Legal Use Requires Purchase

Total Page:16

File Type:pdf, Size:1020Kb

Legal Use Requires Purchase PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW 2 PREVIEW SOME NIGHTS for T.T.B.B. voices, a cappella PREVIEW PREVIEW with optional snare drum and bass drum* Arranged by Words and Music by ANDY BECK PREVIEWNATE RUESS, ANDREW DOST, JACK ANTONOFF, and JEFFREY BHASKER PREVIEW Military feel (q = ca. 108) f PREVIEW TENOR I PREVIEW PREVIEW Some nights I wake up cash ing- in my bad luck, PREVIEW f PREVIEW TENOR II y PREVIEW PREVIEW PREVIEW Some nights I wake up cash ing- in my bad luck, f BARITONE PREVIEW PREVIEW Some nights I wake up cash ing- in my bad luck, PREVIEW PREVIEWf PREVIEW PREVIEW BASS PREVIEW PREVIEW Some nights I wake up cash ing- in my bad luck, PREVIEW PREVIEW 3 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW some nights I call it a draw.PREVIEW Some nights I wish that my PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW some nights I call it a draw. Some nights I wish that my PREVIEW PREVIEW PREVIEW PREVIEW some nights IPREVIEW call it a draw. Some nights I wish that my PREVIEW PREVIEW PREVIEW Preview Onl PREVIEW PREVIEW some nights I call it a draw. Some nights I wish that my Legal UsePREVIEW Requires Purchase PREVIEW * Also available for S.A.T.B. (39918). PREVIEW Snare Drum and Bass Drum parts are on pages 15 and 16. PREVIEW PREVIEW © 2012 WB MUSIC CORP, FBR MUSIC, BEARVON MUSIC, ROUGH ART, SHIRA LEE LAWRENCE RICK MUSIC, SONY/ATV SONGS, LLC, and WAY ABOVE MUSIC All Rights on behalf of itself, FBR MUSIC, and BEARVONPREVIEW MUSIC Administered by WB MUSIC CORP. This Arrangement © 2012 WB MUSIC CORP., FBR MUSIC, BEARVON MUSIC, ROUGH ART, PREVIEW SHIRA LEE LAWRENCE RICK MUSIC, SONY/ATV SONGS, LLC, and WAY ABOVE MUSIC PREVIEW All Rights Reserved. Printed in USA. Sole Selling Agent for This Arrangement: Alfred Music Publishing Co., Inc. PREVIEWTo purchase a full-length performance recording of this piece, go to alfred.com/downloads 39919 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW 3 6 PREVIEW PREVIEW lips could build a cas tle,- some nightsPREVIEW I wish they’d just fall PREVIEW PREVIEW lips could build a cas tle,- some nights I wish they’d just fall PREVIEW PREVIEW PREVIEW lips could build a cas tle,- PREVIEWsome nights I wish they’d justy fall PREVIEW PREVIEW PREVIEWlips could build a cas tle,- some nights I wish they’d just fall PREVIEW 8 9 PREVIEW PREVIEW PREVIEW PREVIEW off. But I still wake up, I still PREVIEW PREVIEW PREVIEW PREVIEW off. PREVIEWBut I still wake up, I still PREVIEW PREVIEW PREVIEW PREVIEW off. But I still wake up, I still PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEWoff. Whoa, PREVIEW PREVIEW 10 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW see your ghost. Oh Lord, I’m still not sure what I PREVIEW PREVIEW PREVIEW Preview Onl PREVIEW seeLegal your ghost. UseOhPREVIEW Lord, Requires I’m still not sure Purchasewhat I PREVIEW PREVIEW PREVIEWsee your ghost. Oh Lord, I’m still not sure what I PREVIEW PREVIEW PREVIEW PREVIEW whoa, PREVIEW whoa, what I PREVIEW 39919 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW 4 PREVIEW 12 PREVIEW PREVIEW stand for, oh. What do I stand for? PREVIEWWhat do I stand for? PREVIEW PREVIEW stand