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1 a Conversation with Abigail Washburn by Frank
A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band. -
Newsletter #284 County Sales P.O
NEWSLETTER #284 COUNTY SALES P.O. Box 191 March-April 2007 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 FLATT & REB-1820 JOHN STARLING & CAROLINA SCRUGGS STAR “Slidin’ Home” One of the great singers of contemporary Bluegrass and acoustic music, John on NEW DVDS! Starling is back with a superb album that finds him in The big news this month is the release of two DVDs that a perfect setting for his soulful voice. Starling, a feature the legendary, long awaited Martha White Grand founding member of one of the all-time great acous- Ole Opry shows featuring Lester Flatt & Earl Scruggs, and tic bands, the Seldom Scene, was away from ac- originally filmed over 45 years ago. See our brief reviews tively performing for many years while he pursued of the first two volumes on page 2 (about 8 more volumes his career as a surgeon in the medical field. It’s great are projected). We will have these on sale this month for to have him back, especially in a band that is very just $ 18.00 each—they are GREAT. And to celebrate this reminiscent of the Seldom Scene—as well it should good news we are running a special sale on various Flatt & be, condsidering that two members—Mike Auldridge Scruggs CDs this month only (also on page 2). and Tom Gray—were also important & founding members of that group. Unlike the Scene, it’s a group NEW BEAR FAMILY BOXED SETS: without a banjo, but additional members Jimmy Gaudreau (mandolin) and Rickie Simpkins (fiddle) add We have just received our initial supply of two important beautifully to a tasteful and wonderfully musical treat- new Bear Family Boxed sets by BILL MONROE (My ment of some fine Last Days On Earth) and MAC WISEMAN (On Susan’s material. -
2019 Mandolin Camp North Program Guide
1 2 Table of Contents Page Welcome from Camp Director . 4 Camp's Mission Statement / Inviting Your Feedback . 5 Board of Directors / Volunteers. 5 Suggested Packing List . 6 Arrival at Camp: "I've just registered; Now What?" . 7 Camp Etiquette . 8 Audio / Video Recording of Classes and Concerts . .. 8 Did You Forget Something or Want to Stock Up on Snacks? . 8 Prindle Pond Conference Center . 9 Meals, Water, Coffee. 9 Emergency Contact Numbers. 9 Vendors . 10 Guests and Security . 10 Abbreviations and Skill Levels . 11 Jams . 12 Opportunities for Individual Attention . 12 ● “Find Your Level” . 12 ● Coaching Sessions . 12 Beginner Tracks . 13 Faculty Biographies . 13-17 Class Descriptions . 17-23 Other Events . 23 Prindle Pond Map . 24 The WiFi password is 0987654321 Prindle Pond Info/Emergency Info Prindle Pond’s office number is (508) 248-4737 Camp cell phone number is (203) 362-8807 3 Welcome Campers! 2019 is our 19th year at Music Camps North, our second camp as a 501(c)(3) tax-exempt nonprofit organization. Volunteers put this camp together, and we'll be relying on volunteers even more in the future. It's truly a labor of love. We view ourselves as a unique camp--our emphasis is on faculty's personal interaction with campers. You'll dine with faculty and find them available for advice throughout the weekend. Some faculty may even stay up late to jam with you. We've made some changes for the 2019 Camp: ● Me, the Music Director and President. In 2017 Phil Zimmerman let the Board of Directors know he wanted to lessen his Music Camps North duties. -
Time's the Revelator
