Leonardo Reviews Quarterly 2.01 | 2012
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Leonardo Reviews Quarterly 2.02 | 2012
L|R|Q Leonardo Reviews Quarterly 2.02 | 2012 Executive Editor: Roger Malina Editor-in-Chief: Michael Punt Associate Editor: Claudy Op den Kamp www.leonardo.info © ISAST L|R|Q Leonardo Reviews Quarterly 2.02 | 2012 Science, Spectacle and Imagination Executive Editor: Roger Malina Editor-in-Chief: Michael Punt Associate Editor: Claudy Op den Kamp www.leonardo.info © ISAST Leonardo Reviews Leonardo Reviews Reviews Panel Leonardo Reviews is the work of an international Allan Graubard, Amy Ione, Anastasia Filip- panel of scholars and professionals invited from poupoliti, Annick Bureaud, Anna B. Creagh, a wide range of disciplines to review books, exhi- Anthony Enns, Aparna Sharma, Boris Jardine, bitions, DVDs, CDs, websites, and conferences. Brian Reffin Smith, Brigitta Zics, Catalin Brylla, Collectively they represent an intellectual commit- Chris Cobb, Chris Speed, Claudia Westermann, ment to engaging with the emergent debates and Claudy Op den Kamp, Craig Harris, Craig Hilton, manifestations that are the consequences of the Dene Grigar, David Bering-Porter, Dene Grigar, convergence of the arts, science and technology. Eduardo Miranda, Elizabeth McCardell, Ellen Pearlman, Enzo Ferrara, Eugene Thacker, Flor- Leonardo Reviews publishes all reviews received ence Martellini, Flutor Troshani, Franc Cham- from the panel monthly at www.leonardo.info. In berlain, Fred Andersson, Frieder Nake, George addition, four times a year a selection of reviews Gessert, George K. Shortess, Giovanna Cos- is printed in Leonardo and now Leonardo Reviews tantini, Hannah Drayson, Hannah Rogers, Har- Quarterly will be publishing an even larger selec- riet Hawkins, Ian Verstegen, Jac Saorsa, Jack tion as a PDF together with introductory material Ox, Jacques Mandelbrojt, Jan Baetens, Jennifer and overview essays. -
Leonardo Reviews
Leonardo reviews Leonardo reviews how the universe was first set into that the ideas that drove the research Editor-in-Chief: Michael Punt motion; medieval scholasticism later were not pulled from the air. When the Managing Editor: Bryony Dalefield translated Aristotle’s “Prime Mover” actor playing Kepler pores over Tycho into the Christian God). Brahe’s years of collected data, he con- Associate Editors: Dene Grigar, The strength of the film is its multi- veys the intensity of Tycho’s observa- Martha Blassnigg, Hannah Drayson dimensional quality. Visual elements tions of the heavens as well as Kepler’s A full selection of reviews is pub- such as historical engravings, paintings, desire to solve the problem of motion. I lished monthly on the LR web site: animations and manuscripts aid the was enthralled even though I was famil- <leonardoreviews.mit.edu>. presentation immensely and bring a iar with many of the details and found realistic element into play that knits myself moved to think about details I the ideas of several periods of history had previously taken for granted. together into a seamless fabric. Much Still, a marriage of these artifacts of this is quite subtle. For example, with new technologies occurs. Many Film showing manuscript pages and still art- of the visuals that accompany the film work might seem mundane, but in this are “moving” because of the nature of case I found that the variety of these the work. One good example of how The Moving earTh backdrops created a vivid sense of the the director used new technologies to directed by Lars Becker-Larsen. -
Mitl58 Pages.V3 Web.Indd