for, oh. Whoa, whoa, stand for? Whoa,PREVIEW stand for? PREVIEW PREVIEW PREVIEW y PREVIEW stand for, oh. Whoa, whoa, stand for? Whoa, stand for?PREVIEW PREVIEW PREVIEW PREVIEW stand for, oh. Whoa, stand for? Whoa, stand for? PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW SOLO 15 17 PREVIEW mf PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW Most nights, I don’t know an y-- more. PREVIEW PREVIEW sfzPREVIEW sfz mf PREVIEW PREVIEW PREVIEW PREVIEW Hoo. Whoa, whoa, PREVIEW sfz PREVIEWsfz mf PREVIEW PREVIEW PREVIEW PreviewHoo. OnlWhoa, whoa, PREVIEW PREVIEW sfz Legal UsePREVIEWsfz Requires mf Purchase PREVIEW PREVIEW PREVIEWHoo. Whoa, whoa, PREVIEW sfz sfz PREVIEW mf PREVIEW PREVIEW Hoo. PREVIEW Whoa, whoa, whoa, 39919 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW 5 18 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW whoa, whoa, whoa, whoa. PREVIEW PREVIEW PREVIEW PREVIEW y PREVIEW whoa, whoa, whoa, whoa. PREVIEW PREVIEW PREVIEW PREVIEW whoa, whoa, whoa, whoa. PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa. PREVIEW PREVIEW PREVIEW PREVIEW 21 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW This is it boys, this is war. What are we wait ing- for? PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW Whoa, whoa, whoa, whoa, PREVIEW PREVIEW PREVIEW PREVIEW Preview Onl PREVIEW PREVIEW Whoa, whoa, whoa, whoa, PREVIEW Legal UsePREVIEW Requires Purchase PREVIEW PREVIEW PREVIEWWhoa, whoa, whoa, whoa, PREVIEW PREVIEW PREVIEW PREVIEW Whoa, PREVIEW whoa, whoa, whoa, whoa, whoa, PREVIEW 39919 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW 6 PREVIEW 23 3 PREVIEW PREVIEW Why don’t we break the rules al-y read - PREVIEW? Iwas PREVIEW PREVIEW whoa, whoa. PREVIEW PREVIEW PREVIEW PREVIEW y PREVIEW whoa, whoa. PREVIEW PREVIEW PREVIEW PREVIEW whoa, whoa. PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW whoa, whoa, whoa, whoa, whoa, whoa, whoa. PREVIEW PREVIEW PREVIEW 25 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW nev er- one to be- lieve the hype, save that for the black and white. Try PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW Whoa, whoa, whoa, whoa, PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW Whoa,Previewwhoa, whoa, Onl PREVIEW whoa, PREVIEW Legal UsePREVIEW Requires Purchase PREVIEW PREVIEW PREVIEWWhoa, whoa, whoa, whoa, PREVIEW PREVIEW PREVIEW PREVIEW Whoa, PREVIEW whoa, whoa, whoa, whoa, whoa, 39919 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW 7 27 (rejoin section) PREVIEW PREVIEW twice as hard and I’m half as liked, but here they come aPREVIEW- gain to jack my style. PREVIEW PREVIEW PREVIEW PREVIEW whoa, whoa. PREVIEW PREVIEW y PREVIEW PREVIEW PREVIEWwhoa, whoa. That’s al - PREVIEW PREVIEW PREVIEW whoa, PREVIEW whoa. PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW whoa, PREVIEWwhoa, whoa, whoa, whoa, whoa, whoa. PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW 29 mp PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW That’s al right.- I found a mar -intyr my bed to night.- She PREVIEW PREVIEW mp PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW right. Preview I found a mar -intyr Onlmy bed to night.