Pilgrims in Old Uyghur Inscriptions: a Glimpse Behind Their Records
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List of Publications
LIST OF PUBLICATIONS BOOKS 2016 Altuigurische Aparimitāyus-Literatur und kleinere tantrische Texte. (Berliner Turfantexte XXXVI). Turnhout: Brepols, 234 Pp. + 10 Plates. Gudai Weiwueryu zanshi he miaoxiexing shige de yuwenxue yanjiu [Old Uyghur hymns and praises]. Shanghai: Shanghai Classics, XIV + 482 Pp. + 50 Plates. 2015 Gudai Weiwueryu zanshi he miaoxiexing shige de yuwenxue yanjiu [Old Uyghur hymns and praises]. Shanghai: Shanghai Classics, XIV + 482 Pp. + 50 Plates. [With Masahiro Shōgaito, Setsu Fujishiro, Noriko Ohsaki and Mutsumi Sugahara] The Berlin Chinese text U 5335 written in Uighur script. A reconstruction of the Inherited Uighur Pronunciation of Chinese. (Berliner Turfantexte XXXIV.) Turnhout: Brepols, 208 Pp. + 7 Plates. 2010 Prajñāpāramitā Literature in Old Uyghur. (Berliner Turfantexte XXVIII.) Turnhout: Brepols, 319 Pp. + 23 Plates. 2009 Alttürkische Handschriften Teil 15: Die uigurischen Blockdrucke der Berliner Turfansammlung. Teil 3: Stabreimdichtungen, Kalendarisches, Bilder, unbestimmte Fragmente und Nachträge. (Verzeichnis der Orientalischen Handschriften in Deutschland, Bd. XIII 23.) Stuttgart: Franz Steiner Verlag, 309 Pp. 2008 Alttürkische Handschriften Teil 12: Die uigurischen Blockdrucke der Berliner Turfansammlung. Teil 2: Apokryphen, Mahāyāna-Sūtren, Erzählungen, Magische Texte, Kommentare und Kolophone. (Verzeichnis der Orientalischen Handschriften in Deutschland, Bd. XIII 20.) Stuttgart: Franz Steiner Verlag, 264 Pp. 2007 Alttürkische Handschriften. Teil 11: Die uigurischen Blockdrucke der Berliner Turfansammlung. Teil 1: Tantrische Texte (VOHD XIII,19.). Beschrieben von Abdurishid Yakup und M. Knüppel. Stuttgart: Franz Steiner Verlag, 258 Pp. [Catalogue, technical remarks, blibliography and indexes (Pp. 27-258) are by A. Yakup] 2006 Dišastvustik: Eine altuigurische Bearbeitung einer Legende aus dem Catuṣpariṣat-sūtra. (Veröffentlichungen der Societas Uralo-Altaica 71.) Wiesbaden: Harrassowitz. VIII + 176 Pp. 2005 The Turfan dialect of Uyghur. -
Uighur Cultural History
HUMANITIES INSTITUTE Richard Dietrich, Ph.D. UIGHUR CULTURAL HISTORY Contents Religion Art Literature RELIGION Overview The Gök Türk and Uighur states were characterized by religious diversity and played an important role in the history and development of religions in central Eurasia. In addition, the discovery of numerous religious texts in Old Turkic and artwork with religious subject matter has contributed greatly to modern scholars’ understanding of the history, development, beliefs and practices of Central Asian religions in general and Buddhism and Manichaeism in particular. Religion among the Uighur In the early years of the Uighur Empire it is likely that, as in many other matters, the people continued to follow the traditional religion that had predominated among the Gök Türk. However, when the Uighur agreed in 756 to help the T’ang dynasty in the An Lu Shan rebellion (755-763), they inadvertently set in motion a series of events that would result in major religious changes. Following the second capture of the city of Lo-yang in 762, the Uighur ruler Bögü Kaghan spent several months in the city, and became acquainted with the beliefs of its large Sogdian Manichaean community. Bögü Kaghan returned to his capital Ordu Balik with four members of this community, and shortly afterwards the question of whether the Uighur state should accept Manichaeism was the subject of an intense debate. Over the strong opposition of some officials, the kaghan decide in favor of adopting Manichaeism, making the Uighur Empire the only major state to do so. The extent to which Manichaeism was accepted by the Uighur is unclear, but it does appear that at the very least the Uighur elite converted to Manichaeism. -
Theatrical Figures in the Mural Paintings of Kucha 1
