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Sir Stamford Raffles: Collecting in Southeast Asia
Press release Sir Stamford Raffles: collecting in Southeast Asia 1811-1824 19 September 2019 – 12 January 2020 High resolution images and caption sheet Free available at https://bit.ly/2lTvY5F Room 91 Supported by the Singapore High Commission Sir Thomas Stamford Raffles (1781 – 1826) spent most of his career as an East India Company official in Southeast Asia. He was appointed Lieutenant-Governor of Java in 1811 and assumed the Lieutenant Governor ship of Sumatra in 1818. Raffles is credited as being the founder of modern Singapore – but remains a controversial figure, particularly for his policies. When he was Lieutenant-Governor of Java, for example, he ordered troops to attack the most powerful court, which still has consequences to this day. Over time, he has been viewed as a scholarly expert on the region, a progressive reformer, a committed imperialist and an incompetent colonial official. He was also an avid collector of objects from the region, particularly amassing material from Java. He acquired objects to show his European audience that Javanese society was worth colonising. The exhibition will showcase an important selection of Hindu-Buddhist antiquities, different types of theatrical puppets, masks, musical instruments and stone and metal sculpture. Today, these objects provide us with a vital record of the art and court cultures of Java from approximately the 7th century to the early 19th century. Raffles’ collection was one of the first large gatherings of material from the region, providing us with a window into the wider worlds of Southeast Asia and Europe at the beginning of the 19th century. -
Edward Blyth
2012 VOL 6 ISSUE 3 pre-independence Special section: mammalogists SUBSCRIBEcontents NOW! Annual subscription rates for Current Coservation are asphotofeature given. Please note that cheques and demand 19 ROBERT ARMITAGE STERNDALE drafts should be in favour of Dakshin Foundation. DEEPTHI CHIMALAKONDA 03 DESERT FOX Dakshin Foundation 20 THOMAS CAVERHILL JERDON A 001, Samvriddhi Gardenia Apartments ARJUN SRIVATHSA, JOHN MATHEW 88/3special Bytaranyapur section:a pre-inde- Near Sahakar Nagar A block 22 WILLIAM THOMAS BLANFORD Bangalorependence 560 092 mammalogists JOHN MATHEW India. Tel +91GUEST 80 11112 EDITORS: 34567 BHANU SRIDHARAN, AJITH 24 GEORGE EDWARD DOBSON KUMAR, JOHN MATHEW SUMAN JUMANI To suscribe online, visit our website www.currentconservation.or04 Introduction to earlyg mammalogists 26 ROBERT CHARLES WROUGHTON JOHN MATHEW VISHNUPRIYA S For any queries, write to [email protected] 28 REGINALD INNES POCOCK portraits SAPNA JAYARAMAN 09 THOMAS HORSFIELD 31 EDWARD PRITCHARD GEE AMOD ZAMBRE UDDIPANA KALITA SOUTH ASIA INDIVIDUAL12 BRIAN HOUGHTONRS. 200 HODGSON 32 STANLEY HENRY PRATER INSTITUTIONALSHASHANK DALVI RS. 500 VANJULAVALLI SRIDHAR AFRICA,15 THOMAS ASIA, LATIN HARDWICKE AMERICA INDIVIDUALASHWIN VISWANATHAN US $ 10 on book stands : INSTITUTIONAL US $ 25 16 EDWARD BLYTH 34 Major mammal book published AUSTRALIA,BHANU SRIDHARAN EUROPE, JAPAN, NORTH AMERICA J W DUCKWORTH INDIVIDUAL US $ 10 Cover illustration: William Thomas Blanford (1832-1905) INSTITUTIONAL US $ 25 The magazine is produced with support from: Current Conservation carries the latest in research news from natural and social science facets of conservation, such as conservation biology, environmental history, anthropology, sociology, ecological economics and landscape ecology. For more details, visit our website at www.currentconservation.org editor’s note Kartik Shanker South Asia photo feature Desert Fox Vulpes vulpes, Little Rann of Kutch 3 At first glance, an issue on pre-independence mammalogists seems neither current E U 2 1 ISS 20 6 L nor about conservation. -
Koleksi Raffles Dari Jawa: Bukti Dari Eropa Tentang Sebuah Peradaban
