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2000 Film Program Schedule
ACCOUNTANT, THE USA 2000 Betacam SP/16mm 106 mins. One Wheel Panther Productions East Coast Premiere [email protected] Director/Writer/Editor: Glenn Gers Producer: Spencer M. Clarke, Jr. Cinematography: Noah Prince Music: Bryan E. Miller Costumes: Loren Bevans Starring: David Valcin, Marlene Forte, John Randolph Jones The story of a gentleman who tries to protest the lack of civilized behavior in New York City and inadvertently brings about the end of civilization. A narrator-hero guides us through an Altmanesque/neo-Dickensian tale involving 18 principal characters in a tragicomedy of race, class, good intentions and bad luck. Shot for $62,000 in 88 locations with 120 actors, "The Accountant" is a no-budget magical-realist disaster movie. A.J.’S DOGUMENTARY USA 1999 Digital Video 53 mins. New England Premiere Director: A.J. Poulin The film offers a comic glimpse into the lives of obsessive dog owners, and shows the bizarre ways they pamper their pets. A.J.’s Dogumentary has been in four film festivals, winning the audience award for favorite film three times. ALZIRA: A MATRIARCH TELLS HER STORY USA 2000 Digital Video 63 mins. In English and Portuguese (with English subtitles) http://members.tripod.com/~christian-d/index.html Breaking Branches Pictures Official World Premiere [email protected] Director: Christian de Rezendes Music: Alberto Resendes Featuring: Alzira Rodrigues By 1929, Alzira de Jesus Soares had survived the conditions of her impoverished village in the north of Portugal, a place called Bouçoais - where her father and two younger siblings had died from influenza and starvation. Only months earlier, she had been granted the most unique of opportunities for those in her native homeland: a better life in America. -
Volunteers Sought for New Youth Running Series
TONIGHT Clear. Low of 13. Search for The Westfield News The WestfieldNews Search for The Westfield News “I DO NOT Westfield350.com The WestfieldNews Serving Westfield, Southwick, and surrounding Hilltowns “TIME ISUNDERSTAND THE ONLY WEATHER CRITIC THEWITHOUT WORLD , TONIGHT AMBITIONBUT I WATCH.” Partly Cloudy. ITSJOHN PROGRESS STEINBECK .” Low of 55. www.thewestfieldnews.com Search for The Westfield News Westfield350.comWestfield350.org The WestfieldNews — KaTHERINE ANNE PORTER “TIME IS THE ONLY VOL. 86 NO. 151 Serving Westfield,TUESDAY, Southwick, JUNE 27, and2017 surrounding Hilltowns 75 cents VOL.88WEATHER NO. 53 MONDAY, MARCH 4, 2019 CRITIC75 CentsWITHOUT TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com Attention Westfield: Open Space VOL. 86 NO. 151 75 cents Let’s ‘Retire the Fire!’ CommitteeTUESDAY, JUNE 27, 2017 By TINA GORMAN discussing Executive Director Westfield Council On Aging With support from the changes at Westfield Fire Department, the Westfield Public Safety Communication Center, the next meeting Westfield News, the Westfield By GREG FITZPATRICK Rotary Club, and Mayor Brian Correspondent Sullivan, the Westfield Council SOUTHWICK – The Open On Aging is once again launch- Space Committee is holding ing its annual Retire the Fire! another meeting on Wednesday at fire prevention and safety cam- 7 p.m. at the Southwick Town paign for the City’s older Hall. TINA GORMAN According to Open Space adults. During the week of Executive Director March 4 to 8, residents of Committee Chairman Dennis Westfield Council Clark, the meeting will consist of Westfield will see Retire the On Aging Fire! flyers hung throughout reviewing at the changes that have the City and buttons with the been made to the plan, including Sunny Sunday Skier at Stanley Park slogan worn by Council On Aging staff, seniors, and the new mapping that will be Kim Saffer of Westfield gets in some cross-country ski practice on a sunny community leaders. -
