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WSN 144 (2020) 397-413 EISSN 2392-2192

History, Sculpture and Culture of Raghunath Jew Temple of Raghunath Bari, East , - A Photographic Essay

Prakash Samanta1, Pijus Kanti Samanta2,* 1Department of Environmental Science, Directorate of Distance Education, Vidyasagar University, Midnapore, West , India 2Department of Physics (PG & UG), Prabhat Kumar College, - 721404, Purba Medinipur, , India *E-mail address: [email protected]

ABSTRACT Among the old temples which are under the Kashijora Pargana, Raghunath Jew temple (also known as Thakurbari) is very remarkable for its sculpture and culture of seventeenth century. This is a very old temple in the worship of Goddess Rama-Sita. The temple is a unique with its ancient constructions, and sculpture in its walls, and columns. A festival in the worship of lord Rama is held every year on Dashera and runs over a month. People of all community, caste and culture assemble in this festival. This festival also helps to develop the economy of not only the temple authority but also the people of the surrounding villages. The Ratha (Chariot), which runs in the day of Dashera, is very unique in the entire . It is made up of wood and contains several sculptural designs. Although there is as such no detailed historical record of this temple but still it is silently preserving the culture of the ancient Bengal over last three centuries.

Keywords: Kashijora Pargana, Temple, Chariot, Archaeology, Bengal

( Received 24 March 2020; Accepted 15 April 2020; Date of Publication 16 April 2020 ) World Scientific News 144 (2020) 397-413

1. INTRODUCTION

West Bengal is very famous for its variety of temples scattered throughout the states manifesting the culture and life of the people of that era. Besides, the temples are also the pillar of sculpture of the architect. Terracotta sculpture is very famous and frequently observed in different parts of south Bengal especially in Bishnupur [1-4]. Besides, there are also different types of temples that bears some signature of Orissa and southern part of India [5-10]. Some temples again have their own regional type construction and design. Raghunathbari, named after God Raghunath Jew, is located in -1 block of the historically famous (historically known as Tamralipta) subdivision of in West Bengal. It is connected to railway through Raghunathbari railway station. It is about 7.5 km away from the Panskura railway station and about 20 km from its district head quarter Tamluk (the historical place Tamralipta). This village can be accessed from Panskura railway junction over state highway (SH-4) passing by 1 km. It can also be accessed from Tamluk via the same state highway and also via railway from Sahid-Matangini and Tamluk railway station of S. E. Railway. According to the census report of 2011, the village has a population of 2,091 out of which 1022 are female. There are 461 households in the village. It has an area of 47.68 hector out of which about 40% land is used for cultivation. There is one primary school and a century old high school established in 1917. This clearly indicates that it was a Centre of Excellence of culture and higher education since the British India [11].

2. HISTORY OF ESTABLISHMENT OF THE TEMPLE

The temple (also called Thakurbari) of Raghunathbari is located in the heart of the village spreading over 1 acre of land full of greeneries. Kashijora porgana (estate) was one of the most developed estates of British India with its excellent agriculture, education and social culture of the ancient Bengal. Historical notes revealed that Kashijora porgana was constituted with 660 villages of seven police stations of undivided Midnapore district. It has been evident from several ancient documents that the king of Puri donated the Kashijora porgana to Ganga Narayan Roy. Ganganarayan ruled over the Kashijora estate during 1573 to 1586 AD. He was Kshatriya. After his death his Cousin’s son Jamini Vanu Roy continued to rule over this pargana and established a village Sura. There he established a large pond Jamini Dighi or Janu Dighi in his name. Jamini Vanu Roy died on 1624 and his son Pratapnarayan Roy continued to rule. During this time Pratapnarayan established Pratapur village with Harashankar as the capital of his estate. After his death in 1660, his son Harinarayan acquired the pargana and worshiped the deity of Krishnaroy. In 1669, Laxminarayan became the head of the pargana after the ceasing of Harinarayan. During his period, he was unable to collect the taxes to pay the Nawab and forced to adopt the Islam. He also established a Mosque at Chanchiyara. His son also followed the Islamic and died on 1720. Jitnarayan Roy, the immediate successor adopted Sikha religion and established a temple of Shree Jagannath at Sangat. A large pond was digged out and was named Jitsagar in his own name. In 1744, after his diminishion, Naranarayan Roy became the only successor. He continued to rule Kashijora till 1726. Then Rajnarayan Roy became the ruler of Kashijora and established the Raghunathbari. He also established the Thakurbari with the deity of Raghunath Jew. The worshipper of Lord Rama is usually found in northern part of India [12,

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13] where as Hanumana temples are mostly in southern part of India and is in northern India to some extent [14-17]. But why Rajnarayan Roy established Rama Temple is still a controversy.