- She PREVIEW mp Legal UsePREVIEW Requires Purchase PREVIEW PREVIEW PREVIEWHoo, hoo. PREVIEW mp PREVIEW PREVIEW PREVIEW Hoo, PREVIEW hoo. PREVIEW 39919 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW 8 PREVIEW 31 PREVIEW PREVIEW stops my bones from won der-- ing just who I, PREVIEWwho I, who I PREVIEW stops my bones from wonPREVIEWder-- ing just who I, who I, who I PREVIEW PREVIEW PREVIEW Hoo, PREVIEWhoo, y PREVIEW PREVIEW PREVIEWHoo, hoo, 33 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW am. Oh, who am I? Mm, PREVIEW PREVIEW PREVIEW PREVIEW am. PREVIEW Whoa, whoa, whoa, PREVIEW PREVIEW PREVIEWam. Whoa, whoa, whoa, PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW am. Whoa, whoa, whoa, PREVIEW PREVIEW PREVIEW 35 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW mm, woah. PREVIEW PREVIEW PREVIEW Preview Onl PREVIEW whoa,Legal whoa, whoa, UsePREVIEWwhoa, Requires whoa, whoa, Purchase whoa, whoa. PREVIEW PREVIEW PREVIEWwhoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa. PREVIEW PREVIEW PREVIEW PREVIEW whoa, whoa,PREVIEWwhoa, whoa, whoa, whoa, whoa, whoa. 39919 PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW PREVIEW 9 37 mf PREVIEW PREVIEW Some nights I wish that this all wouldPREVIEW end, ’cause mf PREVIEW PREVIEW Some nights I wish that this all would end, ’cause mf PREVIEW PREVIEW PREVIEW Some nights I wish thatPREVIEW this all would end, y’cause mf PREVIEW PREVIEW PREVIEW Some nights I wish that this all would end, ’cause PREVIEW PREVIEW 39 PREVIEW PREVIEW PREVIEW PREVIEW I could use some friends for a change. PREVIEW And PREVIEW PREVIEW PREVIEW I could use some friends for a change. And PREVIEW
Recommended publications
  • “I'm in Heaven Right Now”
    CHICAGO’SFREEWEEKLYSINCE | JANUARY | JANUARY CHICAGO’SFREEWEEKLYSINCE “I’M IN HEAVEN RIGHT NOW” Angel Bat Dawid taps into the root of all black music. BYLG31 MAYORAL RENT CONTROL THEATER SPOTLIGHT ON IN THE FIRST AND DIRECTORS ON TONI PRECKWINKLE 26TH WARDS GENDER BIAS Ben Joravsky | Kathleen Hinkel10 IN CHICAGO Samantha Smylie 8 Novid Parsi15 THIS WEEK CHICAGOREADER | JANUARY | VOLUME NUMBER A NOTE FROM THE EDITOR “DOES JOURNALISM HAVE a future?” Jill disaffection for journalism that Lepore and have stated their support quite clearly. Lepore asked in the most recent issue of the Peretti point to in their own ways. I’ve put We’re honored. New Yorker, as prankster turned media inno- several of my own publications down, watched But the real appreciation for your sup- vator Jonah Peretti laid o 15 percent of his freelance paychecks dwindle, faced increas- port shines through our pages and on our workforce at BuzzFeed and then refused to ing antagonism for asking basic questions of website. Listen to our first-ever podcast pay most former employees their paid time authority. Perhaps most horrifying, I’ve faced the BACK ROOM DEAL at chicagoreader. o . Meanwhile, we’re over here adding pages the prospect of either doing the work for free com/backroomdeal (or Spotify, Stitcher, or to our print edition, launching a podcast, or choosing to live in a world where the work Apple) for the complete scoop on the Chi- and tracking gains in Web tra c month after doesn’t get done. cago elections from Ben Joravsky and Maya month (after month). (We also expanded our Yet we’ve seized the chance at the Read- Dukmasova.
