Last Jewish Cowboy, Although Time Will Tell.” JN
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Rutgers Jewish Film Festival Goes Virtual, November 8–22
The Allen and Joan Bildner Center BildnerCenter.rutgers.edu for the Study of Jewish Life [email protected] Rutgers, The State University of New Jersey 12 College Avenue 848-932-2033 New Brunswick, NJ 08901-1282 Fax: 732-932-3052 October 20, 2020 FOR IMMEDIATE RELEASE EDITOR’S NOTE: For press inquiries, please contact Darcy Maher at [email protected] or call 732-406-6584. For more information, please visit the website BildnerCenter.Rutgers.edu/film. RUTGERS JEWISH FILM FESTIVAL GOES VIRTUAL, NOVEMBER 8–22 NEW BRUNSWICK, N.J. – Tickets are now on sale for the 21st annual Rutgers Jewish Film Festival, which will be presented entirely online from November 8 through 22. This year’s festival features a curated slate of award-winning dramatic and documentary films from Israel, the United States, and Germany that explore and illuminate Jewish history, culture, and identity. The virtual festival offers a user-friendly platform that will make it easy to view inspiring and entertaining films from the comfort and safety of one’s home. Many films will also include a Q&A component with filmmakers, scholars, and special guests on the Zoom platform. The festival is sponsored by Rutgers’ Allen and Joan Bildner Center for the Study of Jewish Life and is made possible by a generous grant from the Karma Foundation. The festival kicks-off on Sunday, November 8, with the opening film Aulcie, the inspiring story of basketball legend Aulcie Perry. A Newark native turned Israeli citizen, Perry put Israel on the map as a member of the Maccabi Tel Aviv team in the 1970s. -
A Preservation Plan for the Fred Harvey Houses
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2010 Branding the Southwest: A Preservation Plan for the Fred Harvey Houses Patrick W. Kidd University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Kidd, Patrick W., "Branding the Southwest: A Preservation Plan for the Fred Harvey Houses" (2010). Theses (Historic Preservation). 144. https://repository.upenn.edu/hp_theses/144 Suggested Citation: Kidd, Patrick W. (2010) "Branding the Southwest: A Preservation Plan for the Fred Harvey Houses." (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/144 For more information, please contact [email protected]. Branding the Southwest: A Preservation Plan for the Fred Harvey Houses Keywords Historic Preservation; Southwest, Railroad Disciplines Architecture | Historic Preservation and Conservation Comments Suggested Citation: Kidd, Patrick W. (2010) "Branding the Southwest: A Preservation Plan for the Fred Harvey Houses." (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/144 BRANDING THE SOUTHWEST: A PRESERVATION PLAN FOR THE FRED HARVEY HOUSES Patrick W. Kidd A Thesis in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements of the Degree of Master of Science in Historic Preservation 2010 ____________________________ Advisor Dr. Aaron V. Wunsch, PhD Lecturer in Architectural History ____________________________ Program Chair Dr. Randall F. Mason, PhD Associate Professor This work is dedicated to all those who strive to preserve and promote our rich rail heritage and to make it available to future generations. -
Hartford Jewish Film Festival Film Festival
Mandell JCC | VIRTUAL Mandell JCC HARTFORD JEWISH HARTFORD JEWISH FILM FESTIVAL FILM FESTIVAL Mandell JCC | VIRTUAL Mandell JCC HARTFORD JEWISH HARTFORD JEWISH FILM FESTIVAL FILM FESTIVAL FEBRUARY 28-APRIL 2, 2021 | WWW.HJFF.ORG Zachs Campus | 335 Bloomfield Ave. | West Hartford, CT 06117 | www.mandelljcc.org FILM SCHEDULE All films are available to view starting at 7:00pm. Viewing of films on the last day can begin up until 7:00pm. All Film Tickets - $12 per household DATE FILM PAGE TICKETS Feb 28-March 3 Holy Silence 11 Buy Now March 2-5 Asia 13 Buy Now March 3-6 Golden Voices 15 Buy Now March 5-8 Advocate 17 Buy Now March 6-9 When Hitler Stole Pink Rabbit 19 Buy Now March 8-11 Here We Are 21 Buy Now March 9-12 ‘Til Kingdom Come 23 Buy Now March 11-14 Sublet 25 Buy Now March 13-16 My Name is Sara 27 Buy Now March 15-18 City of Joel 29 Buy Now March 16-19 Shared Legacies 30 Buy Now March 18-21 Incitement 33 Buy Now March 20-23 Thou Shalt Not Hate 35 Buy Now March 21-24 Viral 37 Buy Now March 23-26 Those Who Remained 39 Buy Now March 25-28 Latter Day Jew 41 Buy Now March 25-26 & 28-30 Mossad 43 Buy Now March 29-April 1 Shiva Baby 45 Buy Now March 30-April 2 The Crossing 47 Buy Now Mandell JCC Ticket Assistance: 860-231-6315 | [email protected] 2 | www.hjff.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 28 1 2 3 4 5 6 HOLY SILENCE GOLDEN VOICES ASIA WHEN.. -
