DOCSLIB.ORG

Anhang Zum Antrag Des Kunstmuseums Bern

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Anhang Zum Antrag Des Kunstmuseums Bern Anhang zum Antrag um Erteilung einer Rückgabegarantie von Kunstmuseum Bern, Hodlerstrasse 8-12, CH-3000 Bern vom 22.08.2016 Beschreibung und Herkunft der Kulturgüter 1 Peter Paul Rubens (Siegen 1577–1640 Antwerpen) erstmals erwähnt in der Beschreibung der Satyr und Mädchen mit Früchtekorb, um 1615 Gräflich Schönborn’schen Gemäldesammlung Öl auf Leinwand, 113,0 x 71,0 cm (Bildmass) von Joseph von Hormayr 1830; seit 2003 140,5 x 99,6 x 9,5 cm (Rahmenmass) Dauerleihgabe an LIECHTENSTEIN. The Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Princely Collections, Vaduz−Vienna Vaduz−Vienna Inv.-Nr. G 6 2 Onorio Marinari (Florenz 1627–1715 Florenz) erstmals erwähnt im Verzeichnis der Die heilige Katharina in einem Buch lesend, um 1680 Sammlung Schönborn-Buchheim von Johann Öl auf Leinwand, 92,5 x 119,0 cm (Bildmass), 107,0 x 133,0 x 8,5 cm Balthasar Gutwein 1746; seit 2003 (Rahmenmass) Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Vaduz−Vi Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Vaduz−Vienna Inv.-Nr. G 10 S. 1/83 3 Cornelis I. de Baellieur (Antwerpen 1607–1671 Antwerpen) erstmals erwähnt im Verzeichnis der Galerie eines Sammlers, um 1640 Sammlung Schönborn-Buchheim von Johann Öl auf Holz, 115,9 x 148,2 cm (Bildmass) Balthasar Gutwein 1746; seit 2003 134,6 x 166,5 x 10,5 cm (Rahmenmass) Dauerleihgabe an LIECHTENSTEIN. The Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Princely Collections, Vaduz−Vienna Vaduz−Vienna Inv.-Nr. G 28 4 Giovanni Francesco Barbieri, gen. Guercino (Cento 1591–1666 erstmals erwähnt in der Beschreibung der Bologna) Gräflich Schönborn’schen Gemäldesammlung Galatea, von Joseph von Hormayr 1830; seit 2003 Öl auf Leinwand, 177,0 x 236,5 cm (Bildmass) Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Vaduz−Vienna Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Vaduz−Vienna Inv.-Nr. G 29 5 Jan van Goyen (Leiden 1596–1656 Den Haag) erstmals erwähnt in der Beschreibung der Ansicht von Dordrecht, Gräflich Schönborn’schen Gemäldesammlung Öl auf Holz, parkettiert, 39,0 x 66,0 cm (Bildmass) von Joseph von Hormayr 1830; seit 2003 46,4 x 74,0 x 4,0 cm (Rahmenmass) Dauerleihgabe an LIECHTENSTEIN. The Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Princely Collections, Vaduz−Vienna Vaduz−Vienna Inv.-Nr. G 36 S. 2/83 6 Richard Brakenburgh (1650–1702 Haarlem) erstmals erwähnt in der Beschreibung der Herr und junge Frau bei Wein und Austernmahl, Gräflich Schönborn’schen Gemäldesammlung Öl auf Leinwand, 30,0 x 29,0 cm (Bildmass) von Joseph von Hormayr 1830; seit 2003 45,2 x 39,7 x 7,5 cm (Rahmenmass) Dauerleihgabe an LIECHTENSTEIN. The Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Princely Collections, Vaduz−Vienna Vaduz−Vienna Inv.-Nr. G 37 7 Jan Griffier (Amsterdam 1645–1718 London) erstmals erwähnt in der Beschreibung der Rheinlandschaft, Gräflich Schönborn’schen Gemäldesammlung Öl auf Holz, 51,0 x 69,0 cm (Bildmass) von Joseph von Hormayr 1830; seit 2003 68,5 x 85,0 x 7,5 cm (Rahmenmass) Dauerleihgabe an LIECHTENSTEIN. The Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Princely Collections, Vaduz−Vienna Vaduz−Vienna Inv.