leonardo reviews editor-in-chief Michael Punt associate editors Hannah Drayson, Dene Grigar, Jane Hutchinson A full selection of reviews is published monthly on the Leonardo website: <leonardoreviews.mit.edu>. EXHIBITIONS ambivalent “moral autonomy” with work of artists such as Jasper Johns, respect to historical relations with Robert Rauschenberg and Andy LEON GOLUB POWERPLAY: both capitalism and modern (mass) Warhol—did much to undermine THE POLITICAL PORTRAITS society. A self-critique of the arts as a the dominance of formalist theory. curated by Jon Bird. National Portrait form of essentialism frequently took Others have joined critics such as Gallery, London, U.K., 18 March–25 the form of an opposition between Rosalind Krauss and Carol Duncan, September 2016. Exhibit website: representation and abstraction. Inter- who attacked modernism’s myths of <www.npg.org.uk/whatson/display/2016/ woven into the canonical narrative originality and “centeredness” and its leon-golub-powerplay-the-political was a belief in the expressive and position of “privileged” and gendered -portraits.php>. existential capacity of art to operate as hegemony in dismantling Greenberg’s Reviewed by Giovanna Costantini. a method of individuation along with paradigm. Email: <costantini.giovanna.l@ a set of other features. These include There are reasons to regard the gmail.com>. the pursuit of effects of detachment “historic moment” as relevant in and depersonalization, mechaniza- reconstructing a definition of mod- doi:10.1162/LEON_r_01363 tion and technology; an emphasis on ernism and to confront the role of Suppose someone comes along surface reflexivity; a tendency toward history as the canyon (versus the who does not know “bridge,” and transcendentalism; and attention to canon) of art’s operative field. -
CLINE-DISSERTATION.Pdf (2.391Mb)
Copyright by John F. Cline 2012 The Dissertation Committee for John F. Cline Certifies that this is the approved version of the following dissertation: Permanent Underground: Radical Sounds and Social Formations in 20th Century American Musicking Committee: Mark C. Smith, Supervisor Steven Hoelscher Randolph Lewis Karl Hagstrom Miller Shirley Thompson Permanent Underground: Radical Sounds and Social Formations in 20th Century American Musicking by John F. Cline, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication This dissertation is dedicated to my mother and father, Gary and Linda Cline. Without their generous hearts, tolerant ears, and (occasionally) open pocketbooks, I would have never made it this far, in any endeavor. A second, related dedication goes out to my siblings, Nicholas and Elizabeth. We all get the help we need when we need it most, don’t we? Acknowledgements First and foremost, I would like to thank my dissertation supervisor, Mark Smith. Even though we don’t necessarily work on the same kinds of topics, I’ve always appreciated his patient advice. I’m sure he’d be loath to use the word “wisdom,” but his open mind combined with ample, sometimes non-academic experience provided reassurances when they were needed most. Following closely on Mark’s heels is Karl Miller. Although not technically my supervisor, his generosity with his time and his always valuable (if sometimes painful) feedback during the dissertation writing process was absolutely essential to the development of the project, especially while Mark was abroad on a Fulbright. -
Classic Posters – the Interviews Book One
Classic Posters – The Interviews Book One 1 Classic Posters – The Interviews Book One DEDICATION Table of Contents This book is dedicated to poster 2 Introduction expert extraordinare Eric King who 5 Chet Helms and the Avalon Ballroom patiently (and kindly) answered 35 Eddie Wilson and The Armadillo thousands of my questions over a 48 Emek 70 Alton Kelley period of many years. King also 89 David Singer served as a host and guide for me 108 Ed Walker and S.F. Rock Posters in the Bay Area introducing me to 113 Eric King – Poster Expert Extraordinaire the poster artists and collectors in 133 Frank Kozik 145 Grant Mechinan of S.F. Rock Posters Berkeley, San Francisco and 151 Penelope Fried points north. Eric King is good 170 Phil Cushway and ArtRock company. 183 Greg Davidson – Poster Expert 202 Russ Gibb – The Grande Ballroom Thank you Eric! 217 Randy Tuten 252 Stanley Mouse 264 Victor Moscoso In addition, thanks to Phil Cushway, 284 Dennis King and D. King Gallery Jack Bodnar, Gary Grimshaw, Mark 292 Paul Grushkin and the “Art of Rock” Arminsky, Sam Yeats, Jagmo (Nels Jacobson) and others for being kind enough to share their extensive poster © 2002-2011 Michael Erlewine collections with me for photographing. ISBN 0-925182-74-5 I also want to thank Alton Kelley, All rights reserved. No part of the publication Stanley Mouse, David Singer, Frank may be reproduced, stored in a retrieval system, Kozik, Grant Mechinan, Penelope Fried, or transmitted, in any form or by any means, Phil Cushway, Greg Davidson, Russ electronic, mechanical, photocopying, recording, Gibb, Randy Tutan, Victor Moscoso, or otherwise, without the prior permission of the Eddie Wilson, Chet Helms, Emek, publisher. -