Ontology, Aesthetics, and Cartoon Alienation
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Theses School of Film, Media & Theatre Summer 7-31-2018 Animating Social Pathology: Ontology, Aesthetics, and Cartoon Alienation Wolfgang Boehm Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/fmt_theses Recommended Citation Boehm, Wolfgang, "Animating Social Pathology: Ontology, Aesthetics, and Cartoon Alienation." Thesis, Georgia State University, 2018. https://scholarworks.gsu.edu/fmt_theses/2 This Thesis is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. Animating Social Pathology: Ontology, Aesthetics, and Cartoon Alienation by Wolfgang Boehm Under the Direction of Professor Greg Smith ABSTRACT This thesis grounds an unstable ontology in animation’s industrial history and its plas- matic aesthetics, in-so-doing I find animation to be a site of rendering visible a particular con- frontation with an inability to properly rationalize, ossify, or otherwise delimit traditionally held boundaries of motility. Because of this inability, animation is privileged as a form to rethink our interactions with media technology, leading to utopian thought and bizarre, pathological behav- ior. I follow the ontological trend through animation studies, using Pixar’s WALL-E as a guide. I explore animation as an afterimage of social pathology, which stands in contrast to the more lu- dic thought of a figure such as Sergei Eisenstein, using Black Mirror’s “The Waldo Moment.” I look to two Cartoon Network shows as examples of potential alternatives to both the utopian and pathological of the preceding chapters. -
Bear Mccreary
BEAR MCCREARY COMPOSER AWARDS INTERNATIONAL FILM MUSIC CRITICS ASSOCIATON AWARD 2019 Film Composer of the Year ASCAP COMPOSER’S CHOICE AWARD 2016 TV Composer of the Year PRIMETIME EMMY AWARD NOMINATION OUTLANDER (2015) Outstanding Music Composition for a Series ASCAP COMPOSER’S CHOICE AWARD 2014 TV Composer of the Year PRIMETIME EMMY AWARD NOMINATION BLACK SAILS (2014) Outstanding Original Main Title Theme Music PRIMETIME EMMY AWARD WINNER DA VINCI’S DEMONS (2013) Outstanding Original Main Title Theme Music PRIMETIME EMMY AWARD NOMINATION HUMAN TARGET (2010) Outstanding Original Main Title Theme Music MOTION PICTURES FREAKY Christopher Landon, dir. Blumhouse Productions AVA Tate Taylor, dir. Vertical Entertainment THE BABYSITTER: KILLER QUEEN McG, dir. Netflix FANTASY ISLAND Jeff Wadlow, dir. Sony 3349 Cahuenga Boulevard West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 McCreary Page 1 of 5 BEAR MCCREARY COMPOSER MOTION PICTURES (cont’d) CRIP CAMP James Lebrecht, Nicole Newnham, dirs. Higher Ground Productions THE SHED (score produced by) Frank Sabatella, dir. A Bigger Boat ELI Ciaran Foy, dir. Netflix CHILD’S PLAY Lars Klevberg, dir. United Artists GODZILLA: KING OF THE MONSTERS Michael Dougherty, dir. Warner Bros. RIM OF THE WORLD McG, dir. Netflix THE PROFESSOR AND THE MADMAN Farhad Safinia, dir. Icon Entertainment International HAPPY DEATH DAY 2U Christopher Landon, dir. Universal Pictures WELCOME HOME George Ratliff, dir. AMBI Group I STILL SEE YOU Scott Speer, dir. Golden Circle Films HELL FEST Gregory Plotkin, dir. CBS Films TAU Federico D’Alessandro, dir. Bloom THE CLOVERFIELD PARADOX Julius Onah, dir. Netflix ANIMAL CRACKERS Tony Bancroft, Scott Christian Sava, dir. -
Everything Is Awesome’ the LEGO Movie and the Affective Politics of Security Goggin, J
