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Hearing Nostalgia in the Twilight Zone
JPTV 6 (1) pp. 59–80 Intellect Limited 2018 Journal of Popular Television Volume 6 Number 1 © 2018 Intellect Ltd Article. English language. doi: 10.1386/jptv.6.1.59_1 Reba A. Wissner Montclair State University No time like the past: Hearing nostalgia in The Twilight Zone Abstract Keywords One of Rod Serling’s favourite topics of exploration in The Twilight Zone (1959–64) Twilight Zone is nostalgia, which pervaded many of the episodes of the series. Although Serling Rod Serling himself often looked back upon the past wishing to regain it, he did, however, under- nostalgia stand that we often see things looking back that were not there and that the past is CBS often idealized. Like Serling, many ageing characters in The Twilight Zone often sentimentality look back or travel to the past to reclaim what they had lost. While this is a perva- stock music sive theme in the plots, in these episodes the music which accompanies the scores depict the reality of the past, showing that it is not as wonderful as the charac- ter imagined. Often, music from these various situations is reused within the same context, allowing for a stock music collection of music of nostalgia from the series. This article discusses the music of nostalgia in The Twilight Zone and the ways in which the music depicts the reality of the harshness of the past. By feeding into their own longing for the reclamation of the past, the writers and composers of these episodes remind us that what we remember is not always what was there. -
Charles Middleton (Actor) Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Charles Middleton (actor) 电影 串行 (大全) Breach of Promise https://zh.listvote.com/lists/film/movies/breach-of-promise-27959553/actors The Strange Love of https://zh.listvote.com/lists/film/movies/the-strange-love-of-molly-louvain-7766912/actors Molly Louvain Allegheny Uprising https://zh.listvote.com/lists/film/movies/allegheny-uprising-2666095/actors Massacre https://zh.listvote.com/lists/film/movies/massacre-3297407/actors Ramona https://zh.listvote.com/lists/film/movies/ramona-3418551/actors Rockabye https://zh.listvote.com/lists/film/movies/rockabye-2618024/actors Beau Hunks https://zh.listvote.com/lists/film/movies/beau-hunks-1660717/actors The Last Train from https://zh.listvote.com/lists/film/movies/the-last-train-from-madrid-3222191/actors Madrid The Phantom President https://zh.listvote.com/lists/film/movies/the-phantom-president-7756843/actors The Flying Deuces https://zh.listvote.com/lists/film/movies/the-flying-deuces-1167731/actors The Fixer Uppers https://zh.listvote.com/lists/film/movies/the-fixer-uppers-374708/actors Safe in Hell https://zh.listvote.com/lists/film/movies/safe-in-hell-1766137/actors Daredevils of the Red https://zh.listvote.com/lists/film/movies/daredevils-of-the-red-circle-3235868/actors Circle Station West https://zh.listvote.com/lists/film/movies/station-west-3207463/actors The Shepherd of the https://zh.listvote.com/lists/film/movies/the-shepherd-of-the-hills-2515645/actors Hills Blackmail https://zh.listvote.com/lists/film/movies/blackmail-4923129/actors A House Divided https://zh.listvote.com/lists/film/movies/a-house-divided-4657413/actors -
Brokeback and Outback
