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~La6(8Ill COMPA.NIES INC
October 1999 Brooklyn Academy of Music 1999 Next Wave Festival BAMcinematek Brooklyn Philharmonic 651 ARTS ~' pi I'" T if II' II i fl ,- ,.. til 1 ~ - - . I I I' " . ,I •[, II' , 1 , i 1'1 1/ I I; , ~II m Jennifer Bartleli, House: Large Grid, 1998 BAM Next Wave Festival sponsored by PHILIP MORRIS ~lA6(8Ill COMPA.NIES INC. Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents Moby Dick Running time: BAM Opera House approximately ninety October 5, 1999, at 7:00 p.m. (Next Wave Festival Gala) minutes. Songs and October 6-9 & 12-16, 1999, at 7:30 p.m. Stories from Moby Dick is performed without an Visual Design, Music, and Lyrics Laurie Anderson intermission. Performers Pip, The Whale, A Reader Laurie Anderson Ahab, Noah, Explorer Tom Nelis The Cook, Second Mate, Running Man Price Waldman Standing Man Anthony Turner Falling Man Miles Green Musicians Violin, keyboards, guitar, talking stick Laurie Anderson Bass, prepared bass, samples Skuli Sverrisson Artistic Collaborators Co-Visual Design Christopher Kondek Co-Set Design James Schuette Lighting Design Michael Chybowski Sound Design Miles Green Costume Design Susan Hilferty Electronics Design Bob Bielecki Video Systems Design Ben Rubin Staging Co-Direction Anne Bogart General Management Julie Crosby Production Management Bohdan Bushell Production Stage Management Lisa Porter Major support for this presentation was provided by The Ford Foundation with additional support from The Dime Savings Bank of New York, FSB. Next Wave Festival Gala is sponsored by Philip Morris Companies Inc. 17 Produced by electronic theater company, Inc. -
FY19 Annual Report View Report
Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut. -
Asides Magazine for SALOMÉ
2015|2016 SEASON Issue 1 TABLE OF Dear Friend, CONTENTS A few years ago in New York, I had an unforgettable theatrical experience. It was Mies Julie, ® 1 Title page Yäel Farber’s adaptation of Recipient of the 2012 Regional Theatre Tony Award 3 Cast Strindberg’s play, transferring Artistic Director Michael Kahn from its acclaimed run at the Executive Director Chris Jennings 5 About STC Edinburgh Fringe Festival. Setting the text in post- Apartheid South Africa, Yaël managed to miraculously 5 About ACA re-create the visceral shock of the original play while daringly mapping its exploration of gender and social 6 The Stories Not Told class inequalities onto an unmistakably contemporary by Drew Lichtenberg landscape. I was captivated and excited. Most importantly, I admired Yaël’s ability to transform 10 Director’s Word classical texts to speak to some of the most pressing issues of our time. I was not surprised to see Yaël by Yaël Farber quickly become one of the most sought-after directors 14 Salomé as History in international theatre. Her recent production of The adapted and directed by Yaël Farber Crucible at the Old Vic in London was nominated for and Fetish an Olivier Award, the highest honor in British theatre, by Gail P. Streete and her documentary piece, Nirbhaya, on the subject of a brutal sexual assault in India, has toured the world to Performances begin October 6, 2015 20 Creating Salomé critical acclaim. Opening Night October 13, 2015 21 Cast Biographies We presented Mies Julie to Washington audiences in our Lansburgh Theatre 2013–2014 season, where it was nominated for a Helen 27 Play in Process Hayes Award for Outstanding Visiting Production. -
Drood Program