PURBAWIDYA: Jurnal Penelitian dan Pengembangan Arkeologi p-ISSN: 2252-3758, e-ISSN: 2528-3618 ■ Terakreditasi Kementerian Ristekdikti No. 147/M/KPT/2020 Vol. 9 (2), November 2020, pp 165 – 182 ■ DOI: https://doi.org/10.24164/pw.v9i2.376 KOLEKSI RAFFLES DARI JAWA: BUKTI DARI EROPA TENTANG SEBUAH PERADABAN Raffles‘s Javan Collection: A European Proof of a Civilization Alexandra Green British Museum, Department of Asia, Great Russell Street, London WC1B 3DG, UK E-mail: [email protected] Naskah diterima: 16 Juli 2020 - Revisi terakhir: 30 September 2020 Disetujui terbit: 15 November 2020 - Tersedia secara online: 30 November 2020 Abstract Stamford Raffles was promoted to Lieutenant Governor of Java when the island was taken from the Dutch by the British East India Company in 1811 as part of the Napoleonic wars in Europe. During Raffles’ years on Java, he collected substantial cultural materials, among others are; theatrical objects, musical instruments, coins and amulets, metal sculpture, and drawings of Hindu- Buddhist buildings and sculpture. European interest in antiquities explains the ancient Hindu- Buddhist material in Raffles’s collection, but the theatrical objects were less understood easily. This essay explored Raffles’ s collecting practices, addressing the key questions of what he collected and why, as well as what were the shape of the collection can tell us about him, his ideas and beliefs, his contemporaries, and Java, including interactions between colonizers and locals. I compared the types of objects in the collections with Raffles’ writings, as well as the writings of his contemporaries on Java and Sumatra in the British Library and the Royal Asiatic Society. -
American Batik in the Early Twentieth Century Nicola J
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1994 From Bohemian to Bourgeois: American Batik in the Early Twentieth Century Nicola J. Shilliam Museum of Fine Arts, Boston Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Shilliam, Nicola J., "From Bohemian to Bourgeois: American Batik in the Early Twentieth Century" (1994). Textile Society of America Symposium Proceedings. 1052. https://digitalcommons.unl.edu/tsaconf/1052 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Shilliam, Nicola J. “From Bohemian to Bourgeois: American Batik in the Early Twentieth Century.” Contact, Crossover, Continuity: Proceedings of the Fourth Biennial Symposium of the Textile Society of America, September 22–24, 1994 (Los Angeles, CA: Textile Society of America, Inc., 1995). FROM BOHEMIAN TO BOURGEOIS: AMERICAN BATIK IN THE EARLY TWENTIETH CENTURY NICOLA J. SHILLIAM Assistant Curator, Textiles and Costumes, Museum of Fine Arts, 465 Huntington Avenue, Boston, MA 02115 In 1919 Pieter Mijer wrote in his influential book Batiks and How to Make Them: "Batik is still a comparatively recent importation; brought here some ten years ago, it was met with absolute incomprehension and lack of interest, but its real merit as a means of decorating fabrics has earned it a place in the industrial art of the nation and year by year it is gaining wider recognition. -
Imagineering Otherness: Anthropological
Imagineering otherness: anthropological legacies in contemporary tourism/Creando la imagineria de la alteridad: legados antropologicos en el turismo contemporaneo/Imagenhando alteridade: legados antropologicos no turismo contemporaneo Noel B. Salazar Anthropological Quarterly. 86.3 (Summer 2013): p669. Copyright: COPYRIGHT 2013 Institute for Ethnographic Research http://www.aq.gwu.edu/ Abstract: The role of anthropology as an academic discipline that seeds tourism imaginaries across the globe is more extensive than generally acknowledged. In this article, I draw on ethnographic and archival research in Indonesia and Tanzania to examine critically the recycling of long-refuted ethnological ideas and scientific ideologies in contemporary tourism interpretation. A fine-grained analysis of local tour guide narratives and practices in two popular destinations, Yogyakarta and Arusha, illustrates empirically how outdated scholarly models, including anthropological ones, are strategically used to represent and reproduce places and peoples as authentically different and relatively static, seemingly untouched by extra-local influences. [Keywords: Tourism, tour guiding, imagination, knowledge, representation, Indonesia, Tanzania] [Palabras clave: turismo, guias de turismo, imaginacion, conocimiento, representacion, Indonesia, Tanzania] [Palavras chave: Turismo, circuitos turisticos, imaginacao, conhecimento, representacao, Indonesia, Tanzania] Full Text: Although it could not be described as an academic anthropology, tourism developed a more popular -