Time’s the Revelator: Revival and Resurgence in Alt.country and Modern Old-Time American Music Ashley Denise Melzer A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of American Studies (Folklore). Chapel Hill 2009 Approved by: Dr. William Ferris Dr. Robert Cantwell Dr. Patricia Sawin © 2009 Ashley Denise Melzer ALL RIGHTS RESERVED ii ABSTRACT ASHLEY MELZER: Time’s the Revelator: Revival and Resurgence in Alt.country and Modern Old-Time American Music (Under the directions of Dr. William Ferris, Dr. Robert Cantwell, and Dr. Patricia Sawin) This thesis investigates the relationship between the modern old-time and alt.country movements through the comparison of four different female musicians: Abigail Washburn, Rayna Gellert, Gillian Welch, and Neko Case. These four women often pull from the same wellspring of old-time songs/structures/sounds, but their instincts come from exceptionally different places. The disparity between the ways they approach their music, reveals how the push toward modern capitalist industrialism has affected how different artists and communities access and transmit those old-world icons and sounds. Furthermore, their engagement specifically with the topic of gender exposes key tactical differences. Old-time musicians, Washburn and Gellert, work within the strictures of tradition so as to remain in dialogue with their community. Welch and Case play into the experimental bent of alt.country to emotionally affect listeners in order to create discreet, personal connections between themselves and their audience. iii To the ones who listen and love me anyway iv PREFACE In the summer, Florida is so hot the home becomes some dark prison of necessary air conditioning. -
Augusta Online Heritage Workshops
Augusta Online Heritage Workshops Table of Contents Bluegrass......................2 Blues...........................14 Cajun & Creole..........27 Classic Country..........41 Old-Time.....................52 Swing..........................62 Vocal...........................72 1 Augusta Online Heritage Workshops Bluegrass 2 Alan Bibey • Lesson: Enhancing the Melody • We will discuss ways to play melodies in different ways as well as how to weave in and out of a melody. • Zoom Event: Coming Soon! • Bio: For nearly four decades, Alan Bibey has made a name for himself as one of the most creative and technically gifted mandolinists in bluegrass and acoustic music. 3 Eli Gilbert • Lesson: Write and Improvise Your Own Licks • In this intermediate-to-advanced class students will learn to create their own Scruggs, melodic, and single-string ideas using music theory, common fretboard shapes, and ear training. We'll look at ways to improvise with common Scruggs-style licks, create variations, and create new melodic ideas based on melodic and single string patterns, as well as how to apply this information to common songs and instrumental tunes. All necessary music theory information will be included in the lesson. • Zoom Event: Coming Soon! • Bio: Eli Gilbert is a native of North Yarmouth, Maine. After seeing J.D. Crowe and the New South at a local Bluegrass festival Eli decided to pick up the banjo and eventually moved to Johnson City, Tennessee to study Bluegrass at East Tennessee State University. There he had the chance to perform as a member of Jeff Brown and Still Lonesome and the ETSU Bluegrass Pride Band. Eli currently lives in Maine and performs regionally with Laura Orshaw and the New Velvet Band, Tony Watt and Southeast Expressway, and Dreamcatcher. -
Sug-Sept 2021
