DOCSLIB.ORG

November CALENDAR of EVENTS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
November CALENDAR of EVENTS November CALENDAR 2013 of EVENTS 2020 Addison Street • Berkeley, California • (510) 644-2020 • www.freightandsalvage.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY ALL SHOWS ARE GENERAL ADMISSION DOORS @ 7 PM , MUSIC @ 8 PM Wake Iva (U NLESS OTHERWISE NOTED ) TI C KET DIS C O U NTS : the Dead Bittová Celtic all-star Czech avant-garde YO U TH -HALF PRI C E Grateful dead violinist, singer, (AGES 25 & UNDER ) jam band and composer SENIOR -$2.00 OFF Fall II Classes begin (AGES 65 & OVER ) the week of November 4 EMBERS OFF M -$2.00 see back page for details $28.50 adv/ $24.50 adv/ $30.50 door Nov 1 $26.50 door Nov 2 Sarah Elizabeth CartoonJazz Campbell The Tish Hinojosa Garland Holly Orchestra Benefit Concert Sweetback & Joel Rafael Jeffreys Near big band renditions Blame Sally, Laurie Lewis, great songs from full-on rock and activist, singer, of classic cartoon Tom Rozum, Sisters two world-traveling soulful blues from and songwriter melodies Kathy Kallick, Nina Gerber, “Honky-tonk for troubadours “socially conscious extraordinaire Chris Webster, the modern-day urban poet” Stevie Coyle, Joe Craven, cowboy and girl” Cactus Bob & Prairie Flower, Marley’s Ghost $20.50/$22.50 Nov 3 $22.50/$24.50 Nov 5 $16.50/$18.50 Nov 6 $18.50/$20.50 Nov 7 $24.50/$26.50 Nov 8 $28.50/$30.50 Nov 9 International Freight The Milk Carton Kids Body Music San francisco Chamber “gorgeous contemporary folk” orchestra presents Open Mary Gauthier Banjo Festival “songwriting that packs Thursday & Friday featuring Classical @ the Freight Mic an emotional punch” November 14 & 15 Extravaganza Theatre A Tempo, $18.50/$20.50 with KeKeÇa, The Haydn with Tony Trischka, Lior Shoov, ground zero The Handsome Sammy Shelor, San Francisco School Project of the and Bill Evans Student Ensemble ben Simon, host hootenany Family 2pm showtime revival $10.50/$12.50 Nov 10 $8.50/$10.50 Nov 11 $4.50/$6.50 Nov 12 $26.50/$28.50 Nov 13 $26.50/$28.50 Nov 16 The Band Slaid Tom Maura The Lucy of Heathens Cleaves Paxton O’Connell Kathy Kallick Kaplansky a potent americana Competition sharply observant lifetime Grammy ireland’s enchanting folk professionally judged and roots rock punch with a dash of original songs contest folk, country, winning traditional consumate Band jamming psychedelia and rock folksinger and singer hot bluegrass singer-songwriter 7:30 showtime Joe Fletcher composer and cool originals opens $18.50/$20.50 Nov 17 $6.50/$8.50 Nov 18 $18.50/$20.50 Nov 19 $26.50/$28.50 Nov 20 $28.50/$30.50 Nov 21 $20.50/$22.50 Nov 22 $26.50/$28.50 Nov 23 Freight Mads Tolling, Can’t make it Volti WeBe3 to the Freight? Too Much Laurie Lewis Open John Santos & Watch the show live, contemporary improvisational vocal choral from trio featuring Dan Zemelman, wherever you are. Coffee Man & the the leading edge Mic Rhiannon, featuring Opera Right Hands Joey Blake a zany, hilarious revel in one of & David Worm an adventure Out of Bounds romantic tribute to bluegrass and every time jazz, rock, and funk with the wonders of coffee traditional music’s string quartet and piano finest $26.50/$28.50 Nov 24 $18.50/$20.50 Nov 25 $4.50/$6.50 Nov 26 $20.50/$22.50 Nov 27 concertwindow.com $20.50/$22.50 Nov 29 $22.50/$24.50 Nov 30 D A Winter’s SOLD OUT E Irish Jazzschool Green Room Night: Cris C Christmas End of Semester Sessions Student Ensemble Williamson E in America The Rock Bottom Boys annual off-beat holiday Performance Dirty Cello Galilei with show from women’s M seasonal song, music pioneer dance, and stories the next generation Jason Eady Neal Conan B of jazz musicians take the freight stage singer-songwriters Celtic music, stories, The Wailin’ Jennys E playing in-the-round and celestial imagery angelic harmonies from the Canadian prairie