft galleries to experience holes of the Dhimurru recreational authentic Aboriginal culture. This is the land areas on a four-wheel drive camping where the didgeridoo originated, so make adventure sure you visit the local art and craft galleries to secure your authentic souvenir. 3. Jump on a charter flight and see the fantastic coastline and wildlife from DO ADVENTURE above This coastline is home to some of Australia’s 4. Visit Buku Larrnggay Mulka Art Centre most beautiful pristine beaches just waiting at Yirrkala for local Indigenous arts to be explored. Join a fishing charter and and crafts spend the day out on the water or explore various bushwalking and hiking trails through 5. -
U Places and People: Taking Aboriginal Understandings Seriously in Land and Sea Management
YolYol\\\\uu Places and People: Taking Aboriginal Understandings Seriously in Land and Sea Management Margaret Leanne Ayre B. For. Sc. (Hons), University of Melbourne Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy 2002 Department of History and Philosophy of Science The University of Melbourne Abstract In this thesis I look at the work of managing Yol\u Aboriginal estates by the Dhimurru Land Management Aboriginal Corporation (Dhimurru) and Yol\u Aboriginal communities of NE Arnhem Land. I examine the practices of doing contemporary land and sea management at Dhimurru drawing on work I did at Dhimurru assisting in the development of a plan of management for the Yol\u place, }anydjaka (Cape Arnhem in English), and negotiating a curriculum/pedagogy for Dhimurru Yol\u Rangers. I examine the mobilisation strategies of the environmental sciences and Yol\u knowledges which together perform the ‘object of management’ in Dhimurru’s practice, ‘}anydjaka/Cape Arnhem’, as a multiplicity: a Yol\u-managed place. Showing ‘}anydjaka/Cape Arnhem’ as a multiplicity (multiple but partially connected objects) allows us to understand place as multiple materialities performed through sets of routine, but quite often very different, sets of practices. The work of managing ‘}anydjaka/Cape Arnhem’ is the work of managing multiple realities within which the object of management is continually performed as partial, messy, contingent and local. I contend that in order to take Yol\u understandings seriously in land and sea management we need to understand Dhimurru’s unique ontology as a knowledge landscape characterised by an emergent methodology I call ‘journeying-naming- tracing’. -
Masterpieces from Paris
artonview artonview ISSUE 60 ISSUE 60 • summer 2009 • SUmm E r 2009 NATIONAL GALLE r Y OF MASTERPIECES FROM PARIS AUST r Van Gogh, Gauguin, Cézanne & beyond ALIA POST-IMPRESSIONISM FROM THE MUSÉE D’ORSAY CANBERRA ONLY 4 DECEMBER 2009 – 5 APRIL 2010 TICKETS: NGA.GOV.AU HOTEL PACKAGES: VISITCANBERRA.COM.AU/PARIS 1300 889 024 PRESENTING PARTNERS PRINCIPAL PARTNERS VAN GOGH, GAUGUIN, CEZANNE AND BEYOND The National Gallery of Australia is an Australian Government Agency CULTURE WARRIORS IN WASHINGTON Vincent van Gogh Van Gogh’s bedroom at Arles 1889 (detail), Musée d’Orsay, Paris, © RMN (Musée d’Orsay) / Hervé Lewandowski Z00 40383 The National Gallery of Australia is an Australian Government Agency Issue 60, summer 2009–10 published quarterly by 2 Director’s foreword National Gallery of Australia GPO Box 1150 6 Foundation Canberra ACT 2601 nga.gov.au 8 Sponsorship and Development ISSN 1323-4552 exhibitions and displays Print Post Approved pp255003/00078 10 Culture Warriors storm Washington © National Gallery of Australia 2009 Bronwyn Campbell Copyright for reproductions of artworks is held by the artists or their estates. Apart from 14 Masterpieces from Paris: Van Gogh, Gauguin, uses permitted under the Copyright Act 1968, Cézanne and beyond no part of artonview may be reproduced, transmitted or copied without the prior Christine Dixon permission of the National Gallery of Australia. Enquires about permissions should be made in collection focus/conservation writing to the Rights and Permissions Officer. 22 Celebrating two outstanding sculptors: -
Ngbu Mathematics from Bawaka, North East Arnhem Land, to Reveal
