Black Lace Freudian Slip - All About Jazz CD Review
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AN EAR IS a TERRIBLE THING to WASTE: the Reasoning of Marketing Is Cynical, but It Works All Too Well
An Ear is a 114 Terrible Thing to Waste: 115 CLASSICAL MUSIC’S FAILURE IN THE YOUTH MARKET BY GWENDOLYN FREED MISSION: LOOKINGGLASS MISSION: LOOKINGGLASS AN EAR IS A TERRIBLE THING TO WASTE: The reasoning of marketing is cynical, but it works all too well. And CLASSICAL MUSIC’S FAILURE IN THE YOUTH MARKET those who fail to fall in line with its dictates do so at their own peril. Witness what happens when a product is marketed not for every possible demograph- ic but instead, for one-size-fits-all. All the same, going against the grain, after a hard morning’s shopping at the mall, the mom from our example would like to take her son to a chil- dren’s concert at the local symphony orchestra. Would he like to come along? No way! She drags him there anyway. He wriggles and squirms and mumbles and pops gum as the conductor takes the orchestra through an unrehearsed mishmash —a little of Prokofiev’s Peter and the Wolf and a bit of Benjamin Britten’s Young Personís Guide to the Orchestra. No money has been allocated specifically for assuring this concert’s quality; little thought has gone into its overall presentation, educational thrust, or age-appropriateness. Kids of all ages turn up, including many who are not ready to sit still. The orchestra mother and her seven-year- apparently sees no artistic or financial incentive to put more effort into this 116 old boy walk into a grocery store.A The mother sees fifteen different kinds of concert. -
Love, Oh Love, Oh Careless Love
Love, Oh Love, Oh Careless Love Careless Love is perhaps the most enduring of traditional folk songs. Of obscure origins, the song’s message is that “careless love” could care less who it hurts in the process. Although the lyrics have changed from version to version, the words usually speak of the pain and heartbreak brought on by love that can take one totally by surprise. And then things go terribly wrong. In many instances, the song’s narrator threatens to kill his or her errant lover. “Love is messy like a po-boy – leaving you drippin’ in debris.” Now, this concept of love is not the sentiment of this author, but, for some, love does not always go right. Countless artists have recorded Careless Love. Rare photo of “Buddy” Bolden Lonnie Johnson New Orleans cornetist and early jazz icon Charles Joseph “Buddy” Bolden played this song and made it one of the best known pieces in his band’s repertory in the early 1900s, and it has remained both a jazz standard and blues standard. In fact, it’s a folk, blues, country and jazz song all rolled into one. Bessie Smith, the Empress of the Blues, cut an extraordinary recording of the song in 1925. Lonnie Johnson of New Orleans recorded it in 1928. It is Pete Seeger’s favorite folk song. Careless Love has been recorded by Louis Armstrong, Ray Charles, Bob Dylan and Johnny Cash. Fats Domino recorded his version in 1951. Crescent City jazz clarinetist George Lewis (born Joseph Louis Francois Zenon, 1900 – 1968) played it, as did other New Orleans performers, such as Dr. -
Minneapolis 2 Regional
2019 MINNEAPOLIS 2 REGIONAL THE IN10SITY CHALLENGE Studio Average Top Non-Solo 1ST PLACE - Lake Area Dance Center 276.28 “Survivor” $1000 2ND PLACE - In The Spotlight 276 “Girls Night Out” $750 3RD PLACE - Elite Dance Productions 267.68 “Shout” $500 4TH PLACE - Jan’s School of Dance 266.72 “Southbound Train” $250 5TH PLACE - Dance For Fun 255.08 “Rise Up” $100 IN10SE ROUTINES Routine Score Studio Prize In10se Mini “Flickers” 287.5 DelMonico Dance $500 In10se Junior “In May Blood” 288.1 DelMonico Dance $500 In10se Teen “The Tiger’s Bride” 288.2 DelMonico Dance $500 In10se Senior “Into The Spin” 285 In The Spotlight $500 !1 of !11 CON10TION Dancer Studio Mini Con10der Daphne Braun “Flickers” DelMonico Dance Junior Con10der Caleb Abea - “In My Blood” DelMonico Dance Teen Con10der Lucia Vera - “Survivor” DelMonico Dance Senior Con10der Angelina Amarigo - “Time” DelMonico Dance DIVISIONAL OVERALLS - MINI DEBUT MINI SOLO 1ST Kaylee Caldwell - “I’m A Lady” In The Spotlight 2ND Hadley Amick - “Flaunt It” Elite Dance Productions 3RD Ellas Sullivan - “Trust In Your Heart” Delmonico Dance 4TH Kennedi Roelike - “Getting Good At Being Elite Dance Productions Bad” 5TH Weatherly Drowne - “Kill The LIghts” In The Spotlight ELITE MINI SOLO 1ST Daphnie Braun - “Flickers” DelMonico Dance DEBUT MINI DUET/TRIO 1ST “The Squad” Elite Dance Productions DEBUT MINI SMALL GROUP 1ST “Better Together” Jan’s School of Dance 2ND “I’m A Lady” Dena’s Dance Company 3RD “Fight Song” Dance For Fun !2 of !11 DEBUT MINI LARGE GROUP 1ST “Tea With Me” In The Spotlight 2ND “Thankful” -