Friday & Saturday, December 6 & 7 R $22.50/$24.50 dec 1 $10.50/$12.50 dec 2 $14.50/$16.50 dec 3 $20.50/$22.50 dec 4 $24.50/$26.50 dec 5 $38.50/$40.50 Patchwork Series Children’s Show: The Hipwaders Saturday December 21 @ 11 am Classes/Workshop/Jams page 8 • December 8 & beyond page 7 •Ticketing info page 7 A NONPROFIT COMMUNITY ARTS ORGANIZATION • www.freightandsalvage.org About the Freight PERFORMER PROFILES: November 2013 The Freight & Salvage Coffeehouse (Berkeley Wake the Dead Friday November 1 Society for the Preservation of Traditional After more than a decade of solid success blend- Music) is a nonprofit community arts organiza- ing Celtic traditional music with the songs of tion dedicated to promoting the understanding the Grateful Dead, the world’s first Celtic all-star and appreciation of traditional music—music Grateful Dead jam band is bringing its unique rooted in and expressive of the great vari- brand of musical alchemy to the Summer of Love, ety of regional, ethnic, and social cultures of much to the delight of Deadheads, folkies, rockers, peoples throughout the world. We are sup- and lovers of Irish reels. The Jefferson Airplane’s ported by your attendance, grants from the “White Rabbit,” the Youngblood’s “Get Together,” Alameda County ARTSFUND, Berkeley Civic Steven Stills’ “Love the One You’re With”—all Arts Program, The Foundation for Bluegrass receive the band’s unique Celtic twist. “If you Music, Bill Graham Supporting Foundation didn’t know the songs, or hadn’t read the credits,” of the Jewish Community Endowment Fund, says Shaun Dale in Cosmik Debris Magazine, “it The William & Flora Hewlett Foundation, would be easy to get swept up in this music and the Kanbar Charitable Trust, the Walter & imagine that some of the Garcia/Hunter material Elise Haas Fund, the Edmund and Jeannik came from the pen of Turlough O’Carolan. Every Littlefield Foundation, National Endowment segue works, and every song is beautiful.” for the Arts, Bernard Osher Foundation, The band features Maureen Brennan on harp, Cindy Browne on bass, Danny Carnahan on vocals, fiddle, Wells Fargo, musicians’ benefit perfor- octave mandolin, and guitar, Kevin Carr on fiddle, whistles and uilleann pipes, Sylvia Herold on vocals, Paul mances, volunteer efforts, and your generous Kotapish on mandolin, guitar, and jaw harp, and Brian Rice on percussion. Tonight’s show honors the Day tax deductible donations. of the Dead, and you may hear a few rarities, like the Brothers Johnson’s “Cast My Spell on You.” Be sure to wear a flower in your hair, and let Wake the Dead cast a Celtic spell on you. Contact Info Iva Bittová Saturday November 2 2020 Addison Street, Berkeley, CA 94704 When Iva Bittová takes the stage, she brings the audience into an enthralling musical universe. For the listener, the space she creates is TELEPHONE: (510) 644-2020 “so intimate and personal you can almost feel her breath on your ears,” E-MAIL: [email protected] according to CMJ. Performing solo, the Czech composer and improviser WEBSITE: www.freightandsalvage.org extends the range of both the human voice and her violin. Singing, bow- ing, plucking, and dancing simultaneously, she evokes everything from gypsy dances, opera, and avant-garde jazz to birdsong and animal cries. New York Magazine says, “Her sound is invigorating, urgent, and also Board of Directors soothing; it is a fusion of Old World and new-music sensibilities, infused with the spirit and language of Czech, Slovak, and Moravian music.” John Bidwell Steve Meckfessel Chair Vice-Chair Her two most recent recordings demonstrate the expressive range of Russ Pollock John Williamson her work: this year’s Iva Bittová is filled with delicate improvisations, and Secretary Treasurer last year’s Zvon features her voice, backed by the Prague Philharmonia, Polly Armstrong Clyde Leland in