humanities ŋ Article Morrku Mangawu—KnowledgeŊ on the Land: Mobilising Yolŋu Mathematics from Bawaka, North East Arnhem Land, to Reveal the Situatedness of All Knowledges Bawaka Country including Kate Lloyd 1, Sandie Suchet-Pearson 1,*, Sarah Wright 2, Laklak Burarrwanga 1,3, Ritjilili Ganambarr 1,3, Merrkiyawuy Ganambarr-Stubbs 1,3, Banbapuy Ganambarr 1,3 and Djawundil Maymuru 1,3 1 Department of Geography and Planning, Macquarie University, Sydney 2109, Australia; [email protected] (K.L.); [email protected] (L.B.); [email protected] (R.G.); [email protected] (M.G.-S.); [email protected] (B.G.); [email protected] (D.M.) 2 Discipline of Geography and Environmental Studies, The University of Newcastle, Callaghan 2308, Australia; [email protected] 3 Bawaka Cultural Experiences, North East Arnhem Land, Yirrkala 0880, Australia * Correspondence: [email protected]; Tel.: +61-02-9850-8393 (ext. 8393); Fax: +61-02-9850-6052 Academic Editors: Karen L. Thornber and Tom Havens Received: 3 December 2015; Accepted: 22 March 2016; Published: 15 July 2016 Abstract: YolNu mathematics refers to the complex matrix of patterns, relationships, shapes, motions and rhythms of time and space that underpin the ways that YolNu people, Indigenous people of North East Arnhem Land in northern Australia, nourish and are nourished by their environments. Through its fundamental reliance on human and more-than-human connectivity and situatedness, YolNu people mobilise the concept of YolNu mathematics to challenge Western knowledges, including Western ideas of mathematics and environment. This paper discusses YolNu mathematics and the relationships between humans and more-than-humans, which co-produce a world that is living and interconnected, and which reveals all knowledge as situated. -
Nhulunbuy in One Day Itinerary
Galuru (East Woody Beach) Nhulunbuy Highlights in one day * The tranquility of Gayŋaru Wetlands EXPERIENCE THE PERFECT 24 HOURS IN NHULUNBUY! * Yolŋu culture and art at Buku-Larrŋgay If you don’t have your own vehicle, it is highly * Explore pristine beaches recommended you hire a car to get around. * A vibrant sunset at Gove Boat Club There is so much to see and do in East Arnhem Land and having your own transport will be well worth it! 1PM - FLOAT BY THE POOL AT THE WALKABOUT 7AM - APPRECIATE THE TRANQUILITY OF GAYŊARU Once you are finally able to pull yourself away from the Rise early and head to Gayŋaru Wetlands, also known as amazing artwork at Buku-Larrŋgay Mulka Art Centre, head Town Lagoon, to catch the sun rising over this tranquil back into Nhulunbuy to Latitude 12, the Walkabout Lodge’s wetland and the abundance of native wildlife waking up poolside restaurant. Have some lunch and cool off in the with the warmth of the sun. There is a three kilometre refreshing pool before the next part of your adventure. If return walking trail that takes you on a journey following you look hard enough, you might even catch the local lizard the edge of the wetlands. There’s plenty of interpretive waiting patiently in the garden for a photo with you - don’t signing, viewing platforms and a bird hide – if you are lucky worry this one doesn’t bite! you might even get to spot a crocodile from one of the viewing platforms! 8.30AM - RELAX IN THE REFINERY’S RUSTIC CHARM Once you have worked up an appetite, it is time to head to The Refinery Café for that much needed coffee and break- fast! Located in the Captain Cook Shopping Centre, this quirky outdoor café is a great place to relax and read the morning paper while you indulge in your pick from the delicious menu. -
East Arnhem Land Region
EAST ARNHEM Wessel Islands LAND REGION GOVE PENINSULA, NHULUNBUY, YIRRKALA & GROOTE EYLANDT GOVE AIRPORT (Garma) GOVE DARWIN CAIRNS Roper Bar Y MATARANKA ROPER HW 9 Top things to do 10 Bremer Island 1 L ocal arts and crafts – visit Buku Larrnggay BREMER Mulka Art Centre at 1hr ISLAND Yirrkala boat FISHING 2 ARAFURA SEA L agoon Wetlands – self G^luru (East Wirrwawuy guided interpretative walk Woody Beach) 6 (Wirrwawuy Beach) the trail around Gayngaru WIRRWAWUY 5 BEACH (Town Lagoon) – booklet 5 2 Ga[alathami (Town Beach) available mins GOVE BOAT CLUB Gumuniya (Bualo Creek) 3 Bird watching 11 Nhulunbuy Ba]ambarr\a 4 C amping and bushwalking (Gove) (Rainbow Creek) (four-wheel drive and Gunyan\ara car hire available in 3 Nhulunbuy) ART 5 CENTRE V isit our local beaches, MELVILLE BAY East Woody, Middle beach, 1 Yirrkala Cape Wirrwawuy or Town Ganinyara 15 mins Beach (Granite Islands) Yarrapay 