THEATRICAL FIGURES IN THE MURAL PAINTINGS OF KUCHA ROBERT ARLT AND SATOMI HIYAMA 1. Repetitive Presence of a Pair of Male Figures in Kuchean Paintings Careful observation of the wall paintings of the Kucha region led us to notice that a pair of male figures with specific appearances is repeatedly illustrated in various narrative scenes. One of them is a young man characterized by his unique hairstyle: a shaven head with several (mostly three) hair tufts atop. He wears a long and broad shawl, which is hanging directly from the back of his head, and a loincloth, leaving his upper body naked. He is decorated with large round earrings, as well as a necklace, armbands, and a bejewelled garland. His skin tone is often rendered darker than that of other figures. The other half of this pair, in contrast, is an old man, whose face bears a lot of wrinkles. This figure wears a bandana-like headdress or tied cloth, which may be best described as a turban. His clothing consists of a round-necked shirt (which sometimes looks like a caftan) and trousers, covering all of his body. He often wears an additional robe covering a part of his shirt and pants as well. Table 1 gives an overview of the mural paintings in which these figures can be observed with certainty. It draws on Grünwedel’s records, historical photographs taken by the German expeditions, modern photographs taken at the site and in art-collections outside China featuring mural paintings from Kucha. As the table shows, these figures most frequently appear in sermon scenes with the Buddha preaching. -
Karakoram Himalayas and Central Asia. the Buddhist Connection
RUDN Journal of World History 2018 Vol. 10 No 2 109–125 Вестник РУДН. Серия: ВСЕОБЩАЯ ИСТОРИЯ http://journals.rudn.ru/world-history DOI: 10.22363/2312-8127-2018-10-2-109-125 KARAKORAM HIMALAYAS AND CENTRAL ASIA. THE BUDDHIST CONNECTION K. Warikoo Jawaharlal Nehru University New Delhi 110067, INDIA The Karakoram-Himalayan region is the cradle from where ancient Indian culture in- cluding Buddhism spread to different directions in Central Asia, East Asia and South East Asia. Gilgit, Chilas, Chitral, Baltistan, Ladakh, Zanskar and other frontier areas have been important mileposts on the famous Silk Route. Buddhist savants from India contributed to the spread of Buddhism in Central Asia and East Asia. One of the eminent scholars was Kumarajiva (344–413 AD) who broke political, geographical, cultural and linguistic barriers for propaga- tion of Buddhism. Hieun Tsiang mentions four important centres of Buddhism in Central Asia – Shan-shan (Kroraina), Khotan, Kucha and Turfan. Kashmir played an important role in intro- ducing Buddhism to Khotan, which in turn played a key role in the transmission of Buddhism to China. Several important places on the Silk Route system such as Kucha, Balkh, Bamiyan, Khotan, Kashgar etc. developed into important centres of Buddhism when parts of Central Asia and north-western India were integrated into a single kingdom under the Kushans.) Keywords: Karakoram-Himalayas, Gilgit, Chilas, Chitral, Baltistan, Zanskar, Ladakh, Kashmir, Kucha, Kashgar, Khotan, Buddhism, Kumarajiva, Hiuen Tsianmg, Lotus Sutra, Kan- ishka, Palola Sahis) Introduction. Abutting the borders of Afghanistan, China, Pakistan and India and being situated in close proximity to Central Asia, the Karakoram-Himalayan region has been an important constituent of India’s trans-Himalayan communica- tion network in the continent and beyond. -
07 Carl Silkrd 4-Panel
Carleton College Alumni Adventures Dear Adventurous Carleton Alumni and Friends, It is our great pleasure to invite you to join us on a journey into the heart of China, a vast and varied land where all the great religions of the ancient world have left significant monuments, and where armies and caravans of traders have contested for control of the rich resources found at both ends of the legendary Silk Road. Through the architectural and artistic monuments preserved across the region, you will have a chance to better understand the complex religious, cultural and political forces that have shaped the history of the peoples who live there. The sites from the ancient capital of the Chinese empire, Chang’an (modern day Xi’an), through the oasis city states of Dunhuang and Turpan, to the central Asian city of Kashgar, vividly illustrate the rich multicultural heritage of this important global trade route. Buddhism, Islam, Christianity, Manicheanism, as well as other religions, spread and flourished across the Asian continent from the 5th century B.C. to the 18th century A.D. We are very excited to share our love and knowledge of Asian art and culture through the lens of this fabled region. Along the way, we will also observe the rapid transitions that are sweeping through China today, transforming it into a dynamic political and economic force in the region and the world at large. We also encourage you to take part in an optional extension to Beijing, which will include exclusive access to areas of the celebrated Forbidden City not open to the general public, a tour of Beijing’s residential areas by sanlunche (pedi-cab), an intimate discussion with a local family in their home, and a private cocktail reception in an artists’ warehouse in the Dashanzi Contemporary Art Zone. -