    [Show full text]
  • Billboard.Com “Finesse” Hits a New High After Cardi B Hopped on the Track’S Remix, Which Arrived on Jan
    GRAMMYS 2018 ‘You don’t get to un-have this moment’ LORDE on a historic Grammys race, her album of the year nod and the #MeToo movement PLUS Rapsody’s underground takeover and critics’ predictions for the Big Four categories January 20, 2018 | billboard.com “Finesse” hits a new high after Cardi B hopped on the track’s remix, which arrived on Jan. 4. COURTESY OF ATLANTIC RECORDS ATLANTIC OF COURTESY Bruno Mars And Cardi B Title CERTIFICATION Artist osition 2 Weeks Ago Peak P ‘Finesse’ Last Week This Week PRODUCER (SONGWRITER) IMPRINT/PROMOTION LABEL Weeks On Chart #1 111 6 WK S Perfect 2 Ed Sheeran 120 Their Way Up W.HICKS,E.SHEERAN (E.C.SHEERAN) ATLANTIC sic, sales data as compiled by Nielsen Music and streaming activity data by online music sources tracked by Nielsen Music. tracked sic, activity data by online music sources sales data as compiled by Nielsen Music and streaming Havana 2 Camila Cabello Feat. Young Thug the first time. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2018, Prometheus Global Media, LLC and Nielsen Music, Inc. Global Media, LLC All rights reserved. © 2018, Prometheus for complete rules and explanations. the first time. See Charts on billboard.com/biz Legend 3 2 2 222 FRANK DUKES (K.C.CABELLO,J.L.WILLIAMS,A.FEENY,B.T.HAZZARD,A.TAMPOSI, The Hot 100 B.LEE,A.WOTMAN,P.L.WILLIAMS,L.BELL,R.L.AYALA RODRIGUEZ,K.GUNESBERK) SYCO/EPIC DG AG SG Finesse Bruno Mars & Cardi B - 35 3 32 RUNO MARS AND CARDI B achieve the career-opening feat, SHAMPOO PRESS & CURL,STEREOTYPES (BRUNO MARS,P.M.LAWRENCE II, C.B.BROWN,J.E.FAUNTLEROY II,J.YIP,R.ROMULUS,J.REEVES,R.C.MCCULLOUGH II) ATLANTIC bring new jack swing and the second male; Lionel Richie back to the top 10 of the landed at least three from each of his 2 3 4 Rockstar 2 Post Malone Feat.
    [Show full text]
  • Chart Book Template
    Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
    [Show full text]
  • Vol LI Issue 1
    page 2 the paper january 31, 2018 Marc Molinaro, pg. 3 Hygge, pg. 9 Oscars, pg. 15 F & L, pg. 21-22 Earwax, pg. 23 the paper “Favorite U.S. President Based on Looks” c/o Office of Student Involvement Editors-in-Chief Fordham University Colleen “Barack Obama” Burns Bronx, NY 10458 Claire “John Tyler” Nunez [email protected] Executive Editor http://fupaper.blog/ Michael Jack “Lyndon Baines Johnson” O’Brien News Editors the paper is Fordham’s journal of news, analysis, comment and review. Students from all Christian “Theodore Roosevelt” Decker years and disciplines get together biweekly to produce a printed version of the paper using Andrew “Rutherford B. Hayes” Millman Adobe InDesign and publish an online version using Wordpress. Photos are “borrowed” from Opinions Editors Internet sites and edited in Photoshop. Open meetings are held Tuesdays at 9:00 PM in McGin- Jack “Millard Fillmore” Archambault ley 2nd. Articles can be submitted via e-mail to [email protected]. Submissions from Hillary “Franklin Daddy Roosevelt” Bosch students are always considered and usually published. Our staff is more than willing to help new writers develop their own unique voices and figure out how to most effectively convey their Arts Editors thoughts and ideas. We do not assign topics to our writers either. The process is as follows: Meredith “Spiro Agnew” McLaughlin have an idea for an article, send us an e-mail or come to our meetings to pitch your idea, write Annie “Dead White Guy” Muscat the article, work on edits with us, and then get published! We are happy to work with anyone Earwax Editor who is interested, so if you have any questions, comments or concerns please shoot us an e- Marty “Andrew Jackson” Gatto mail or come to our next meeting.