1241 Jefferson Davis Highway Fredericksburg, VA 22401 540-654-3333 Visit a Memorable Place. The Only Place. HYATT PLACE Mr. William Cartwright, The Chairman Alexander Rios John Jasper/Mr. Clive Paget Neal Gallini-Burdick Edwin Drood/Miss Alice Nutting Lydia Hundley Rosa Bud/Miss Deirdre Peregrine Savannah Lunger Helena Landless/Miss Janet Conover Olivia Whicheloe Neville Landless/Mr. Victor Grinstead Abraham Shaikh Rev. Crisparkle/Mr. Cedric Moncrieffe Camarey Chambliss Princess Puffer/Miss Angela Prysock Cindy Wang† Durdles/Mr. Nick Cricker Robert Di Leo*† Deputy/Master Nick Cricker Rick Altenburg Bazzard/Mr. Phillip Bax Diego Encarnacion Mr. James Throttle, The Stage Manager Jacob Savage*† On the campus of the Horace/Mr. Nicholas Michael Mic Townsend*† Beatrice/Miss Violet Balfour Gwen Levey*† University of Mary Washington Flo/Miss Florence Gill Mandy Barnes† Miss Gwendolen Pynn Mahogany Chanel Baker Minutes from Downtown Fredericksburg’s Mr. Montague Pruitt Mitch Coomer Miss Christine Lyon Jessica Elkins Shopping & Historical Sites Miss Mildred Moss Cynthia Mullins Complimentary Miss Sarah Cook Jackie Schuster Hot Breakfast, WI-FI, and Parking Department of Theatre and Dance • November 3-20, 2016 • Klein Theatre The Mystery of Edwin Drood A Musical by Rupert Holmes Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer THE MYSTERY OF EDWIN DROOD is presented by arrangement with TAMS-WITMARK MUSIC LIBRARY, INC. 560 Lexington Avenue, New York, New York 10022 director Gregg Stull music director Christopher Wingert choreographer Samantha L. Reynolds scenic designer Julie Hodge lighting designer Jason Arnold costume designer Kevin McCluskey sound designer Tony Angelini Cast Mr. William Cartwright, The Chairman Alexander Rios John Jasper/Mr. -
Season Premiere of Tosca Glitters
2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B. -
Julia Levy Has Helped Transform the Company Into One of New York’S Leading Nonprofit Theatres
Dear Friends, Welcome to A.R.T./New York’s 2018 Spring Gala. We’re thrilled that you’re here tonight to join us in celebrating four living legends, each leaving an indelible mark on the New York nonprofit theatre community. A healthy theatre ecosystem needs multiple components to thrive: a brilliant play, an extraordinary team to help create magic onstage, and devoted champions. Tonight’s honorees fulfill each of these criteria and much more… Two-time Pulitzer Prize-winner Lynn Nottage repeatedly brings to the theatre timeless stories that resonate deeply. Roundabout Theatre’s Julia Levy has helped transform the company into one of New York’s leading nonprofit theatres. And, our beloved board member Richard Fabricant and his wife, Florence not only help guide and support A.R.T./New York, they also serve as enthusiastic cheerleaders to our member theatres. Your being here tonight is helping to make A.R.T./New York’s 2018 Gala a resounding success. Your participation ensures that we can continue to do our part in offering vital and dynamic programs to our community of 400+ nonprofit theatres throughout New York City. Thank you for your extraordinary generosity. Please enjoy the festivities! Ginny Louloudes Jeffery Gural Todd Haimes Executive Director Gala Co-Chair Gala Co-Chair Congratulations Florence and Richard Fabricant, 2018 Gala Committee Julia Levy, and Lynn Nottage CO-CHAIRS for your contributions to the national theatre community! Jeffrey Gural Todd Haimes Howard J. Aibel Chris Massimine TCG is proud to serve as the publisher of Lynn Nottage’s work. Helene Blieberg Carol Mitchell www.tcg.org John Collins Carol Ochs Deadria Harrington Steven & Michéle Pesner Tim N. -
Dick Gregory Turn Me Loose