orchestral arrangements of her compositions. She’s collaborated with Nancy Castille Nate Levine Bill Frisell, Bobby McFerrin, Bang on a Can All-Stars, and The Calder Larry Chung Ray Murray Quartet, won dozens of awards for her compositions, and performed all Kathleen Crandall Kerry Parker over the world. For a chance to hear a modern musical visionary, catch Iva Bittová at the Freight. John Croizat Sarah Robertson Suzanne Fox David Sawi Robin Flower Linda Tillery CartoonJazz Orchestra Sunday November 3 Peter Glazer Austin Willacy The CartoonJazz Orchestra, led by multi- Barbara Higbie reed man and educator Jeff Sanford, covers the gamut of cartoon-inspired jazz, playing music by such innovative composers as Raymond New Home Committee Scott, John Kirby, and Danny Elfman. If you’ve ever watched Saturday morning television, Co-Chairs: if the name Bugs Bunny rings a bell, or Ren Danny Carnahan and Stimpy, or Homer Simpson, you know Warren Hellman (1934-2011) these zany, wildly colored compositions with their catchy melodies and hair-raising rhyth- mic shifts—they’re embedded in your subcon- scious, etched into your television DNA. Musicians Committee Inspired in part by Don Byron’s brilliant album, Bug Music, Jeff launched the CartoonJazz project at the Stanford Jazz Festival in 2003 after hunting through public archives and private collector libraries Darol Anger Tony Marcus and tracking down many of the charts that Raymond Scott composed for his bands in the 1930s and Duck Baker Mike Marshall ’40s. The first performance was so successful that Jeff continued the project, with members of the band David Balakrishnan John McCutcheon contributing new arrangements and expanding the repertoire. Greg Brown Libby McLaren Tonight’s orchestra features Rolf Johnson, Eric Wayne, and John Worley on trumpets, Tony Davids, Bill Evans Steve Seskin Kaila Flexer Richard Shindell John Hunt, and Rick Walsh on trombones, Fil Lorenz, Dick Mathias, Doug Rowan, Hal Richards, Mary Gibbons Mayne Smith and Jeff on woodwinds, and a rhythm section of Don Bennett, Randy Johnson, Andy Ostwald, Mark Ronnie Gilbert Eric Thompson Rosengarden, and Benny Watson.
Load more

Recommended publications
  • Contemporary Folk Week, July 24-30, 2016
    36 24-30 Contemporary Folk Week celebrates our 25th Anniversary with a world-class staff of returning artist/instructors including our first Master Music Maker, folk legend Tom Paxton and the timeless artistry of Janis Ian. We’re honored to also welcome back favorites from last year and previous years including Grammy-winners Kathy Mattea, Jon Vezner, and Don Henry, folk stalwarts Ellis Paul, Cliff Eberhardt and Amy Speace, vocal coaches Siobhan Quinn and Danny Ellis, and music theory guru Ray Chesna. We welcome an exciting new addition to this year’s staff in one of the leading lights in today’s contemporary folk scene, the wonderful Mary Gauthier. Drawing on tradition and innovation, our instructors bring a world of practical and imaginative experience to help you create and perform the music that makes your heart sing. Whether you’re trying out material at a local ‘open mike’, a performer with some experience, a working musician looking for some help in reaching your next goal, or someone who would simply like to feel more confident pulling that guitar out in front of others, we’re here to help, and our foundations are support, fun, and community. Our top-notch staff, knowledgeable in the various aspects of both the art and business of contemporary acoustic music, can help you achieve your goals. In addition, our limited enrollment and small campus encourage community-building at its best – frequent and informal interaction between students and staff, all doing our utmost to ensure that you go home energized and empowered to make the most of your music in hands-on and meaningful ways.
