Hood Hamflm European Reds Fall in Line, Accept Khrushchev Ouster
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AN EAR IS a TERRIBLE THING to WASTE: the Reasoning of Marketing Is Cynical, but It Works All Too Well
An Ear is a 114 Terrible Thing to Waste: 115 CLASSICAL MUSIC’S FAILURE IN THE YOUTH MARKET BY GWENDOLYN FREED MISSION: LOOKINGGLASS MISSION: LOOKINGGLASS AN EAR IS A TERRIBLE THING TO WASTE: The reasoning of marketing is cynical, but it works all too well. And CLASSICAL MUSIC’S FAILURE IN THE YOUTH MARKET those who fail to fall in line with its dictates do so at their own peril. Witness what happens when a product is marketed not for every possible demograph- ic but instead, for one-size-fits-all. All the same, going against the grain, after a hard morning’s shopping at the mall, the mom from our example would like to take her son to a chil- dren’s concert at the local symphony orchestra. Would he like to come along? No way! She drags him there anyway. He wriggles and squirms and mumbles and pops gum as the conductor takes the orchestra through an unrehearsed mishmash —a little of Prokofiev’s Peter and the Wolf and a bit of Benjamin Britten’s Young Personís Guide to the Orchestra. No money has been allocated specifically for assuring this concert’s quality; little thought has gone into its overall presentation, educational thrust, or age-appropriateness. Kids of all ages turn up, including many who are not ready to sit still. The orchestra mother and her seven-year- apparently sees no artistic or financial incentive to put more effort into this 116 old boy walk into a grocery store.A The mother sees fifteen different kinds of concert. -
Minneapolis 2 Regional
2019 MINNEAPOLIS 2 REGIONAL THE IN10SITY CHALLENGE Studio Average Top Non-Solo 1ST PLACE - Lake Area Dance Center 276.28 “Survivor” $1000 2ND PLACE - In The Spotlight 276 “Girls Night Out” $750 3RD PLACE - Elite Dance Productions 267.68 “Shout” $500 4TH PLACE - Jan’s School of Dance 266.72 “Southbound Train” $250 5TH PLACE - Dance For Fun 255.08 “Rise Up” $100 IN10SE ROUTINES Routine Score Studio Prize In10se Mini “Flickers” 287.5 DelMonico Dance $500 In10se Junior “In May Blood” 288.1 DelMonico Dance $500 In10se Teen “The Tiger’s Bride” 288.2 DelMonico Dance $500 In10se Senior “Into The Spin” 285 In The Spotlight $500 !1 of !11 CON10TION Dancer Studio Mini Con10der Daphne Braun “Flickers” DelMonico Dance Junior Con10der Caleb Abea - “In My Blood” DelMonico Dance Teen Con10der Lucia Vera - “Survivor” DelMonico Dance Senior Con10der Angelina Amarigo - “Time” DelMonico Dance DIVISIONAL OVERALLS - MINI DEBUT MINI SOLO 1ST Kaylee Caldwell - “I’m A Lady” In The Spotlight 2ND Hadley Amick - “Flaunt It” Elite Dance Productions 3RD Ellas Sullivan - “Trust In Your Heart” Delmonico Dance 4TH Kennedi Roelike - “Getting Good At Being Elite Dance Productions Bad” 5TH Weatherly Drowne - “Kill The LIghts” In The Spotlight ELITE MINI SOLO 1ST Daphnie Braun - “Flickers” DelMonico Dance DEBUT MINI DUET/TRIO 1ST “The Squad” Elite Dance Productions DEBUT MINI SMALL GROUP 1ST “Better Together” Jan’s School of Dance 2ND “I’m A Lady” Dena’s Dance Company 3RD “Fight Song” Dance For Fun !2 of !11 DEBUT MINI LARGE GROUP 1ST “Tea With Me” In The Spotlight 2ND “Thankful” -
Competition by Studio