A PLAY ABOUT COMIC GENIUS DICK GREGORY TURN ME LOOSE 2018/19 SEASON 2018/19FULL AND MINI-SUBSCRIPTIONS ARE NOW ON SALESEASON | 202-488-3300 | ARENASTAGE.ORG A PLAY ABOUT COMIC GENIUS TIMELESS MASTERPIECE WORLD-PREMIERE POWER PLAY INSPIRATIONAL A CAPPELLA TRIBUTE Dick Gregory INDECENT JQA JUBILEE TURN ME LOOSE BY PAULA VOGEL | DIRECTED BY ERIC ROSEN WRITTEN AND DIRECTED BY AARON POSNER WRITTEN AND DIRECTED BY TAZEWELL THOMPSON IN ASSOCIATION WITH JOHN LEGEND, GET LIFTED FILM COMPANY, CO-PRODUCTION WITH BALTIMORE CENTER STAGE ARLENE AND ROBERT KOGOD CRADLE | MARCH 1 – APRIL 14, 2019 KREEGER THEATER | APRIL 26 – JUNE 2, 2019 MIKE JACKSON, THE WILL AND JADA SMITH FAMILY FOUNDATION, AND KANSAS CITY REPERTORY This unique, highly-theatrical play imagines key Born on the campus of Fisk University, the world-renowned KREEGER THEATER | NOVEMBER 23 – DECEMBER 30, 2018 confrontations between John Quincy Adams and some Fisk Jubilee Singers shattered racial barriers. The a cappella BETH HUBBARD, THE PRIVATE THEATRE, ERIC FALKENSTEIN, of America’s most dynamic figures: George Washington, African American ensemble has blended their rich voices SIMONSAYS ENTERTAINMENT, JAMIE CESA, JANA BABATUNDE-BEY The controversial 1923 Broadway debut of the Yiddish drama Andrew Jackson, Frederick Douglass, Abraham Lincoln, his together sharing a heritage of strength and endurance. BY GRETCHEN LAW | DIRECTED BY JOHN GOULD RUBIN God of Vengeance inspired this award-winning behind-the- own father John Adams and more. At once provocative, With uplifting spirituals and hymns including “Wade in scenes story of the courageous artists who risked their haunting and hilarious, this Power Play challenges the way the Water,” “Ain’t That Good News,” “Swing Low, Sweet KREEGER THEATER | SEPTEMBER 6 – OCTOBER 14, 2018 careers and lives to perform a work deemed “indecent.” This we think of our country, our government and ourselves. -
Ivan Ingermann
Ivan Ingermann Contact: Department of Theatre and Film University of Georgia 308D Fine Arts Building Athens, GA 30602 Phone: 706-542-2837 Mobile: 917-554-4862 Email: [email protected] Website: www.ingermanndesign.com EDUCATION 1995 M.F.A in Set and Costume Design Department of Design for Stage and Film Tisch School of the Arts New York University 1992 B.F.A in Costume Design Magna Cum Laude Department of Theatre Florida State University ACADEMIC APPOINTMENTS 2007-present Associate Professor of Theatre, Major Professor for Graduate Costume Design Department of Theatre and Film Studies University of Georgia 2008 Guest Lecturer, “Costuming for the Film Industry” Department of Theatre Florida State University 2001 Guest Lecturer, “Portfolio for the Real World” Tisch School of the Arts New York University 1993-1995 Graduate Teaching Assistant Costume Construction Tisch School of the Arts New York University TEACHING EXPERIENCE Associate Professor, University of Georgia, Athens, GA: Foundations of Performance Design: Fall 2007, Fall 2008, Spring 2009, Spring 10, Spring 11, Spring 12, Spring 13 Prepared all lectures, designed syllabus, led discussions, and graded papers and projects. Class introduces majors and non-majors to the various design areas that make up entertainment design fields including Scenic, Costume, Lighting, Sound and Multi-media. Course also covers a brief history of theatre and theatrical staging practices. Course culminates with design project in a chosen field of interest. Advance Costume Design I: Fall 2008, Fall 2009, Fall 2010, Fall 2011, Fall, 2012, Fall 2013, Fall 2014 Designed and taught this studio introduction into costume design geared for Graduate students. -
