Translations from Armenian Into English, 1991 to Date a Study by Next Page Foundation in the Framework of the Book Platform Project
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Aran [Caucasian Albania], Azerbaijan Crime and Expansionism
Էդիկ Բաղդասարյան (Էդ. Գերմանիկ) Աղվանք, Ադրբեջան Ոճրագործություն Aran եւ Ծավալապաշտություն [Caucasian Albania], (Անգլերեն) Azerbaijan Crime اران، آذرﺑﺎﻳﺠﺎن and ﺟﻨﺎﻳﺖ و ﺗﻮﺳﻌﻪ ﻃﻠﺒﻲ Expansionism ﺧﻼﺻﻪ اي از ﺗﺎرﻳﺦ اران و ﺳﺮﻧﻮﺷﺖ ﺷﻮم آن (ﺑﻪ زﺑﺎن اﻧﮕﻠﻴﺴﻲ) ﺗﺎﻟﻴﻒ: ادﻳﻚ ﺑﺎﻏﺪاﺳﺎرﻳﺎن (ا. ﮔﺮﻣﺎﻧﻴﻚ) By ISBN: 978-1-927860-42-7 Edic Baghdasarian WWW.Edic-Baghdasarian.com (Ed. Germanic) 1 Caucasian Albania, Azerbaijan Expansionism and Crime By Edic Baghdasarian 2016 Toronto - Canada ISBN: 978-1-927860-42-7 Edic Baghdasarian Caucasian Albania, Azerbaijan-Expansionism and Crime 2 Edic Baghdasarian Caucasian Albania, Azerbaijan-Expansionism and Crime 3 Table of Contents FOREWORD .................................................................................................................... 5 HISTORICAL SOURCES ............................................................................................... 6 1. ARMENIAN SOURCES: .......................................................................................... 6 2. GREEK AND LATIN SOURCES: ............................................................................. 7 3. ARABIC SOURCES, AND OTHER SOURCES ............................................................ 8 THE ARANIANS OR INHABITANTS OF ARAN ..................................................... 10 THE CONCISE HISTORY OF ALBANIA .................................................................. 13 GEOGRAPHICAL BORDERS OF ALBANIA ........................................................... 16 NATIVE PEOPLE OF ALBANIA ............................................................................... -
Tall Armenian Tales: a Guide to the “Art” of Heritage Thievery KAMRAN IMANOV * Tall Armenian Tales: a Guide to the “Art” of Heritage Thievery
KAMRAN IMANOV Tall Armenian Tales: a Guide to the “Art” of Heritage Thievery KAMRAN IMANOV * Tall Armenian Tales: a Guide to the “Art” of Heritage Thievery The book - “Tall Armenian Tales”, presented to the reader’s attention, consists of two thematic sections. Chapter I, entitled “I came, I saw, I... stole”, is about the misappropriation and armenization of intellectual property of the Azerbaijani people, intellectual plagiarism of the Azerbaijani folklore, dastans (epics) and other epic works, the desire to seize the Azerbaijani bayati (Azerbaijani folk poems), proverbs and sayings. The book also narrates about the “armenization” of tales, anecdotes, music and other samples of folk genre. What is the common of these various manifestations of Armenian plagiary shown in the chapter “I came, I saw, ..., I stole”? The fact is that, firstly, these “tales” do not have an Armenian origin, but only an Armenian presentation. These tales are alien to the Armenian people; in addition, these are the same “anecdotes” in allegorical meaning of this term in the form of absurdities - false statements shown in Chapter II - “The Theatre of Absurd.” PREFACE .............................................................................................. 6 CHAPTER I. “I came, I saw,.. .1 stole”: about the Armenian tradition of misappropriation of the Azerbaijani cultural heritage ............................................................... 8 §1. “I c a m e , w h i c h briefly tells about the mass settlement of the Armenians in the South Caucasus .............................. 9 2 TABLE OF CONTENTS §2. I s a w , w h i c h relates about what Armenians experienced in the South Caucasus .................................................................................... 14 §3. I stole”, which relates about the origins of the Armenian plagiarism ............................................................................................................. -
Publications 1427998433.Pdf