Cornell Alumni Magazine, NY, and Additional Mail C/O Public Affairs Records, 130 East Seneca St., Suite 400, Ithaca, NY 14850-4353
c1-c4CAMjf11 12/16/10 10:18 AM Page c1 January | February 2011 $6.00 Alumni Corne Magazine Ghost World Photos Bridge Ithaca’s Past and Present cornellalumnimagazine.com c1-c4CAMjf11 12/16/10 10:18 AM Page c2 001-001CAMjf11toc 12/17/10 10:35 AM Page 1 January / February 2011 Volume 113 Number 4 In This Issue Corne Alumni Magazine 4 2 From David Skorton Money matters 4 The Big Picture A big blow-up 6 Correspondence Suicide prevention 9 Letter from Ithaca Shirt off their backs 10 From the Hill Oh, the humanities! 14 Sports Wrestle mania 17 Authors It’s all right 24 Summer Programs and Sports Camps 20 40 Wines of the Finger Lakes Swedish Hill Cynthia Marie Port 54 Classifieds & Cornellians in Business 55 Alma Matters 58 Class Notes 95 Alumni Deaths 48 96 Cornelliana 42 Through a Glass, Darkly Conserving a conservatory? FRANKLIN CRAWFORD Urban renewal was kinder to Ithaca than to some Upstate cities, but over the past cen- Currents tury many stately buildings have still been lost—from Ezra Cornell’s Free Circulating Library to Alonzo Cornell’s mansion to the grand old Strand Theatre. In a series of photos recently exhibited at the History Center of Tompkins County, former visiting professor Mark Iwinski captures the ghostly images of bygone structures superimposed 20 Flour Power over what stands in their place. Often, it isn’t pretty. Milling the old-fashioned way Starry Nights 48 Vegging In Cosmic storyteller BETH SAULNIER Eat Different Promoting a plant-based diet When the Moosewood Restaurant served its first meal thirty-eight years ago this month, the owners were still trying to figure out how to run the steam table (and the entrée Learning Curve was two hours late). -
Cornell Alumni Magazine
c1-c4CAMja12_c1-c1CAMMA05 6/18/12 2:20 PM Page c1 July | August 2012 $6.00 Corne Alumni Magazine In his new book, Frank Rhodes says the planet will survive—but we may not Habitat for Humanity? cornellalumnimagazine.com c1-c4CAMja12_c1-c1CAMMA05 6/12/12 2:09 PM Page c2 01-01CAMja12toc_000-000CAMJF07currents 6/18/12 12:26 PM Page 1 July / August 2012 Volume 115 Number 1 In This Issue Corne Alumni Magazine 2 From David Skorton Generosity of spirit 4 The Big Picture Big Red return 6 Correspondence Technion, pro and con 5 10 10 From the Hill Graduation celebration 14 Sports Diamond jubilee 18 Authors Dear Diary 36 Wines of the Finger Lakes Hermann J. Wiemer 2010 Dry Riesling Reserve 52 Classifieds & Cornellians in Business 35 42 53 Alma Matters 56 Class Notes 38 Home Planet 93 Alumni Deaths FRANK H. T. RHODES 96 Cornelliana Who is Narby Krimsnatch? The Cornell president emeritus and geologist admits that the subject of his new book Legacies is “ridiculously comprehensive.” In Earth: A Tenant’s Manual, published in June by To see the Legacies listing for under - Cornell University Press, Rhodes offers a primer on the planet’s natural history, con- graduates who entered the University in fall templates the challenges facing it—both man-made and otherwise—and suggests pos- 2011, go to cornellalumnimagazine.com. sible “policies for sustenance.” As Rhodes writes: “It is not Earth’s sustainability that is in question. It is ours.” Currents 42 Money Matters BILL STERNBERG ’78 20 Teachable Moments First at the Treasury Department and now the White House, ILR grad Alan Krueger A “near-peer” year ’83 has been at the center of the Obama Administration’s response to the biggest finan- Flesh Is Weak cial crisis since the Great Depression. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
Discussion Questions for Appetite for America by Stephen Fried
