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Kathleen Rogers QUALIFICATIONS 1983 Kathleen Rogers QUALIFICATIONS 1983 - 1985 The Slade School of Fine Art, University College, London, UK. Fine Art, Experimental Media (PG Dip) 1980 - 1983 Wimbledon School of Art, London, UK. Fine Art, BA (Hons) ACADEMIC POSITIONS Professor of Media Arts and Science/ Year 3 leader Digital Film Screen Arts (0.6) As Professor of Media Arts and Science I participate in research and scholarly activities and contribute to the School and University culture through my professional practice and enhancement of the PGT curriculum as determined by the Head of School. I represent the University on internal and external bodies, forums and committees. I am engaged with PhD/ Research Degree Supervision and Examination and deliver Advanced Research Methods workshops to PhD students. The DFSA course provides students with the opportunity to gain in-depth specialist knowledge in selected fields of digital media, video production, sonic arts, interactivity, visual effects and post-production. As Year 3 leader for Digital Film Screen Arts, I co-ordinate and manage the final year DFSA student group. I am responsible for assessment and feedback, development of learning materials, curriculum course administration and curriculum development. As the main mentor for the final year student cohort I provide individual and group mentoring towards the delivery of their major graduation projects and their graduation show. I embed academic and ethical research strategies into the teaching and mentoring context to generate an intellectually stimulating interdisciplinary learning environment. My teaching is student centred based on personalised learning strategies tailored to individualised career destinations Since 2001 Senior Lecturer in Digital Screen Arts 0.5 (FTE), UCA, Farnham - 2015 increased to 0.6 (FTE) PhD/ Research Degree Supervision and Examination Jasmine Smith Propulsive Utopias: Can Science Fiction cinema promote Xenofeminist cultures, and real political change? Vicky Smith (2nd) Feeling Negative and Losing Control: Representing Ambivalence by attacking and repairing Camera-less Film Maria Manuela Lopes (1st) Representational Strategies on Alzheimer’s Studies: A Practice-Based Art Research in a Neuroscience Laboratory (based in Lisbon) Post-Doctoral Research Supervision – 2014 - 2018 Maria Manuela Lopes, FCT, Portugal Art Making with Memory Matter; a practice-led research on the intertwines of art, science and technology Supervisory Team: Rosa Oliveira (PhD – Unidade de investigação ID+, Departamento de Comunicação e Arte, Universidade de Aveiro) Alexandre Quintanilha (MD, PhD, Instituto de Biologia Molecular e Celular - Laboratorio Associado) 2018 External MPhil/PhD examiner – University of Plymouth 2018 Professorial Inaugural Lecture - Before and Beyond Virtual Reality location: University for the Creative Arts, Farnham. November 21st 2018 Virtual Reality - citations Virtual Reality: Ways of seeing Issue 38:4 | December 2018 Guest editor: Julianne Pierce Article by Rob La Frenais How do technologies such as virtual reality influence the way we see and what does it offer for contemporary art? The writers for this issue have been invited to contemplate this changing landscape, to explore how artists and museums are engaging with VR and how the audience becomes part of the artist’s vision as a player and agent. As with the application of all new technologies, artists are driven to probe, experiment with and sometimes even break the machine, challenging the possibilities of the medium. Editorial https://www.artlink.com.au/articles/4717/editorial-ways-of-seeing/ Previous Full Time Roles at UCA between 2001-2005 2004/2005 F/T Programme Leader (acting) for Television Drama Production (UCCA) Farnham. 2003 F/T Programme Leader (interim) for Digital Screen Arts (UCCA) Farnham. Previous UCA Research Role 1997- 2000, F/T Research Fellow in Digital Art and Technological Culture, UCCA, Farnham. Post Graduate Community Since 2001 MA seminars in diverse conceptual and media art, art and science categories. PREVIOUS ACADEMIC 1993 - 1995 F/T Course Director, Postgraduate School of Television and Imaging, Duncan of Jordanstone College of Art, University of Dundee. Scotland. 