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“I'm in Heaven Right Now”
CHICAGO’SFREEWEEKLYSINCE | JANUARY | JANUARY CHICAGO’SFREEWEEKLYSINCE “I’M IN HEAVEN RIGHT NOW” Angel Bat Dawid taps into the root of all black music. BYLG31 MAYORAL RENT CONTROL THEATER SPOTLIGHT ON IN THE FIRST AND DIRECTORS ON TONI PRECKWINKLE 26TH WARDS GENDER BIAS Ben Joravsky | Kathleen Hinkel10 IN CHICAGO Samantha Smylie 8 Novid Parsi15 THIS WEEK CHICAGOREADER | JANUARY | VOLUME NUMBER A NOTE FROM THE EDITOR “DOES JOURNALISM HAVE a future?” Jill disaffection for journalism that Lepore and have stated their support quite clearly. Lepore asked in the most recent issue of the Peretti point to in their own ways. I’ve put We’re honored. New Yorker, as prankster turned media inno- several of my own publications down, watched But the real appreciation for your sup- vator Jonah Peretti laid o 15 percent of his freelance paychecks dwindle, faced increas- port shines through our pages and on our workforce at BuzzFeed and then refused to ing antagonism for asking basic questions of website. Listen to our first-ever podcast pay most former employees their paid time authority. Perhaps most horrifying, I’ve faced the BACK ROOM DEAL at chicagoreader. o . Meanwhile, we’re over here adding pages the prospect of either doing the work for free com/backroomdeal (or Spotify, Stitcher, or to our print edition, launching a podcast, or choosing to live in a world where the work Apple) for the complete scoop on the Chi- and tracking gains in Web tra c month after doesn’t get done. cago elections from Ben Joravsky and Maya month (after month). (We also expanded our Yet we’ve seized the chance at the Read- Dukmasova. -
Adam4adam Asianfriend Dearly Beloved Bitch Behind Bars The
#1035 nightspots February 2, 2011 Adam4Adam AsianFriend Dearly Beloved Bitch Behind Bars 2 The Tongue Upright Citizen Chica Grande Jeepers Piepers 5sum Bent Boriqua Mr. Perfect Stranglers 5 1 Minerva Wrecks Circuit Daddy The Continental Shameless Boi-lesque ASS Da Gay Mayor Adam5Adam 1 Happy The richness Valentines, of Amanda Nightspots-style. Lepore. page 13 page 11 That Guy by Kirk Williamson In lieu of my column this week... [email protected] JOSEPH J. MAGGIO Joseph J. Maggio, age 58, passed away suddenly at his home on January 17. Best Friend and life partner of Jimmy Keup, Joe was the love of his life. Devoted son to the late Tina Riotto and the late Bartolo Maggio; brother of Maria (David) Guzik; and uncle to Mathew. Joe was a graduate of St. Partrick High School, received his Bachelor’s degree from Loyola University and his Master’s degree from Northeastern University. He began his long career as a teacher at Notre Dame High School for Girls in 1977. For the last 20 years, Joe taught math at St. Ignatius College Prep, and was honored to serve as coach of their Math Team. Among his other passions in life were real estate development, The Jackhammer Bar and The Ashland Arms Guest House. A Celebration of Life will take place Sat., February 12, 2011, from 2-4 p.m. at Unity in Chicago, 1925 W. Thome Avenue, Chicago, IL 60660. The celebration will then move to Jackhammer, 6406 N. Clark St. Donations to Alzheimer’s Association would be appreciated. PUBLISHER Tracy Baim ASSISTANT PUBLISHER Terri Klinsky nightspots MANAGING EDITOR -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Vol LI Issue 1
page 2 the paper january 31, 2018 Marc Molinaro, pg. 3 Hygge, pg. 9 Oscars, pg. 15 F & L, pg. 21-22 Earwax, pg. 23 the paper “Favorite U.S. President Based on Looks” c/o Office of Student Involvement Editors-in-Chief Fordham University Colleen “Barack Obama” Burns Bronx, NY 10458 Claire “John Tyler” Nunez [email protected] Executive Editor http://fupaper.blog/ Michael Jack “Lyndon Baines Johnson” O’Brien News Editors the paper is Fordham’s journal of news, analysis, comment and review. Students from all Christian “Theodore Roosevelt” Decker years and disciplines get together biweekly to produce a printed version of the paper using Andrew “Rutherford B. Hayes” Millman Adobe InDesign and publish an online version using Wordpress. Photos are “borrowed” from Opinions Editors Internet sites and edited in Photoshop. Open meetings are held Tuesdays at 9:00 PM in McGin- Jack “Millard Fillmore” Archambault ley 2nd. Articles can be submitted via e-mail to [email protected]. Submissions from Hillary “Franklin Daddy Roosevelt” Bosch students are always considered and usually published. Our staff is more than willing to help new writers develop their own unique voices and figure out how to most effectively convey their Arts Editors thoughts and ideas. We do not assign topics to our writers either. The process is as follows: Meredith “Spiro Agnew” McLaughlin have an idea for an article, send us an e-mail or come to our meetings to pitch your idea, write Annie “Dead White Guy” Muscat the article, work on edits with us, and then get published! We are happy to work with anyone Earwax Editor who is interested, so if you have any questions, comments or concerns please shoot us an e- Marty “Andrew Jackson” Gatto mail or come to our next meeting. -