UvA-DARE (Digital Academic Repository) ‘Everything is awesome’ The LEGO movie and the affective politics of security Goggin, J. DOI 10.2218/finsoc.v3i2.2574 Publication date 2017 Document Version Final published version Published in Finance and Society License CC BY-NC-ND Link to publication Citation for published version (APA): Goggin, J. (2017). ‘Everything is awesome’: The LEGO movie and the affective politics of security . Finance and Society, 3(2), 143-158. https://doi.org/10.2218/finsoc.v3i2.2574 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:02 Oct 2021 Article Finance and Society 2017, 3(2): 143-58 © The Author(s) 'Everything is awesome': 10.2218/finsoc.v3i2.2574 The LEGO movie and the affective politics of security Joyce Goggin University of Amsterdam, Netherlands Abstract Scholarship on the finance-security nexus has typically been concerned with ‘first order’ phenomena, such as the interpenetration of the finance and security sectors. -
Word~River Literary Review (2009)
word~river Publications (ENG) 2009 word~river literary review (2009) Jo Gibson Cleveland State University Lollie Ragana Antioch University Martin Dean Dupalo University of Nevada, Las Vegas Homeira Foth City College of San Francisco; San Francisco State University Follow this and additional works at: https://digitalscholarship.unlv.edu/word_river Lily I. MacKenzie Univ Persityart of of the San American Francisco Liter ature Commons, Literature in English, North America Commons, and the Modern Literature Commons See next page for additional authors Recommended Citation Gibson, Jo; Ragana, Lollie; Dupalo, Martin Dean; Foth, Homeira; MacKenzie, Lily I.; Ribner, Susan; Stark, Anne; Jaynes, Mike; Johnston, Allan; Altman, Taylor; Nyikos, Susan; Konigsberg, Lisa; Frankel, Alex M.; Graef, Kristin Elsie; Marin, Mari-Carmen; Young, Brian R.; Esch, Stacy; Trahan, Heather; Casson, Lee; Williams, Rebecca Grace; Doughtery, Kate; Maxwell, Linda; Davis, Mark Evan; Kelley, Erin; Johnson, Rowan; Carter, Natalie; Shields, John; Keating, Kevin P.; D’Aoust, Renée E.; Geyer, Anna; Moymer, Heather; Smith, Algie Ray; Cushman, Adam; Finnegan, Margaret; Clinton, Alan Ramón; Sabel, Thomas; Stark, Deborah; and Landess, Maggie, "word~river literary review (2009)" (2009). word~river. 3. https://digitalscholarship.unlv.edu/word_river/3 This Book is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Book in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. -
Marta Becket Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt5m3nb0xk No online items Finding Aid for the Marta Becket Papers, ca. 1969- Processed by Lilace Hatayama; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2006 The Regents of the University of California. All rights reserved. Finding Aid for the Marta Becket 1399 1 Papers, ca. 1969- Descriptive Summary Title: Marta Becket Papers Date (inclusive): ca. 1969- Collection number: 1399 Creator: Becket, Marta. Extent: 5 boxes (2.5 linear ft.)1 oversize box. Abstract: The collection consists of materials related to the development and growth of the Amargosa Opera House as a performance venue by Marta Becket and Tom Williams and the productions created by Marta Becket since the theatre's opening in 1968. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Screendollars Newsletter 2020-11-02.Pdf
