Huw Biography 2011
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Hawkwind – 50Th Anniversary Live
Hawkwind – 50th Anniversary Live (58:39 + 48:56, CD, Vinyl, Cherry Red Records, 2020) So kennt man die Space-Rock- Urgesteine. Da feiern Hawkwind ihr 50-jähriges Jubiläum, aber statt darum ein Riesenbrimborium zu veranstalten bauen die Mannen um Dave Brock völlig unprätentiös eine Setlist aus einiges unverwüstlichen Klassikern, aber ebenfalls Material des aktuellen Studioalbums „All Aboard The Skylark“ zusammen. Optisch ansprechend verpackt mit einer Laserhsow, dazu als Gast den langzeitig freundschaftlich verbundenen Kompagnon Phil Campbell – seines Zeichens Gitarrist bei Motörhead – und fertig ist das individuelle Geburtstagspaket. Der Mitschnitt zu diesem Livealbum entstand auf dem Abschlusskonzert der „50th Anniversay Tour“ im November 2019 in der legendären Royal Albert Hall in London. Es steht zwar „50“ drauf, aber letztendlich steckt natürlich etwas weniger drinnen. Denn Hawkwind streifen eben nur einige Stationen ihrer umfangreichen Karriere, setzen zwar in erster Linie auf die Klassiker der 70er wie z.B. ‚Born To Go‘, ‚Space Is Deep‘, ‚Spirit Of The Age‘, ‚The Watcher‘, ‚Silver Machine‘ oder die beiden Doppelpacks ‚Assault And Battery / The Golden Void‘ und ‚Master Of The Universe / Welcome To The Future‘. Doch genauso bekommen insgesamt fünf Stücke aus „All Aboard The Skylark“ ihr Recht. Letztendlich ist dies ein teilweise übergangslos ineinander greifender Mix aus offensichtlichen Klassikern, wenngleich ohne die ganz großen Überraschungen. Dazu noch ein kurzes Blitzlicht in die 80er und 90er, angereichert um aktuelle Stücke. Immerhin gedenkt man beim unverwüstlichen ‚Silver Machine‘ dem legendären ehemaligen Bandmitglied Lemmy Kilmister, wobei ebenfalls der typische augenzwinkernde Humor nicht fehlen darf. Denn der bei diesem Stück den Gesang übernehmende Schlagzeuger Richard Chadwick kontert ganz locker die Frage „Richard verliert seine Stimme, möchtest Du noch ‚Silver Machine‘ singen?“ mit einem klaren „Es geht noch“ und schon geht die sprichwörtliche und gut geölte Space-Rock-Post, der Trip in weite Sphären, mit Volldampf ab. -
MUSIC WEEK MAY 19, 1984 Album Tern Rulings Outside Top 20 End Top 50:- •• Good, ••Loir -Poor Soles Predicted in Oivn Specialist Market
MUSIC WEEK MAY 19, 1984 Album tern rulings outside Top 20 end Top 50:- •• good, ••loir -poor soles predicted in oivn specialist market. Star rating under General■ heading indicates sales potential in general pop rock market, mlh • • •rating indicating onny Into lite lonicr hall ■ of chart only. High Road To China is the new film starring Tom "Magnum" Solleck and the music has been composed by that well- TOP 50 known film score veteran, John Barry. Nostalgia That's Entertainment Records has proved BRUCE FOXTON the sales potential in this area of the Touch Sensitive. Arista 206251. music market and A&R plans to release NOEL COWARD Producers: Stan Shaw/Steve Lilly- both new scores and re-issues of classic The Revues. World Records SHB 44. white. Mild-mannered rock from the film music. VARIOUS former Jam bassist. It's pleasant enough Film Themes of the 40's and 50's. SH in a conventional format, but lacks CHAIRMAN OF THE BOARD 384. dynamism — even on those tracks with Salute The General. HDH/Demon LOUIS ARMSTRONG production supremo Lillywhite at the Records LP 001. Distribution: Rough The Legend 1925-26. SH 404. controls. Ultimately a little disappointing, Trade and the Cartel. Recordings JOE LOSS but will chart, as his singles have, on the originally released on the Holland-Dozier- Party Dance Time, SH 1078251. strength of the Jam connection. Holland label Invictus now making their FELIX MENDELSSOHN FELA ANIKULAPO KUTI reappearance on vinyl via the HDH label Serenade to Hawaii, SH 1078261. Live In Amsterdam. EMI FELA 24 0129 deal with Demon. -
Hawkwind More Serious Now NME - 27 November 1971
Hawkwind More Serious Now NME - 27 November 1971 Nik Turner: "When Silver Machine was a hit record, when we were getting success with big gigs, it was quite exciting... And then it stopped because our drummer was taking all his clothes off." Right now, Hawkwind (at Ewell Tech on Saturday and Hammersmith Town Hall on Thursday, Dec. 2) are probably more involved in their music than ever before. Said Nik Turner (alto sax): "Apart from our bass player, none of us had ever been in a group before. When we started it was just a loon. It was great just to be in a band. Now, after two years it doesn't seem to be a flash in the pan and we're taking the music more seriously. "Personally I'm surprised we've got so far., I never thought our music would appeal to anybody simply