Pionners of Computer Art, II RCM GALERIE
Pionners of Computer Art, II RCM GALERIE Pioneers of Computer Art Colette Bangert, Aldo Giorgini, Jean-Pierre Hebert, Desmond Paul Henry, Hervé Huitric, Ken Knowlton, Charles Mattox, Manfred Mohr, Monique Nahas, Jacques Palumbo, Edward Zajec 20 June - 31 July 2019 RCM Galerie Monique Nahas (b. 1940) and and Hervé Huitric (b. 1945) co-counded the Groupe Art et Informatique de Vincennes and were among the preeminent artists working with computers in France in the late 1960s and 1970s. Their work explores how computer algorithms can be transformed into colored images. They first worked with a CAE 510 and then an IBM 1130 writing programs in Algol and then Fortran that created random variations in constructivist color schemes. Instead of working on a palette with rules of transition, the duo considered color as a continuous variable, while treating color as a set of percentages of its basic components. Although interested in how the computer changed the rules of art, their works in the early seventies are highly influenced by pontilism, especially Georges Seurat. The duo's first work used a coded sequence of letters then printed on a plotter. R for Red, B for Blue etc. Each square was then hand painted. The couple then developed a stencil method, using the punch cards and screenprinting artwork using a plotter. The couple exhibited widely in the 1970s, including the New Tendency 5 exhibition in Zagreb. Monique Nahas and Hervé Huitric Cube, 1971 Layered perforated program cards, paint, wood, lacquer 12 x 12 x 12 inches Unique Monique Nahas and Hervé Huitric Untitled, 1971 Double serigraph 31.5 x 22 in One of two copies Signed on verso Monique Nahas and Hervé Huitric Monique Nahas and Hervé Huitric Untitled, 1971 Untitled, 1971 Computer print, hand-painted 6.2 x 7.8 in Computer print, hand-painted 9.4 x 7.4 in Unique Unique Signed on verso Signed on verso 1 1 - ' ' I I ..._ / / • / / . -
Kathleen Rogers QUALIFICATIONS 1983
Kathleen Rogers QUALIFICATIONS 1983 - 1985 The Slade School of Fine Art, University College, London, UK. Fine Art, Experimental Media (PG Dip) 1980 - 1983 Wimbledon School of Art, London, UK. Fine Art, BA (Hons) ACADEMIC POSITIONS Professor of Media Arts and Science/ Year 3 leader Digital Film Screen Arts (0.6) As Professor of Media Arts and Science I participate in research and scholarly activities and contribute to the School and University culture through my professional practice and enhancement of the PGT curriculum as determined by the Head of School. I represent the University on internal and external bodies, forums and committees. I am engaged with PhD/ Research Degree Supervision and Examination and deliver Advanced Research Methods workshops to PhD students. The DFSA course provides students with the opportunity to gain in-depth specialist knowledge in selected fields of digital media, video production, sonic arts, interactivity, visual effects and post-production. As Year 3 leader for Digital Film Screen Arts, I co-ordinate and manage the final year DFSA student group. I am responsible for assessment and feedback, development of learning materials, curriculum course administration and curriculum development. As the main mentor for the final year student cohort I provide individual and group mentoring towards the delivery of their major graduation projects and their graduation show. I embed academic and ethical research strategies into the teaching and mentoring context to generate an intellectually stimulating interdisciplinary -