For Exhibitors November 2, 2020 Screendollars About Films, the Film Industry No. 141 Newsletter and Cinema Advertising Just past 8pm on October, 30, 1938 Orson Welles delivered his famous deep-fake of the American public when CBS broadcast his radio adaptation of War of the Worlds. Based on the 1898 sci-fi novel by H.G. Welles, the main broadcast presented itself as a live report from New Jersey, where Martians had touched down to invade Earth. Some listeners mistook the broadcast as actual reporting on real events, prompting widespread panic. The next day, the 23-year old Welles spoke to reporters at a hastily arranged press-conference to explain that this outcome was entirely surprising and unintended. However, the attention also made Welles famous, establishing his reputation (Click to Play) as a gifted storyteller with the skill to convince audiences to suspend their disbelief in the incredible, one of the fundamental propositions of Hollywood filmmaking. “When they talked about that [Welles] was embarrassed by it, I don’t think so. If you look at that press conference, he’s so contrite, and he’s just acting his brains out, and he’s so clearly delighted.” - Director John Landis commenting on Welles speaking at the press conference after the 1938 broadcast. Weekend Box Office Results (10/30-11/1) With Commentary by Paul Dergarabedian, Comscore Per Theatre Rank Title Week Theatres Wknd $ Total $ Average $ 1 Come Play (Focus Features) 1 2,183 3,150,000 1,443 3,150,000 2 Honest Thief (Open Road) 4 2,360 1,350,000 572 9,535,262 3 The War with Grandpa (101 Studios) 4 2,365 1,081,416 457 11,289,621 4 Tenet (Warner Bros.) 9 - 885,000 - 53,800,000 5 The Empty Man (20th Century) 2 2,051 561,000 274 2,268,677 6 Hocus Pocus 2020 Re-release (Disney) 5 1130 456,000 404 4,828,000 7 The Nightmare Before Christmas 2020 Re-release (Disney) 3 1222 386,000 316 2,286,000 8 Monsters, Inc. -
View Full Catalog of Encoded Compatible Content
D-BOX HOME ENTERTAINEMENT IMMERSIVE EXPERIENCES (Hold the Ctrl keyboard key and press the F (Ctrl+F) to search for a specific movie) HaptiCode Release Date RECENTLY ADDED (Year-Month-Day) Star Wars: The Bad Batch - 1st Season EP11 2021-07-09 Black Widow 2021-07-09 Lupin 1st Season EP 6,7 2021-07-07 Loki 1st Season EP 4 2021-07-06 Ace Venture - When Nature Calls 2021-07-06 Ace Ventura - Pet Detective 2021-07-06 Star Wars: The Bad Batch - 1st Season EP10 2021-07-02 Lupin 1st Season EP 4,5 2021-06-30 Loki 1st Season EP 3 2021-06-29 Star Wars: The Bad Batch - 1st Season EP9 2021-06-25 Always 2021-06-23 Lupin 1st Season EP 2,3 2021-06-23 Loki 1st Season EP 2 2021-06-22 Jack Ryan - 2nd Season EP 7,8 2021-06-22 Star Wars: The Bad Batch - 1st Season EP8 2021-06-18 Astérix - The Mansion of the Gods 2021-06-17 Lupin 1st Season EP 1 2021-06-16 Wandavision 1st Season EP 9 2021-06-16 Loki 1st Season EP 1 2021-06-15 Jack Ryan - 2nd Season EP 5,6 2021-06-15 Star Wars: The Bad Batch - 1st Season EP7 2021-06-11 In the Heights 2021-06-11 Wandavision 1st Season EP 7,8 2021-06-09 Jack Ryan - 2nd Season EP 3,4 2021-06-08 Star Wars: The Bad Batch - 1st Season EP6 2021-04-06 Conjuring : The Devil Made Me Do It 2021-06-04 Wandavision 1st Season EP 5,6 2021-06-02 Jack Ryan - 2nd Season EP 1,2 2021-06-01 Star Wars: The Bad Batch - 1st Season EP5 2021-05-28 Cruella 2021-05-28 Star Wars: The Clone Wars S07 EP 9,10,11,12 2021-05-27 Wandavision 1st Season EP 3,4 2021-05-26 Get Him to the Greek 2021-05-25 Jack Ryan 1st Season EP 7,8 2021-05-25 Star Wars: The Bad Batch -
Radomír D. Kokeš Masaryk University
Panoptikum nr 22 (29) 2019 Panoptikum 2019, 22: 128-143. https://doi.org/10.26881/pan.2019.22.04 Radomír D. Kokeš Masaryk University Spiral, Slasher, and Sequel: Case of Happy Death Day (2017) and Happy Death Day 2U (2019) This article is going to focus on the films Happy Death Day (2017) and Hap- py Death Day 2U (2019). Both are movies from Blumhouse Productions. Both were directed by Christopher Landon. Both follow the same group of young characters confronted with a mysterious serial killer in a baby mask. Above all, both handle the spiral narrative. As I wrote elsewhere1, as such, we can recognise a specific storytelling