    [Show full text]
  • Traditional Song
    3 TraditionalSong l3-9 Traditional Song Week realizes a dream of a comprehensive program completely devoted to traditional styles of singing. Unlike programs where singing takes a back seat to the instrumentalists, it is the entire focus of this week, which aims to help restore the power of songs within the larger traditional music scene. Here, finally, is a place where you can develop and grow in confidence about your singing, and have lots of fun with other folks devoted to their own song journeys. Come gather with us to explore various traditional song genres under the guidance of experienced, top-notch instructors. When singers gather together, magical moments are bound to happen! For Traditional Song Week’s ninth year and our celebration of The Swannanoa Gathering’s 25th Anniversary, we are proud to present a gathering of highly influential singers and musicians who have remained devoted over the years to preserving and promoting traditional song. Tuesday evening will be our big Hoedown for a Traditional Country, Honk-Tonk, Western Swing Song and Dance Night. Imagine singing to a house band of Josh Goforth, Robin and Linda Williams and Ranger Doug or Tim May, Tim O’Brien, and Mark Weems! So, bring your boots and hats, your voices and instruments, and get ready to bring on the fun! Our Community Gathering Time each day just after lunch affords us the opportunity to experience together, as one group, diverse topics concerning our shared love of traditional song. This year’s spotlight will feature folks who have been “on the road” and singing for quite a while.
    [Show full text]
  • STREET DATE: April 17, 2012 5% DISCOUNT on New Release Items Through April 24
    APRIL NEW RELEASE GUIDE STREET DATE: April 17, 2012 5% DISCOUNT on New Release Items through April 24 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases April 2012 BONGO BEAT RECORDS! THE DIODES. ACTION/REACTION. 1980 PUNK HARD ROCK LP FINALLY AVAILABLE ON CD 6 BONUS TRACKS Cat: BB 1977-2 REMASTERED BY JOHN WILSON Label: Bongo Beat Records UPC: 777000197725 (MEAT BEAT MANIFESTO) Price: $8.15 EXTENSIVE LINER NOTES xhHHAAAy19772pz INCLUDES “CATWALKER” 7 7700-01977-2 5 (503) 231-0876 / www.bdcdistribution.com 2 BDC New Releases April 2012 Welcome!! Welcome!! Caspar Babypants who has spawned his fifth album, HOT DOG! Kids music that parents will like also (what a concept!). This one has soon-to-be-mama Rachel Flotard from First we hope you’ve all recovered from SXSW - good to see so many of you there - we all Visqueen as a guest. experienced great music and some great food along the way; always a delight! Frank Black has a world beyond The Pixies; several of them actually. In addition to having Marvin the Mandolin Man - you know, that guy from Lone Justice, Marvin Etzioni - brand a happy homelife, he has managed to have outlets under the Black Francis moniker, with new double CD and LP on Nine Mile Records with guests Richard Thompson, LJ bandmate his band The Catholics and in a duo album with his wife Violet Clark under the name of Maria McKee, John Doe, Lucinda Williams, Steve Earle and more: great songs - a labor of .Grand Duchy We have cool vinyl this month from all three aggregations..
    [Show full text]
  • 2018 CA Banjo Extravaganza Banjo Mini-Camp
    The 7th Annual California Banjo Extravaganza Banjo Mini-Camp Featuring 2018 IBMA Banjo Player of the Year Ned Luberecki Toronto clawhammer master Chris Coole & Bill Evans Saturday, November 10, 1 to 4:45 p.m., $70 for two 75-minute workshops of your choice and final all-group Q & A session Freight and Salvage Coffeehouse, 2020 Addison Street, Berkeley Sponsored by Deering Banjos, Peghead Nation, Homespun Tapes, EMG Pickups, Banjo Boy Coffee & Elderly Instruments For Mini-Camp registration, link to: https://www.thefreight.org/event/1773207-7th-annual-california-banjo- berkeley/ And catch the California Banjo Extravaganza in concert at the Freight, Saturday, November 10, 8 p.m.: https://www.thefreight.org/event/1722335-7th- annual-california-banjo-berkeley/ Instruction in both three-finger/bluegrass (Ned Luberecki & Bill Evans) and old- time/clawhammer styles (Chris Coole). For all levels of bluegrass and clawhammer banjo players, Ned Luberecki, Chris Coole & Bill Evans will teach two 75-minute small group sessions from 1 to 3:45 p.m. All participants will come together at 4 p.m. in the main performance hall for a final Q & A session. Your $70 admission is for the entire afternoon of workshop sessions. This is a hands-on, “bring your banjo and let’s pick” afternoon with topics appropriate for all levels of banjo players. Audio and videotaping of workshops are allowed and students can attend any banjo workshop of their choice. Tab examples will be provided at all sessions. Don’t miss this unique opportunity to learn up close from three of the best players and teachers in the world.