THE CHURCH OF ARMENIA HISTORIOGRAPHY THEOLOGY ECCLESIOLOGY HISTORY ETHNOGRAPHY By Father Zaven Arzoumanian, PhD Columbia University Publication of the Western Diocese of the Armenian Church 2014 Cover painting by Hakob Gasparian 2 During the Pontificate of HIS HOLINESS KAREKIN II Supreme Patriarch and Catholicos of All Armenians By the Order of His Eminence ARCHBISHOP HOVNAN DERDERIAN Primate of the Western Diocese Of the Armenian Church of North America 3 To The Mgrublians And The Arzoumanians With Gratitude This publication sponsored by funds from family and friends on the occasion of the author’s birthday Special thanks to Yeretsgin Joyce Arzoumanian for her valuable assistance 4 To Archpriest Fr. Dr. Zaven Arzoumanian A merited Armenian clergyman Beloved Der Hayr, Your selfless pastoral service has become a beacon in the life of the Armenian Apostolic Church. Blessed are you for your sacrificial spirit and enduring love that you have so willfully offered for the betterment of the faithful community. You have shared the sacred vision of our Church fathers through your masterful and captivating writings. Your newest book titled “The Church of Armenia” offers the reader a complete historiographical, theological, ecclesiological, historical and ethnographical overview of the Armenian Apostolic Church. We pray to the Almighty God to grant you a long and a healthy life in order that you may continue to enrich the lives of the flock of Christ with renewed zeal and dedication. Prayerfully, Archbishop Hovnan Derderian Primate March 5, 2014 Burbank 5 PREFACE Specialized and diversified studies are included in this book from historiography to theology, and from ecclesiology to ethno- graphy, most of them little known to the public. -
Armenian State Chamber Choir
Saturday, April 14, 2018, 8pm First Congregational Church, Berkeley A rm e ni a n State C h am b e r Ch oir PROGRAM Mesro p Ma s h tots (362– 4 40) ༳ཱུའཱུཪཱི འཻའེཪ ྃཷ I Knee l Be for e Yo u ( A hym n f or Le nt) Grikor N ar e k a tsi ( 9 51–1 0 03) གའཽཷཱཱྀུ The Bird (A hymn for Easter) TheThe Bird BirdBir d (A (A(A hymn hymnhym forn for f oEaster) rEaster) East er ) The Bird (A hymn for Easter) K Kom itas (1869–1 935) ཏཷཱྀཿཡ, ོཷཱྀཿཡ K K K Holy, H oly གའཿོའཱུཤའཱུ ཤཿརཤཿ (ཉའཿ ༳) Rustic Weddin g Son g s (Su it e A , 1899 –1 90 1) ༷ཿཱུཪྀ , རཤཾཱུཪྀ , P Prayer r ayer ཆཤཿཪ ེའཱུ འཫའཫ 7KH%UL The B ri de’s Farewell ༻འརཽཷཿཪ ཱིཤཿ , ལཷཛཱྀོ འཿཪ To the B ride g room ’s Mo th er ༻འརཽཷཿ ཡའཿཷཽ 7KH%ULGH The Bridegroom’s Blessing ཱུ༹ ལཪཥའཱུ , BanterB an te r ༳ཱཻུཤཱི ཤཿཨའཱི ཪཱི ུའཿཧ , D ance ༷ཛཫ, ཤཛཫ Rise Up ! (1899 –190 1 ) གཷཛཽ འཿཤྃ ོའཿཤཛྷཿ ེའཱུ , O Mountain s , Brin g Bree z e (1913 –1 4) ༾ཷཻཷཱྀ རཷཱྀཨའཱུཤཿར Plowing Song of Lor i (1902 –0 6) ༵འཿཷཱཱྀུ Spring Song(190 2for, P oAtheneem by Ho vh annes Hovh anisyan) Song for Athene Song for Athene A John T a ve n er (19 44–2 013) ThreeSongSong forfSacredor AtheneAth Hymnsene A Three Sacred Hymns A Three Sacred Hymns A Three Sacred Hymns A Alfred Schn it tke (1 934–1 998) ThreeThree SacredSacred Hymns H ymn s Богородиц е Д ево, ра д уйся, Hail to th e V irgin M ary Господ и поми луй, Lord, Ha ve Mercy MissaОтч Memoriaе Наш, L ord’s Pra yer MissaK Memoria INTERMISSION MissaK Memoria Missa Memoria K K Lullaby (from T Lullaby (from T Sure on This Shining Night (Poem by James Agee) Lullaby (from T SureLullaby on This(from Shining T Night (Poem by James Agee) R ArmenianLullaby (from Folk TTunes R ArmenianSure on This Folk Shining Tunes Night (Poem by James Agee) Sure on This Shining Night (Poem by James Agee) R Armenian Folk Tunes R Armenian Folk Tunes The Bird (A hymn for Easter) K Song for Athene A Three Sacred Hymns PROGRAM David Haladjian (b. -
Collector Coins of the Republic of Armenia 2012
CENTRAL BANK OF THE REPUBLIC OF ARMENIA OF THE REPUBLIC OF ARMENIA 2012 YEREVAN 2013 Arthur Javadyan Chairman of the Central Bank of Armenia Dear reader The annual journal "Collector Coins of the Republic of Armenia 2012" presents the collector coins issued by the Central Bank of Armenia in 2012 on occasion of important celebrations and events of the year. 4 The year 2012 was full of landmark events at both international and local levels. Armenia's capital Yerevan was proclaimed the 12th International Book 2012 Capital, and in the timespan from April 22, 2012 to April 22, 2013 large-scale measures and festivities were held not only in Armenia but also abroad. The book festival got together the world's writers, publishers, librarians, book traders and, in general, booklovers everywhere. The year saw a great diversity of events which were held in cooperation with other countries. Those events included book exhibitions, international fairs, contests ("Best Collector Coins CENTRAL BANK