Competition by Studio
COMPETITION BY STUDIO Cedar Rapids ,IA RoomDay Time R # S # Division Grp # Category Age Grp. MS Routine Studio Level A Fri 04:55 PM --Awards--High Point - Awards Starz - Senior - Solo & Improv A Fri 09:25 PM --Awards--High Point - Awards RS - Senior - Solo & Improv A Sat 02:19 PM --Awards-- Awards A Sat 06:25 PM --Awards-- Awards A Sat 10:03 PM --Awards--High Point - Awards All Levels - Teen - D/T A Sun 01:11 PM --Awards--High Point - Awards All Levels - Senior & Adult - D/T & Sg A Sun 06:08 PM --Awards--High Point - Awards All Levels - Teen & Senior - Lg - Line & Prod B Fri 05:49 PM Awards - No High Points Awards COMPETITION BY STUDIO Cedar Rapids ,IA RoomDay Time R # S # Division Grp # Category Age Grp. MS Routine Studio Level B Fri 09:37 PM --Awards--High Point - Awards RS - Senior - Solo & Improv B Sat 10:27 AM --Awards--High Point - Awards All Levels - SM - Mini - Sg - Lg & Line B Sat 03:16 PM --Awards--High Point - Awards All Levels - Preteen - Lg - Line & Prod B Sat 08:23 PM --Awards--High Point - Awards All Levels - Preteen - Sg B Sun 11:22 AM --Awards--High Point - Awards All Levels - Mini - Solo - D/T & Improv - Preteen - D/T B Sun 05:55 PM --Awards--High Point - Awards All Levels - Preteen - Solo & Improv COMPETITION BY STUDIO Cedar Rapids ,IA RoomDay Time R # S # Division Grp # Category Age Grp. MS Routine Studio Level A Fri 12:11 PM 4 13 Solo 1 Contemporary S 15-18 Always On My Mind Almost Famous S Dance Studio Leah Krantz A Fri 12:15 PM 5 13 Solo 1 Contemporary S 15-18 White Blank Page Almost Famous S Dance Studio Kirstyn -
Inscape Fall 2001
inscape Fall 2001 FACULTY ADVISORS George Eklund Gary Mesa-Gaida Elizabeth Mesa-Gaida MANAGING EDITOR Mick Parsons EDITORIAL BOARD Jamie Skidmore David Jones Tara Perry Brad Hamlin Joy Howard Eric Collins Erin Quinn Carl Albright Elizabeth 0 Quinn Mike Frasier Becky Jenkins Jared Salyers Stephanie Stobaugh Michael Combs Scarlett Stewart Matt Brown Gabby Kindell Barry Lee Reynolds Inscape is the inward quality of objects and events, as they are perceived by the joined observation and intro spection of a poet, who in turn embodies them in unique poetic forms. -Gerard Manly Hopkins As a group of artists, as a group of people, as a set of human beings, we are like anyone else. With every shift the world makes, we feel and are affected by it, grappling with the changes we sometimes want and sometimes do not. There are no simple terms for the many days that have passed since September, or for the many days that will pass. Each moment-- each second-- ticks . away showing us a day when it was bad to be human. It was a bad day to wake up and open the blinds. It was a bad day to fetch water for washing. It was a bad day for someone to stop for gas before going to work. It was a bad day to gather apples and other fruits to eat. And the days that have followed-- that will follow- have been confused. They have left us all wondering for loved ones that we mayor many not know, either close or far from us. These and other days are those that we as artists, as people, as human beings have, not to make sense of September 11, but to make sense of every day. -
Schweizer Hitparade 39W -/WMS Top 100 Singles David Guetta & Sia 27.05.2018 3 Flames 49W -/WMS Calvin Harris & Dua Lipa 4 One Kiss 57W -/SME 21 22 10W Rea Garvey Feat