3. THE TEMPLE AND THE BUILDINGS

The Thakurbari has a main temple of Raghunath Jew at about 1.5-meter height. There is another small temple of Hanuman Jew just opposite to the main temple within the Thakurbari area. The deity Raghunath Jew is basically the idol of Rama and Sita along with Laxmana, Bharata, Bibhisona, Angada, Sugriba and Hanuman. All these idols are made of composites of eight metals and still have metallic lusture without any loss. There is a gate to enter into the main temple. It is a uniquely designed wooden work. There is a large bell just on the top of the ceiling. People used to sound this bell while entering into the temple.

Figure 1. Front gate of the temple after renovation work.

Figure 2. Wach Tower beside the Front gate of the temple.

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Figure 3. All the idols of the Temple.

Figure 4. The idols of Rama and Sita.

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Figure 5. The Hanuman temple inside the Thakurbari premises.

Figure 6. The entrance door of the temple and the bell.

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Stone-made temples are very rare in Bengal may be due to unavailability of stones in this part of the country [1, 2, 4]. Most of the temples of Bengal are mostly made of burnt red bricks of mud, and carbonate cement. Only a very limited use of stones is observed. Raghunathbari Rama temple is also not an exception of that. The ceilings are also made of red-bricks, mud, and carbonate cement supported over iron-beam. At present most of the walls and ceilings are damages due to its age and lack of maintenance. The columns are made of rust-free iron with full of sculpture reflecting the technological and sculptural knowledge of the architects and worker of that time [18].

Figure 7. The open corridor inside the Thakurbari.

There is a separate kitchen (known as Rondhonsala) where the holy Mahaprasad (locally known as thakur vog) is cooked every day. There is a deep well which was used as the source of cooking and drinking water. The well is about 40 ft deep. The side-wall of the well is surrounded by burnt mud made rings (locally called Beri). However, it is non-functional since last ten years. There is a large pond (known as Ramsagar) in the south side of the temple and outside the boundary wall of the Thakurbari. The pond is about 100' × 100' and 30 ft deep. Underground stairs pond from the interior of the temple is used to access the pond. A small stair-like architecture is there within the Thakurbari, known as the bath place of the idols. During the eve of Ramanavami, the idols are drenched with 108 kolsi (a special shaped metal made pot for storing water) of water with the

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chant of holy Māntrā. This Ramnavami is very famous in entire India [19]. There is a small building in the south east corner of the Thakurbari comprising of rest rooms and waiting rooms.

Figure 8. The outside open corridor of Thakurbari.

Figure 9. Stairs for going to 1st floor of the Thakurbari building located in the north and south-east side respectively.

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Figure 10. Part of the ruined boundary wall of the temple.

Figure 12. Some broken stones of the temple.

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Figure 12. Kitchen of the Temple.

Figure 13. Sil-Nora used to paste spices.

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Figure 14. The well used as the source of water.

Figure 15. The Ramsagara and the underground stair to acces the pond.

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Figure 16. The bath place of the idols.

Figure 17. Building for Mohanta’s rest room, waiting room and other office rooms of Thakurbari.

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Figure 18. The outside open corridor of Thakurbari and design in the column.

Figure 19. Sculpture on the Iron made Column and railings of the north corridor on the 1st floor

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Figure 20. Cement sculpture of Thakurbari.

Figure 21. The Fiteh Khan canon.

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Several wooden and cement sculptures are found in the walls of the building. There is a canon (Kaman), called Fiteh Khan Kaman, about 8 ft 2 inches long which at present is a very important archive of the history and sculpture of ancient India [18, 20, 21].

4. THE CHARIOT AND THE FESTIVAL

There is a Chariot (locally called- Ratha) (a tall sculpture made of wood) which is very famous in the entire Midnapore district. It was designed and constructed by several sculptural carpenters of China. It is 4 storied architecture with 16 iron wheels in the base for its rolling. However due to lack of fund and maintenance, the Ratha became very ruined. It was renovated and painted by few Chinese architect in 2016. The festival (mela) is very famous in the district. Its stars on the Dashera and continues for a month and ends after the Kali puja (worshiping of Maa Kali). Varieties of items, utensils, stationary, foods, garments, and other daily need item shops gather altogether in the festival.

Figure 22. The tall Chariot and its wooden sculpture.

The main attraction is the varieties of straw made mats with wonderful designs which are very famous in the entire Midnapore district. Peoples from Maguri, and Sabang come here to sell the mats another popular and famous item is fishing net of wide variety and design that are

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sold here. People of the surrounding villages and over the entire district comes together to attend this festival. This festival has become a place of harmony, peace and cultural unity of Bengal and of course plays an important role in the economy of the local people.

Figure 23. The Small Chariot and its ruined wooden sculpture.

Figure 24. The bundled rope to pull the Chariot during festival.

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5. CONCLUSIONS

The Raghunath Jew temple of Raghunathbari plays an important role in the prevailing the history of the cultural and ritual status of the Bengal of 17th century. It also helped the surrounding society to develop its culture and economy through its various religious activities. The Chariot is very famous and brings people of different culture and religion to meet together and promotes unity in diversity of social, religious and cultural status. However, the temple is now getting ruined due to lack of funding which needs keen attention to preserve such a cultural and religious heritage temple.

References

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