because we've never pandered to public taste never compromised and just played exactly what we wanted., By a happy accident people seem to be digging it... And the band has good reason to be satisfied with progress so far. A community band in the true sense of the word, Hawkwind have taken experimental music to its' outer limits and combined sound, colour and lights perhaps more effectively than any other band currently working in Britain. "Originally we just wanted to freak people out," said Dave Brock (guitar). "We used to portray different trips -you know, acid trips- and because of our own experiences knew exactly how to get through to people. Although we've got away from that, we still seem to freak people out. -
Exhibition Brochure Is There A
‘Is There Anyone Out There?’ Documenting Birmingham’s Alternative Music Scene 1986-1990 Acknowledgements and Thanks Thanks to Dave Travis for opening up his incredible archive and recalling the histories associated with The Click Club. Likewise, thanks to Steve (Geoffrey S. Kent) Coxon for his generous insights and for taking a road trip to tell us almost everything. Thanks on behalf of all Click Clubbers to Travis and Coxon for starting it and for program- ming so many memorable nights for creating an environment for people to make their own. Thanks to Dave Chambers (and Andy Morris), Donna Gee, Bridget Duffy and Bryan Taylor Thankswho provided to all of particular those who materials contributed for the written exhibition memories: (Bryan Steve for some Byrne; fine Craig writing!). Hamilton; Andrew Davies; Sarah Heyworth; Neil Hollins; Angela Hughes; Rhodri Marsden; Dave Newton; Daniel Rachel; Lara Ratnaraja; Spencer Roberts; John Taggart; Andy Tomlinson and Maria Williams. Acknowledgements to the many contributors to Facebook Groups for The Click Club and Birmingham Music Archive. John Hall and Ixchelt Corbett Mighty Mighty: Russell Burton, Mick Geoghegan, Pete Geoghegan, D J Hennessy Hugh McGuinness. Lyle Bignon, Boris Barker, Darren Elliot, Graham Bradbury, Richard March Yasmin Baig-Clifford (Vivid Projects), John Reed at Cherry Red Records, Ernie Cartwright, Birmingham Music Archive, Justin Sanders, Naomi Midgley. Neil Hollins for production of the podcast interview with Steve Coxon and Dave Travis. Digital Print Services who produced the images. Special thanks to: Neil Taylor, Ellie Gibbons, Anna Pirvola, Aidan Mooney and Beth Kane. What was The Click Club? Established in 1986 by Dave Travis and Steve Coxon, ‘The Click Club’ was the name of a concert venue and disco associated with Birmingham’s alternative music culture. -
Obscene Gestures: Sexual Transgression and Late Twentieth-Century American Political Culture
Obscene Gestures: Sexual Transgression and Late Twentieth-Century American Political Culture Patrick Scott Lawrence, PhD University of Connecticut, 2016 Tracing a cultural history from the 1970s to the 1990s, Obscene Gestures places popular and legal notions of obscenity in conversation with anti-consumerist and anti-capitalist resistance movements, women of color feminism, and LGBTQ activism. Since the 1973 Supreme Court ruling in Miller v. California, obscenity discourse has policed the shape of the nation by marking non-normative bodies as objectionable. The dissertation’s study of the cultural artifacts this discourse concerns opens by situating the history of literary obscenity alongside the key theories of sexuality, power, race, and knowledge. The first body chapter links the Miller ruling with 1970s-era neoconservative policies by considering some of the decade’s major novels, including Thomas Pynchon’s Gravity’s Rainbow (1973), revealing a home- front cultural politics that stymied dissent by classing as out of bounds many forms of political speech, including Huynh Cong Ut’s 1972 photo The Terror of War. Chapter Two builds upon the polarization this moment caused via an analysis of the feminist battles over pornography in the early 1980s. I juxtapose figures on both sides of this debate with works by women of color, such as Alice Walker’s The Color Purple (1983), that address the histories of embodiment that this debate tended to obscure. The occlusion of race in organizing around pornography parallels the role of possessive individualism in justifying racial wealth disparities during the Reagan administration, which the third chapter highlights. Working in the shadow of the 1986 Meese Commission report, this chapter interprets neoliberal economic policies as an enactment of racial indifference through the metaphors of sex and violence in The Bonfire of the Vanities (1987) and American Psycho (1990). -
Gonzo 367-8 Cnd.Pub