The Reappearing Computer: the Past and Future of Computing in Design Research
The Reappearing Computer: the past and future of computing in design research Simone Gristwood, Middlesex University, UK Stephen Boyd Davis, Royal College of Art, UK Abstract This paper investigates the early history of computing in design and in design research, focusing on individuals who were associated with the Department of Design Research at the Royal College of Art between the 1960s and the 1980s. The authors suggest that the theory and practice developed at that time may be valuable in thinking about the future, particularly when considering how computing may be used, in various forms, by designers in their work. A taxonomy of some early ideas and activities is presented which, it is suggested, displays a different emphasis from the way computing in design is conceived now. It is argued that as computing has become absorbed into mainstream culture, it has tended to “disappear” and its special qualities have become lost since it is regarded as “just a tool” like any other. A contrast is presented between this model of computing focused on facilitating or replacing hand-work and earlier models which prioritised computing’s relation to the mind. The authors note that some other fields seem currently to be reengaging with the idea of computing as something that is not quite like other tools. The article concludes with a list of questions addressed to the design and design research communities based on our analysis. Keywords computing, design research, design history, operational research, art Introduction – The Disappearing Computer The relation between computing and design takes two forms. On the one hand, designers have many opportunities to design devices and systems that utilise computing technology. -
Leonardo Reviews
Leonardo reviews Leonardo reviews against the Commonwealth of Virginia the trial judge, wrote: “Almighty God Editor-in-Chief: Michael Punt by Richard and Mildred Loving]). The created the races white, black, yellow, Managing Editor: Bryony Dalefield Lovings, the key figures in this case, are Malay and red, and he placed them captured in The Loving Story, a film pro- on separate continents. And but for Associate Editors: Dene Grigar, duced by Nancy Buirski and Elisabeth the interference with his arrangement Martha Blassnigg, Hannah Drayson Haviland James and available through there would be no cause for such mar- A full selection of reviews is pub- Icarus Films. riages. The fact that he separated the lished monthly on the LR web site: Married in Washington, D.C., on 2 races shows that he did not intend for <leonardoreviews.mit.edu>. June 1958, Richard Loving and Mildred the races to mix.” Jeter returned home to Virginia where The Lovings did not like living in the their marriage was declared illegal District of Columbia; they missed their because he was white and she was black families and wanted to go home. How Film and Native American. At that time, anti- they lived and felt about the situation is miscegenation laws—laws against inter- effectively captured in the photographs racial marriage—existed in 16 states. and interviews that compose much of he oving Tory T L s Such laws are a typical consequence the film. There are also rare documen- directed by Nancy Buirski. Icarus Films, of states’ rights in the United States, a tary photographs by Life Magazine pho- Brooklyn, NY, U.S.A., 2011. -
The Civics of Rock: Sixties Countercultural Music and The