The Aug/Sept 2021 A publication by the Southwest Bluegrass Association SWBA BOARD OF DIRECTORS The Bluegrass Soundboard STAFF President Vice-President Terry Brewer Marc Nelissen Managing Editor Terry Brewer 661-364-9321 909 289 8730 661-364-9321 [email protected] [email protected] [email protected] Associate Editor Treasurer Secretary Sheila Brewer Paula De Bie Missy Lyn Gibson 951-934-3478 774-248-4128 Regular Contributors [email protected] [email protected] Phoebe Leigh-Suelflow, Rod Tripp, Bert Luontela, Ann Smith, Membership Connie Tripp Patty Sullivan, Chris Jones, Wayne Erbsen, Gary Reid, Tom Isenhour Sheila Brewer 661-305-1554 Distribution 661-364-7415 [email protected] Flo De Bie, Carol Lister, Frank & Patsy Abrahams, [email protected] Susan Brown, Ella Carter, Paula De Bie Louie De Bie Patty Sullivan The Bluegrass Soundboard Deadlines 951-934-3478 909-762-2848 [email protected] [email protected] DECEMBER JANUARY issue November 1st FEBRUARY /MARCH issue January 1st Robert Wheeler APRIL MAY issue March 1st 949-395-0687 JUNE JULY issue May 1st [email protected] AUGUST SEPTEMBER issue July 1st OCTOBER NOVEMBER issue September 1st COMMITTEE CHAIRPERSONS ADVERTISING RATES Soundboard & Web manger Social Media Single Issue Yearly Full page $65 $350 Terry Brewer Terry Brewer, Patty Sullivan, Half page $35 $190 Julie Ann Evans $25 $130 SWBA Host Quarter page Card size $10 $60 Sheila Brewer Advertising Missy Lyn Gibson, Terry Brewer Foe more information concerning advertising Jam Host (including special rates and discounts) Contact Terry Brewer 661-364-9321 [email protected] Howard Doering, Marc Campout Hosts Nelissen, Mark Shutts, SWBA Membership Paula De Bie, Sheila Brewer René Baquet, Robert Wheeler, For member information, change of address, phone and emails. -
November CALENDAR of EVENTS
November CALENDAR 2013 of EVENTS 2020 Addison Street • Berkeley, California • (510) 644-2020 • www.freightandsalvage.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY ALL SHOWS ARE GENERAL ADMISSION DOORS @ 7 PM , MUSIC @ 8 PM Wake Iva (U NLESS OTHERWISE NOTED ) TI C KET DIS C O U NTS : the Dead Bittová Celtic all-star Czech avant-garde YO U TH -HALF PRI C E Grateful dead violinist, singer, (AGES 25 & UNDER ) jam band and composer SENIOR -$2.00 OFF Fall II Classes begin (AGES 65 & OVER ) the week of November 4 EMBERS OFF M -$2.00 see back page for details $28.50 adv/ $24.50 adv/ $30.50 door Nov 1 $26.50 door Nov 2 Sarah Elizabeth CartoonJazz Campbell The Tish Hinojosa Garland Holly Orchestra Benefit Concert Sweetback & Joel Rafael Jeffreys Near big band renditions Blame Sally, Laurie Lewis, great songs from full-on rock and activist, singer, of classic cartoon Tom Rozum, Sisters two world-traveling soulful blues from and songwriter melodies Kathy Kallick, Nina Gerber, “Honky-tonk for troubadours “socially conscious extraordinaire Chris Webster, the modern-day urban poet” Stevie Coyle, Joe Craven, cowboy and girl” Cactus Bob & Prairie Flower, Marley’s Ghost $20.50/$22.50 Nov 3 $22.50/$24.50 Nov 5 $16.50/$18.50 Nov 6 $18.50/$20.50 Nov 7 $24.50/$26.50 Nov 8 $28.50/$30.50 Nov 9 International Freight The Milk Carton Kids Body Music San francisco Chamber “gorgeous contemporary folk” orchestra presents Open Mary Gauthier Banjo Festival “songwriting that packs Thursday & Friday featuring Classical @ the Freight Mic an emotional punch” -
Guitar and Mandolin Camp North 2018 Description of Classes (Alphabetically by Instructor’S Last Name)
Guitar and Mandolin Camp North 2018 Description of Classes (alphabetically by instructor’s last name) Skill level codes: N = Novice B = Beginner AB = LI = Lower I = UI = Upper A = Advancing intermediate Intermediate Intermediate Advanced beginner Russ Barenberg - Guitar 1. Flatpicking Fundamentals - Awareness of a few fundamental technical and musical principles can really help you focus your practicing in the right direction and help you improve faster. We'll examine things like pick direction, producing good tone and how your left hand contributes to tone and fluidity. (I) 2. Playing More Beautifully - We’ll play a slow and relatively simple melody or two and explore what goes into playing them…well, as the title