A King Named Nicki: Strategic Queerness and the Black Femmecee
Women & Performance: a journal of feminist theory ISSN: 0740-770X (Print) 1748-5819 (Online) Journal homepage: http://www.tandfonline.com/loi/rwap20 A king named Nicki: strategic queerness and the black femmecee Savannah Shange To cite this article: Savannah Shange (2014) A king named Nicki: strategic queerness and the black femmecee, Women & Performance: a journal of feminist theory, 24:1, 29-45, DOI: 10.1080/0740770X.2014.901602 To link to this article: https://doi.org/10.1080/0740770X.2014.901602 Published online: 14 May 2014. Submit your article to this journal Article views: 2181 View Crossmark data Citing articles: 2 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rwap20 Women & Performance: a journal of feminist theory, 2014 Vol. 24, No. 1, 29–45, http://dx.doi.org/10.1080/0740770X.2014.901602 A king named Nicki: strategic queerness and the black femmecee Savannah Shange* Department of Africana Studies and the Graduate School of Education, University of Pennsylvania, Philadelphia, PA, United States This article explores the deployment of race, queer sexuality, and femme gender performance in the work of rapper and pop musical artist Nicki Minaj. The author argues that Minaj’s complex assemblage of public personae functions as a sort of “bait and switch” on the laws of normativity, where she appears to perform as “straight” or “queer,” while upon closer examination, she refuses to be legible as either. Rather than perpetuate notions of Minaj as yet another pop diva, the author proposes that Minaj signals the emergence of the femmecee, or a rapper whose critical, strategic performance of queer femininity is inextricably linked to the production and reception of their rhymes. -
Fairfaxfairfax Areas of Burke Sweet Sweet Wellbeingwellbeing Saturdaysaturday Page 9
Pages 14 Serving FairfaxFairfax Areas of Burke Sweet Sweet WellbeingWellbeing SaturdaySaturday Page 9 Follow on Twitter: @ffxconnection on Twitter: Follow News, Page 13 Every Tweet Classified, Page 17 Classified, ❖ Counts News, Page 3 Sports, Page 16 ❖ Entertainment, Page 12 ‘It’s Not OK to Turn A Blind Eye to Bullying’ News, Page 10 From left, Cupcakes Actually owner Susan Woodhouse looks on while Supervisor John C. Cook (R-Braddock) serves a gourmet cupcake to Jill Westeyn of Oak Hill. Photos by Tim Peterson/The Connection www.ConnectionNewspapers.comDecember 5-11, 2013 online at www.connectionnewspapers.comFairfax Connection ❖ December 5-11, 2013 ❖ 1 Bulletin Board Send notes to the Connection at Jackson Memorial Highway, Fairfax. [email protected] or call 703-778-9416. The deadline for MONDAY/DEC. 9 submissions is the Friday prior to pub- lication. Dated announcements should Stroke & Osteoporosis Screening. 8421 Arlington Blvd., Fairfax. be submitted at least two weeks prior to Screenings identify potential the event. cardiovascular conditions such as blocked arteries and irregular heart SATURDAY/DEC. 7 rhythm, abdominal aortic aneurysms, and hardening of the arteries in the Saturday Morning Coffee with legs, which is a strong predictor of Delegate David Bulova. 9 a.m.-11 heart disease. Pre-registration is a.m. Main Street Bagel, 10268 Main required. www.lifelinescreening.com. Street, Fairfax. Constituents are invited to talk about issues of interest SATURDAY/DEC. 14 and to ask questions about legislation Dog Adoption. 12-3 p.m. PETCO affecting our community.º Greenbriar Towncenter, 13053 Lee Dog Adoption. 12-3 p.m. PETCO, Jackson Memorial Highway, Fairfax. -
Why Stonewall Still Matters…