[CINEMA] ROKEBACK AND OUTBACK BRIAN MCFARLANE WELCOMES THE LATEST COMEBACK OF THE WESTERN IN TWO DISPARATE GUISES FROM time to time someone pronounces 'The Western is dead.' Most often, the only appropriate reply is 'Long live the Western!' for in the cinema's history of more than a century no genre has shown greater longevity or resilience. If it was not present at the birth of the movies, it was there shortly after the midwife left and, every time it has seemed headed for the doldrums, for instance in the late 1930s or the 1960s, someone—such as John Ford with Stagecoach (1939) or Sergio Leone and, later, Clint Eastwood—comes along and rescues it for art as well as box office. Western film historian and scholar Edward Buscombe, writing in The BFI Companion to the Western in 1988, not a prolific period for the Western, wrote: 'So far the genre has always managed to renew itself ... The Western may surprise us yet.' And so it is currently doing on our screens in two major inflections of the genre: the Australian/UK co-production, John Hillcoat's The Proposition, set in [65] BRIAN MCFARLANE outback Australia in the 1880s; and the US film, Ang Lee's Brokeback Mountain, set largely in Wyoming in 1963, lurching forwards to the 1980s. It was ever a char acteristic of the Western, and a truism of writing about it, that it reflected more about its time of production than of the period in which it was set, that it was a matter of America dreaming about its agrarian past. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Mcfarlane SAYS CABINET KNEW WHAT WAS GOING ON
Uiaitrltpalpr) Manchester — A City o( Village Charm HpralJ) Saturday. Jan. 17,1987 30 Cents McFARLANE SAYS CABINET KNEW WHAT WAS GOING ON WASHINGTON (AP) - Former na simpty trading U.S. arms for the release advised against it, and that there was no decision was taken. tional security adviser Rotert C. of Americans held hostage in Lebanon. "no ambiguity or misunderstanding "I’m not chalienging him,” Shultz McFarlane toid Congress Friday that McFarlane said Reagan acted to among them of the nature pf the said. "I’m Just saying I have lots of SecreUry of State George P. Shultz and authorize the contacts with Iran in decision.” notes. I sort of habitually did that. Secretary of Defense Caspar W. Wein midsummer 198S only after he and his Shultz, however, told reporters late Maybe I’m missing something or berger "knew what was going on" advisers became convinced that despite Friday that he could not recall being told missed something. But I don’t have any during the decision to san(^on arms obvious risks, any other course would be during the summer of 1985 that Reagan note about being formally notified of a sates as part of a bid to forge ties with "a cop-out” given Iran’s important had approved Israeli arms shipments to presidential decision.” moderates in Iran. strate^c position to both the United Iran. Shultz said the first, fuli-scaie formal McFarlane also said President Rea States and the Soviet Union. In fact, Shultz said he attended a meeting to discuss weapons shipments gan was warned "very emphaticatly” He said that Shuitzand other Cabinet meeting that August with Reagan and to Iran was not held until that by his advisers that if the dealings officers were fuliy involved in the McFarlane in which the issue was bMame public, it would took tike he was original decision, even though they discussed, and he had "the impression” 'Tam to page S Hawk gains its freedom John Spaulding, animal curator at the Lutz Children’s Museum, coaxes an injured redtail hawk to use its wings in prepara tion for the bird’s release at sunrise today. -
Moab Area Movie Locations Auto Tours – Discovermoab.Com - 8/21/01 Page 1