pattern with a protagonist stuck in an iterative segment of space, time and causality – and this protagonist is not only fully aware of this situation but also tries to deal with it. What for other unaware characters is a closed loop is for the protagonist an open experience with an odd number of turns of time spiral. That is why I call it the spiral narrative, which is known mostly from high-budget films such as Groundhog Day (1993) or Edge Of Tomorrow (2014). Nevertheless, as will be explained, it occurs in dozens of other theatrical films, VOD films, television films or television shows. However, what are the reasons why, when there is an extensive set of works to choose from, do I take just the doublet of Happy Death Day films? (1) On their example, the article is going to discuss my general hypothesis about spiral narrative works as a series of applications of the innovative narrative schema as 1 See: Kokeš, 2018; Kokeš, forthcoming. -
The Guardian, Week of February 25, 2019
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 2-25-2019 The Guardian, Week of February 25, 2019 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (2019). The Guardian, Week of February 25, 2019. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. WEEKLY HOROSCOPES FEBRUARY 25, 2019 BY SARAH CAVENDER FEBRUARY Week of 25-1 ARIES – The Moon is encouraging you to analyze your internal needs dear Aries. Are your emotional needs being fulfilled? Maybe it’s time you put down the poetry books and change up your sad song playlist. The universe suggests listening to less Post Malone. TAURUS – You’re in an intense mood this week Taurus. Jupiter’s rings are experiencing colder temperatures than normal, causing your bottled-up feelings to break the glass. Take deep breaths and ask yourself if getting mad at the kid behind you in class chewing his gum out loud is worth losing your sanity. GEMINI – The cloudy skies on Uranus are forcing you to reevaluate your relationships this week dear Gemini. Are you always the one trying to make plans with a certain person yet they never reciprocate? Try to approach them to ask what’s going on. -
The Gold & Blue
The Gold & Blue Volume 97, Issue 2 Holy Trinity High School 1443 W. Division St. Chicago, IL 60642 June 2019 Inside: Black History Month prayer service excites, educates, and inspires! Career Fair 2 Math Competition 2 Faculty Profiles 3 Mayoral Election 4 Shakespeare 4 Lantern Festival 4 HT Play Review 5 Kairos Ghost? 5 Movie Reviews 6 Poetry Page 7 Sports 8 Photo: Sarah Clark singing were pieces of original more than a statistic or a person that poetry presented by seniors By Kevin Rodriguez fits the stereotype of the gangster Markyla Thompson and Dejanae that gets into conflict with the police. This year’s BSUs Prayer Phillips. Markyla’s piece, named He mentioned that the only person Service was a complete success, “My Culture,” was spectacular and stopping you from reaching a goal is heartwarming, giving both hope amazing both students and faculty. yourself and that we must move In fact, Mr. Joseph, who has taught and a real look at black culture away from negativity to advance in at HT for 23 years, said, “It was today. The last line, which has to character and be a positive change in the most impressive one since I be one of the most powerful, says, society. have been here.” The combination “Watch your step because soon, Additionally, he spoke of readings, poetry, dancing, sing- we will be free.” about a conflict most high schoolers The Gold and Blue : ing, and praising were pleasing to Dejanae’s poem, titled have to deal with, finding our identi- both eye and ear. “Have You Ever Seen a Chain?,” ty in life.