    [Show full text]
  • 1 a Conversation with Abigail Washburn by Frank
    A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band.
    [Show full text]
  • W W W . J a S O N S P O O N E R . C
    Has shared stages with: The ingredients behind northern New England’s Jason Spooner Trio Brandi Carlile read like a bizarre musical science experiment. Start with a prolific, Peter Rowan singer/songwriter (Jason Spooner) with heavy roots, folk & blues Railroad Earth influences. Then mix in a classicly-trained bassist (Adam Frederick) with Colin Hay 2007 Winner foundations in jazz and a knack for serious pocket grooves. Lastly, shake Mountain Stage NewSong Willy Porter things up with a rock-solid drummer (Reed Chambers) with deep- Contest International Finals John Gorka seeded roots in funk, soul & reggae and you’ve begun to scratch the Tom Rush surface of this unique, energetic band. Ron Sexsmith Josh Ritter In recent news, Jason and the band confirmed bookings for main stage Stephen Kellogg performances at the 2008 Kerrville Folk Festival (TX), the 2008 Carbon Leaf Falcon Ridge Folk Festival (NY), 2008 Musikfest (PA), the 2008 2007 National Finalist The Wailin’ Jennys Boston Folk Festvial (MA), and the 2008 Prescott Park Festival (NH). Starbucks Music Makers Competition Chris Smither Jason also opened a New England show for songwriter Brandi Carlile Crooked Still during the summer of 2008. Jason won the 2007 Mountain Stage Janis Ian NewSong contest international finals at the South Street Sea Port in Eliza Gilkyson New York City. He was also a national finalist in the 2007 Starbucks Music Kelly Joe Phelps Makers Competition. He toured the East Coast in the Spring of 2006 as Peter Tork part of the Emerging Artist Showcase at the 2005 Falcon Ridge Folk 2006 Preview Tour Slaid Cleaves Festival in Hillsdale, NY.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • The Barns at Wolf Trap Welcomes International Guitar Night; Ari Hest
    January 9, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 or [email protected] The Barns at Wolf Trap Welcomes International Guitar Night; Ari Hest with Special Guest Sarah Siskind; Sonny Landreth and Cindy Cashdollar; Paul Cebar Tomorrow Sound; and Maceo Parker All Shows at The Barns at Wolf Trap 1635 Trap Road, Vienna, VA 22182 International Guitar Night Featuring: Brian Gore, Italy’s Pino Forastiere, Mike Dawes from England, and Quique Sinesi from Argentina Thursday, January 16, 2014 at 8 pm Friday, January 17, 2014 at 8 pm $25-$27 Showcasing extraordinary songwriting and playing skills which demonstrate a high level of both technical ability and musicality, International Guitar Night has become a major force in live contemporary guitar music. This year’s version of North America’s premier touring guitar festival features guitarists from South America, Italy, England, and the United States. American “guitar poet” Brian Gore’s playing contains a “bounce and spaciousness all his own” (Los Angeles Times). He created International Guitar Night in 1995 and has released multiple albums and books on fingerstyle guitar. Italian steel-string guitarist Pino Forastiere fuses the classical, contemporary, and rock genres as he “employs a dazzling blend of slapping, tapping, strumming, altered tunings, and harmonics, combined with classical phrasing and a focus on distinct and addictive melodies” (Guitar Player). English fingerstyle guitarist Mike Dawes has developed a multifaceted repertoire of sound in his short but successful career, fusing Celtic, rock, jazz, and experimental music to create a product all his own. He has gained praise from artists like Gotye, Frank Turner, and Justin Hayward.