Moab Area Movie Locations Auto Tours – discovermoab.com - 8/21/01 Page 1 Moab Area Movie Locations Auto Tours Discovermoab.com Internet Brochure Series Moab Area Travel Council The Moab area has been a filming location since 1949. Enjoy this guide as a glimpse of Moab's movie past as you tour some of the most spectacular scenery in the world. All movie locations are accessible with a two-wheel drive vehicle. Locations are marked with numbered posts except for locations at Dead Horse Point State Park and Canyonlands and Arches National Parks. Movie locations on private lands are included with the landowner’s permission. Please respect the land and location sites by staying on existing roads. MOVIE LOCATIONS FEATURED IN THIS GUIDE Movie Description Map ID 1949 Wagon Master - Argosy Pictures The story of the Hole-in-the-Rock pioneers who Director: John Ford hire Johnson and Carey as wagonmasters to lead 2-F, 2-G, 2-I, Starring: Ben Johnson, Joanne Dru, Harry Carey, Jr., them to the San Juan River country 2-J, 2-K Ward Bond. 1950 Rio Grande - Republic Reunion of a family 15 years after the Civil War. Directors: John Ford & Merian C. Cooper Ridding the Fort from Indian threats involves 2-B, 2-C, 2- Starring: John Wayne, Maureen O'Hara, Ben Johnson, fighting with Indians and recovery of cavalry L Harry Carey, Jr. children from a Mexican Pueblo. 1953 Taza, Son of Cochise - Universal International 3-E Starring: Rock Hudson, Barbara Rush 1958 Warlock - 20th Century Fox The city of Warlock is terrorized by a group of Starring: Richard Widmark, Henry Fonda, Anthony cowboys. -
Made in America: Exploring the Hollywood Western Red River (1948) – Introductory Lecture
MADE IN AMERICA: EXPLORING THE HOLLYWOOD WESTERN RED RIVER (1948) – INTRODUCTORY LECTURE TRANSCRIPT Introductory Lecture: Red River (1948) Welcome to the Western. I’m glad you can be here today. Red River (1948) is a 1948 Western film produced by Howard Hawks and starring John Wayne and Montgomery Clift. The film’s supporting cast features Walter Brennan, Joanne Dru, Colleen Gray, Harry Carey, John Ireland, Hank Worden, Noah Beery, Jr., Harry Carey Jr., and Paul Fix. The screenplay was based on Borden Chase’s original story which was first serialized in The Saturday Evening Post in 1946 as “Blazing Guns on the Chisholm Trail.” The movie’s ending differs from that of the original story. In Chase’s Saturday Evening Post’s story, Cherry Valance shoots Tom Dunson dead in Abilene and Matt takes his body back to Texas to be buried on the ranch. Red River cost an estimated $3 million to make it did very well at the box office. In 1948, it grossed $5 and a half million domestically and worldwide it made over $9 million. It was a very, very popular movie. The film is also an art movie. It was nominated for Academy Awards for Best Film Editing by Christian Nyby and Best Writing Motion Picture Story by Borden Chase. John Ford was so impressed with John Wayne’s performance in Red River that he is reported to have said I didn’t know the big son of a bitch could act. In June 2008, the American Film Institute listed Red River as the fifth best film in the Western genre. -
Monday 25 July 2016, London. Ahead of Kirk Douglas' 100Th Birthday This
Monday 25 July 2016, London. Ahead of Kirk Douglas’ 100th birthday this December, BFI Southbank pay tribute to this major Hollywood star with a season of 20 of his greatest films, running from 1 September – 4 October 2016. Over the course of his sixty year career, Douglas became known for playing iconic action heroes, and worked with the some of the greatest Hollywood directors of the 1940s and 1950s including Billy Wilder, Howard Hawks, Vincente Minnelli and Stanley Kubrick. Films being screened during the season will include musical drama Young Man with a Horn (Michael Curtiz, 1949) alongside Lauren Bacall and Doris Day, Stanley Kubrick’s epic Spartacus (1960), Champion (Mark Robson, 1949) for which he received the first of three Oscar® nominations for Best Actor, and the sci- fi family favourite 20,000 Leagues Under the Sea (Richard Fleischer, 1954). The season will kick off with a special discussion event Kirk Douglas: The Movies, The Muscles, The Dimple; this event