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2. Foreword by Cleveland Moffett, the Bulletin Magazine the Belgian
2. Foreword by Cleveland Moffett, The Bulletin Magazine The Belgian Revolution of 1830 has never been celebrated with the uproarious firework festivities that the national upheavals of the French, Americans, Mexicans or Russians inspire every year. One reason is that the Belgians never had any such colourful characters as Danton, Washington, Zapata or Lenin. They have their statues of Rogier, Gendebien and Merode, of course, and then there was that riot at the opera house in August – young men stirred by a romantic aria to throw their top hats in the air and cry ‘Liberty!’ – followed by the four days in September of valiant battle and around the Royal Park, all splendid events well worth commemorating. And yet the date chosen as Belgium’s national day is July 21, 1831, when an immigrant German prince agreed to be called Leopold I and to accept the role of the people’s king. Still, it was a peaceful compromise that ended a year of turmoil. A constitutional monarchy was what the upstart new nation’s powerful neighbours insisted upon. The only holdout, the one fierce opponent of this sensible solution, was journalist Louis de Potter (Bruges, 1786-1859). He, strangely enough, has no public statue or acknowledgement for his merits. Nothing more than a blue plate with his name in a short dusty side street in the pink district of Schaerbeek. And yet, without Louis de Potter it is hardly likely that there would have been any revolution at all. It was his eloquence, his pamphlets and proclamations, that led the people of Belgium, then under the thumb of William I of the Netherlands, to believe they could rise up against Dutch tyranny and go it alone. -
JOSEPH LEBEAU Mis Cnoits Réservés
Over dit boek Dit is een digitale kopie van een boek dat al generaties lang op bibliotheekplanken heeft gestaan, maar nu zorgvuldig is gescand door Google. Dat doen we omdat we alle boeken ter wereld online beschikbaar willen maken. Dit boek is zo oud dat het auteursrecht erop is verlopen, zodat het boek nu deel uitmaakt van het publieke domein. Een boek dat tot het publieke domein behoort, is een boek dat nooit onder het auteursrecht is gevallen, of waarvan de wettelijke auteursrechttermijn is verlopen. Het kan per land verschillen of een boek tot het publieke domein behoort. Boeken in het publieke domein zijn een stem uit het verleden. Ze vormen een bron van geschiedenis, cultuur en kennis die anders moeilijk te verkrijgen zou zijn. Aantekeningen, opmerkingen en andere kanttekeningen die in het origineel stonden, worden weergegeven in dit bestand, als herinnering aan de lange reis die het boek heeft gemaakt van uitgever naar bibliotheek, en uiteindelijk naar u. Richtlijnen voor gebruik Google werkt samen met bibliotheken om materiaal uit het publieke domein te digitaliseren, zodat het voor iedereen beschikbaar wordt. Boeken uit het publieke domein behoren toe aan het publiek; wij bewaren ze alleen. Dit is echter een kostbaar proces. Om deze dienst te kunnen blijven leveren, hebben we maatregelen genomen om misbruik door commerciële partijen te voorkomen, zoals het plaatsen van technische beperkingen op automatisch zoeken. Verder vragen we u het volgende: + Gebruik de bestanden alleen voor niet-commerciële doeleinden We hebben Zoeken naar boeken met Google ontworpen voor gebruik door individuen. We vragen u deze bestanden alleen te gebruiken voor persoonlijke en niet-commerciële doeleinden. -
Sovereignty, Civic Participation, and Constitutional Law: the People Versus the Nation in Belgium