Lo & Leduc 1 079 116W -/IGO Dennis Lloyd 2 Nevermind Schweizer Hitparade 39W -/WMS Top 100 Singles David Guetta & Sia 27.05.2018 3 Flames 49W -/WMS Calvin Harris & Dua Lipa 4 One Kiss 57W -/SME 21 22 10W Rea Garvey feat. Kool Savas - Is It Love? -/UNI Molow 22 NEU Gzuz feat. Bonez MC, Maxw ell & Ufo361 - Über Nacht -/UNI 5 Wildest Love 23 71 6W Pegasus - Metropolitans -/SME 24 23 15W Calum Scott - You Are The Reason -/UNI 13 3W -/IGO 25 21 18W Drake - God's Plan -/UNI 26 16 3W Childish Gambino - This Is America -/SME Alvaro Soler 27 25 7W Cardi B, Bad Bunny & J Balvin - I Like It -/WMS 6 La cintura 28 26 7W Drake - Nice For What -/UNI 68W 29 28 19W Jax Jones Feat. Ina Wroldsen - Breathe -/UNI -/UNI 30 NEU Baschi - Wenn dWält 1986 -/UNI 31 NEU Clean Bandit feat. Demi Lovato - Solo -/WMS Kygo feat. Miguel 32 24 2W Selena Gomez - Back To You -/UNI 7 Remind Me To Forget 33 31 23W Nico Santos - Rooftop -/UNI 210W 34 33 17W Zedd / Maren Morris / Grey - The Middle -/UNI -/SME 35 32 11W Maître Gims avec Vianney - La même -/SME 36 37 3W Shaw n Mendes feat. Khalid - Youth -/UNI Pietro Lombardi 37 36 41W Camila Cabello feat. Young Thug - Havana -/SME 8 Phänomenal 38 50 10W Lartiste feat. Caroliina - Mafiosa -/UNI NEU -/UNI 39 66 21W Kalash feat. Damso - Mw aka Moon -/UNI 40 38 22W Lost Frequencies & Zonderling - Crazy -/KNM 41 NEU BTS - Fake Love -/ORC Nicky Jam x J Balvin 42 42 36W Post Malone feat. -
Christina Aguilera Unveils Music Video for “Fall in Line” Feat
CHRISTINA AGUILERA UNVEILS MUSIC VIDEO FOR “FALL IN LINE” FEAT. DEMI LOVATO TODAY—CLICK HERE TO WATCH (Los Angeles, CA)—Today, global superstar Christina Aguilera unveils the music video for her recently released track “Fall In Line” feat. Demi Lovato, which was directed by Luke Gilford. This past weekend, Christina Aguilera and Demi Lovato performed the world television debut of the song together on the 2018 Billboard Music Awards. USA Today said they “lit up the stage with some of the strongest vocals of the night,” Billboard called the performance an “explosive duet battle,” and Vogue stated that they were “a joined force to be reckoned with.” “Fall in Line” feat. Demi Lovato, along with previously released “Twice” and “Accelerate” feat. Ty Dolla $ign and 2 Chainz will be included on Christina’s upcoming 6th studio album Liberation, which will be released on June 15th via RCA Records and is available for pre- order now. Fans who pre-order the album will also receive all three tracks as instant-grats. Click HERE to watch Additionally, Christina Aguilera announced that XNDA and critically acclaimed rapper GoldLink will be featured on her forthcoming album. XNDA will be featured on “Pipe” and GoldLink will be featured on “Like I Do.” See full track listing for Liberation below. Liberation Track Listing: 1. Liberation 2. Searching For Maria 3. Maria 4. Sick Of Sittin’ 5. Dreamers 6. Fall In Line feat. Demi Lovato 7. Right Moves feat. Keida & Shenseea 8. Like I Do feat. GoldLink 9. Deserve 10. Twice 11. I Don’t Need It Anymore (Interlude) 12. -
5 Blue Note Jazz Festival Shows You Shouldn't Miss
5 Blue Note Jazz Festival Shows You Shouldn’t Miss By Elizabeth Bougerol May 10, 2011 We’re a little more than two weeks away from the kick-off of the inaugural Blue Note Jazz Festival, the month long event marking the 30th anniversary of the storied venue. More than 80 artists — including some, like Lee Konitz, who have been Blue Note regulars since the club opened — will be performing at venues all over the city, but naturally, we have some favorites. Here’s our take on five shows you shouldn’t miss: McCoy Tyner Trio+ Special Guest Savion Glover, June 1, Highline Ballroom (2 shows) Grammy-stockpiling ivory-tinkler McCoy Tyner is joined by Tony-reaping choreographer/modern day tap-hoofer Savion Glover. Their work together tends to whip audiences into a froth, so it’s no surprise they open the festival, joined by the rest of the McCoy Tyner Trio. Tickets are $75, available here. Brian Wilson Reimagines Gershwin, June 11-13, Highline Ballroom The batty Beach Boy will perform his 2010 standards album, Brian Wilson Reimagines Gershwin, in its entirety along with Beach Boys and solo selections, before heading off on lengthy tours through Canada and Europe. Tickets are $125, available here. Dave Brubeck, June 13, Blue Note Do you have any idea how long piano kingpin Dave Brubeck has been playing jazz? Here’s one hint: Almost everyone he’s played with is dead. And another: He celebrated the 50th --50th!-- anniversary of his iconic album Time Out in 2009. And yet the master of the odd time signature can’t stop gigging. -
Goin' on a Picnic Song #3: Be a Ladybug!