will see a panel of film scholars examine Douglas’ performances and star persona, and explore his particular brand of Hollywood masculinity. Also included in the season will be a screening of Seven Days in May (John Frankenheimer, 1964) which Douglas starred in opposite Ava Gardner; the screening will be introduced by English Heritage who will unveil a new blue plaque in honour of Ava Gardner at her former Knightsbridge home later this year. Born Issur Danielovich into a poor immigrant family in New York State, Kirk Douglas began his path to acting success on a special scholarship at the American Academy of Dramatic Arts in New York City, where he met Betty Joan Perske (later to become better known as Lauren Bacall), who would play an important role in helping to launch his film career. -
Hollywood Stars and Their Army Service from the Spanish American
James E. Wise, Paul W. Wilderson. Stars in Khaki: Movie Actors in the Army and Air Services. Annapolis: Naval Institute Press, 2000. xi + 244 pp. $24.95, cloth, ISBN 978-1-55750-958-1. Reviewed by Charles C. Kolb Published on H-PCAACA (November, 2000) Hollywood Stars and their Army Service from In Stars in Blue we learned about Wayne the Spanish American War to Vietnam Morris, Douglas Fairbanks, Jr., Henry Fonda, This splendid book is the third and fnal vol‐ Humphrey Bogart, Paul Newman, Aldo Ray, ume in historian-biographer Wise's trilogy and it Ernest Borgnine, Robert Montgomery, Cesar makes a ftting companion to its two illustrious Romero, and dozens of other flm stars. With the predecessors. In 1997 Wise and his co-author Ann sequel, Stars in the Corps , we discovered the con‐ Rehill wrote Stars in Blue: Movie Actors in Ameri‐ tributions made by more than 30 motion picture ca's Sea Services in which flm actors who served stars including Sterling Hayden, Tyrone Power, in the U.S. Navy, Naval Reserve, Coast Guard, or Steve McQueen, Lee Marvin, Gene Hackman, Coast Guard Reserve from 1920 through the Kore‐ George C. Scott, Harvey Keitel, Brian Dennehy, an War are profiled. Wise and Rehill also au‐ Hugh O'Brien, Ed McMahon, and Dale Dye. As in thored Stars in the Corps: Movie Actors in the these two volumes, the emphasis in Stars in Khaki United States Marines (1999) which covers the is on World War II. Many of the men who served same period but emphasizes Marines in the Pacif‐ in the U.S. -
Facing Jap Threat from New Direction; Navy Admits Wake Island
Annual Newspaper Carrier’s Christmas Eve Edition Average Daily Circulation For th« Month of November, 1941 The Weather Foreeact of U. S. Weattwr 7,010 Rain eadlag lata this afteraasai Member of the Audit partly cloody, somewhat eoMw ta>_ Bight; moderate wtada Saalght.~1' Bureau of Olrcnlatlona. Manchester— A Cit^^of Village Charm _______ ____ V VOL. LXL, NO. 72 (Classlfled Advertising Oa Page 14) MANCHESTER, CONN., WEDNESDAY, DECEMBER 24, 1941 (SIXTEEN PAGES) PRICE THREE CEI ^ Facing Jap Threat from New Direction; Navy Admits Wake Island May Be Lost 1 Capture Costs Japs Christmas Greetings MacArthur and His From Your Newsboy 2 More Destroyers; Staff Taking Field; This is the annual New.ipaper Carrier’s Edition of The Manche.ster Evening Herald. Proceeds from the sales of this issue go to the boy.s them.selves. Invasion Tales Ruse The Herald’s new.sboys take this opportunity of Say Wake Occupied! - f wishing their customers a Merry Christmas and a Happy New Year. London Foreign Office Radio Communication Japanese Report Naval Commentator Labels No Herald With Island Severed; At no time in history has a newspaper been more & To Take Personal Com* J I fmportant than during the present world crisis. Your ! Forces Defy Blazing Armed Units Rumors of Impending ' Leads Navy to Admit mand of Fight