Sovereignty, Civic Participation, and Constitutional Law: The People versus the Nation in Belgium Edited by Brecht Deseure, Raf Geenens, and Stefan Sottiaux First published in 2021 ISBN: 978-0-367-48359-3 (hbk) ISBN: 978-0-367-71228-0 (pbk) ISBN: 978-1-003-03952-5 (ebk) Chapter 15 Sovereignty without sovereignty: The Belgian solution Raf Geenens (CC BY-NC-ND 4.0) This OA chapter is funded by KU Leuven. 15 Sovereignty without sovereignty The Belgian solution Raf Geenens “Let us delete the word sovereignty from our vocabulary” Benjamin Constant (1830) At least since 1950, Belgian constitutional law is in the grip of a myth: the myth of national sovereignty.1 Framed as an originalist claim about the meaning of arti- cle 25 at the time of its ratification, scholars and judges alike hold that sovereignty in the Belgian context means ‘national sovereignty’.2 National sovereignty is here understood as the opposite of popular sovereignty, in line with the conceptual dichotomy expounded by, among others, French legal theorist Raymond Carré de Malberg. In recent years, several authors have demonstrated that this inter- pretation of the Constitution is highly anachronistic (De Smaele, 2000; Deseure, 2016; Geenens and Sottiaux, 2015). The Belgian drafters, when working on the Constitution in 1830–1831, did not understand sovereignty in the terms that are now routinely ascribed to them. The national sovereignty myth, it seems, is a product of muddled thinking. In order to stave off the push for more – and more direct – democracy, subsequent generations of legal scholars applied ever thicker conceptual layers to the Constitution, up to the point where it has come to say nearly the opposite of what it said in 1831. -
National Identity and Nineteenth-Century Franco-Belgian Sculpture
National Identity and Nineteenth-Century Franco-Belgian Sculpture This book elaborates on the social and cultural phenomenon of national schools dur- ing the nineteenth century, via the less studied field of sculpture and using Belgium as a case study. The role, importance of, and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by com- missioners, art critics, or artists that supposedly constituted a “national sculpture.” By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugène Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constan- tin Meunier, and George Minne. Jana Wijnsouw holds a PhD from the Department of Art History, Music, and Theatre Studies at Ghent University. Routledge Research in Art History Routledge Research in Art History is our home for the latest scholarship in the field of art history. The series publishes research monographs and edited collections, covering areas including art history, theory, and visual culture. These high-level books focus on art and artists from around the world and from a multitude of time periods. By making these studies available to the worldwide academic community, the series aims to promote quality art history research. For a full list of titles in this series, please visit www.routledge.com/Routledge-Research- in-Art-History/book-series/RRAH. The Gamin de Paris in Nineteenth-Century Visual Culture Delacroix, Hugo, and the French Social Imaginary Marilyn R. -
Obligation and Self-Interest in the Defence of Belgian Neutrality, 1830-1870
CONTEXTUAL RESEARCH IN LAW CORE VRIJE UNIVERSITEIT BRUSSEL Working Papers No. 2017-2 (August) Permanent Neutrality or Permanent Insecurity? Obligation and Self-Interest in the Defence of Belgian Neutrality, 1830-1870 Frederik Dhondt Please do not cite without prior permission from the author The complete working paper series is available online at http://www.vub.ac.be/CORE/wp Permanent Neutrality or Permanent Insecurity? Obligation and Self-Interest in the Defence of Belgian Neutrality, 1830-1870 Frederik Dhondt1 Introduction ‘we are less complacent than the Swiss, and would not take treaty violations so lightly.’ Baron de Vrière to Sylvain Van de Weyer, Brussels, 28 June 18592 Neutrality is one of the most controversial issues in public international law3 and international relations history.4 Its remoteness from the United Nations system of collective security has rendered its discussion less topical.5 The significance of contemporary self-proclaimed ‘permanent neutrality’ is limited. 6 Recent scholarship has taken up the theme as a general narrative of nineteenth century international relations: between the Congress of Vienna and the Great War, neutrality was the rule, rather than the exception.7 In intellectual history, Belgium’s neutral status is seen as linked to the rise of the ‘Gentle Civilizer of Nations’ at the end of the nineteenth century.8 International lawyers’ and politicians’ activism brought three Noble Peace Prizes (August Beernaert, International Law Institute, Henri La Fontaine). The present contribution focuses on the permanent or compulsory nature of Belgian neutrality in nineteenth century diplomacy, from the country’s inception (1830-1839)9 to the Franco- 1 Vrije Universiteit Brussel (VUB), University of Antwerp, Ghent University/Research Foundation Flanders. -