THE CIVICS OF ROCK: SIXTIES COUNTERCULTURAL MUSIC AND THE TRANSFORMATION OF THE PUBLIC SPHERE by Michael Jacob Kramer A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2006 Approved by Advisor: John F. Kasson Reader: Robert Cantwell Reader: Peter Filene Reader: Lawrence Grossberg Reader: Jacquelyn Hall © 2006 Michael Jacob Kramer ALL RIGHTS RESERVED ii ABSTRACT MICHAEL KRAMER: The Civics of Rock: Sixties Countercultural Music and the Transformation of the Public Sphere (Under the direction of Professor John F. Kasson) For the counterculture of the 1960s and 70s, rock music was not only mass entertainment, but also a form of public life. While many scholars have argued that rock was incompatible with civic participation, this book claims that in music scenes such as San Francisco, in poster art and dancing, on the radio and in print publications, rock served as a flash point for dilemmas of citizenship and civil society. As frequently as it deteriorated into escapism and hedonism, rock also created an atmosphere of inquiry in which the young might listen, think, move, and feel their way through issues of public and civic interaction, such as identity, belonging, power, and democracy. Even when exported by the American military to Vietnam or when circulating to youth movements worldwide, far from eclipsing public life, rock music transformed it into a mass-mediated mode of association -
Conference Proceedings Re:Live
Re:live MEDIA ART HISTORY 09 Third International Conference on the Histories of Media Art, Science and Technology Conference Proceedings Re:live Media Art Histories 2009 Refereed Conference Proceedings Edited by Sean Cubitt and Paul Thomas 2009 ISBN: [978-0-9807186-3-8] Re:live Media Art Histories 2009 conference proceedings 1 Edited by Sean Cubitt and Paul Thomas for Re:live 2009 Published by The University of Melbourne & Victorian College of the Arts and Music 2009 ISBN: [978-0-9807186-3-8] All papers copyright the authors This collection licensed under a Creative Commons Attribution-Noncommercial 2.5 Australia License. Supported by Reviews Panel Su Ballard Thomas Mical Andres Burbano Lissa Mitchell Dimitris Charitos Lizzie Muller martin constable Anna Munster Sara Diamond Daniel Palmer Gabriel Menotti Gonring Ana Peraica Monika Gorska-Olesinska Mike Phillips Mark Guglielmetti melinda rackham Cat Hope stefano raimondi Slavko Kacunko Margit Rosen Denisa Kera Christopher Salter Ji-hoon Kim Morten Søndergaard Mike Leggett Robert Sweeny Frederik Lesage Natasha Vita-More Maggie Macnab danielle wilde Leon Marvell Suzette Worden Re:live Media Art Histories 2009 conference proceedings 2 CONTENTS Susan Ballard_____________________________________________________________________6 Erewhon: framing media utopia in the antipodes Andres Burbano__________________________________________________________________12 Between punched film and the first computers, the work of Konrad Zuse Anders Carlsson__________________________________________________________________16 -
CAT 2010 Ideas Before Their
2/21/12 Papers | CAT | 2010 | Conferences by year | Conference archive | eWiC - Electronic Works… Text size Contrast Home BCS Website About eWiC Contact eWiC Search this site Conference archive Publish your conference Email alert service Academic publications Your location: Conference archive Con2fe0r1eC0nAcTes Pbay pyeerasr About eWiC Papers Conference archive Browse the conference papers here Conferences by year Keynotes Session 1: Computer Art & Cybernetics 2011 Session 2: Computer Art & Time Session 3: Computer Art & Space 2010 Session 4: Computer Art & Output Session 5: Computer Art & Technocultures HCI Keynotes iUBICOM Post Computer Art - Ontological Undecidability and the Cat with Paint EVA on its Paws Brian Reffin-Smith VECOS Create10 Session 1: Computer Art & Cybernetics Digital Pioneers: Computer-generated Art from the V&A's Collections VoCS Douglas Dodds EASE Print copies of CAT 2010: Ideas The Interactive Art System before their time IHCI Stroud Cornock ISBN 978-1-906124-64-9 RRP £45 CAT Art of Conversation Ernest Edmonds and Francesca Franco Available from the BCS bookshop Papers The Computer-Generated Artworks of Vladimir Bonačić 2009 Darko Fritz 2008 Session 2: Computer Art & Time 2007 On the Relationship of Computing to the Arts and Culture - an Evolutionary Perspective 2006 George Mallen Conferences by subject Paragraphs on Computer Art, Past and Present Publish your conference Frieder Nake Email alert service Program, Be Programmed or Fade Away: Computers and the Death of Constructivist Art Academic publications Richard