OF THE REPUBLIC OF ARMENIA Literary Work", "Best Thematic Posters"), a variety of projects ("Give-A-Book Day"), workshops, and film premieres. The Central Bank of Armenia celebrated the book festival by issuing the collector coin "500th Anniversary of Armenian Book Printing". In 2012, the 20th anniversaries of formation of Armenian Army and liberation of Shushi were celebrated with great enthusiasm. On this occasion, the Central Bank of Armenia issued the gold and silver coins "20th Anniversary of Formation of Armenian Army" and the gold coin "20th Anniversary of Liberation of Shushi". The 20th anniversary of signing Collective Security Treaty and the 10 years of the Organization of Treaty were celebrated by issuing a collector coin dedicated to those landmark events. -
Museums and Written Communication
Museums and Written Communication Museums and Written Communication: Tradition and Innovation Edited by Nick Winterbotham and Ani Avagyan Museums and Written Communication: Tradition and Innovation Edited by Nick Winterbotham and Ani Avagyan This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Nick Winterbotham, Ani Avagyan and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0755-6 ISBN (13): 978-1-5275-0755-5 TABLE OF CONTENTS Acknowledgements ................................................................................... viii Foreword ........................................................................................................ x Writing and Book within the General Context of the Museum: Speculations on the Problem of the Symposium ................................... 1 Hripsime Pikichian More or Less ................................................................................................ 13 Theodorus Meereboer A Civilisation in Museum Space: Some Theoretical Approaches ... 36 Albert Stepanyan Overcome Your Fears and Start Writing for an Online Community ................................................................................................. -
Saint Gayane Church
Masarykova univerzita Filozofická fakulta Seminář dějin umění Saint Gayane Church Bakalárska diplomová práca Autor: Michaela Baraničová Vedúci práce: prof. Ivan Foletti, MA, Docteur es Lettres Brno 2020 ii Prehlasujem, že som svoju bakalársku diplomovú prácu vypracovala samostatne a uviedla všetkú použitú literatúru a pramene. .............................................................. Podpis autora práce iii iv On the ancient peak of Ararat The centuries have come like seconds, And passed on. The swords of innumerable lightnings Have broken upon its diamond crest, And passed on. The eyes of generations dreading death Have glanced at its luminuos summit, And passed on. The turn is now yours for a brief while: You, too, look at its lofty brow, And pass on! Avetik Isahakyan, “Mount Ararat”, in Selected Works: Poetry and Prose, ed. M. Kudian, Moscow 1976. v vi My first sincere thanks belong to my thesis’ supervisor, prof. Ivan Foletti, for his observations, talks and patience during this time. Especially, I would like to thank him for introducing me to the art of Caucasus and giving me the opportunity to travel to Armenia for studies, where I spent five exciting months. I would like to thank teachers from Yerevan State Academy of Arts, namely to Gayane Poghosyan and Ani Yenokyan, who were always very kind and helped me with better access of certain Armenian literature. My gratitude also belongs to my friends Susan and colleagues, notably to Veronika, who was with me in Armenia and made the whole experience more entertaining. To Khajag, who helped me with translation of Armenian texts and motivating me during the whole process. It´s hard to express thanks to my amazing parents, who are constantly supporting me in every step of my studies and life, but let me just say: Thank you! vii viii Content Introduction.........................................................................1 I. -
John Mamikonean's History of Taron