Discussion Questions for Appetite for America by Stephen Fried 1. Why did Western railroad passengers eat a trackside restaurants rather than in dining cars? 2. How and why did Fred Harvey create the first national chain of restaurants (and later hotels)? 3. How and why were the famous Harvey Girls invented? 4. Did Fred Harvey’s businesses change attitudes about gender and race in America? 5. Why did the Fred Harvey company later go into the dining car business--and compete against itself by still running trackside restaurants? 6. How and why did Fred Harvey and the Santa Fe Railroad turn New Mexico and Arizona into major international tourist attractions? 7. How did family issues affect the business after Fred Harvey was no longer involved? 8. How did Fred Harvey assure that his name and his standards would live on after his death? 9. How and why did Fred Harvey's heir Ford go into business with Native American artisans? 10. What role did the Fred Harvey operation at the Grand Canyon play in the development of western tourism and the national parks? 11. What early restaurant and hotel chains were influenced by Fred Harvey? 12. There are examples of Harvey House restaurants’ generosity, during the Great Depression, for instance. “It was company policy never to let anyone who couldn’t afford to pay to leave hungry.” (Chapter 37: Loaves and Fishes). Are there examples of this today or are such practices entirely a thing of the past? 13. What role did the Fred Harvey Indian Detours play in the development of Santa Fe as one of the nation's top tourist attractions? 14. -
Get the Latest at Forward.Com 1
GET THE LATEST AT FORWARD.COM 1 GET THE LATEST AT FORWARD.COM Culture Shira Haas talks collaging, quarantine routine, and learning Russian for her latest film By Irene Katz Connelly Shira Haas and Ruthy Pribar wanted to make sure I wasn’t I asked Haas and Pribar about the challenges of filming “Asia,” filming our interview. their quarantine routines, and their favorite ways to unwind. (Spoiler: They don’t.) The following conversation has been That’s because they were curled up on a couch in Pribar’s Tel edited for length and clarity. Aviv apartment, sharing the same blanket. They may be two of the Israeli film industry’s most exciting up-and-comers, and Irene Katz Connelly: I want to ask you a little bit about how they certainly spent much of the last year racking up awards at you’re working right now, since COVID has messed with virtual film festivals while the rest of us baked sourdough, but everyone’s routines. What’s the first thing you do when you they looked like old friends recovering from a long sleepover. wake up? The chatty, informal vibe belied the big career moment that Haas: Well, first of all I wake up very delayed, so I immediately Haas, 26, and Pribar, 39, are very rightly enjoying. We spoke via turn off my alarm. I hear the first sound and I’m like, “Enough.” I Zoom as they prepared for the American debut of “Asia,” a film try not to touch my phone when I wake up, but sometimes it’s directed by Pribar and starring Haas, at the Tribeca Film challenging. -
Wellington Programme
WELLINGTON 24 JULY – 9 AUGUST BOOK AT NZIFF.CO.NZ 44TH WELLINGTON FILM FESTIVAL 2015 Presented by New Zealand Film Festival Trust under the distinguished patronage of His Excellency Lieutenant General The Right Honourable Sir Jerry Mateparae, GNZM, QSO, Governor-General of New Zealand EMBASSY THEATRE PARAMOUNT SOUNDINGS THEATRE, TE PAPA PENTHOUSE CINEMA ROXY CINEMA LIGHT HOUSE PETONE WWW.NZIFF.CO.NZ NGĀ TAONGA SOUND & VISION CITY GALLERY Director: Bill Gosden General Manager: Sharon Byrne Assistant to General Manager: Lisa Bomash Festival Manager: Jenna Udy Publicist (Wellington & Regions): Megan Duffy PROUDLY SUPPORTED BY Publicist (National): Liv Young Programmer: Sandra Reid Assistant Programmer: Michael McDonnell Animation Programmer: Malcolm Turner Children’s Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Content Manager: Hayden Ellis Materials and Content Assistant: Tom Ainge-Roy Festival Accounts: Alan Collins Publications Manager: Sibilla Paparatti Audience Development Coordinator: Angela Murphy Online Content Coordinator: Kailey Carruthers Guest and Administration Coordinator: Rachael Deller-Pincott Festival Interns: Cianna Canning, Poppy Granger Technical Adviser: Ian Freer Ticketing Supervisor: Amanda Newth Film Handler: Peter Tonks Publication Production: Greg Simpson Publication Design: Ocean Design Group Cover Design: Matt Bluett Cover Illustration: Blair Sayer Animated Title: Anthony Hore (designer), Aaron Hilton (animator), Tim Prebble (sound), Catherine Fitzgerald (producer) THE NEW ZEALAND FILM -
Shabbat Vayishlach 5781 Connecting to Israel Through TV