    [Show full text]
  • 012521-DRAFT-Bothsidesnow
    Both Sides Now: Singer-Songwriters Then and Now An Etz Chayim Fifth Friday SHABBAT SERVICE Kabbalat Shabbat • Happy • Shower the People You Love With Love L’Cha Dodi (to Sweet Baby James) Bar’chu • Creation: Big Yellow Taxi • Revelation: I Choose Y0u Sh’ma • Both Sides Now + Traditional Prayer • V’ahavta: All Of Me • Redemption: Brave Hashkiveynu / Lay Us Down: Beautiful Amidah (“Avodah” / Service) • Avot v’Imahot: Abraham’s Daughter • G’vurot: Music To My Eyes • K’dushat haShem: Edge Of Glory • R’Tzeih: Chelsea Morning • Modim: The Secret Of LIfe • Shalom: Make You Feel My Love (instrumental & reflection) D’Var Torah • Miriam’s Song Congregation Etz Chayim Healing Prayer: You’ve Got a Friend Palo Alto, CA Aleynu Rabbi Chaim Koritzinsky Mourners’ Kaddish: Fire And Rain + Traditional Prayer Birchot Hamishpachah / Parents Bless their Children: Circle Game + Inclusive Blessing of Children Closing Song: Adon Olam (to Hallelujah) Both Sides Now Shabbat, 1/29/21 • Shabbat Evening Service, page 1 Kavannah for Our Service For this Fifth Friday Shabbat service we will experience songs by a diverse array of singer- songwriters in place of many of our traditional prayers. The intent is to lift up the prayers by viewing them through a new lens, and perhaps gain new insight into beloved, contemporary songs, whether familiar or new to us. “Both Sides Now” speaks to several relevant themes in our service and in our hearts: • This week’s Torah portion, B’Shallah, begins with our Israeilite ancestors in slavery, on one side of the Sea of Reeds and ends with them as a newly freed people on the other side.
    [Show full text]
  • Bleachers Release New Track “How Dare You Want More” Along with Live Performance Video
    BLEACHERS RELEASE NEW TRACK “HOW DARE YOU WANT MORE” ALONG WITH LIVE PERFORMANCE VIDEO THIRD ALBUM TAKE THE SADNESS OUT OF SATURDAY NIGHT TO BE RELEASED JULY 30TH 2021 – AVAILABLE FOR PRE-ORDER NOW Today, Bleachers release their new track “How Dare You Want More” along with a live performance video of the song. Check it out HERE. Already a fan favorite, Bleachers debuted this track last month during their much celebrated performance on NBC’s The Tonight Show Starring Jimmy Fallon where they were the first full band to perform in studio in over a year. Watch HERE. Bleachers’ Jack Antonoff says: "over the past few years i found out things about my family that challenged some of the myths of our structure. ive felt rage, fear, darkness etc around it, but at the end of the day what i am left with is that everybody wants a little more and going out there and trying to get it is something that can produce a lot of shame in people. so … how dare you want more? how dare you go out and get what you want? how do you ask for it when you’re not sure if you even deserve it? its an easy song to write about the people in my life and the hardest thing to do to oneself. this one is the band on fire. testing the boundaries of how close we can get to the edge without falling off. this recording could not have happened with any other group of people and its the direct sound of all the time we’ve spent on the road and how we’ve learned to know what each other is going to do.
    [Show full text]
  • Final Nominations List
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 60th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2016 through September 30, 2017 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, and/or Mixer(s) and mastering engineer(s), if other than the artist. Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist. 1. REDBONE Childish Gambino 1. "AWAKEN, MY LOVE!" Childish Gambino Donald Glover & Ludwig Goransson, producers; Donald Donald Glover & Ludwig Goransson, producers; Bryan Carrigan, Glover, Ludwig Goransson, Riley Mackin & Ruben Rivera, Chris Fogel, Donald Glover, Ludwig Goransson, Riley Mackin & engineers/mixers; Bernie Grundman, mastering engineer Ruben Rivera, engineers/mixers; Donald Glover & Ludwig 2. DESPACITO Goransson, songwriters; Bernie Grundman, mastering engineer Luis Fonsi & Daddy Yankee Featuring Justin Bieber 2. 4:44 Josh Gudwin, Mauricio Rengifo & Andrés Torres, JAY-Z producers; Josh Gudwin, Jaycen Joshua, Chris ‘TEK’ JAY-Z & No I.D., producers; Jimmy Douglass & Gimel "Young O’Ryan, Mauricio Rengifo, Juan G Rivera “Gaby Music,” Guru" Keaton, engineers/mixers; Shawn Carter & Dion Wilson, Luis “Salda” Saldarriaga & Andrés Torres, songwriters; Dave Kutch, mastering engineer engineers/mixers; Dave Kutch, mastering engineer 3.