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ Gonzo Daily Blog https://gonzo-multimedia.blogspot.com/ LEST WE FORGET John Brodie Good Dave McMann Mick Farren 3 issue, I want to talk about two completely disparate subjects, the only thing they have in common being that they are both things that couldn’t really have happened anywhere in the space-time continuum, except in 21st century Britain. About three months ago, you will remember I wrote about how I had been summoned by ATOS, a private company from France who have been deputised to do the British government’s dirty work for them (to go and prove that my infirmities are to such a degree that I am unable to fit in with the conventional workforce. I think that anybody who has ever met me will realise that this is what our transatlantic chums call a ‘no- Dear friends, brainer’, but – still – I had to go and humiliate myself in front of chillingly polite young Welcome to another issue of this always doctor (or at least, I think he was a doctor) for peculiar, and sometimes quite radical, several hours in one of the ante rooms of magazine. Barnstaple Library. I came out feeling absolutely wretched and convinced that I I have always reiterated how one of the most hadn’t got a hope in hell of passing this very important jobs of this magazine is to provide stringent assessment, and that I was likely to a mirror to the increasingly peculiar and become completely destitute as a result of it. -
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John Wetton's Official Website
John Wetton's Official Website http://www.johnwetton.com/index.html LATEST NEWS January 31st 2020--- Today is the 3rd anniversary of the untimely death of John Wetton. Today we remember the genius of John and we share love with John’s son, Dylan, and John’s wife Lisa. Please keep subscribed to John’s social media. More details relating to the forthcoming John Wetton box set will shortly be released. The stories and tributes being assembled are a mind-blowing testament to John’s legacy. December 12th 2019--- American guitarist Fernando Perdomo has recorded a tribute album of King Crimson songs. The Crimson Guitar includes two songs from John Wetton's time in the band - Starless and Book of Saturday. There is also a dedication to John Wetton's memory inside the album. Amazon CD: https://geni.us/CrimsonGuitar June 12th 2019--- The John Wetton Estate proudly announces work has commenced on a solo career box set featuring expanded editions of his iconic albums and a lavish hardback book. 12th June 2019 would have been John’s 70th birthday. 1 of 42 16/03/2020, 12:18 John Wetton's Official Website http://www.johnwetton.com/index.html Since John Wetton’s passing in January 2017, his family, friends and management have been working on finding a fitting tribute to such a remarkable man and iconic artist. The result of this labour of love is a box set entitled “An Extraordinary Life”, dedicated entirely to John’s solo career. The project has the full support of John’s wife, Lisa, and his son, Dylan, who are wholly involved with compiling the contents. -
Robert Calvert Captain Lockheed and the Starfighters Mp3, Flac, Wma
Robert Calvert Captain Lockheed And The Starfighters mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Non Music Album: Captain Lockheed And The Starfighters Country: US Released: 1977 Style: Alternative Rock, Spoken Word MP3 version RAR size: 1723 mb FLAC version RAR size: 1425 mb WMA version RAR size: 1911 mb Rating: 4.8 Votes: 657 Other Formats: DXD AHX MP4 FLAC AAC VOC WMA Tracklist Hide Credits Franz Joseph Strauss, Defence Minister, Reviews The Luftwaffe In 1958. Finding It A1 1:40 Somewhat Lacking In Image Potential A2 The Aerospaceage Inferno 4:35 A3 Aircraft Salesman (A Door In The Foot) 1:41 The Widow Maker A4 2:42 Guitar [Lead] – Dave Brock A5 Two Test Pilots Discuss The Starfighter's Performance 0:41 A6 The Right Stuff 4:23 A7 Board Meeting (Seen Through A Contract Lense) 0:58 A8 The Song Of The Gremlin (Part One) 3:21 B1 Ground Crew (Last Minute Reassembly Before Take Off) 3:17 B2 Hero With A Wing 3:20 B3 Ground Control To Pilot 0:52 B4 Ejection 3:35 B5 Interview 3:55 B6 I Resign 0:27 B7 The Song Of The Gremlin (Part Two) 3:10 B8 Bier Garten 0:38 Catch A Falling Starfighter B9 2:54 Percussion [Funeral Drum] – Twink Credits Art Direction – Pierre Tubbs Bass, Guitar [Rhythm] – Lemmy Drums – Simon King Guitar [Lead, Rhythm], Bass – Paul Rudolph Illustration – Stanislaw Fernandes Keyboards – Adrian Wagner Lyrics By – Bob Calvert* Music By – Adrian Wagner (tracks: A8, B7), Arthur Brown (tracks: A8, B7), Dave Brock (tracks: A4), Bob Calvert* (tracks: A1 to A7, A8 to B6, B8, B9) Producer – Roy Baker* Saxophone – Nik Turner Synthesizer – Del Dettmar Vocals – Arthur Brown Vocals, Voice [Spoken Word], Percussion – Robert Calvert Voice [Spoken Word] – Jim Capaldi, Richard Ealing*, Tom Mittledorf, Vivian Stanshall Notes Robert Calvert's 1st solo project. -