Download an Explorer Guide +
SINGAPORE he Republic of Singa- Tpore is situated at the southern tip of peninsular Malaysia, only 85 miles (137 km) north of the equator. The Repub- lic consists of a tropical island of approximately 226 square miles (585 sq km) and some 54 smaller islets. An island of low undulating hills, Singapore reaches 26 miles (42 km) from west to east and extends 14 miles (22.5 km) from the Straits in the north to the island’s southern tip. This “city state” of approximately 4 million inhab- itants is a cosmopolitan community of Malay, Chinese (76% of the total), Indian and Eurasian races who enjoy the second highest standard HISTORY of living in Asia after Japan. Singapore is often Early records show that Malay sea gypsies and pirates were among the called the “Garden City” because of its attractive first to visit the island followed by Chinese traders. Colonists from Palem- green park like areas. It is a city of towering sky- bang in Sumatra arrived in 1287 and established a small fishing village. At scrapers, huge shopping complexes and vast various times this isolated sea port was controlled by the Sumatran Em- industrial estates. Its deepwater anchorage and pire of Srivijaya and the Cholas from South India. During this era the name natural harbor on the Straits of Malacca have was changed from Temasek (Sea Town) to Sing Pura, (City of the Lion). helped make it Southeast Asia’s largest port and This later evolved into Singapore and to this day the lion is a city symbol. one of the world’s greatest commercial centers. -
WHAT KILLED Sumatra), Where He Was Lieutenant- Governor
BICENTENNIAL OF SINGAPORE INSIGHT Introduction Sir Stamford Raffles (6 July 1781– 5 July 1826) landed in Singapore on 28 January 1819 when he was 37 years old.1 On 30 January that year, Raffles and the Temenggong (governor) for the Sultan of Johore signed a preliminary agreement to the establishment of a British trading post on the island. A week later, on 6 February, Raffles signed a treaty with Tunku Long declaring him to be the lawful sovereign of Johore and Singapore. This established him as Sultan Hussein Mohamed Shah. The treaty transferred the control of Singapore to the East India Company.2 While Raffles was setting up Singapore as a free port, his wife Sophia was pregnant and living in Penang. Raffles visited her on 13 February but the baby did not arrive and Raffles had to rush off to Acheen, Sumatra, to establish trading rights for this port. Sophia gave birth to a boy, Leopold Stamford, in the absence of the father.3 In the meantime, not only did Raffles establish Singapore as a trading port, but he also instituted the rule of law and laid the foundations of a city plan which was later executed by Philip Jackson.4 1 From 1820 to 1822, Raffles returned to British Bencoolen (Bengkulu City, WHAT KILLED Sumatra), where he was Lieutenant- Governor. During that time, his four children, all less than four years old, died of dysentery.3 Raffles returned to Singapore in 1823 where he established a school that was to become Raffles Institution.5 He also prohibited gambling, taxed alcohol and opium so as to discourage drunkenness and opium addiction, and banned slavery.6 During that year (1823), his wife gave birth to their fifth and only surviving Text by Dr Kenneth Lyen child. -
The Kolkata (Calcutta) Stone