COMPETITION BY STUDIO Cedar Rapids ,IA RoomDay Time R # S # Division Grp # Category Age Grp. MS Routine Studio Level A Fri 04:55 PM --Awards--High Point - Awards Starz - Senior - Solo & Improv A Fri 09:25 PM --Awards--High Point - Awards RS - Senior - Solo & Improv A Sat 02:19 PM --Awards-- Awards A Sat 06:25 PM --Awards-- Awards A Sat 10:03 PM --Awards--High Point - Awards All Levels - Teen - D/T A Sun 01:11 PM --Awards--High Point - Awards All Levels - Senior & Adult - D/T & Sg A Sun 06:08 PM --Awards--High Point - Awards All Levels - Teen & Senior - Lg - Line & Prod B Fri 05:49 PM Awards - No High Points Awards COMPETITION BY STUDIO Cedar Rapids ,IA RoomDay Time R # S # Division Grp # Category Age Grp. MS Routine Studio Level B Fri 09:37 PM --Awards--High Point - Awards RS - Senior - Solo & Improv B Sat 10:27 AM --Awards--High Point - Awards All Levels - SM - Mini - Sg - Lg & Line B Sat 03:16 PM --Awards--High Point - Awards All Levels - Preteen - Lg - Line & Prod B Sat 08:23 PM --Awards--High Point - Awards All Levels - Preteen - Sg B Sun 11:22 AM --Awards--High Point - Awards All Levels - Mini - Solo - D/T & Improv - Preteen - D/T B Sun 05:55 PM --Awards--High Point - Awards All Levels - Preteen - Solo & Improv COMPETITION BY STUDIO Cedar Rapids ,IA RoomDay Time R # S # Division Grp # Category Age Grp. MS Routine Studio Level A Fri 12:11 PM 4 13 Solo 1 Contemporary S 15-18 Always On My Mind Almost Famous S Dance Studio Leah Krantz A Fri 12:15 PM 5 13 Solo 1 Contemporary S 15-18 White Blank Page Almost Famous S Dance Studio Kirstyn -
Charles Bartlett Interviewer: Fred Holborn Date of Interview: January 6, 1965 Place of Interview: Washington, D.C
Charles Bartlett Oral History Interview – JFK #1, 1/6/1965 Administrative Information Creator: Charles Bartlett Interviewer: Fred Holborn Date of Interview: January 6, 1965 Place of Interview: Washington, D.C. Length: 91 pp. Biographical Note Bartlett, Washington correspondent for the Chattanooga Times from 1948 to 1962, columnist for the Chicago Daily News, and personal friend of John F. Kennedy (JFK), discusses his role in introducing Jacqueline Bouvier to JFK, JFK’s relationship with Lyndon Baines Johnson, and JFK’s Cabinet appointments, among other issues. Access Open. Usage Restrictions According to the deed of gift signed October 11, 1983, copyright of these materials has been assigned to United States Government. Copyright The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excesses of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. The copyright law extends its protection to unpublished works from the moment of creation in a tangible form. Direct your questions concerning copyright to the reference staff. -
Inscape Fall 2001
inscape Fall 2001 FACULTY ADVISORS George Eklund Gary Mesa-Gaida Elizabeth Mesa-Gaida MANAGING EDITOR Mick Parsons EDITORIAL BOARD Jamie Skidmore David Jones Tara Perry Brad Hamlin Joy Howard Eric Collins Erin Quinn Carl Albright Elizabeth 0 Quinn Mike Frasier Becky Jenkins Jared Salyers Stephanie Stobaugh Michael Combs Scarlett Stewart Matt Brown Gabby Kindell Barry Lee Reynolds Inscape is the inward quality of objects and events, as they are perceived by the joined observation and intro spection of a poet, who in turn embodies them in unique poetic forms. -Gerard Manly Hopkins As a group of artists, as a group of people, as a set of human beings, we are like anyone else. With every shift the world makes, we feel and are affected by it, grappling with the changes we sometimes want and sometimes do not. There are no simple terms for the many days that have passed since September, or for the many days that will pass. Each moment-- each second-- ticks . away showing us a day when it was bad to be human. It was a bad day to wake up and open the blinds. It was a bad day to fetch water for washing. It was a bad day for someone to stop for gas before going to work. It was a bad day to gather apples and other fruits to eat. And the days that have followed-- that will follow- have been confused. They have left us all wondering for loved ones that we mayor many not know, either close or far from us. These and other days are those that we as artists, as people, as human beings have, not to make sense of September 11, but to make sense of every day. -