-Nr. G 46 8 Matthias Stom(er) (Amersfoort 1600–1650 vermutlich Sizilien) erstmals erwähnt in der Beschreibung der Lautenspieler und Flötenspieler, 1640er Jahre Gräflich Schönborn’schen Gemäldesammlung Öl auf Leinwand, 90,0 x 79,0 cm (Bildmass) von Joseph von Hormayr 1830; seit 2003 115,0 x 99,0 x 9,5 cm (Rahmenmass) Dauerleihgabe an LIECHTENSTEIN. The Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Princely Collections, Vaduz−Vienna Vaduz−Vienna Inv.-Nr. G 65 S. 3/83 9 Lukas Cranach, der Ältere (Kronach 1472–1553 Weimar) erstmals erwähnt im Verzeichnis der Kurfürst Friedrich der Weise, nach 1532 Sammlung Schönborn-Buchheim von Johann Öl auf Holz, 80,0 x 49,0 cm (Bildmass) Balthasar Gutwein 1746; seit 2003 103,0 x 70,7 x 10,0 cm (Rahmenmass) Dauerleihgabe an LIECHTENSTEIN. The Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Princely Collections, Vaduz−Vienna Vaduz−Vienna Inv.-Nr. G 79 10 Cornelis van Poelenburgh (Utrecht? 1586–1667 Utrecht) erstmals erwähnt im Verzeichnis der Kalypso und Odysseus, Sammlung Schönborn-Buchheim von Johann Kupfer, 23,0 x 19,0 cm (Bildmass) Balthasar Gutwein 1746; seit 2003 39,0 x 35,5 x 7,0 cm (Rahmenmass) Dauerleihgabe an LIECHTENSTEIN. The Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Princely Collections, Vaduz−Vienna Vaduz−Vienna Inv.-Nr. G 92 S. 4/83 11 Cornelis Saftleven (Gorkum 1607–1681 Rotterdam) erstmals erwähnt in der Beschreibung der Die Versuchung des Heiligen Antonius, um 1629 Gräflich Schönborn’schen Gemäldesammlung Öl auf Holz, 23,0 x 32,0 cm (Bildmass) von Joseph von Hormayr 1830; seit 2003 36,8 x 45,0 x 5,0 cm (Rahmenmass) Dauerleihgabe an LIECHTENSTEIN. The Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Princely Collections, Vaduz−Vienna Vaduz−Vienna Inv.-Nr. G 112 12 Pieter Brueghel, der Jüngere (Brüssel 1564–1638 Antwerpen) erstmals erwähnt im Verzeichnis der Kreuztragung Christi, Sammlung Schönborn-Buchheim von Johann Öl auf Leinwand, 118,8 x 162,5 cm (Bildmass) Balthasar Gutwein 1746; seit 2003 143,5 x 188,0 x 11,5 cm (Rahmenmass) Dauerleihgabe an LIECHTENSTEIN. The Dauerleihgabe an LIECHTENSTEIN. The Princely Collections, Princely Collections, Vaduz−Vienna Vaduz−Vienna Inv.-Nr. G 121 13 Georg Engelhard von Löhneisen (Witzlasreuth 1552–1622 vermutlich seit dem Erscheinungsjahr Remlingen) Bestand der Fürstlich Liechtenstein’schen Neu eröffnete Hof- Kriegs- und Reitschul, 1588 Fideikommiss-Bibliothek, erstmals erwähnt im 41,0 x 51,0 cm (Objektmass) Bibliothekskatalog von Hans Bohatta 1931 LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna Inv.-Nr. DW 110-1-7 S. 5/83 14 Johann Adam Delsenbach (Nürnberg 1687–1765 Nürnberg); erworben 1883 durch Fürst Johannes II. von Christian Engelbrecht (Augsburg 1672–1735 Augsburg); Johann Liechtenstein von Laura Bertusch mit der Andreas Pfeffel (Bischoffingen 1674–1748 Augsburg); Entwurf Sammlung Franz Ritter von Hauslab Joseph Emanuel Fischer von Erlach (Wien 1693–1742 Wien); Entwurf Johann Bernhard Fischer von Erlach (Graz 1656–1723 Wien) Anfang Einiger Vorstellungen der Vornehmsten Gebäude (...), 1719 Sammelband mit 67 Kupferstichen Kupferstiche, Ledereinband, 27,2 x 39,0 cm (Blattmass), 27,3 x 39,0 x 3,3 cm (Objektmass), 27,3 x 77,5 cm (aufgeschlagen) (Objektmass) LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna Inv.-Nr. DW 9221 15 Vincenzio Fanti (Wien 1719–1776 Wien) seit dem Erscheinungsjahr Bestand der Descrizzione completa di tutto ciò che ritrovasi nella galleria di pittura Fürstlich Liechtenstein’schen Fideikommiss- e scultura di Sua Altezza Giuseppe Wenceslao del S.R.I. Principe Bibliothek, erstmals erwähnt im Regnante della casa di Lichtenstein, 1767 Bibliothekskatalog von Hans Bohatta 1931 26,2 x 21,0 x 3,8 cm (Objektmass), 26,2 x 43,0 cm (Objektmass) LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna Inv.