The Newsletter | No.74 | Summer 2016 4 | The Study The Kolkata (Calcutta) Stone The bicentennial of the British Interregnum in Java (1811-1816) provides the occasion to contemplate a lost opportunity to right some of the wrongs perpetrated by Sir Stamford Raffles and his light-fingered administration. Salient here is the fate of the two important stone inscriptions – the so-called ‘Minto’ (Sangguran) and ‘Kolkata’(Pucangan) stones – which chronicle the beginnings of the tenth-century Śailendra Dynasty in East Java and the early life of the celebrated eleventh-century Javanese king, Airlangga (1019-1049). Removed to Scotland and India respectively, the article assesses the historical importance of these two inscriptions and suggests ways in which their return might enhance Indonesia’s cultural heritage while strengthening ties between the three countries most intimately involved in Britain’s brief early nineteenth-century imperial moment in Java: India, Indonesia and the United Kingdom. Nigel Bullough and Peter Carey ON 4 AUGUST 1811, a 10,000-strong British expeditionary Above: Boats expectations have come to pass. There force, composed mainly of Indian troops (sepoys) principally from HM Sloop is seemingly no interest in the history from Bengal, but with a handful of specialist troops (horse Procris attacking of the short-lived British Interregnum in artillery and sappers) from the Madras (Chennai) Presidency and capturing six Java either on the part of the British or army, invaded Java to curb the expansionist plans in the Indian French gunboats off the Indonesians. This is strange indeed the coast of Java at Ocean of the Emperor Napoleon (reigned 1804-1814, 1815). -
1 Wayang in Museums
1 Wayang in Museums: The Reverse Repatriation of Javanese Puppets Matthew Isaac Cohen Puppets are theatrical devices or tools enabling the creation of dramatic characters in performances. Though inanimate objects, they are "given design, movement, and frequently, speech, in such a way that the audience imagines them to have life," as Steve Tillis states in his seminal overview of puppet theory.1 Puppets take on this semblance of life in a theatrical apparatus: posed in a tableau with other puppets, framed in a puppet booth or projected onto a shadow screen, situated in a narrative, interacting with music, shifting position, filled out or lifted up by a puppeteer's hand, and projecting outwards to spectators. A puppet is a "handy" object, in a Heideggerian sense--available, accessible, and ready for the trained puppeteer attuned to the puppet's affordances. At the same time, puppets possess agency in performance and behave in unpredictable ways. This was noted more than two decades ago by Bruno Latour, whose theories of the agency of objects and networks of humans and non-humans are increasingly informing puppetry scholarship. Latour observed that "[i]f you talk with a puppeteer, then you will find that he [sic] is perpetually surprised by his puppets. He makes the puppet do things that cannot be reduced to his action, and which he does not have the skill to do, even potentially. Is this fetishism? No, it is simply a recognition of the fact that we are exceeded by what we create."2 Puppetry as an art form thus serves "to induce an attentiveness to things and their affects," to draw on political philosopher Jane Bennett.3 By virtue of the puppet's liminal position as both bodily prosthesis and surprising object, puppetry can train what Bennet calls "a cultivated, patient, sensory attentiveness to nonhuman forces operating outside and inside the human body."4 The intimate bond between puppet and puppeteer is usually severed when puppets are accessioned by museums. -
J. Bastin Palembang in 1811 and 1812 In
J. Bastin Palembang in 1811 and 1812 In: Bijdragen tot de Taal-, Land- en Volkenkunde 109 (1953), no: 4, Leiden, 300-320 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/27/2021 05:12:08AM via free access PALEMBANG IN 1811 AND 1812. (PART I) T I t is now one hundred years since Baud published in the first volume J-. of this journal his article under the above title charging Raffles with the responsibility of the massacre of the Dutch garrison at Palembang in 1811 1). For a century Baud's argument has been accepted by Dutch colonial historians, and has coloured considerably their interpretations of Raffles and his administration of Java 2). Baud's charges have not only been a stick in the hands of the conservatives to beat Raffles, but have also proved to be a source of embarrassment to the liberals who were prepared to admire his principles of colonial administration. With few exceptions the outline of Raffles' character drawn by Baud a century ago has remained intact in Dutch historio- graphy 8). Recently the controversy surrounding the Palembang massacre was reopened with the publication of an English translation of a letter which Raffles sent to the Sultan Badr'uddin, and which was not published by Baud4). The late C. E. Wurtzburg argued on the basis of this new letter that the sending of arms to Badr'uddin5) was not directed for use against the Dutch garrison there, but against a Dutch naval force reported off Palembang. Professor Dr W. -