PrideLife Magazine 2019 / pridelifemagazine 2019 @pridelife YOUR ESSENTIAL th 2020 ELECTION 50 PRIMER stonewall P.68 anniversaryspecial issue STEP INSIDE THE NIGHT OF WHY THE RIOTS STONEWALL P.50 STILL MATTERS… THE FIERCE WITH EXCLUSIVE AND TRIBUTES FROM FABULOUS Asia Kate Dillon Jesse Tyler Ferguson Madonna Christian Siriano Kamala Harris Indigo Girls Gus Kenworthy Bethany Meyers George Takei BILLY Margaret Cho Rufus Wainwright Carson Kressley Adore Delano Daya And more... PORTERP.46 PLUS! INTRODUCING THE INTERPRIDELIFE SEAL OF APPROVAL P.14 B:17.375” T:15.75” S:14.75” Important Facts About DOVATO Tell your healthcare provider about all of your medical conditions, This is only a brief summary of important information about including if you: (cont’d) This is only a brief summary of important information about DOVATO and does not replace talking to your healthcare provider • are breastfeeding or plan to breastfeed. Do not breastfeed if you SO MUCH GOES about your condition and treatment. take DOVATO. You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should ° You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should HIV-1 to your baby. Know about DOVATO? INTO WHO I AM If you have both human immunodeficiency virus-1 (HIV-1) and ° One of the medicines in DOVATO (lamivudine) passes into your breastmilk. hepatitis B virus (HBV) infection, DOVATO can cause serious side ° Talk with your healthcare provider about the best way to feed your baby. -
The Morning Line
THE MORNING LINE DATE: Monday, December 14, 2015 FROM: Melissa Cohen, Michelle Farabaugh PAGES: 14, including this page. C3 December 14, 2015 Public Theater Announces ‘Twelfth Night’ Musical By Andrew R. Chow The Public Theater’s popular Public Works program will return in the summer with a musical adaptation of “Twelfth Night,” created by Kwame Kwei-Armah and Shaina Taub. The Public Works program brings together professional and nonprofessional actors from across New York City’s five boroughs with song-and-dance productions of classic works. “The performers come together to create a vibrant theatrical tapestry; you may be able to tally the newcomers onstage, but in this embracing context they bring as much pleasure as the polished performers,” Charles Isherwood wrote in The New York Times about last season’s “The Odyssey.” This season will lead off with “Twelfth Night,” Shakespeare’s comedy of crossed signals which appeared in its nonmusical form at Shakespeare in the Park with Anne Hathaway in 2009. The Public Theater puts on Shakespeare in the Park. The music and lyrics for the musical will be written by Ms. Taub, who has ample experience in both the pop and Broadway worlds. Mr. Kwei-Armah, a British actor and the artistic director of Baltimore’s Center Stage, will direct. According to Ms. Taub, the production will be set in a port city during a carnival. While the spoken text will be in Shakespeare’s words, the songs will be in contemporary language. “It’s so amazing to start from a play that works so well, and just zoom out the emotional moments and turn them into big songs,” Ms. -
The Program Rachel Lee, Eric William Morris, Will Roland, Lance Rubin, Brent Stranathan, Jared Weiss, Jason Sweettooth Williams
Saturday, February 1, 2020 at 8:30 pm Joe Iconis The Family Nick Blaemire, Amara Brady, Liz Lark Brown, Betty Buckley, Dave Cinquegrana, Katrina Rose Dideriksen, Badia Farha, Alexandra Ferrara, Danielle Gimbal, Annie Golden, Molly Hager, Joe Iconis, Ian Kagey, Geoffrey Ko, The Program Rachel Lee, Eric William Morris, Will Roland, Lance Rubin, Brent Stranathan, Jared Weiss, Jason SweetTooth Williams This evening’s program is approximately 75 minutes long and will be performed without intermission. This performance is being livestreamed; cameras will be present. Please make certain all your electronic devices are switched off. Endowment support provided by Bank of America Corporate support provided by Morgan Stanley This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Christina and Robert Baker, EY, Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Patrons and Lincoln Center Members Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Wednesday, February 12 at 8:30 pm iLe Thursday, February 13 at 8:30 pm Roomful of Teeth Friday, February 14 at 8:30 pm Brandon Victor Dixon Saturday, February 15 at 8:30 pm Our Lady J Wednesday, February 26 at 8:30 pm An Evening with Natalie Merchant Thursday, February 27 at 8:30 pm Kalani Pe‘a Friday, February 28 at 8:30 pm Ali Stroker Saturday, February 29 at 8:30 pm Martin Sexton For tickets, call (212) 721-6500 or visit AmericanSongbook.org. -
THE BIG BIO | BILL COLEMAN & PEACE BISQUIT with The