-Nr. DW K–7–4 S. 6/83 16 Johann Dallinger von Dalling, der Ältere (Wien 1741–1806 Wien) seit dem Erscheinungsjahr Bestand der Description des Tableaux, et des Pièces de Sculpture, que renferme Fürstlich Liechtenstein’schen Fideikommiss- la Gallerie de son Altesse François Joseph Chef et Prince Regnant Bibliothek, erstmals erwähnt im de la Maison de Liechtenstein, 1780 Bibliothekskatalog von Hans Bohatta 1931 20,5 x 12,5 cm (Objektmass) LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna Inv.-Nr. DW 9441.2 17 Jacob von Falke (Ratzeburg 1825–1897 Lovran) seit dem Erscheinungsjahr Bestand der Katalog der Fürstlich Liechtensteinischen Bilder-Galerie im Fürstlich Liechtenstein’schen Fideikommiss- Gartenpalais der Rossau zu Wien, 1873 Bibliothek, erstmals erwähnt im 16,8 x 11,9 cm (Objektmass) Bibliothekskatalog von Hans Bohatta 1931 Inv.-Nr. DW 1788/64 S. 7/83 18 Wilhelm von Bode (Calvörde 1845–1929 Berlin) seit dem Erscheinungsjahr Bestand der Die Fürstlich Liechtenstein'sche Galerie in Wien, 1896 Fürstlich Liechtenstein’schen Fideikommiss- Ledereinband, 39,2 x 30,8 x 4,2 cm (Objektmass) Bibliothek, erstmals erwähnt im Bibliothekskatalog von Hans Bohatta 1931 LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna Inv.-Nr. DW G–1–15 19 Giovanni Giacomo Komarek Boemo (Hradec Králové 1648–1706 seit dem Erscheinungsjahr Bestand der Rom) Fürstlich Liechtenstein’schen Fideikommiss- Breve descrizzione e disegni delle Carrozze dell'eccmo signore Bibliothek, erstmals erwähnt im principe Antonio Floriano del S. R. I. prencipe di Liechtenstein, 1694 Bibliothekskatalog von Hans Bohatta 1931 , 34,4 x 50,0 cm (aufgeschlagen, ohne ausgefaltete Blätter), mit ausgefalteten Blättern 63,6 cm (Objektmass) LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna Inv.-Nr. DW 130–1–16 S. 8/83 20 Entwurf Salomon Kleiner (Augsburg 1703–1761 Wien); Johann seit dem Erscheinungsjahr Bestand der Andreas Pfeffel (Bischoffingen 1674–1748 Augsburg); Jakob Fürstlich Liechtenstein’schen Fideikommiss- Gottfried Theloth (Augsburg 1708–1760 Augsburg); Johann August Bibliothek, erstmals erwähnt im Corvinus (Leipzig 1683–1738 Augsburg); Georg Daniel Heumann Bibliothekskatalog von Hans Bohatta 1931 (Nürnberg 1691–1759 Nürnberg); Franz Michael Regenfus (Nürnberg 1712–1780 Kopenhagen) Sammelband mit 235 Kupferstichen von Kirchen, Klöstern, Gebäuden, Palästen und Lustgärten in Wien und Umgebung, Salzburg und Würzburg, 1724/40 Kupferstiche, Ledereinband, 23,1 x 34,3 cm (Plattenmass), 35,0 x 51,0 cm (Blattmass), 35,2 x 51,0 x 7,1 cm (Objektmass), 35,2 x 102,0 cm (aufgeschlagen) (Objektmass), 23,0 x 99,0 x 36,0 cm (aufgeschlagen mit Unterstützung) (Objektmass) LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna Inv.-Nr. DW J–4–11 21 Marcantonio Franceschini (Bologna 1648–1729 Bologna) seit 1692 im Besitz der Fürsten von und zu Marcantonio Franceschini an Johann Adam Andreas I. von Liechtenstein Liechtenstein, Bologna, 12. 11. 1692 27,0 x 19,5 cm (Objektmass), 27,0 x 39,0 cm (aufgeschlagen) (Objektmass) LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna Inv.-Nr. FA 67.1 S. 9/83 22 Johann Adam I. Andreas von und zu Liechtenstein (1657–1712); seit 1692 im Besitz der Fürsten von und zu Unbekannter Meister Liechtenstein Brief an Franceschini, Wien, 6. Dezember 1692 (Miller, 1991, Nr.