Belgische Kamer Van Volksvertegenwoordigers
PARLEMENTAIRE M EDEDELINGEN 51e Zittingsperiode BELGISCHE KAMER VAN VOLKSVERTEGENWOORDIGERS BELGISCHE KAMER VAN van 20/11/2006 tot 24/11/2006 116 21 Voor meer informatie surft u naar : www.dekamer.be Parlementaire Mededelingen is het informatiebulletin van de Kamer van volksvertegenwoordigers van België en verslaat de activiteiten van de voorbije week (van donderdag tot donderdag). Deze uitgave verschijnt iedere week in het Nederlands en in het Frans, behalve tijdens het parlementair reces. Parlementaire Mededelingen kan tegen abonnering opgestuurd worden naar iedereen die erom verzoekt. De abonnementsprijs is 13,00 € per parlementair jaar (van de tweede dinsdag van oktober tot de tweede dinsdag van oktober van het daaropvolgend jaar). Het bedrag moet worden gestort op rekening nummer 000-1648428-10 van de "Kamer van volksvertegenwoordigers publicaties te 1008 Brussel". Het bulletin verschijnt in het Frans onder de titel Informations parlementaires ; het abonnement op beide versies bedraagt 26,00 €. Deze publicatie wordt volledig door de diensten van de Kamer verzorgd. coördinatie en redactie : dienst Public Relations en Internationale Betrekkingen tel : 02/549.81.77 - 02/549.80.80 fax : 02/549.83.02 E-mail : [email protected] lay-out : PRI drukwerk : drukkerij van de Kamer postadres : Kamer van volksvertegenwoordigers van België B - 1008 BRUSSEL bezoekerstoegang : Leuvenseweg 13 - Brussel verantwoordelijke uitgever : de secretaris-generaal van de Kamer Inhoud ORGANEN VAN DE KAMER Voorzitterschap 3 COMMISSIES Commissievergaderingen 7 PLENAIRE -
Press Kit Lille 2016
www.lilletourism.com PRESS KIT LILLE 2016 ALL YOU NEED IS LILLE Press Release Just 80 minutes away from London, 1 hour from Paris and 35 minutes from Brussels, Lille could quite easily have melted into the shadows of its illustrious neighbours, but instead it is more than happy to cultivate and show off all that makes it stand out from the crowd! Flemish, Burgundian and then Spanish before it became French, Lille boasts a spectacular heritage. A trading town since the Middle Ages, a stronghold under Louis XIV, a hive of industry in the 19th century and an ambitious hub in the 20th century, Lille is now imbued with the memories of the past, interweaved with its visions for the future. While the Euralille area is a focal point of bold architecture by Rem Koolhaas, Jean Nouvel or Christian de Portzamparc, the Lille-Sud area is becoming a Mecca for fashionistas. Since 2007, some young fashion designers (sponsored by Agnès b.) have set up workshops and boutiques in this new “fashion district” in the making. With lille3000, it’s the whole city that has started to look towards the future, enjoying a dramatic makeover for this new recurrent event, geared towards contemporary art and innovation. The European Capital of Culture in 2004, Lille is now a leading light in this field, with the arts ma- king themselves quite at home here. From great museums to new alternative art centres, from the Opera to the theatres through the National Or- chestra, culture is a living and breathing part of everyday life here. -
Redalyc.“Freemasonry As a Patriotic Society? the 1830 Belgian Revolution”