6 V isit the Roy (Malpi) (Rocky Point) Lookout on Mt Nhulun for 12 Wathawuy GOVE LITTLE a view of Nhulunbuy ACCESS VIA AIR CHARTER / AIRNORTH (Latram River) AIRPORT Bari\ura BONDI Davidson’s Safari Lodge, 7 15 (Little Bondi) E xplore Dhimurru Cobourg Peninsula, Elcho Island, mins recreational areas by Wiligi Arnhem Land Experience, Wathawuy 1hr Numuy (Turtle four-wheel drive. Permits Maningrida Art & Fishing (Goanna River) Beach) are required from 4 Tours, Maningrida Arnhem Garanhan Dhimurru Aboriginal Corporation Land Barramundi (Maccassan) Nature Lodge Manangaymi Binydjarr\a CENTRAL ARNHEM ROAD 8 T ake a cultural tour with and Milingimbi (Scout Camp) (Daliwuy) Lirrwi Yolngu Tourism Guwatjurumurru CAPE 9 S tay at Banubanu Eco Katherine (Giddy River) 13 ARNHEM Wilderness Retreat on DRIVE TIME 14 7 Wanuwuy Bremer Island 700km 1.5hrs (Cape Arnhem) 11h rs 4WD 10 H ave a blue water fishing experience with one of Yukuwarra TWIN the many charter tours EAGLES available, such as S.S. -
Songspirals Book Complete Chapter Notes
SONGSPIRALS Chapter Notes These notes serve two purposes. The first is to help readers to find further information about key concepts raised in the text. The second is to recognise previous research and knowledge, and to highlight connections between this book and other published works. Key texts which cover a range of topics discussed in more detail below include: Keen, I. (1994). Knowledge and Secrecy in an Aboriginal Religion. Oxford: Oxford University Press. Morphy, H. (1991). Ancestral Connections: Art and an Aboriginal system of knowledge. Chicago: University of Chicago Press. Watson, H., with the Yolngu Community at Yirrkala, & Chambers, D.W. (1989). Singing the Land, Signing the Land: A portfolio of exhibits. Geelong, Vic.: Deakin University Press. Williams, N.M. (1986). The Yolngu and Their Land: A system of land tenure and the fight for its recognition. Canberra: Australian Institute of Aboriginal Studies. For how to read the different characters (e.g., ŋ ä ṯ nh dh ny) and more on orthography and spelling used in this text see: Yolŋu Advisors to CDU and Gupapuyŋu Yothu-Yindi and Märi-Gutharra (2012) Yolŋu languages and culture: Study notes (Gupapuyŋu). uniprintNT, Charles Darwin University, Darwin, Northern Territory. www.bawakacollective.com Djalkiri The term ‘songline’ was arguably popularised among non- Indigenous people through a 1987 novel entitled The Songlines by British author Bruce Chatwin. Along with such terms as ‘Dreaming’, ‘Dreamtime’ and ‘song cycle’, songline is now widely used to describe foundational Aboriginal Australian stories, songs, knowledges, and connections with Country. Yunupingu and Muller (2009, p. 160) explain that: In Yolŋu law, songs always come with country, through the songlines passed down from our ancestors. -
Annual Report
20 19 20 20 Annual Report stand firm and stand together 1 Aboriginal and Torres Strait Islander readers are advised that the following report may contain images and voices of people who have died. 2 Contents Our Mission, Our Vision, Our Values 4-6 Our Foundation 7 Highlights – 2020 8-17 Spotlights - 2020 18 Chairman’s Report 19 CEO Report 20-21 Directors 22-23 Rirratjingu – Looking Back 24-25 Rirratjingu – Looking Forward 26-27 Our Plan – Our Priorities 28 Taking Care of the Future 29 We Mean Business 30-31 Let’s Make Yirrkala Great Again 32-33 Governance 34-35 Rirratjingu Mining 36-37 Rirratjingu Fuel 38-39 Bunuwal Investments 40-41 Culture & Community 42-58 High Ground Report 44-47 Rirratjingu Football Program 48-49 Rirratjingu Music Program 50-51 Education Report 52-53 Health Report 54 Memorial Service 55 Leadership 56-57 The Coronavirus (COVID-19) 58 Consolidated Financial Reports 2019 - 2020 59-81 Photo Spread 82-83 3 Our Mission Our Mission is to stand firm and to stand together for our people: To remain the rock that is one voice together with a shared resolve to shape a future for our families and generations to come so they can live equally in a world of economic certainty and social wellbeing. Our Mission is inspired by the Rock which remains immovable against the tide, the storms and the winds of change. The words of our forefathers remain in our minds: “Be firm and strong for the land, and the strength of your solidarity will sustain you in your cause.