Load more

Recommended publications
  • Rosalba Carriera Provenant De La Galerie Des Repr
    Neil Jeffares, Dictionary of pastellists before 1800 Online edition CARRIERA, Rosalba pp. 98ff, 107; Lüttichau 1985, p. 1873, fig. 12; Venice 1673–1757 Brunner & al. 1988, p. 73; Sani 1988, no. 213, NB: This is the Named sitters part of article. To return fig. 186 n.r.; Sani 2007, no. 234 repr. ϕ to the Essay follow this hyperlink. Pastels – Named Sitters A–K J.21.0189 Christian Ludwig AGRICOLA (1667– 1719), peintre, paysagiste, pstl, 43.2x31.1 (A.; Frankfurt, Johann Andreas Benjamin Nothnagel, Maler, 2.VIII.1784, Lot 38, Kr30; Friedrich Samuel Freiherr von Schmidt) J.21.019 =?AGRICOLA, m/u ~grav. Bernard Vogel. Lit.: Carriera 2007b, p. 59 repr. J.21.0192 [Charlotte-Élisabeth Aïcha, dite] Mlle AÏSSÉ [(c.1695–1733)], pstl, 57x45 (Alexandre J.21.0199 ~cop. XIXe, pstl, ov. (Boris Wilnitsky Dumas fils; Paris, Drouot, Léon Tual, 2013, as by Hoin) Chevallier, 12–13.V.1892, Lot 187 n.r.). J.21.02 Anna AMALIA Giuseppa di Modena d’Este, =?Exh.: Paris 1885a, no. 1 n.r. [?attr.; cf. pstl/ppr, 52x40 (Uffizi, inv. 1890, no. 2585. Coypel; Vialy] Violanta von Bayern, Villa Lappeggi 1733– J.21.0207 ~cop. XIXe, pstl, ov. (Boris Wilnitsky Albergatti, v. Bentivoglio 1762; Palazzo Crocetta a.1861; acqu. 1861). 2013, as by Hoin) J.21.0193 La marquise d’ALINCOURT, née Marie- Exh.: Paris 1919b, no. 27 n.r.; Turin 1951, p. J.21.0208 Kaiserin AMALIE Wilhelmine, née von Joséphine de Boufflers (1704–1738), pstl, 74; Carriera 2007b, no. 9 repr. Lit.: Malamani Braunschweig-Lüneburg (1673–1742), Carriera, Diari, comm.
    [Show full text]
  • LIECHTENSTEIN the Princely Collections
    EN LIECHTENSTEIN The Princely Collections 12.11.2016 – 19.03.2017 EXHIBITIONGUIDE Floorplan 16 Rooms 1 and 2 Princely Self-Expression 17 Rooms 3 and 4 Portrait Painting 15 18 Rooms 5 and 6 Christian Themes 14 Room 7 Cabinet of Curiosities 13 12 Room 8 Interior 11 First Floor Room 9 Mythology new building Room 10 The Decius Mus Cycle and Sculptures Rooms 11 and 12 Genre Room 13 Military 6 Room 14 Veduta and Capriccio 7 8 Room 15 Landscape Painting 5 9 10 Rooms 16 and 17 Still Life Painting 4 Room 18 Hunting and Animals 3 2 1 Groundfloor new building The Princely Collections The Liechtenstein Dynasty The art holdings of the Prince von und zu Liechtenstein are the fruits of The rise of the Liechtenstein family to one of the principal dynasties 400 years of collecting, bearing the stamp of the individual preferences of Europe began in the 12th century. The family was elevated to the of the respective princes. The scope and diversity of the collections are rank of princes in 1608. As subjects of the emperor, they were wealthy correspondingly great, spanning the time from the Gothic ages through landowners and landlords, whose sphere of influence and estates lay the Baroque period to the Biedermeier-era. The princes began collecting in the heartland of the Habsburgs, in Austria, Bohemia, and Moravia. In in the mid-16th century. These activities grew in intensity with Prince the 20th century and during the two world wars, the Liechtensteins suf- Karl I von Liechtenstein (1569-1627), and were fostered by the princes fered great losses as well as the confiscation of much of their lands that came after him, continuing until this very day.