Song 2: Goin’ on a Picnic Everybody gather ‘round! Gonna have a picnic on the ground. You can bet I’ll be their guest. That’s ‘cause I’m a picnic pest! Picnic! C’mon let’s have a picnic! With lots of food that’s fun to eat, Goin’ on a picnic can’t be beat! Picnic! C’mon let’s have a picnic! With lots of food that’s fun to eat, Goin’ on a picnic can’t be beat! Let’s all do a picnic dance. What’s a picnic without ants? All you have to do is chew, at the outdoor barbecue! Picnic! C’mon let’s have a picnic! With lots of food that’s fun to eat, Goin’ on a picnic can’t be beat! Picnic! C’mon let’s have a picnic! With lots of food that’s fun to eat, Goin’ on a picnic can’t be beat! Come on bugs, now gather ‘round! Gonna cut a rug here on the ground. Swing that partner that you’ve found. Buzz around with a picnic sound! Bzzzz! Bzzzz! Bzzzz! Bzzzz! Bzzzz! Bzzzz! Bzzzz! Bzzzz! Bzzzz! Picnic! C’mon let’s have a picnic! With lots of food that’s fun to eat, Goin’ on a picnic can’t be beat! Picnic! C’mon let’s have a picnic! With lots of food that’s fun to eat, Goin’ on a picnic can’t be beat! Mmmm! That’s good! Song #3: Be a Ladybug! If someone treats you rough, and life is kind of tough, you think you’ve had enough but be a ladybug! If someone isn’t kind and friends are hard to find you just say never mind and be a ladybug! Be a ladybug! Whoa, oh, oh, be a ladybug! Whoa, oh, oh, be a ladybug! That’s what I am! If someone isn’t nice their hearts as cold as ice, well just take my advice and be a ladybug! If someone hurts your pride you’d like to run and hide. -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Vocal Techniques for the Instrumentalist
Kansas State University Libraries New Prairie Press NPP eBooks Monographs 2018 Vocal Techniques for the Instrumentalist Amy Rosine Kansas State University, [email protected] Follow this and additional works at: https://newprairiepress.org/ebooks Part of the Higher Education Commons, Music Education Commons, and the Other Music Commons This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. Recommended Citation Rosine, Amy, "Vocal Techniques for the Instrumentalist" (2018). NPP eBooks. 25. https://newprairiepress.org/ebooks/25 This Book is brought to you for free and open access by the Monographs at New Prairie Press. It has been accepted for inclusion in NPP eBooks by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. VOCAL TECHNIQUES FOR THE INSTRUMENTALIST Amy Rosine, D.M.A. 2nd Edition Copyright © 2018 Amy Rosine New Prairie Press Kansas State University Libraries Manhattan, Kansas Cover design by Kansas State University Libraries Background image courtesy of 1014404 Electronic edition available online at http://newprairiepress.org/ebooks/ This work is licensed under a Creative Commons Attribution-NonCommerical-ShareAlike License https://creativecommons.org/licenses/by-nc-sa/4.0/ ISBN-13: 978-1-944548-19-3 Contents Introduction 2 Chapter 1 Why are you here? 3 Chapter 2 Healthy Singing 6 Chapter 3 Motivation 9 Chapter 4 Learning and Performing Vocal Music 11 Chapter 5 Respiration 13 Chapter 6 Phonation 15 Chapter 7 Voice Range 19 Chapter 8 Resonance 22 Chapter 9 Articulation 26 Bibliography 34 Appendix A Vocal Exercises i Appendix B Practice Log ii Appendix C Glossary iii Appendix D Italian IPA iv About the Author Vocal techniques for the instrumentalist 1 Introduction Heathy vocal production is necessary for everyone in the teaching field.