John Mamikonean's History of Taron Translator's Preface Among classical Armenian sources, the History of Taron attributed to the otherwise unknown Yovhannes (John) Mamikonean, is a peculiar work. The author of this medieval romance claims to have compiled it in 680-81 from shorter, earlier accounts written by the abbots of the monastery of Glak in the district of Taron (in southwestern historical Armenia, to the west of Lake Van). Actually, scholars are convinced that the work is an original composition of a later period (post-eighth century), written as a deliberate forgery. The History of Taron, despite its name, is not a history. Rather, it is a relatively short "historical" romance in five parts, purporting to describe significant events occurring in the district of Taron during the Byzantine-Iranian wars when the shah of Iran was Xosrov II (590-628). During Xosrov's reign Taron was frequently invaded by the Iranians. The History describes the actions of five generations of Mamikoneans (Taron's princely house), in defending and avenging the district. Each section or cycle of the story is devoted to the exploits of one of the defenders: Mushegh, Vahan, Smbat, his son Vahan Kamsarakan, and the latter's son Tiran. The heroes are at times superhumanly brave or duplicitous, wise or cunning, humble or bombastic, humane or brutally merciless as the situation requires. Above all, they are the holy warriors of St. Karapet (their patron saint), and they zealously defend the monastery of Glak as well as all the churches and Christians in the district. Much of the narration describes battles fought and the cunning tactics used by the Taronites to defeat the invading Iranians. -
An Historical Evaluation of the Covenants of the Prophet Muḥammad and 'Alī Ibn Abī Ṭālib in the Matenadaran "2279
religions Article An Historical Evaluation of the Covenants of the Prophet † Muh. ammad and ‘Alı¯ ibn Abı¯ T. alib¯ in the Matenadaran Gayane Mkrtumyan Faculty of Oriental Studies, Yerevan State University, Yerevan 0025, Armenia; [email protected] † I would like to thank Prof. Ibrahim Zein and Mr. Ahmed El-Wakil for their kind assistance in finalizing this article. Abstract: This article analyzes the manuscripts in the Matenadaran in Yerevan, Armenia that are ascribed to the Prophet Muh. ammad and ‘Al¯ı ibn Ab¯ı T. alib¯ and their translations into Farsi and Armenian. These important manuscripts have until now been neglected by scholars, and so we will here provide a general overview of them and how they were received by the Armenian Apostolic Church. I herein demonstrate how these documents were recognized by Muslim authorities, shedding light on how Muslim rulers managed the affairs of their Christian subjects. These documents, it would seem, also influenced the decrees of Muslim rulers to the Armenian Apostolic Church. Keywords: covenant; Prophet Muhammad; Ali ibn Abi Talib; Matenadaran; Armenia; Armenian Apostolic Church 1. Introduction Citation: Mkrtumyan, Gayane. 2021. The Matenadaran, which is officially known as the Mesrop Mashtots Institute of An Historical Evaluation of the Ancient Manuscripts, is the world’s largest repository of Armenian manuscripts. Situated Covenants of the Prophet in Yerevan, the capital of Armenia, the Matenadaran was established in 1959 CE during Muhammad and ‘Al¯ı ibn Ab¯ı Talib¯ in . the Soviet era, having incorporated the collection of manuscripts that was held by the the Matenadaran . Religions 12: 138. Armenian Church in Etchmiadzin. -
The Reform of Higher Education Systems and the Concept of Lifelong Learning
The Reform of Higher Education Systems and the Concept of Lifelong Learning A comparative study of German and Armenian universities in the Bologna Process Dissertation zur Erlangung des akademischen Grades doctor philosophiae (Dr. phil.) vorgelegt dem Rat der Fakult¨at f¨ur Sozial- und Verhaltenswissenschaften der Friedrich-Schiller-Universit¨at Jena von Hasmik Hunanyan geboren am 21.04.1977 in Jerewan, Armenien Gutachter 1. Prof. Dr. Martha Friedenthal-Haase 2. Prof. Dr. Elisabeth Meilhammer Tag des Kolloquiums: 12.11.2010 Contents TitlePage.................................... i TableofContents................................ iii ListofFigures.................................. vii Acknowledgments................................ viii 1 Introduction 1 1.1 ResearchTopic .............................. 1 1.2 ResearchApproach ............................ 11 1.3 RelevancetoResearchandPractice . 13 1.4 StructureoftheThesis .......................... 16 2 Methodology 18 2.1 ResearchDesign.............................. 18 2.2 Cross-CountryComparison. 19 2.3 Selection of Cases for the Cross-Country Comparison . .. 25 2.4 Interview as a Method of Qualitative Research . 