    [Show full text]
  • Prince Constantin of Liechtenstein Visits Central Bohemia
    Newsletter No. 3/2012 1712 -2012 Vaduz - 300 years a part of Liechten stei n June 2012 Published by the Historic Association Liechtenstein, Czech Republic PRINCE CONSTANTIN OF LIECHTENSTEIN VISITS CENTRAL BOHEMIA Until 1933, a significant part of the estate of the Princely The aim of the private visit was to open the exhibition ‘The Family of Liechtenstein in the Lands of the Bohemian Crown Duchess of Savoy – the great patron of Kostelec’ in Kostelec was within the territory of today’s Central Bohemia Region. nad Černými lesy, launch Ing. Pavel Juřík’s book ‘Dominions The majority of it was purchased in 1623 by Prince Karl I of of the Smiřický and Liechtenstein families in Bohemia’ and Liechtenstein from Imperial Generalissimo, Albrecht von to visit places connected with the Liechtensteins and with Wallenstein, who had received it from Emperor Ferdinand II the life of the Duchess of Savoy. as land confiscated from the Smiřický family of Smiřice after they died out in 1618. First on the agenda was a rare visit shortly before noon on 31 May to the Royal Town of Kolín, which was bathed in sun. He was welcomed in front of the town hall by a ‘Lords of Kolín’ Guard of Honour and town mayor, Mgr et Bc. Vít Rakušan, and other representatives of the town and region. Following a tour of the town hall’s ceremonial hall, the guests visited the repaired synagogue, the Church of St Bartolomeus which has undergone extensive renovation, and the historic centre of the town. The visit culminated in a celebratory lunch.
    [Show full text]
  • Portrait LGT Group
    Portrait LGT Group “Focus, continuity, global perspective and the fact that clients, the owner family and employees invest using the same strategy have helped us to refine our investment expertise.” H.S.H. Prince Max von und zu Liechtenstein, CEO LGT Group 2 Contents Partner for generations 5 LGT at a glance 6 Personal private banking 10 Outstanding asset management 14 How we practice sustainability every day 18 Data and facts as at 31 December 2012 23 Risk note/Disclaimer 32 “Good diversification of our assets has helped us time and again to weather major political and economic turmoil. ” H.S.H. Prince Philipp von und zu Liechtenstein, Chairman LGT Group 4 Partner for generations Dear Client The financial services industry – driven by the financial and debt crisis – is undergoing fundamental change. Traditional values such as security, competence and integrity are regaining their importance and acquiring a new immediacy. They have always distinguished our bank and characterized LGT’s long-term perspective and clear identity. In the following pages you can find out how we live up to these values and how we implement them for you and your assets. As your partner for generations. We look forward to working with you. H.S.H. Prince Philipp von und zu Liechtenstein Chairman LGT Group H.S.H. Prince Max von und zu Liechtenstein H.S.H. Prince Philipp von und zu Liechtenstein (left) and CEO LGT Group H.S.H. Prince Max von und zu Liechtenstein (right) 5 LGT at a glance LGT Group is the largest Private Banking and Asset Princely Family as the owner Management group in the world that is wholly-owned As an entrepreneurial family, the Princely Family of by an entrepreneurial family.
    [Show full text]
  • Culture and Exchange: the Jews of Königsberg, 1700-1820
    Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 1-1-2010 Culture and Exchange: The ewJ s of Königsberg, 1700-1820 Jill Storm Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Part of the European History Commons Recommended Citation Storm, Jill, "Culture and Exchange: The eJ ws of Königsberg, 1700-1820" (2010). All Theses and Dissertations (ETDs). 335. https://openscholarship.wustl.edu/etd/335 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of History Dissertation Examination Committee: Hillel Kieval, Chair Matthew Erlin Martin Jacobs Christine Johnson Corinna Treitel CULTURE AND EXCHANGE: THE JEWS OF KÖNIGSBERG, 1700-1820 by Jill Anita Storm A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2010 Saint Louis, Missouri Contents Acknowledgments ii Introduction 1 Part One: Politics and Economics 1 The Founding of the Community 18 2 “A Watchful Eye”: Synagogue Surveillance 45 3 “Corner Synagogues” and State Control 81 4 Jewish Commercial Life 115 5 Cross-Cultural Exchange 145 Part Two: Culture 6 “A Learned Siberia”: Königsberg’s Place in Historiography 186 7 Ha-Measef and the Königsberg Haskalah 209 8 Maskil vs. Rabbi: Jewish Education and Communal Conflict 232 9 The Edict of 1812 272 Conclusion 293 Bibliography 302 Acknowledgments Many people and organizations have supported me during this dissertation.