Shabbat Vayishlach 5781 Connecting to Israel through TV: My Favorite Israeli Shows Streaming Now, and What They Say About Israel Today Rabbi Alex Freedman Shabbat shalom! Let's begin with a joke: What did Moses share in common with most American Jews? He always talked about making Aliyah but never actually did! OK, I'm being unfair to Moses, a man who devoted himself endlessly to the People Israel. It made him sick that G-d did not let him enter the Promised Land. (Even though - brace yourselves - Moses actually did set foot in Israel. More on that later). These weeks, many synagogues are following the lead of the American Zionist Movement and hosting a Zionist Shabbat to strengthen the connection between our communities and Israel. Thanks to Sandy Starkman for encouraging this. The AZM does wonderful things to bring us closer to Israel, and our own Rabbi Kurtz is a former president of the AZM. Clearly, the best way to connect to Israel is to go there, to “Kum Hit’halech Ba’aretz,” to walk about it with your own two feet. To feel with your own heart that you’ve returned home. To see with your own eyes the golden hue of Jerusalem stone as the sun sets. To hear with your own ears “Shabbat shalom!” from every direction everywhere you go on Fridays. To taste with your own mouth the heavenly combination of warm, soft, fresh pita bread, savory hummus and crunchy-on-the-outside falafel. Israel, the land of milki and honey. So what are we to do these days, when we cannot safely travel there because of Coronavirus? Today I want to speak about a relatively new way of connecting to Israel: television. -
Weaving a Legend: Elle of Ganado Promotes the Indian Southwest
New Mexico Historical Review Volume 74 Number 2 Article 3 4-1-1999 Weaving a Legend: Elle of Ganado Promotes the Indian Southwest Kathleen L. Howard Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Howard, Kathleen L.. "Weaving a Legend: Elle of Ganado Promotes the Indian Southwest." New Mexico Historical Review 74, 2 (1999). https://digitalrepository.unm.edu/nmhr/vol74/iss2/3 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Weaving a Legend: Ene of Ganado Promotes the Indian Southwest KATHLEEN L. HOWARD The fascination with the indigenous populations of the Greater Southwest has been and continues to be one of the prime rea sons people visit the region. Native Americans have attracted entrepreneurs, tourists, anthropologists, artists, historians and writers, all of whom have played a role in creating and perpetu ating a romantic image of the "American Southwest" and "In dian Country."1 For more than ninety years, the pleasant, classic visage of a Navajo Indian woman has gazed out at the American public from postcards, playing cards, and the pages of books. 2 Travelers who journeyed to the West over the Santa Fe Railroad between 1903 and 1923 could enjoy a personal encounter with Elle of Ganado as she worked at her blanket loom in the Indian Building next to the Alvarado Hotel in Albuquerque.3 Occasionally, Elle made appearances at fairs and shows representing the "Indian Southwest" on behalf of the Fred Harvey Company and the Santa Fe Railroad. -
Philip Morris Philip Morris and the Arts a 30-Year
I -30 --+-YEA R REPORT - PHILIP MORRIS AND THE ARTS: A 3O-YEAR CELEBRATION THE ART OF ARTS SUPPORT ur support spans a wide range of involvement in the visual and performing arts-from the exploration of the new and innovative to the support ol American culture and international exchange. It follows the basic principle of sound patronage, which encourages quality and freedom of expression. These pages record our association with the arts in an introductory essay and a complete listing of projects and organizations we have supported. We think they paint an accurate picturd'of what arts support can accomplish in the United States and in other countries around the world. Hamish Maxwell Chairman and Chief Executive Officer, Philip Morris Companies Inc COVER: Energt of the Arfs, 1989, mixed-media by Betye Saar. Specially commissioned by Philip Morris Companies Inc. for this publication. Betye Saar is a mixed media artist based in Los Angeles. She works in collage, assemblage, and site-specific installations This report' reflects the involvement of Philip Morris with the arts through 1988 prior to its. purchase of Kraft-.Because of this, Kraft's excellent programming in the arts is not recorded in this report but will follow in the succeeding one. ----.-----30 YEAR REPORT TABLE OF CONTENTS Ct Page 84 € Page 75 Al & 7 lorsrn Anrs AcrnrrrEs s} d t.'\ 7l Museuu Supponr 8l anr Assocrnnons Page 93 84 currumr CnvrEns 85 EnucnrroNar Anrs Pnocn-qMs 85 Hsrorucar Socrsrns Page 26 86 trsRARrEs : 86 lwnnnsano CoNrERrNcEs 87 tnrnarunrTPusucArroNs 4 THnEs Drcnors