Spoleto Festival Usa Program History 2016 – 1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2016 – 1977 Spoleto Festival USA Program History Page 2 2016 Opera Porgy and Bess; created by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin; conductor, Stefan Asbury; director, David Herskovits; visual designer, Jonathan Green; lighting designer, Lenore Doxsee; wig and makeup designer, Ruth Mitchell; set designer, Carolyn Mraz; costume designer, Annie Simon; fight director, Brad Lemons; Cast: Alyson Cambridge, Lisa Daltirus, Eric Greene, Courtney Johnson, Lester Lynch, Sidney Outlaw, Victor Ryan Robertson, Indra Thomas; Spoleto Festival USA Orchestra, Johnson C. Smith University Concert Choir; Charleston Gaillard Center *La Double Coquette; music by Antoine Dauvergne with additions by Gérard Pesson; libretto by Charles-Simon Favart with additions by Pierre Alferi; director, Fanny de Chaillé; costume designer, Annette Messager; costume realization, Sonia de Sousa; lighting designer, Gilles Gentner; lighting realization, Cyrille Siffer; technical stage coordination, Francois Couderd; Cast: Robert Getchell, Isabelle Poulenard, Mailys de Villoutreys; Dock Street Theatre *The Little Match Girl; music and libretto by Helmut Lachenmann; conductor, John Kennedy; co-directors, Mark Down and Phelim McDermott; costume designer, Kate Fry; lighting designer, James F. Ingalls; set designer, Matt Saunders; puppet co-designers, Fiona Clift, Mark Down, Ruth Patton; Cast: Heather Buck, Yuko Kakuta, Adam Klein; Soloists: Chen Bo, Stephen Drury, Renate Rohlfing, Memminger Auditorium Dance Bill T. Jones/Arnie -
Marcia Milgrom Dodge
MARCIA MILGROM DODGE Agent Evan Morse The Gersh Agency 41 Madison Avenue, 33rd Floor, New York, NY 10010 212.634.8169 [email protected] Career Overview § Freelance director & choreographer of classic and contemporary plays and musicals on Broadway, Off- Broadway, Regional, Summer Stock and University venues in the United States and abroad. More than 200 productions as director and/or choreographer § Tony Award nomination in 2010 for Best Director of a Musical, RAGTIME Revival § Published and produced playwright § First woman hired by The John F. Kennedy Center for the Performing Arts to direct and choreograph a major musical in 2009 (Ragtime) § Creative Consultant for Ringling Brothers & Barnum & Bailey Circus Fully Charged § Member of SDC since 1979; seventeen (17) years of Executive Board service § Resident Director, Born For Broadway, Annual Charity Cabaret, Founder/Producer: Sarah Galli, since 2009 § Associate Artist, Bay Street Theatre, Sag Harbor, NY, since 2008 § Associate Member of the Dramatists Guild, 2001-present § Resident Director, Phoenix Theatre Company at SUNY Purchase, 1993-1995 § Member of Actors Equity Association, 1979-1988 Selected Plays & Musicals (complete resume upon request) I approach revivals as if they are new works and I bring extensive knowledge of classical form and structure to my collaborations with new writers. I work in large venues from 11,000-seat outdoor theatres (Muny) to tiny venues such as 60-seat black box theatres (Workshop Theatre). Major Revivals RAGTIME, Broadway/Neil Simon Theatre & John F. Kennedy Center/Eisenhower Theatre MERRILY WE ROLL ALONG w/ Sondheim & Furth, Arena Stage Reimagined Classics CAT ON A HOT TIN ROOF Drury Lane Theatre FIDDLER ON THE ROOF & THE KING & I Maltz Jupiter Theatre ANGEL STREET & CRIMES OF THE HEART Cape Playhouse MEET ME IN ST. -
Mcnay ART MUSEUM 2013 | 2015 Annual Report Visitors Enjoy a Free Family John and Peg Emley with Bill Chiego at the Margaritaville at the Day at the Mcnay