    [Show full text]
  • Motivation in War Ilya Berkovich Index More Information Www
    Cambridge University Press 978-1-107-16773-5 — Motivation in War Ilya Berkovich Index More Information Index Abercromby, Johnston (Soldier), 201 Armies (Old-Regime), 12–13, See also Adye, Stephen Payne (Officer), 20n8 Soldiers, Officers Alcohol, 178, 180–1, 183, 224 Ceremonies in, 13, 35, 171, 193, See also and Combat, 197, 226 feu de joie and Discipline, 103, 105–6, 113, Contractual Nature of Service in, 33, 48, 120, 209 96, 209–11, 229 Alexander, Alexander (Soldier), 142, Effectiveness of, 2, 14, 227 143n41, 146, 149, 217, 223–4 Logistics of, 17, 38, 49, 56, 102, See also Allfärty, Johann Gottlieb (Soldier), 161 Foraging Amblard, André (Soldier), 42, 44, 155, Regimental Culture of. See esprit de corps 187, 204 Role in Society, 20, 95–6, See also Amelang, James S. (Historian), 9 Modernisation Theory American Civil War (1861–5), 24n23, artel. See Mess 29, 59 Articles of War. See Military Regulations American War of Independence (1775–83), Artillery, 7, 117, 126, 158, 190 11n21, 30, 33, 49n93, 61, 115, 136, in Combat, 18, 172, 183, 184, 188, 201, 186, 187, 204, 211 205, 206, 226 Continental Army in, 169, 177, 192, Enlisting in, 133–5, 147 203–4, 205 Asteroth, Valentin (Soldier), 44, 201 Desertion during, 91–2 Astley, Philip (Soldier), 214n41 French Intervention in, 41–2, 147, 203, Atrocities, 192, 196, 197, 204–6 214, See also Rochambeau Atwood, Rodney (Historian), 30, 122, 191 German Auxiliaries in, 44, 48, 154, 191, Austria. See Habsburg Empire See also Ansbach-Bayreuth, Hesse- Austrian Succession, War of the (1740–8), Kassel 17, 22, 80,
    [Show full text]
  • Download Press Release
    Content Exhibition Facts Press Release Introduction Wall Texts (Selection) Exhibition Facts Press conference 15 February 2019 | 10 am Opening 15 February 2019 | 6.30 pm Duration 16 February – 10 June 2019 Venue Kahn Galleries Curators Dr Johann Kräftner, Director LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna Laura Ritter, ALBERTINA Works 110 Catalogue Available for EUR 34.90 (English) & EUR 32.90 (German) onsite at the Museum Shop as well as via www.albertina.at Audio guides German, English, Italian & Russian Contact Albertinaplatz 1 | 1010 Vienna T +43 (01) 534 83 0 [email protected] www.albertina.at Opening Hours Daily 10 am – 6 pm | Wednesdays & Fridays 10 am – 9pm Press contact Fiona Sara Schmidt T +43 (01) 534 83 511 | M +43 (0)699 12178720 [email protected] Sarah Wulbrandt T +43 (01) 534 83 512 | M +43 (0)699 10981743 [email protected] Rubens to Makart Liechtenstein. The Princely Collections 16 February – 10 June 2019 On the occasion of the 300th anniversary of the founding of the Principality of Liechtenstein in 2019, the ALBERTINA Museum is presenting a comprehensive selection of the most outstanding works from the Princely Collections under the title From Rubens to Makart. The museum is also devoting a simultaneous, separate jubilee exhibition to the Viennese watercolor, an important and central category of works within the Princely Collections, in an exhibition entitled Rudolf von Alt and his Time. Five Centuries of Art History Well over 100 of the most important paintings and sculptures from the exquisite collection of this family, rich in tradition like few others in Europe, span an impressive range from the Early Renaissance in Italy to the Baroque period, from Viennese Biedermeier to the historicism of the Makart era.