REHMLAC. Revista de Estudios Históricos de la Masonería Latinoamericana y Caribeña E-ISSN: 1659-4223 [email protected] Universidad de Costa Rica Costa Rica Maes, Anaïs “Freemasonry as a Patriotic Society? The 1830 Belgian Revolution” REHMLAC. Revista de Estudios Históricos de la Masonería Latinoamericana y Caribeña, vol. 2, núm. 2, -diciembre, 2010, pp. 1-17 Universidad de Costa Rica San José, Costa Rica Available in: http://www.redalyc.org/articulo.oa?id=369537359001 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative “Freemasonry as a Patriotic Society? The 1830 Belgian Revolution” Anaïs Maes Consejo Científico: José Antonio Ferrer Benimeli (Universidad de Zaragoza), Miguel Guzmán-Stein (Universidad de Costa Rica), Eduardo Torres-Cuevas (Universidad de La Habana), Andreas Önnerfors (University of Leiden), María Eugenia Vázquez Semadeni (Universidad Nacional Autónoma de México), Roberto Valdés Valle (Universidad Centroamericana “José Simeón Cañas”), Carlos Martínez Moreno (Universidad Nacional Autónoma de México), Céline Sala (Université de Perpignan) Editor: Yván Pozuelo Andrés (IES Universidad Laboral de Gijón) Director: Ricardo Martínez Esquivel (Universidad de Costa Rica) Dirección web: http://rehmlac.com/main.html Correo electrónico: [email protected] Apartado postal: 243-2300 San José, Costa Rica REHMLAC ISSN 1659-4223 2 Vol. 2, Nº 2, Diciembre 2010-Abril 2011 Fecha de recibido: 12 junio 2010 – Fecha de aceptación: 3 agosto 2010 Palabras clave Masonería, patriotismo, nacionalismo, revolución, Bélgica Keywords Freemasonry, patriotism, nationalism, revolution, Belgium Resumen Al cuestionar la masonería y el patriotismo, tenemos que conceptualizar el análisis de la evolución de la identidad patriótica. -
The Belgian Federal Parliament
The Belgian Federal Parliament Welcome to the Palace of the Nation PUBLISHED BY The Belgian House of Representatives and Senate EDITED BY The House Department of Public Relations The Senate Department of Protocol, Reception & Communications PICTURES Guy Goossens, Kevin Oeyen, Kurt Van den Bossche and Inge Verhelst, KIK-IRPA LAYOUT AND PRINTING The central printing offi ce of the House of Representatives July 2019 The Federal Parliament The Belgian House of Representatives and Senate PUBLISHED BY The Belgian House of Representatives and Senate EDITED BY The House Department of Public Relations The Senate Department of Protocol, Reception & Communications PICTURES This guide contains a concise description of the workings Guy Goossens, Kevin Oeyen, Kurt Van den Bossche and Inge Verhelst, KIK-IRPA of the House of Representatives and the Senate, LAYOUT AND PRINTING and the rooms that you will be visiting. The central printing offi ce of the House of Representatives The numbers shown in the margins refer to points of interest July 2019 that you will see on the tour. INTRODUCTION The Palace of the Nation is the seat of the federal parliament. It is composed of two chambers: the House of Representatives and the Senate. The House and the Senate differ in terms of their composition and competences. 150 representatives elected by direct universal suffrage sit in the House of Representatives. The Senate has 60 members. 50 senators are appointed by the regional and community parliaments, and 10 senators are co-opted. The House of Representatives and the Senate are above all legislators. They make laws. The House is competent for laws of every kind. -
Engravings, Etchings, Mezzotinits, Lithographs, and Acquatints, M0871
http://oac.cdlib.org/findaid/ark:/13030/c8fr010j No online items Guide to the Leon Kolb collection of Portraits: engravings, etchings, mezzotinits, lithographs, and acquatints, M0871 Finding aid prepared by Finding aid prepared by Processed by Special Collections staff. Stanford University. Department of Special Collections and University Archives Stanford University Libraries 557 Escondido Mall Stanford, California, 94305-6064 Repository email: [email protected] 2010-09-16 M0871 1 Title: Leon Kolb, collector. Portraits: engravings, etchings, mezzotinits, lithographs, and acquatints Identifier/Call Number: M0871 Contributing Institution: Stanford University. Department of Special Collections and University Archives Language of Material: English Physical Description: 9.0 Linear feet Date (inclusive): ca. 1600-1800 Abstract: The subjects include rulers, statesmen, authors, scholars and other famous personages from ancient times to the nineteenth century. Most of the prints were produced in the 17th and 18th centuries from paintings by Has Holbein, Anthony Vandyke, Godfrey Kneller, Peter Lely and other noted artists. Processing Information Note Item level description for items in Series 1 was taken from printed catalogue: Portraits: a catalog of the engravings, etchings, mezzotints, and lithographs presented to the Stanford University Library by Dr. and Mrs. Leon Kolb . Compiled by Lenkey, Susan V., [Stanford, Calif.] Stanford University, 1972. Collection Scope and Content Summary Arranged by name of subject, each print in Series 1 is numbered for convenient reference in the various indices in the printed catalogue by Susan Lenkey. Painters and engravers, printing techniques and social and historical positions of the subjects are identified and indexed as well.The subjects include rulers, statesmen, authors, scholars and other famous personages from ancient times to the nineteenth century. -