Almost Joined-Up Words from Our Old Gonzo Author Friend, Alan Dearling
Hawkeaster: You wished you were there! Almost joined-up words from our old Gonzo author friend, Alan Dearling ‘So, who are Hawk-friends?’ someone asked during one of the two Q&A sessions with members of Hawkwind during the two day Hawkfest. ‘It’s you – all of you,’ was the loud and clear answer from Dave Brock and his merry band of musical mates. And the whole weekend was akin to a private party, held this year in the somewhat unlikely venue of Seaton in Devon’s old town hall, now run as the Gateway by a bunch of local worthies under the guise of Seaton’s Voice. Throughout the weekend Dave wandered around affably beaming at all his acolytes who had made their myriad ways from as far afield as Australia to join the party. But then there was a logic in this location - Seaton is the town closest to the farm where Dave lives. I set up my little tent at the Manor Farm camp site up on the hillside overlooking Seaton and Lyme Bay. Magnificent views. A bit of a clamber back after a long day of sonic space rock, but a friendly site and for those who could afford it, there was accommodation in Eve’s tipis, shipped over specially from the Isle of Wight. Hawkfests are eagerly looked forward to by the loyal fans, many of whom are now well into being bus pass delinquents. But there were some younger space cadets along for the cosmic adventures too. And lots of friendly local volunteers like my mate Phil, who mostly ‘stewarded’ the stage-right exit door against any would-be, axe or sword wielding warriors on the edge of time who wanted to escape! I think many of the volunteers were both bemused and a little surprised at the ‘niceness’ of the weird hippy invasion that had flooded into their usually rather staid little town. -
Now Here Live Internet Bidding with Special Auction
NOW HERE LIVE INTERNET BIDDING WITH SPECIAL AUCTION SERVICES We are delighted to announce that you are now able to bid online directly with SAS We have now launched the new SAS Live bidding platform Visit: auctions.specialauctionservices.com for more details Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 17th September 2019 at 10.00 Viewing: For enquiries relating to the auction please contact: Monday 16th September 2019 10:00 - 16:00 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Christopher David Martin David Howe Proudfoot Music & Music & Telephone: 01635 580595 Mechanical Entertainment Entertainment Fax: 0871 714 6905 Music Email: [email protected] www.specialauctionservices.com Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price SAS Live Premium: 20% plus Value Added Tax making a total of 24% of the Hammer Price Internet Buyers Premium: 22.5% plus Value Added Tax making a total of 27% of the Hammer Price As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION GRAMOPHONES & PHONOGRAPHS 1-143 VINYL RECORDS 144-448 CDs / CD BOX SETS 449-494 PSYCHEDELIC POSTERS 495-562 OTHER MUSIC POSTERS 563-577 MUSIC MEMORABILIA 578-627 FILM POSTERS 628-653 FILM & TV MEMORABILIA 654-661 MUSICAL INSTRUMENTS 662-690 HI-FI 691-703 LOT 126 www.specialauctionservices.com 3 Gramophones & Phonographs 11. -
Gonzo Weekly #163
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ As my late Mother would have no doubt said, the Devil makes work for idle hands, and with most of the Gonzo scribes being at home with their loved ones, and presumably with their creative juices flowing, it soon became obvious that my planned issue for next weekend was going to be superseded by something else. I was always impressed by Penny Rimbaud’s statement that the later Crass singles were issued as “tactical responses” to given situations. I started off writing and editing Fanzines, and it is only for reasons of my own that I decided to issue this magazine like Dear Friends, clockwork every Saturday, more recently every Friday. And so, what was planned to be an ordinary “ring in the old, ring out the new” (or is it But I think that the job of a magazine is a the other way round?) type issue has complex one, and I wouldn’t really like to completely gone out the window. Because clarify it into words, but it seems right that Lemmy dying has completely let the cat we document such an important event, amongst the cultural pigeons in a way that (which does appear to be lifechanging for one suspects the old bugger would have some people) into a special edition of Gonzo enjoyed.