    [Show full text]
  • Liechtenstein on the Future of the Past a Dialogue Between Collections
    LIECHTENSTEIN VON DER ZUKUNFT DER VERGANGENHEIT EIN DIALOG DER SAMMLUNGEN 20. September 2019 – 26. Januar 2020 LIECHTENSTEIN ON THE FUTURE OF THE PAST A DIALOGUE BETWEEN COLLECTIONS 20 September 2019 – 26 January 2020 KUNSTMUSEUM LIECHTENSTEIN Anlässlich des Jubiläums „300 Jahre Fürstentum Liechtenstein“ im Jahr 2019 findet im Kunstmuseum Liechtenstein eine Ausstellung mit historischer Dimension statt. Meisterwerke des 15. bis 19. Jahrhunderts aus den bedeutenden Sammlungen des Fürsten von und zu Liechtenstein treten erstmals in Dialog mit Kunstwerken des 20. und 21. Jahrhunderts aus der Sammlung des Kunstmuseum Liechtenstein, erweitert durch Leihgaben aus der Sammlung der Hilti Art Foundation und der Sammlung Batliner. Die Ausstellung Liechtenstein. Von der Zukunft der Vergangenheit verfolgt eine eigene Weise des Erzählens. Durch Begegnungen über die Epochen hinweg eröffnet sich ein Gespräch und lässt die Kontinuität grundlegender Fragestellungen der Menschheitsgeschichte erfahrbar werden. Eine fruchtbare Begegnung zwischen Vergan- genheit und Gegenwart, die Anlass zur Zuversicht für die Zukunft gibt. An exhibition of historical dimensions will take place at Kunstmuseum Liechtenstein to mark the three-hundredth anniversary of the Principality of Liechtenstein in 2019. For the first time, masterpieces from the fifteenth to the nineteenth century from the major collections of the Prince of Liechtenstein will enter into a dialogue with art- works from the twentieth and twenty-first centuries from the collection of Kunstmuseum Liechtenstein, accompa- nied by loans from the Hilti Art Foundation Collection and the Batliner Collection. The exhibition Liechtenstein: On the Future of the Past pursues a special narrative. Using juxtapositions across eras, the show creates a dialogue, allowing visitors to experience the continuity of fundamental questions con- cerning the history of humankind – a fruitful meeting of past and present that gives cause for confidence for the future.
    [Show full text]
  • Czech-Liechtenstein Relations Past and Present a Summary Report by the Czech-Liechtenstein Commission of Historians
    In 2009 the Czech Republic and the Principality of Liechtenstein established diplomatic Peter Geiger / Tomáš Knoz / Eliška Fučíková / ties, thus ameliorating a situation which had lasted since 1945 because of the post-war period Ondřej Horák / Catherine Horel / Johann Kräftner / of confiscations in the Czech lands. In 2010 the governments of both countries established a Thomas Winkelbauer / Jan Županič joint commission of historians in order to examine the development of relations within the context of their rich history to the present day, and to explain it not only to the two peoples but also to an international public. This Summary Report by the Czech-Liechtenstein Commission of Historians contains the results of common research of more than three years, published at first in German and in Czech-Liechtenstein Relations Czech. This English Edition now opens the results to a worldwide public of interested rea- ders and researchers. Historians Past and Present The Summary Report sheds light on the history of the Princely House of Liechtenstein, A Summary Report deeply rooted in the Bohemian Lands since the Middle Ages, als well as on the difficult rela- tions between the Principality and the Czech Republic during the 20th century. It explains by the Czech-Liechtenstein Commission of Historians / English Edition why the diplomatic ties remained interrupted for more than half a century, and it names questions which are still waiting for solution. Contents: – The Liechtenstein-Czech Commission of Historians – The Liechtensteins: Middle Ages,
    [Show full text]
  • University Microfilms, a XEROX Company, Ann Arbor, Michigan
    72-4490 FREY, Linda Sue, 1947- ANGLO-PRUSSIAN RELATIONS, 1703-1708: THOMAS WENTWORTH, BARON RABY’S MISSION TO BERLIN. The Ohio State University, Ph.D., 1971 History, modern University Microfilms, A XEROX Company, Ann Arbor, Michigan 0 Copyright by- Linda Sue Frey 1971 ANGLO-PRUSSIAN RELATIONS, 1703-1708: THOMAS WENTWORTH, BARON RABY*S MISSION TO BERLIN DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Linda Sue Frey, B.S. in Ed., B.A., M.A. * * * * The Ohio State University 1971 Approved by U A dviser Department of History PLEASE NOTE: Some Pages have indistinct print. Filmed as received. UNIVERSITY MICROFILMS ACKNOWLEDGMENTS I wish to thank Dr* John C* Rule for his constant encouragement, perceptive criticism , and invaluable assistance in perparing this manuscript* The gracious assistance of the staffs of the Ohio State University Library, the B ritish Museum, the London Public Record Office, the Oesterreichische Staatsarchiv, the Hannover Stadtarchiv, and the Algemeene Rijksarchief greatly facilitated nay research* I also want to thank my twin sister, Marsha, and my mother for their unflagging moral support. i i VITA February 21, 1947 . Born - Toledo, Ohio 1 9 ^ 7 ............................... • B.A., summa cum laude, B.S. in Ed., summa cum laude, The Ohio State University, Columbus, Ohio 1 9 6 8 ..................................... M.A., The Ohio State University, Columbus, Ohio 1967-1970 .......................... National Defense Education Act Fellow • 1970-1971 .......................... Teaching Associate, Department of History The Ohio State University, Columbus, Ohio ' Fields of Study Major Field: Early Modern Europe.