McNAY ART MUSEUM 2013 | 2015 Annual Report Visitors enjoy a free family John and Peg Emley with Bill Chiego at the Margaritaville at the day at the McNay. McNay Spring Party. Lesley Dill and René Paul Barilleaux, Chief Curator/Curator of Contemporary Art, at the Opening of Lesley Dill: Performance as Art. McNay Second Thursday band plays indie tunes on the Brown Sculpture Terrace. Visitors enjoy a free family day at the McNay. Emma and Toby Calvert at the 60th Sarah E. Harte and John Gutzler at the 60th Anniversary Celebration Anniversary Celebration Visitor enjoys field day activities during a free A local food truck serves up delicious dishes at McNay Second Suhail Arastu at the McNay Gala Hollywood Visions: Dressing the Part. family day at the McNay. Thursdays. Table of Contents Board of Trustees As of December 31, 2015 Letter from the President ................................................................................4 Tom Frost, Chairman Sarah E. Harte, President Letter from the Director ...................................................................................5 Connie McCombs McNab, Vice President Museum Highlights ...........................................................................................6 Lucille Oppenheimer Travis, Secretary Barbie O’Connor, Treasurer Notable Staff Accomplishments ...................................................................10 Toby Calvert Acquisitions ..........................................................................................................13 John W. Feik -
Diplomka Vendy-2
UNIVERZITA PALACKÉHO V OLOMOUCI Pedagogická fakulta UP Olomouc Katedra hudební výchovy Bc. VENDULA PUMPRLOVÁ II.ro čník prezen čního navazujícího magisterského studia Obor: U čitelství anglického jazyka pro 2. stupe ň základních škol – Učitelství hudební výchovy pro 2. stupe ň základních škol a pro st řední školy ROCKOVÝ MUZIKÁL Diplomová práce Vedoucí práce: PaedDr. Jaroslav Vraštil, Ph.D. OLOMOUC 2014 Prohlašuji, že jsem tuto práci vypracovala samostatn ě a uvedla v ní veškerou literaturu a ostatní zdroje, které jsem použila. V Olomouci 15.4.2014 Pod ěkování: Děkuji PaedDr. Jaroslavu Vraštilovi, PhD. za odborné vedení diplomové práce. OBSAH ÚVOD………………………………………………………….….7 1. VÝVOJ ROCKOVÉHO MUZIKÁLU……………………......8 2. HAIR- první rockový muzikál………………………………….11 3. TOMMY………………………………………………………..22 4. STEPHEN SCHWARTZ A JEHO TVORBA……………….…26 4.1 Godspell…………………………………………………….26 4.2 Pippin……………………………………………………....29 5. JESUS CHRIST SUPERSTAR………………………………...32 6. EVITA……………………………………………………….….41 7. THE ROCKY HORROR SHOW……………………………....48 8. RENT…………………………………………………………...54 9. SPRING AWAKENING……………………………………….63 10. NEJNOV ĚJŠÍ ROCKOVÉ MUZIKÁLY…………………….67 10.1 American Idiot……………………………………………67 10.2 Next to Normal…………………………………………...68 10.3 Spider-Man: Turn Off the Dark…………………………..69 11.MUZIKÁLY OVLIVN ĚNÉ ROCKEM…………………….....71 11.1 Aida……………………………………………………….71 11.2 Grease………………………………………………….....74 11.3 Little Shop of Horrors………………………………….....78 11.4 Hairspray………………………………………………….82 12. HUDEBNÍ FILMY S PÍSN ĚMI ROCKOVÝCH SKUPIN…...85 12.1 Across the Universe…………………………………….....85 12.2 The Doors……………………………………………….....86 12.3 A Hard Day´s Night…………………………………….87 12.4 Help!................................................................................88 ZÁV ĚR………………………………………………………89 LITERATURA A ZDROJE………………………………....90 Úvod Rockový muzikál je v oblasti sou časného muzikálového divadla velice populárním trendem. Díla napsaná v tomto hudebním stylu výrazně ovlivnily vývoj a sm ěř ování jak muzikálu, tak činohry v dob ě svého vzniku.