The Great European Treaties of the Nineteenth Century
JBRART Of 9AN DIEGO OF THE NINETEENTH CENTURY EDITED BY SIR AUGUSTUS OAKES, CB. LATELY OF THE FOREIGN OFFICE AND R. B. MOWAT, M.A. FELLOW AND ASSISTANT TUTOR OF CORPUS CHRISTI COLLEGE, OXFORD WITH AN INTRODUCTION BY SIR H. ERLE RICHARDS K. C.S.I., K.C., B.C.L., M.A. FELLOW OF ALL SOULS COLLEGE AWD CHICHELE PROFESSOR OF INTERNATIONAL LAW AND DIPLOMACY IN THE UNIVERSITY OF OXFORD ASSOCIATE OF THE INSTITUTE OF INTERNATIONAL LAW OXFORD AT THE CLARENDON PRESS OXFORD UNIVERSITY PRESS AMEN HOUSE, E.C. 4 LONDON EDINBURGH GLASGOW LEIPZIG NEW YORK TORONTO MELBOURNE CAPETOWN BOMBAY CALCUTTA MADRAS SHANGHAI HUMPHREY MILFORD PUBLISHER TO THE UNIVERSITY Impression of 1930 First edition, 1918 Printed in Great Britain INTRODUCTION IT is now generally accepted that the substantial basis on which International Law rests is the usage and practice of nations. And this makes it of the first importance that the facts from which that usage and practice are to be deduced should be correctly appre- ciated, and in particular that the great treaties which have regulated the status and territorial rights of nations should be studied from the point of view of history and international law. It is the object of this book to present materials for that study in an accessible form. The scope of the book is limited, and wisely limited, to treaties between the nations of Europe, and to treaties between those nations from 1815 onwards. To include all treaties affecting all nations would require volumes nor is it for the many ; necessary, purpose of obtaining a sufficient insight into the history and usage of European States on such matters as those to which these treaties relate, to go further back than the settlement which resulted from the Napoleonic wars. -
Heritage Days 14 & 15 Sept
HERITAGE DAYS 14 & 15 SEPT. 2019 A PLACE FOR ART 2 ⁄ HERITAGE DAYS Info Featured pictograms Organisation of Heritage Days in Brussels-Capital Region: Urban.brussels (Regional Public Service Brussels Urbanism and Heritage) Clock Opening hours and Department of Cultural Heritage dates Arcadia – Mont des Arts/Kunstberg 10-13 – 1000 Brussels Telephone helpline open on 14 and 15 September from 10h00 to 17h00: Map-marker-alt Place of activity 02/432.85.13 – www.heritagedays.brussels – [email protected] or starting point #jdpomd – Bruxelles Patrimoines – Erfgoed Brussel The times given for buildings are opening and closing times. The organisers M Metro lines and stops reserve the right to close doors earlier in case of large crowds in order to finish at the planned time. Specific measures may be taken by those in charge of the sites. T Trams Smoking is prohibited during tours and the managers of certain sites may also prohibit the taking of photographs. To facilitate entry, you are asked to not B Busses bring rucksacks or large bags. “Listed” at the end of notices indicates the date on which the property described info-circle Important was listed or registered on the list of protected buildings or sites. information The coordinates indicated in bold beside addresses refer to a map of the Region. A free copy of this map can be requested by writing to the Department sign-language Guided tours in sign of Cultural Heritage. language Please note that advance bookings are essential for certain tours (mention indicated below the notice). This measure has been implemented for the sole Projects “Heritage purpose of accommodating the public under the best possible conditions and that’s us!” ensuring that there are sufficient guides available.