    [Show full text]
  • Album of the Year Record of the Year
    Album of the Year I, I Bon Iver NORMAN F—ING ROCKWELL! Lana del Rey WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? Billie Eilish THANK U, NEXT Ariana Grande I USED TO KNOW HER H.E.R. 7 Lil Nas X CUZ I LOVE YOU Lizzo FATHER OF THE BRIDE Vampire Weekend Record of the Year HEY MA Bon Iver BAD GUY Billie Eilish 7 RINGS Ariana Grande HARD PLACE H.E.R. TALK Khalid OLD TOWN ROAD Lil Nas X ft. Billy Ray Cyrus TRUTH HURTS Lizzo SUNFLOWER Post Malone Song of the Year ALWAYS REMEMBER US THIS WAY Natalie Hemby, Lady Gaga, Hillary Lindsey and Lori McKenna, songwriters (Lady Gaga) BAD GUY Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish) BRING MY FLOWERS NOW Brandi Carlile, Phil Hanseroth, Tim Hanseroth and Tanya Tucker, songwriters (Tanya Tucker) HARD PLACE Ruby Amanfu, Sam Ashworth, D. Arcelious Harris, H.E.R. & Rodney Jerkins, songwriters (H.E.R.) LOVER Taylor Swift NORMAN F***ING ROCKWELL Jack Antonoff and Lana del Ray, songwriters (Lana del Rey) SOMEONE YOU LOVED Tom Barnes, Lewis Capaldi, Pete Kelleher, Benjamin Kohn and Sam Roman, songwriters (Lewis Capaldi) TRUTH HURTS Steven Cheung, Eric Frederic, Melissa Jefferson and Jesse Saint John, songwriters (Lizzo) Best New Artist BLACK PUMAS BILLIE EILISH LIL NAS X LIZZO MAGGIE ROGERS ROSALíA TANK AND THE BANGAS YOLA Best Pop Solo Performance SPIRIT Beyoncé BAD GUY Billie Eilish 7 RINGS Ariana Grande TRUTH HURTS Lizzo YOU NEED TO CALM DOWN Taylor Swift Best Pop Duo/Group Performance BOYFRIEND Ariana Grande & Social House SUCKER Jonas Brothers OLD TOWN ROAD Lil Nas X Featuring Billy
    [Show full text]
  • Final Nominations List the National Academy of Recording Arts & Sciences, Inc
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 63rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2019 through August 31, 2020 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SAVAGE Record Of The Year Megan Thee Stallion Featuring Beyoncé Award to the Artist and to the Producer(s), Recording Engineer(s) Beyoncé & J. White Did It, producers; Eddie “eMIX” and/or Mixer(s) and mastering engineer(s), if other than the artist. Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering 1. BLACK PARADE engineer Beyoncé Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer 2. COLORS Black Pumas Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer 3. ROCKSTAR DaBaby Featuring Roddy Ricch SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer 4. SAY SO Doja Cat Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer 5. EVERYTHING I WANTED Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 6. DON'T START NOW Dua Lipa Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer 7. CIRCLES Post Malone Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2020 - all rights reserved 1 Not for copy or distribution 63rd Finals - Press List General Field Category 2 8.
    [Show full text]
  • Million-Dollar NFT Sales Get Attention, but Don't Expect Them to Last
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 17, 2021 Page 1 of 23 INSIDE Million-Dollar NFT Sales Get Attention, But Don’t Expect Them to Last • Meet the Nonprofits Feeding Thousands of Out- BY MICAH SINGLETON Of-Work Touring Staff The $11.7 million price tag on 3LAU’s sale of 33 col- I think that overlooks the real opportunity here which lectible NFT — — versions of his is to build permanence and perpetual equity in media • How Ice Cream non-fungible token Can Help Make 3-year-old album, Ultraviolet, on Feb. 25 has become on the internet.” Sense of Streaming a beacon for the music industry over the past three NFTs allow the creator to set a perpetual royalty Royalties (Op-Ed) weeks. There’s clearly money to be made in digital during the “minting” creation process that will allow collectibles and now there’s a rush to break into the them to get paid for third-party sales, a feat not pos- • UMG Signs Expanded Licensing market. But artists beware: Exponential growth like sible with any current digital (or physical) good. The Deal with African this is not sustainable and many of the people who average royalty rate is set between 10–25% according Streaming Service were involved in NFTs early on do not expect these to Goens. That means NFTs can deliver artists lifetime Boomplay exorbitant sale prices to continue. royalties with every future sale. • HITS Act “I think it will be very difficult to replicate again,” Right now, the NFT market is booming thanks to Reintroduced in says 3LAU about his $11.7 million haul – an NFT rare sorts of collectors: millionaires — and some bil- Congress on Behalf record until digital artist Beeple sold a single piece lionaires — who made fortunes investing in crypto- of Struggling Music for $69 million on auction at Christie’s on March 11, currency in its infancy.