    [Show full text]
  • Catalogue of the Arabic Manuscripts in the Library of the Hungarian Academy of Sciences Islamic Manuscripts and Books
    Catalogue of the Arabic Manuscripts in the Library of the Hungarian Academy of Sciences Islamic Manuscripts and Books Arnoud Vrolijk (Leiden University) volume 9 The titles published in this series are listed at brill.com/imb Catalogue of the Arabic Manuscripts in the Library of the Hungarian Academy of Sciences By Kinga Dévényi With Munif Abdul-Fattah Katalin Fiedler library of the hungarian academy of sciences, budapest leiden | boston This Catalogue is co-published as volume 4 in the Library's series Oriental Manuscripts in the Library of the Hungarian Academy of Sciences. Cover illustration: Arab F. 7, fol. 1v. Headpiece of the genealogical treatise of Ibn Ḥazm copied from an earlier manuscript in the court of the Nawab of Rampur in 1905. Library of Congress Cataloging-in-Publication Data Names: Magyar Tudományos Akadémia. Könyvtár és Információs Központ. | Dévényi, Kinga, author. | Abdul-Fattah, Munif, author. | Fiedler, Katalin, 1984-, author. Title: Catalogue of the Arabic manuscripts in the Library of the Hungarian Academy of Sciences / by Kinga Dévényi with Munif Abdul-Fattah, Katalin Fiedler. Description: Leiden ; Boston : Brill, [2016] | Series: Islamic manuscripts and books ; v. 9 | Includes bibliographical references and index. Identifiers: LCCN 2015034765| ISBN 9789004306820 (hardback : alk. paper) | ISBN 9789004306936 (e-book) Subjects: LCSH: Magyar Tudományos Akadémia. Könyvtár és Információs Központ–Catalogs. | Manuscripts, Arabic–Hungary–Budapest–Catalogs. Classification: LCC Z6221.M15543 A7 2016 | DDC 011/.310943912–dc23 LC record available at http://lccn.loc.gov/2015034765 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities.
    [Show full text]
  • Rue Du Rhône
    Rue du Rhône LGT. A piece of Liechtenstein in the heart of Geneva. Cover picture: Portrait of Prince Johann I of Liechtenstein The Princely Collections Johann Baptist Lampi, detail from “Portrait of Prince Johann I of Liechtenstein,“ 1816 For more than four hundred years, the Princes Please see page 23 of this brochure for detailed information about the cover picture. of Liechtenstein have been passionate art collectors. The Princely Collections include key © LIECHTENSTEIN. The Princely Collections, Vaduz-Vienna works of European art stretching over five cen- turies and are now among the world’s major private art collections. The notion of promot- ing fine arts for the general good enjoyed greatest popularity during the Baroque period. The House of Liechtenstein has pursued this ideal consistently down the generations. We make deliberate use of the works of art in the Princely Collections as imagery to accompany what we do. For us, they embody precisely those values that form the basis for a successful partnership with our clients: a long-term focus, skill and reliability. www.liechtensteincollections.at 3 Welcome A warm welcome to our Geneva office at Rue du Rhône 21. Following a complete renovation in 2014 our employees in Geneva were able to move into the fully refurbished premises as scheduled. When we began planning the reno- vation in 2010, we had an ambitious goal: we wanted to set a new standard for sustainability in a renovation project. Today I can confirm that we achieved this lofty ambition. Rue du Rhône 21 is our first building to comply fully with the sustainability strategy that we formulated in 2010.
    [Show full text]