1992 -1993 Time Based Art 0.2 (FTE) Wolverhampton College of Art 1985 - 1986 Telematics, Net-Art Media 0.4(FTE), Newport College of Art (University of Wales) Visiting Academic 2003 University of Westminster, Creative Media Practise (BA Hons) Stage 3 Unit: The History and Theory of the Electronic Image 2003 University of Westminster, MA Fine Art Research 2003 Oxford Brookes University, Fine Art Academic Research Previous Academic 1986 - 2003 St Martins College of Art, Chelsea School of Art, Oxford Brookes University, University of Westminster, Slade School of Art, Nottingham Trent University, Wolverhampton College of Art, Middlesex Polytechnic School of Art. Sheffield City Polytechnic, The Royal College of Art. ACADEMIC RESEARCH RELATED 2009 – 2013 Appointment and membership of AHRC Peer Review College UCA Professorial Working Group PhD Progression Review Panel Research Ethics Committee RAE Research submitted to RAE1996 (Grade 5), UCA 2000, 2008 – REF 2014 2008 - 2010 Visiting Researcher at The Art and Genomic Centre at Leiden University & New Representational Spaces, Art History Department, Amsterdam University, Netherlands. Ectopia at Gulbenkian Art and Science Foundation, Lisbon, Portugal. 2009 British Science Festival Production Jam! – Art, Science and Beyond Supported by the University for the Creative Arts, the UCA Art Science & Culture Research Cluster and GaiaNova Productions, Jam, was part of the British Science Festival, hosted by the University of Surrey. Concept, development, production in collaboration with Adrian Holme for Art, Science Culture Research Cluster with consultancy from Bronagh Ferran. PROGRAMME VALIDATION 2008 Validation Panel member, Digital Games Arts BA programme, Farnham, UCA 2008 Validation Panel member, MA programme, Digital Ekistics (on-line second life communities), Canterbury UCA 1992 Validation Panel member, MA programme, Time Based Media, Kent Institute of Art and Design FURTHER ACADEMIC PROFILE 1991 to 1993 Duncan of Jordanstone College of Art and Design, Postgraduate School of Television and Electronic Imaging. Multidisciplinary Virtual Environment workshops for project weeks. 1993 The Royal College of Art, Kensington Gore, London, UK Computer Related Design and Human Computer Interaction, project workshop going beyond metaphor within interactive design. 1991 The British Film Institute, London, UK. Commission by Tana Wollen, Head of Television and Projects. Three seminars for BFI staff on Virtual Reality, its technological development, its roots in cognitive psychology, computing, military training, its uses, old and new corporate investors, aesthetic/political appropriations, philosophical/theoretical implications. 1991 Virtual Environment workshops at Chelsea School of Art and Design, Postgraduate Time Based Media department & Saint Martins School of Art and Design, Postgraduate Film and Video department. 1993 Delegation of the Arts Plastiques, Ministry of Culture, Paris, France. Participating artist, with scientists and philosophers as part of the digital salon consulting on how emergent and interdisciplinary methodologies in science and art might impact on future educational culture. Other participants included Anne Marie Duquet, Louis Bec. Brian Reffin Smith. 1993 Virtual Environment consultant, BBC Television for commissioning editor David Ross within production team of Cyberzone, virtual reality gameshow. 1991 – 1995 Artist Member of O+I – Organisation and Imagination, Artists Placement Group Founded by Barbara Steveni and John Latham. 1987 – 1988 Honorary Researcher in Computer Science and New Media at the Slade School of Art, University College, UK. 2008 Gallery presentation, Zentrum Paul Klee, Berne, Switzerland, Genesis the Art of Creation. 2007 Gallery presentation, Centraal Museum Utrecht, Netherlands, Genesis, Life at the End of the Information Age. 2001 & current, Alumni at the International Headlands Centre for the Arts, Marin County, San Francisco, CA, USA. 2001 – 2007, Board of Advisors, The Green Museum, on-line foundation of international environmental art, CA, USA. 1998 Gallery presentation, The Millais Gallery, Southampton University. Ingenious Transformations. 1994 Curator and speaker, Electronic Imaging at Women On the Verge, London Film-Maker’s Co-Op (LFMC): London INTERNATIONAL CONFERENCES 2019 FEM - Women in Art, Science and Technology 2019 location: Faculty of Fine Arts, Lisbon and Research Institute I3S, University of Porto - May 30th - 5th June (3rd June - 6th June) 2019 forthcoming 2019 Experimental & Expanded Animation, University for the Creative Arts, Farnham. paper: Cosmopolitical Futures & Quantum Entanglement (Post Humanism and Performativity) February 13th, 2019 2015 14th International Meeting of Art and Technology: ART AND HUMAN ENHANCEMENT, University of Aveiro, PT. 7- 12 October, 2015 Universidade de Aveiro Universidade de Brasília Universidade de Goiás Organizing Committee (PT) Organizing Committee (BR) Organizing Committee (BR) Prof. Dr. Paulo Bernardino Bastos Profª. Drª. Suzete Venturelli Prof. Dr. Cleomar Rocha Keynote presentation – Cosmopolitical Futures, The Anthropocenic Human in the Stem Cell and Regenerative Medicine Space. Published abstract in 500-page Book/catalogue proceedings. ISBN-978-458- 2012 Keynote presentation of paper for AHRC funded - Design in Society - Science, Technology, Engineering
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