    [Show full text]
  • Awards Lifestyle
    12 Established 1961 Lifestyle Awards Tuesday, March 16, 2021 In this handout photo US singer Beyonce accepts the Best In this handout photo Megan Thee Stallion, winner of the In this handout photo (from left) Laura Sisk, Jack Antonoff, Taylor Swift, Aaron Dessner, and Jonathan Low, winners of the Rap Performance award for “Savage” onstage during the Best Rap Performance and Best Rap Song awards for Album of the Year award for ‘Folklore.’ 63rd Annual Grammy Awards at Los Angeles Convention ‘Savage’ and the Best New Artist award, poses in the media Center. — AFP photos room. omen won every major Grammy to make sad music to feel like it mat- at Sunday’s history-making gala, tered,” she said. “And I’m just so grateful Wa joyful night for music’s biggest and so honored because happiness is stars after a devastating year for the something we all deserve and need in industry, with Beyonce, Megan Thee our lives.” Stallion and Taylor Swift triumphing at the Brittany Howard-known for fronting the socially distanced event anchored by band Alabama Shakes-won Best Rock electrifying performances. It was a monu- Song, as Fiona Apple scored two awards mental night for Beyonce, who broke the for her album “Fetch The Bolt Cutters,” record for most career wins by a female which many critics hailed as a master- artist with 28. Swift became the first piece. Though most of the rock fields woman to win the coveted Album of the were unprecedentedly dominated by Year prize three times, this year for “folk- women, The Strokes won for Best Rock lore,” the first of her twin quarantine Album for “The New Abnormal,” their first releases.
    [Show full text]
  • GRAMMY AWARDS 2013: FULL LIST of WINNERS Record of the Year
    GRAMMY AWARDS 2013: FULL LIST OF WINNERS Record of the Year: "Somebody That I Used to Know," Gotye featuring Kimbra Album of the Year: Babel, Mumford & Sons Song of the Year: "We Are Young," fun. featuring Janelle Monáe Best New Artist: fun. Best Pop Solo Performance: "Set Fire to the Rain," Adele Best Pop Duo/Group Performance: "Somebody That I Used to Know," Gotye featuring Kimbra Best Pop Instrumental Album: Impressions, Chris Botti Best Pop Vocal Album: Stronger, Kelly Clarkson Best Dance Recording: Bangarang, Skrillex featuring Sirah Best Dance/Electronica Album: Bangarang, Skrillex Best Traditional Pop Vocal Album: Kisses on the Bottom, Paul McCartney Best Rock Performance: Lonely Boy, The Black Keys Grammys 2013: Arrivals Best Hard Rock/Metal Performance: "Love Bites (So Do I)," Halestrom Best Rock Song: "Lonely Boy," The Black Keys Best Rock Album: El Camino, The Black Keys Best Alternative Music Album: Making Mirrors, Gotye Best R&B Performance: "Climax," Usher Best Traditional R&B Performance: "Love on Top," Beyoncé Best R&B Song: "Adorn," Miguel Best Urban Contemporary Album: Channel Orange, Frank Ocean Taylor Swift talks opening the Grammys Best R&B Album: Black Radio, Robert Glasper Experiment Best Rap Performance: "N****s in Paris," Jay-Z and Kayne West Best Rap/Sung Collaboration: "No Church In The Wild," Jay-Z and Kanye West featuring Frank Ocean and The Dream Best Rap Song: "N****s in Paris," Jay-Z and Kayne West Best Rap Album: Take Care, Drake Best Country Solo Performance: "Blown Away," Carrie Underwood Best Country
    [Show full text]