Batik – How Emancipation of Dutch Housewives in the Dutch East Indies and “Back Home” Influenced Art Nouveau Design in Europe Olga Harmsen Independent Scholar
Strand 2. Art Nouveau and Politics in the Dawn of Globalisation Batik – How Emancipation of Dutch Housewives in the Dutch East Indies and “Back Home” Influenced Art Nouveau Design in Europe Olga Harmsen Independent Scholar Abstract Dutch women in the Dutch East Indies were the first to industrialize Batik production. They loved batik fabrics, had access to technical know-how and to money. Bored with their needle point and cross stitch, they learned to produce batik (a technique of wax-resist dyeing applied to cloth) and designed prints reminiscent of ‘home’. Their ‘Batik Belanda’ was produced on a larger scale and exported to The Netherlands. From 1890, the technique was picked up by Dutch decorative artists like Lion Cachet, Dijsselhof and Thorn Prikker. After 1900, Lebeau became the most prominent Batik artist. Also Belgian artists got interested in Batik technique. Van de Velde was the first foreign artist who was inspired by the Batiks he saw in The Netherlands. Though he probably made little or no Batiks himself, he taught the technique at the Kunstgewerbeschule in Weimar. The Dutch introduced Batik to the rest of the world at the 1900 Exhibition Universelle in Paris. Keywords : Batik, Batik Belanda, Dutch East Indies, Textile, Lion Cachet, Art Nouveau, Emancipation, Nieuwe Kunst, Parchment, Lebeau 1 Life in the Dutch East Indies In 1596 the first Dutch expedition arrived at the East Indies to access spices directly from Asia. When a 400% profit was made on its return, other Dutch expeditions soon followed. Recognizing the potential of the East Indies trade, the Dutch government merged the competing companies into the Dutch East India Company (Vereenigde Oost-Indische Compagnie or VOC). -
A KING from the I St and O F SALLY Or GALLE
A KING FROM THE I St AND of SALLY or GALLE Plate 1 THE BIRTH OF THE IDEA OF BALI* James A. Boon Cultures are not captured by simple empirical reportage; least of all Bali. Cultures are fabricated by matching available ideas and images against the daily lives and historical conditions of elusive isolates in time and space. For this reason ethnology straddles the history of ideas. And this is as true today as in the sixteenth cen tury. Any holistic ethnological image is distorted, since it necessarily preselects certain features of a cross-cultural encounter for extra emphasis. To typify an entire culture by glossing its political authority (e.g., "a kingdom") or its general subsistence (e.g., "a peasantry"), or to characterize it as a collection of "village communi ties" or some alternative abstraction is often to omit important as pects of the self-conceptions of the inhabitants themselves or some sector of them. Moreover, an ethnological blazon, especially if has tily contrived, can lock in general perspectives on a culture which may endure for centuries and confine the questions asked by informed visitors who have inevitably been briefed by the limited accounts available to them. Bali--so rich an ethnographic terrain in matters of religion, subsistence, marriage, and hierarchy--also generated a provocative set of typifying efforts by the earliest European explorers to come in contact with it. Just why the first Dutch observers (and their first English copyist) were obliged to construe Bali as a benevo lent monarchy with harmonious subjects is a complex topic for social, political, and colonial history.