THE BIG BIO | BILL COLEMAN & PEACE BISQUIT With the landscape of labels, radio, magazines, websites and blogs constantly changing, it is virtually impossible for music mavens to have a dependable outlet that they can consistently rely on for the best new music. New York-based music guru Bill Coleman has established himself as an important resource for quality innovative music. Throughout his impressive 21-year career in the music industry, the dynamic and multi-faceted DJ, producer, remixer, music supervisor, performer and recording artist has become renowned for his eclectic taste, acute ear and diverse musical expertise. In the worlds of music and film, Coleman is an influential tastemaker at the forefront of emerging trends and talent in the pop, r&b, rock, alternative, dance and electronic music landscape, as well as, in cutting edge independent film and documentaries. The tireless “renaissance man” has enjoyed success as a revered music journalist having cut his teeth as the Dance and Singles Review Editor for Billboard Magazine [from 1987 to 1990]. He has written a music column for NYC style rag PAPER (”Wasn’t Tomorrow Wonderful?”), sat on the initial editorial board for the launch of OUT Magazine and freelanced for Musician, B.E.T. and the BBC, alongside completing numerous album liner notes (Thompson Twins, Exposé). As the owner of Peace Bisquit, Coleman along with ANGELO “PEPE” SKORDOS, JAMES CAVERA and JAMIE BRUNDAGE represent an array of genre-defying artists including: Baltimore-based R&B/dance diva ULTRA NATÈ’ (”Automatic”, “Free”); amazing singer/songwriter CHRIS WILLIS (”Love Is Gone”, “Love Don’t Let Me Go”); charismatic electro funk rapper CAZWELL (”I Seen Beyonce at Burger King”); stylish downtown denizens THE ONES (”Flawless”), legendary Singer / Songwriter JILL JONES, sexy pin-up crooner COLTON FORD (”That’s Me”), Williamsburg dance punk THE SPECIMEN, acid jazz pioneers BROOKLYN FUNK ESSENTIALS, UK disco punk /pop upstarts I LIKE IT ELECTRIC along with new producers/songwriters that include CRAIG C., LOST DAZE, REDTOP and MORGAN PAGE. -
The P-Word by Brendan Dunbar and Had Its Own Piece Posted Online Within 12 Festival
The P-Word by Brendan Dunbar and had its own piece posted online within 12 festival. “We welcome everyone. We narrow interpretation of a certain hours of the event. always have… We’ve never kyboshed word, combined with a misunder- In an exclusive interview with Wayves Sav- a float. We’ve never told anybody they A standing and outright bad report- age said the Metro reporter misunderstood him. couldn’t do something in particular.” ing, has led to the recent flap surrounding “I’m sure he took what I said a little bit wrong… The media ruckus has raised a perti- the Halifax Pride festival’s media launch. What was said basically is that our festival is nent question: What does the GLBTQ On June 2 Pride’s co-chair Ed Savage was known for being less promiscuous” than the community define as promiscuous? quoted in Metro news as saying, “That’s what Toronto and Montreal Prides. “This whole battle has come down we strive for, to make it less promiscuous than Xtra ran with the story — without contact- to one word: Promiscuous,” Savage said. other Prides across the country…. Our way of ing members of the Halifax Pride committee “‘Promiscuous’ means a lot of different life in the Maritimes is different. And we also for additional comments — electing to focus on things to a lot of different people.” feel that our allies and our family aspect of the word ‘promiscuous’ and “make something To those people who were active in Pride is just as important.” of it,” Savage said. -
The Big Time an Old Carter Farm Concert Reading of a New Musical Comedy
THE BIG TIME AN OLD CARTER FARM CONCERT READING OF A NEW MUSICAL COMEDY Book by Music and lyrics by Douglas Carter Beane Douglas J. Cohen Music direction by Directed by Fred Lassen Douglas Carter Beane Featuring Raymond Bokhour, Bradley Dean, Santino Fontana, Debbie Gravitte, Jackie Hoffman, Michael McCormick, Laura Osnes, Will Swenson and musicians of the Princeton Symphony Orchestra Stage Manager Jen Wiener FRIDAY, JANUARY 31, 2020 8:00PM in the Matthews Theatre Assistive listening devices and large print program are available in the lobby. There will be a 15-minute intermission. No audio or video recording or photography permitted. DIRECTOR’S NOTE Douglas Carter Beane From his table at: Sardi’s, Broadway, USA Hello Theater Pals, Welcome to my subconscious––I sure Mr. C. has a way of getting into char- hope you got an aisle seat. How you are acter and telling a story but still making it about to experience this evening is one of all swing and having you feel like you’re my favorite ways to see a musical. A con- riding in a Cadillac convertible. You’ll fall cert—no sets, costumes, choreography, in love tonight. or fancy staging. Just material and talent. So, our show about a wacky terrorist Wow. I even formed a little company, was primed to open and the unthink- “Old Carter Farm,” to do these concerts, able happened: September 11th. The I love them so much. The name, you’ll show was put on hold. Whenever we’d forgive, came from my grandparents’ get ready to do the show again, another turkey farm.