Schweizer Hitparade 39W -/WMS Top 100 Singles David Guetta & Sia 27.05.2018 3 Flames 49W -/WMS Calvin Harris & Dua Lipa 4 One Kiss 57W -/SME 21 22 10W Rea Garvey Feat
Lo & Leduc 1 079 116W -/IGO Dennis Lloyd 2 Nevermind Schweizer Hitparade 39W -/WMS Top 100 Singles David Guetta & Sia 27.05.2018 3 Flames 49W -/WMS Calvin Harris & Dua Lipa 4 One Kiss 57W -/SME 21 22 10W Rea Garvey feat. Kool Savas - Is It Love? -/UNI Molow 22 NEU Gzuz feat. Bonez MC, Maxw ell & Ufo361 - Über Nacht -/UNI 5 Wildest Love 23 71 6W Pegasus - Metropolitans -/SME 24 23 15W Calum Scott - You Are The Reason -/UNI 13 3W -/IGO 25 21 18W Drake - God's Plan -/UNI 26 16 3W Childish Gambino - This Is America -/SME Alvaro Soler 27 25 7W Cardi B, Bad Bunny & J Balvin - I Like It -/WMS 6 La cintura 28 26 7W Drake - Nice For What -/UNI 68W 29 28 19W Jax Jones Feat. Ina Wroldsen - Breathe -/UNI -/UNI 30 NEU Baschi - Wenn dWält 1986 -/UNI 31 NEU Clean Bandit feat. Demi Lovato - Solo -/WMS Kygo feat. Miguel 32 24 2W Selena Gomez - Back To You -/UNI 7 Remind Me To Forget 33 31 23W Nico Santos - Rooftop -/UNI 210W 34 33 17W Zedd / Maren Morris / Grey - The Middle -/UNI -/SME 35 32 11W Maître Gims avec Vianney - La même -/SME 36 37 3W Shaw n Mendes feat. Khalid - Youth -/UNI Pietro Lombardi 37 36 41W Camila Cabello feat. Young Thug - Havana -/SME 8 Phänomenal 38 50 10W Lartiste feat. Caroliina - Mafiosa -/UNI NEU -/UNI 39 66 21W Kalash feat. Damso - Mw aka Moon -/UNI 40 38 22W Lost Frequencies & Zonderling - Crazy -/KNM 41 NEU BTS - Fake Love -/ORC Nicky Jam x J Balvin 42 42 36W Post Malone feat. -
Christina Aguilera Unveils Music Video for “Fall in Line” Feat
CHRISTINA AGUILERA UNVEILS MUSIC VIDEO FOR “FALL IN LINE” FEAT. DEMI LOVATO TODAY—CLICK HERE TO WATCH (Los Angeles, CA)—Today, global superstar Christina Aguilera unveils the music video for her recently released track “Fall In Line” feat. Demi Lovato, which was directed by Luke Gilford. This past weekend, Christina Aguilera and Demi Lovato performed the world television debut of the song together on the 2018 Billboard Music Awards. USA Today said they “lit up the stage with some of the strongest vocals of the night,” Billboard called the performance an “explosive duet battle,” and Vogue stated that they were “a joined force to be reckoned with.” “Fall in Line” feat. Demi Lovato, along with previously released “Twice” and “Accelerate” feat. Ty Dolla $ign and 2 Chainz will be included on Christina’s upcoming 6th studio album Liberation, which will be released on June 15th via RCA Records and is available for pre- order now. Fans who pre-order the album will also receive all three tracks as instant-grats. Click HERE to watch Additionally, Christina Aguilera announced that XNDA and critically acclaimed rapper GoldLink will be featured on her forthcoming album. XNDA will be featured on “Pipe” and GoldLink will be featured on “Like I Do.” See full track listing for Liberation below. Liberation Track Listing: 1. Liberation 2. Searching For Maria 3. Maria 4. Sick Of Sittin’ 5. Dreamers 6. Fall In Line feat. Demi Lovato 7. Right Moves feat. Keida & Shenseea 8. Like I Do feat. GoldLink 9. Deserve 10. Twice 11. I Don’t Need It Anymore (Interlude) 12. -