AgaU^ I Tomorrow newsboys will continue to deliver your new.spaper faith- | American Defense German Invasion of Proliable Loss; Rooxe* fully. They are thankful to you for your continued | Get Message Jap Invasion Spear* j patronage. | Guns, Raging Seas and Spain as Ruse; Noth* velt, Churchill Con heads; P|iilippine Da*; ChHntmaa Day Violent Gale to Carry ing to Confirm Re> tinue Work on Plan By Roosevelt fense Forces Said to^ Out Night Assault; port Petain Has Re* The Herald Family wishes Of Anti-Axis Strat- Be Outnumhered and"' its readers a Very Merry Locked in Fierce Strug Hard Pressed Norik signed ChiePs Post. -
Neatv.E. the Davidsonian WELCOME ALUMNI COLLEGE to INSTALL THIRTEENTH PRESIDENT Homecoming Festivities Begin with Dance Friday
BEAT V.P.I. tEtye Batoibgoman WELCOME ALUMNI ALENDA LUX UBI ORTA LIBERTAS Volume XXIX xsu DAVIDSON COLLEGE, DAVIDSON, C, N. THURSDAY.OCTOBER 15. 1941 Number i COLLEGE*******TO INSTALLTHIRTEENTH******* *******PRESIDENT Homecoming Festivities Begin With Dance Friday Broughton To Addre&s PRINCIPAL INAUGURATION SPEAKERS I £ laboraie Inauguration Old Grads At Luncheon I) v a w 8 Manx Delegates Davidion To Welcome Han- Jf■<!' Of Alumni For An- /^> " .< Colle&e», i.miivi ,- 1it I. ■., ..,.!.■ -iii.-.I Celebration Student Body \)r£anizatwn &*i°*i' s«hooi. smd » ■ I .. JIO To F«livilie» P A R AD E IS TOMORROW Accepts Plans IOtSC Audited green will address "'■>■■»!■■ i.VIM dime Oiratxei[Ftv« Point Plan Will Gel WwU-«nd Events Dr. l.nw»im Appointed T» Willuun*, Brouithlon, nnil Dr. Audit Books of Six Campus Given To Rvcrive Honorary I 'I ill ■ I; Organization;! Trill! -■.■'. I'i I I' 'l I'■ll.llmi' ..m . Dvurrc.i * "' ■ ' i inn ". ii .1 i.i ■ ;,. ■ " "I in Iti'iiin,. I auilllli .hi 11)111 ■ ll llfl Il, i I'll,. „ i I . ... I .- I,, ||., |'i|| "."it Him: ■ ■ llhi tilt n fUg.n. Wilh D»ll«r " ' , Mil rntllvlill Ifi \iM) .(.. ii m" Ii 11iif tj^^^^^^\ 11 i|i« ' " " , j. l» ni» imlil S .mr.l.is || B'■""" H}'1 1 i .1 ii.fi in '"»" i» ti.ilitv ,1,, ,!,,. v..,|| |,,., „ |.. ''!'!'■ lliHW .11 II" I,..II. ., I irhttii Mni i *ttl iliu .Mini ' I IHW ill I" lrl.Hi Will i .ii ii) I H.. ll^Bv..Iliil^Hl.minr^B 'i" Vinvf i Murin. i .ii.i iii |»i|(f, \i if ' ■ 1.1 .i.lnr. -
The Philosophy of the Western
University of Kentucky UKnowledge American Popular Culture American Studies 5-28-2010 The Philosophy of the Western Jennifer L. McMahon East Central University B. Steve Csaki Centre College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation McMahon, Jennifer L. and Csaki, B. Steve, "The Philosophy of the Western" (2010). American Popular Culture. 11. https://uknowledge.uky.edu/upk_american_popular_culture/11 (CONTINUED FROM FRONT FLAP) McMAHON PHILOSOPHY/FILM AND CSAKI THE PHILOSOPHY OF THE gender, animal rights, and other topics depicted in western narratives. “The writing is accessible to nonspecialists and should be of interest to general WESTERN Drawing from philosophers as varied as Aristotle, Spinoza, William James, and Jean- readers who enjoy thinking about EDITED BY Paul Sartre, The Philosophy of the Western JENNIFER L. McMAHON AND B. STEVE CSAKI examines themes that are central to the genre: philosophy, film, or westerns.” individual freedom versus community; the —KAREN D. HOFFMAN, encroachment of industry and development on the natural world; and the epistemological Hood College here are few film and television genres and ethical implications of the classic “lone that capture the hearts of audiences rider” of the West. The philosophies of John like the western. While not always T T Locke, Thomas Hobbes, and Jean-Jacques H true to the past, westerns are tied to, and Rousseau figure prominently in discussions E P expressive of, the history of the United States.