says—more beautifully! This class is for Intermediate to Advanced, but Intermediates, don't be scared! This class is geared to be valuable to both Intermediate and Advanced students. (I/A) 3. The Art of Melody - Learning melodies accurately is an essential first step toward composing solos or improvising. We’ll see why it’s important to learn a song’s melody from a good source and how you can learn about playing melodies more musically on your instrument by listening to good singers. This class is for Intermediate to Advanced, but Intermediates, don't be scared! This class is geared to be valuable to both Intermediate and Advanced students. (I/A) 4. Bringing Fiddle Tunes to Life - Ornamentation, pulse and dynamics can make a fiddle tune sound like the music it’s meant to be. How to do this is not always obvious on a flatpicked instrument. -
August CALENDAR of EVENTS
August CALENDAR 2012 @7 EVENTS "EEJTPO4USFFUt#FSLFMFZ $BMJGPSOJBt tXXXGSFJHIUBOETBMWBHFPSH SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY TICKET DISCOUNTS: YOUTH-HALF PRICE (AGES 25 & UNDER) Brittany Haas the Paul Tito y su Alex De Grassi SENIOR-$2.00 OFF Walter Strauss (AGES 65 & OVER) & Lauren Thorn Band Son de Cuba _VhTV_efcj YZXYV_VcXj MEMBERS-$2.00 OFF Franco Morone Rioux D`feYVc_2^VcZTR_ 4fSR_son guitars T`_eV^a`cRcjWZUU]Vcd ec`fSRU`fc ALL SHOWS ARE GENERAL ADMISSION hZeY`fe Z_ecZTReVYRc^`_ZVd David Jacobs-Strain S`cUVcd DOORS AT 7 PM, MUSIC AT 8 PM `aV_d (UNLESS OTHERWISE NOTED) #!&!RUg ##&!RUg #!&!RUg ##&!RUg ##&!U``c August 1 #%&!U``c August 2 ##&!U``c 2fXfde$ #%&!U``c August 4 the Freight Leonard Akira Tana Peter Apfelbaum/ Misner Open Mic Josh Jones Duo, Gillette Chiyanike & the Secret Natalie Cressman & Smith bring your music `cZXZ_R]RT`fdeZT Brothers to the Freight & Erica Azim Agent Men & Secret Garden R^VcZTR_R T]RddZTT`hS`jd ^fdZT`WeYVR_TVde`c [RkkUcf^^VccZWWd`_ ;RkkU`fS]VSZ]] Lucas Ohio opens dZ_XT`hS`j daZcZed`WKZ^SRShV daj^`gZVeYV^Vd 45cV]VRdVdY`h T]RddZTd #!&! ##&! Df_URj2fXfde& %&! '&! 2fXfde( #!&! ##&! 2fXfde) #!&! ##&! 2fXfde* #!&! ##&! August 10 #!&! ##&! August 11 Freight De Temps Tom Darol Anger Deadly Open Mic Antan McDermott & the Furies Gentlemen, pay your dues, ecRUZeZ`_R]BfÆSÆT`Zd aZR_`dej]Z_Xd R]]deRc play and shmooze ecZ`d|S`f_U]Vdd Wc`^?Vh@c]VR_d string Joy Kills FALL I SERIES CLASSES BEGIN joie de vivre SVj`_U ^RjYV^ THE WEEK OF SEPTEMBER 10TH Sorrow GUITAR tBANJO tUKULELE VaZTW`]\R_UXcRddT`cV -
One Reason That Bluegrass Has Managed to Maintain Its Popularity
Volume 30 • Number 5 INSIDE THIS ISSUE! September • October Dundee, Oregon: A New Bluegrass Capital The Theory of Bluegrass: What’s in a Chord? Notes from the Front 2010 Sound Advice: Hints and Tips... Oregon Bluegrass Association Bluegrass Expresswww.oregonbluegrass.org Through his banjo-picking-pal, Jon developed a great love for the music of Lester Flatt and Earl Scruggs, which opened the door to Doc Watson and many other bluegrass and sort-of- Dundee, A new bluegrass Oregon: capital by Claire Levine bluegrass musicians. For the past 15 years, Jon has lived in Yamhill County, where he runs his own welding business. In the last few years, he has begun experimenting with flatpicking leads. “Sometimes I crash and burn, sometimes I make it.” But he never passes up the chance to take a break. “I’m getting better, but nobody’s threatened by me yet. I’ve got a long way to go.” The path to La Sierra While pizza parlors are common locations for bluegrass jams, you don’t hear about many in Mexican restaurants. Here’s how Jon combined bluegrass and burritos. When he first arrived in Oregon, Jon traveled far for a good jam. His first venture was to the Dallas jam. He credits jams in Ken Cartwright’s Salem Jon, Jeff Biglin and Pam Young are regulars on the patio at La Sierra store for introducing him to many of t the last census, Dundee, Oregon particular – a bluegrass community. His his favorite fiddle tunes, like Angelina Awas home to about 2,600 people twice-monthly jam at La Sierra Mexican Baker (also called Angeline the Baker) living in 921 households. -