John Davis Lodge Papers
http://oac.cdlib.org/findaid/ark:/13030/ft9c6007r1 Online items available Register of the John Davis Lodge papers Finding aid prepared by Grace Hawes and Katherine Reynolds Hoover Institution Library and Archives © 1998 434 Galvez Mall Stanford University Stanford, CA 94305-6003 [email protected] URL: http://www.hoover.org/library-and-archives Register of the John Davis Lodge 86005 1 papers Title: John Davis Lodge papers Date (inclusive): 1886-1987 Collection Number: 86005 Contributing Institution: Hoover Institution Library and Archives Language of Material: English Physical Description: 288 manuscript boxes, 27 oversize boxes, 3 cubic foot boxes, 1 card file box, 3 album boxes, 121 envelopes, 2 sound cassettes, 1 sound tape reel, 1 sound disc(156.6 Linear Feet) Abstract: Correspondence, speeches and writings, dispatches, reports, memoranda, clippings, other printed matter, photographs, sound recordings, and motion picture film relating to the Republican Party, national and Connecticut politics, and American foreign relations, especially with Spain, Argentina and Switzerland. Digital copies of select records also available at https://digitalcollections.hoover.org. Creator: Lodge, John Davis, 1903-1985 Hoover Institution Library & Archives Access Boxes 310-311 closed. The remainder of the collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Library & Archives. Acquisition Information Acquired by the Hoover Institution Library & Archives in 1986. Preferred Citation [Identification of item], John Davis Lodge papers, [Box no., Folder no. or title], Hoover Institution Library & Archives. Alternate Forms Available Digital copies of select records also available at https://digitalcollections.hoover.org. -
Noticias De Actualidad. Núm. 8, 15 De Abril De 1957
TAOS, RELIQUIA ESPAÑOLA EN NORTEAMÉRICA o si, por el contrario, pueden concurrir a él escritores de otros países.—-Pedro José Ro dríguez, Salamanca. 12.—El Premio Pulitzer de novela se otor ga a una creación imaginaria, publicada en forma de libro durante el año de que se tra te, por un autor norteamericano. Preferi blemente debe referirse a un aspecto de la vida en los Estados Unidos. para que el deudor envíe un cheque o el im das células nerviosas de la médula, que no se porte en metálico de su pago. regeneran. Lo único que de momento se pue PETRÓLEO de lograr es, como usted dice, prevenirse con Las perforaciones petrolíferas que se reali EL ORIGEN DEL $ tra tan terrible enfermedad. zan en España con técnicos americanos, ¿ co NOTICIAS DE ACTUALIDAD quiere saber la ¿ Es verdad que el símbolo del dólar tiene rresponden al programa de Cooperación Eco opinión de sus lectores sobre cuestiones de su origen en el escudo de Carlos I de España? MARINE CORPS nómica?—Wladimir Nadal, Lérida. muflió interés para España y los Estados Uni —José Millas, Bétera (Valencia). Quisiera saber: (1) Si la Infantería de Ma R.—No. Dichas perforaciones están patroci dos. Escríbanos expresando su punto de vis B.—Se ha buscado un precedente español rina norteamericana está totalmente indepen nadas por el I. N. I. ta. El autor de cada carta seleccionada para de la marca del dólar, el familiar símbolo #. dizada de la Marina; (2) si los mandos de la su publicación recibirá un libro como premio. Este puede ser la columna de Hércules de al Marina pueden alcanzar mayor graduación AL CÉSAR.. -
Goin' on a Picnic Song #3: Be a Ladybug!