28 2.4.1 Purposesofinterviews . .. .. 28 2.4.2 The type of the interviews conducted . 30 2.4.3 Selection of interviewees . 34 2.4.4 Reflexions on the limitations of interviews as research method 35 2.5 The Case-Oriented Comparative Research Scheme . 36 3 The Bologna Process 40 3.1 Introduction................................ 40 iii Contents iv 3.2 MagnaChartaUniversitatum . 41 3.3 SorbonneDeclaration(1998). 43 3.4 BolognaDeclaration(1999) . 49 3.5 Lisbon, Salamanca, G¨oteborg, or other cities that matter . .... 53 3.6 PragueCommuniqu´e(2001) . 60 3.7 BerlinCommuniqu´e(2003). 62 3.8 BergenCommuniqu´e(2005) . 68 3.9 LondonCommuniqu´e(2007) . 73 3.10 Leuven/Louvain–la–Neuve Communiqu´e(2009) . 76 3.11Conclusions ................................ 80 4 The German System of Higher Education 85 4.1 HistoricalContext ........................... -
Armenian Printers
The Armenian Weekly WWW.ARMENIANWEEKLY.COM SEPTEMBER 1, 2012 The Armenian Weekly SEPTEMBER 1, 2012 CONTENTS Contributors Armenian medieval Armenian Printing in 2 13 Historians in Print: 25America (1857–1912) 500 Years: A Celebration Three Centuries of —By Teotig, 3 of Ink and Paper and Glue Scholarship across Translated and Edited —By Chris Bohjalian Three Continents by Vartan Matiossian —By Ara Sanjian Talk to Me A World History 5 —By Kristi Rendahl Celebrating 500 Years 28of Armenian Printers of Armenian Printing —By Artsvi “Wings on Their Feet and 22 —By Lilly Torosyan Bakhchinyan 7 on their Heads: Reflections on Port Armenians and The First Historian of Five Centuries of Global 24Armenian Printing Armenian Print Culture” —By Vartan Matiossian —By Sebouh D. Aslanian Editor: Khatchig Mouradian The Armenian Weekly Copy-editor: Nayiri Arzoumanian CONTRIBUTORS Art Director: Gina Poirier Sebouh David Aslanian was born in Ethiopia and Born in Montevideo (Uruguay) and long-time resi- received his Ph.D. (with distinction) from Columbia dent of Buenos Aires (Argentina), Dr. Vartan University in 2007. He holds the Richard Hovannisian Matiossian is a historian, literary scholar, translator Endowed Chair of Modern Armenian history at the and educator living in New Jersey. He has published department of history at UCLA. His recently published six books on Armenian history and literature. He is From the Indian Ocean to the Mediterranean: The currently the executive director of the Armenian Global Trade Networks of Armenian Merchants from New Julfa National Education Committee in New York and book review editor (Berkeley: University of California Press, 2011) was the recipient of of Armenian Review. -
Armenia, a La Sombra Del Monte Ararat Yerevan - Garní – Valle Ararat - Noravank - Areni - Ashtarak - Dilijan - Lago Sevan - Echmiadzin
ARMENIA ARMENIA, A LA SOMBRA DEL MONTE ARARAT YEREVAN - GARNÍ – VALLE ARARAT - NORAVANK - ARENI - ASHTARAK - DILIJAN - LAGO SEVAN - ECHMIADZIN 9 días / 7 noches junio - octubre'21 Desde 648€ DÍA 1. ORIGEN – YEREVÁN Llegada al aeropuerto, traslado a Yereván y alojamiento en el hotel. DÍA 2. YEREVÁN - MATENADARAN Desayuno. Yereván, una de las ciudades más antiguas del mundo, fue fundada en 782 aC. Vamos a ver la majestuosa Catedral de San Gregorio el Iluminado, la Plaza de la República, la calle histórica de Abovián, la Cascada con el museo de la Escultura en el aire libre. Visitaremos el Complejo Memorial de Tsitsernakaberd, dedicado a las víctimas del Genocidio Armenio. Las hermosas vistas panorámicas de Yereván se abrirán desde la plataforma de observación cerca del Monumento de Madre Armenia en el Parque de la Victoria. También iremos por las avenidas de Mesrop Mashtots y Marshal Bagramián. Almuerzo en un restaurante. Tendremos la oportunidad de visitar el mercado colorido de Vernisage y un mercado tradicional armenio. Luego la visita a Matenadaran- museo único donde se guardan más de 18,000 manuscriptos antiguos. Visita de la fábrica de Brandy ARARAT con degustación de diferentes tipos de coñac. Por la noche, nos espera la cena en uno de los mejores restaurantes tradicionales con música folclórica. DÍA 3. MONASTERIO DE GEGHARD - GARNI Desayuno. Hoy visitaremos el monasterio escavado en la roca, Geghard. El monasterio fue fundado en eI siglo I por el apóstol Tadeo, quien trajo a Armenia la Lanza Sagrada. En el siglo XIII, las Iglesias de las cuevas fueron escavadas por el arquitecto Galdzak.