CMSA 2015 Austin
August 2015 • Volume XXXII #3 CMSA 2015 Austin: Día de las Mandolinas – October 14–18 by Joane Rylander, Host Committee Chair The state motto of Texas is “Friendship.” The word Texas CMSA website. We recommend that you make your is from the Caddo Indian word teyshas, meaning friends. hotel reservations at the Holiday Inn Austin Midtown The folks with the Austin Mandolin Orchestra are looking (6000 Middle Fiskville Rd.) soon, since they may sell out. forward to spending time with friends–old and new–as Call the hotel at 877-834-3613 and identify that you are we host your CMSA 2015 convention in Austin. In fact, with the CMSA, or book your room through the CMSA the city is rolling out the red carpet by declaring October website at http://classicalmandolinsociety.org/upcoming- 1st Austin Mandolin Orchestra convention.asp to get the special Day! We’ll be playing at city hall to rate of $114 per night. spread the news of the convention. We have chosen the theme Día Austin Bergstrom Airport is about de las Mandolinas, or Days of the 11 miles (or 25 minutes in traffic) Mandolins, and we invite you to join to the hotel. Unfortunately, there is us to make these days to remember. not a public transportation option that we can recommend for this While some plans are still being trip (public buses are available but finalized, we are excited to have would require several transfers). many of the details well in hand, For ground transportation from the which is largely a tribute to the airport, your best options are taxi, hard work and coordination of Lou, SuperShuttle, Car2Go, Lyft or Uber. -
We\)E Each H,Ad, Loue Relat'ionships That Haue Started
KRISTIN ANDREASSEN: "We\)eeach h,ad, Loue relat'ionships that hauestarted and,/orend,ed, i'n the courseof thi's band,,we'ue seei eachother nrLoaeto new placelsand, start and end,other p\ojects, and cut our ha'ir, and,grow our hoir. This U"ii-l,iielniru in the pantheon uith youi family and tluingsyou cant get rid, of." into our by KATY JUNE-FRIESEN "And then," says Groves, "a hooker almost broke hotel room later that night. An angry hooker. She actually did irHE SUM OF THE ambition that frrst brought Uncle Earl damage to the door." is the moment when I toeether was quite modest: to play the old-time and string- 'Yeah," says Gellert. "I would say that l."a music thLy adored with like-minded people' Their au- we knew [the band] was going to take off'" I Merlefest, I di"nc" was negligible, so if it initially seemeda dubious en- On the lineup this year at festivals including deavor, well, no matter. At least they were having a mawelous time. "This band wasn't making any money' this band made no sense in any way," says frddler Rayna GeIIert. "I kept doing it becauseI wanted to be spending time with these people' So it's kind of a bonus that people actually want to hear us'" In the last coupleyears, the band's spirited music and onstage verve has gained Uncle Earl greater distinction than they ever between expected. After releasing the acclaimed She historical research interests. Tlavel and gos- Waits For Night (produced by old-time afrcio- gigs is frlled with political discussion nado Dirk Powell) in 2005, they're now touring sip - truly, they rarely shut uP' it's our friend- behind the Mardr releaseof their secondRounder "Thisjob is our lifestyle, "And Records disc,Waterloo, Tennessee (produced by ship, it's what we do," saysAndreassen.