Song 2: Goin’ on a Picnic Everybody gather ‘round! Gonna have a picnic on the ground. You can bet I’ll be their guest. That’s ‘cause I’m a picnic pest! Picnic! C’mon let’s have a picnic! With lots of food that’s fun to eat, Goin’ on a picnic can’t be beat! Picnic! C’mon let’s have a picnic! With lots of food that’s fun to eat, Goin’ on a picnic can’t be beat! Let’s all do a picnic dance. What’s a picnic without ants? All you have to do is chew, at the outdoor barbecue! Picnic! C’mon let’s have a picnic! With lots of food that’s fun to eat, Goin’ on a picnic can’t be beat! Picnic! C’mon let’s have a picnic! With lots of food that’s fun to eat, Goin’ on a picnic can’t be beat! Come on bugs, now gather ‘round! Gonna cut a rug here on the ground. Swing that partner that you’ve found. Buzz around with a picnic sound! Bzzzz! Bzzzz! Bzzzz! Bzzzz! Bzzzz! Bzzzz! Bzzzz! Bzzzz! Bzzzz! Picnic! C’mon let’s have a picnic! With lots of food that’s fun to eat, Goin’ on a picnic can’t be beat! Picnic! C’mon let’s have a picnic! With lots of food that’s fun to eat, Goin’ on a picnic can’t be beat! Mmmm! That’s good! Song #3: Be a Ladybug! If someone treats you rough, and life is kind of tough, you think you’ve had enough but be a ladybug! If someone isn’t kind and friends are hard to find you just say never mind and be a ladybug! Be a ladybug! Whoa, oh, oh, be a ladybug! Whoa, oh, oh, be a ladybug! That’s what I am! If someone isn’t nice their hearts as cold as ice, well just take my advice and be a ladybug! If someone hurts your pride you’d like to run and hide. -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider. -
Vocal Techniques for the Instrumentalist
Kansas State University Libraries New Prairie Press NPP eBooks Monographs 2018 Vocal Techniques for the Instrumentalist Amy Rosine Kansas State University, [email protected] Follow this and additional works at: https://newprairiepress.org/ebooks Part of the Higher Education Commons, Music Education Commons, and the Other Music Commons This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. Recommended Citation Rosine, Amy, "Vocal Techniques for the Instrumentalist" (2018). NPP eBooks. 25. https://newprairiepress.org/ebooks/25 This Book is brought to you for free and open access by the Monographs at New Prairie Press. It has been accepted for inclusion in NPP eBooks by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. VOCAL TECHNIQUES FOR THE INSTRUMENTALIST Amy Rosine, D.M.A. 2nd Edition Copyright © 2018 Amy Rosine New Prairie Press Kansas State University Libraries Manhattan, Kansas Cover design by Kansas State University Libraries Background image courtesy of 1014404 Electronic edition available online at http://newprairiepress.org/ebooks/ This work is licensed under a Creative Commons Attribution-NonCommerical-ShareAlike License https://creativecommons.org/licenses/by-nc-sa/4.0/ ISBN-13: 978-1-944548-19-3 Contents Introduction 2 Chapter 1 Why are you here? 3 Chapter 2 Healthy Singing 6 Chapter 3 Motivation 9 Chapter 4 Learning and Performing Vocal Music 11 Chapter 5 Respiration 13 Chapter 6 Phonation 15 Chapter 7 Voice Range 19 Chapter 8 Resonance 22 Chapter 9 Articulation 26 Bibliography 34 Appendix A Vocal Exercises i Appendix B Practice Log ii Appendix C Glossary iii Appendix D Italian IPA iv About the Author Vocal techniques for the instrumentalist 1 Introduction Heathy vocal production is necessary for everyone in the teaching field.