    [Show full text]
  • Country Update
    Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 24, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] It’s Sam Hunt, Country Radio Seminar: An Older Folks >page 4 Medium Looks For Youthful Passion Positive Thoughts From CRS Mickey Guyton has yet to earn a hit record, but she still reaches the masses, remaining the most-listened-to media, >page 10 commandeered a standing ovation from broadcasters with a but the actual time spent listening is dwindling, and 18- to new song that was widely regarded as the stand-out musical 34-year-old country fans now devote more time to streaming moment of Country Radio Seminar. in an average week than they do to traditional broadcast radio. Was it a breakthrough moment? That can only be assessed by Additionally, programmers’ beliefs about the audience have not A Drink And A Nod programmers’ responses in the weeks and months ahead, but it kept up with changes in the playing field, or even their customers’ To Warner subtly pointed to radio’s current challenge: Do broadcasters play definition of radio. >page 11 it safe in a crowded media field? Or do they take a chance on a Younger listeners no longer view radio as a place that transmits talented artist who took her own risk on a song music from a tower, researcher Mark Ramsey that has the potential to change a listener’s life? said while unveiling a study of how consumers’ Guyton belted a gut-wrenching piano ballad, perceptions of broadcasting differ with PDs’ Big Machine’s New “What Are You Gonna Tell Her,” during the expectations.
    [Show full text]
  • Yesterday and Today Records March 2007 Newsletter
    March 2007 Newsletter ----------------------------------- Yesterday & Today Records 255A Church St Parramatta NSW 2150 phone/fax: (02) 96333585 email: [email protected] web: www.yesterdayandtoday.com.au ------------------------------------------------------ Postage: 1 cd $2.00/ 2cd $3/ 3-4 cds $5.80* (*Recent Australia Post price increase.) Guess what? We have just celebrated our 18th anniversary. Those who try things we recommend are rewarded. We have stayed in business for one reason and that is we have never attempted to appeal to the lowest common denominator as mainstream outlets do. At the same time we recognise that people do have different tastes and to some CMT is actually good. We also appeal to those people and offer many mainstream items in our bargain bin. But the legends and true country music are our bread butter and will always be. If you see something you think you may like but are worried let us know. If you pass our inquisition we may be able to send it on a sale or return basis. I say inquisition because if your favourite artists are SheDaisy and Rascal Flatts we certainly aren’t going to risk something as precious as Justin Trevino. By the same token we believe great music is timeless and knows no bounds. People may think chuck steak is good until they try the best rump! Recently I had the pleasure of seeing Dale Watson. Before hand I had the added pleasure of sitting in with my compatriot Eddie White (a.k.a. “The Cosmic Cowboy”) for an interview at the 2RRR Studios. Dale is a humble, engaging and extremely likeable man with a passion for tradition.
    [Show full text]
  • VAGRANT RECORDS the Lndie to Watch
    VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen.
    [Show full text]
  • Vegas PBS Source, Volume No
    Trusted. Valued. Essential. SEPTEMBER 2019 Vegas PBS A Message from the Management Team General Manager General Manager Tom Axtell, Vegas PBS Educational Media Services Director Niki Bates Production Services Director Kareem Hatcher Business Manager Brandon Merrill Communications and Brand Management Director Allison Monette Content Director Explore a True American Cyndy Robbins Workforce Training & Economic Development Director Art Form in Country Music Debra Solt Interim Director of Development and Strategic Relations en Burns is television’s most prolific documentarian, and PBS is the Clark Dumont exclusive home he has chosen for his work. Member donations make it Engineering, IT and Emergency Response Director possible for us to devote enough research and broadcast time to explore John Turner the facts, nuances and impact of history in our daily lives and our shared SOUTHERN NEVADA PUBLIC TELEVISION BOARD OF DIRECTORS American values. Since his first film in 1981, Ken Burns has been telling Executive Director Kunique and fascinating stories of the United States. Tom Axtell, Vegas PBS Ken has provided historical insights on events like The Civil War, Prohibition and President The Vietnam War. He has investigated the impact of important personalities in The Tom Warden, The Howard Hughes Corporation Roosevelts, Thomas Jefferson and Mark Twain, and signature legacies like The Vice President Brooklyn Bridge,The National Parks and The Statute of Liberty. Now the filmmaker Clark Dumont, Dumont Communications, LLC explores another thread of the American identity in Country Music. Beginning Sunday, Secretary September 15 at 8 p.m., step back in time and explore the remarkable stories of the Nora Luna, UNR Cooperative Extension people and places behind this true American art form in eight two-hour segments.
    [Show full text]