Reshaping the Jātaka Stories: from Jātakas to Avadānas and Praṇidhānas in Paintings at Kucha and Turfan
BSRV 29.1 (2012) 57–83 Buddhist Studies Review ISSN (print) 0256-2897 doi: 10.1558/bsrv.v29i1.57 Buddhist Studies Review ISSN (online) 1747-9681 Reshaping the Jātaka Stories: from Jātakas to Avadānas and Praṇidhānas in Paintings at Kucha and Turfan TIANSHU ZHU UNIVERSITY OF MACAO [email protected] ABS T RAC T Kucha was the major Buddhist center on the Northern Route of the Silk Road, and well known for being dominated by the Sarvāstivāda school for most of its history. Replacing the jātaka story, the avadāna story (story of causation) became the major theme depicted on the ceiling of the central- pillar caves in this area (fifth–seventh centuries). Turfan is another impor- tant cultural center in Central Asia where Buddhism once flourished. The praṇidhāna (or ‘vow’) painting, which was based on the Bhaiṣajyavastu, a vinaya text of the Mulasarvāstivāda school, was a unique subject normally appearing on the walls of Buddhist caves in Turfan (ninth–twelfth centu- ries). Both the avadāna and praṇidhāna stories are derived from jātaka stories, with significant shifts of focus, as well as of the format of the nar- rative. In this paper, through studying the avadāna and vow paintings at Kucha and Turfan, and comparing them with jātakas in early Buddhist art, I attempt to show how jātaka stories were transformed for different doctri- nal messages of Buddhist teaching in some late ‘Hīnayāna’ schools, namely Sarvāstivāda and Mulasarvāstivāda, and how the visual representations mirror the narrative styles in Buddhist texts. Key words jātaka stories, avadāna, praṇidhāna, Kucha, Turfan, Buddhist art Śākyamuni’s actions, especially as portrayed in stories of his previous incarna- tions as a bodhisattva, serve as guides and inspirations for Buddhist followers, as they exemplify the path of becoming a Buddha. -
Silk Road Suitcase Seminar TRACING CHINA’S ANCIENT CARAVAN ROUTES September 5 to 25, 2011
STANFORD TRAVEL/STUDY Silk Road Suitcase Seminar TRACING CHINA’S ANCIENT CARAVAN ROUTES September 5 to 25, 2011 a program of the stanford alumni association URUMQI MARKET One of the world’s most epic journeys is without question the fabled Silk Road. Though named for its famous silk trade, the route also act- ed as a conduit for the gold, ivory, and exotic plant and animal trade. Traveling overland from Beijing to Central Asia through China’s remote northwest is not an undertaking for an inexperienced trav- eler, though the rewards are great for those who endure: art-filled Buddhist caves in Dunhuang, the oasis city of Turfan, Kashgar’s famed livestock bazaar and an unforgettable mix of exotic peoples and cultures. Our caravan is led by Travel/Study’s modern-day Marco Polo, Professor Lyman Van Slyke, veteran of over 35 Stanford programs in Asia and the driving force behind this itinerary. This journey is not to be missed. BRETT S. THOMPSON, ’83, DIRECTOR, STANFORD TRAVEL/STUDY Highlights E XPLORE markets and D ISCOVER the Buddhist S TAND in the shadow of mosques of oasis cities grottoes of Dunhuang and Da Fo (“Great Buddah”), along the route of ancient Bezeklik, caves filled with a 235-foot-high statue caravans, including the art that were commissioned of Buddah carved into a vibrant market of Kashgar. by rich merchants looking cliff face in the Leshan to win favor with Buddah. mountains. PRAYER WHEELS AT LABRANG MONGOLIA Urumqi Turfan G o b i D e s e r t Kashgar Beijing Dunhuang Xiahe C HINA Xian Shanghai gtze River an Chengdu Y NEPAL BHUTAN INDIA TAIWAN starting point for caravans SUNDAY, SEPTEMBER 11 leaving China for the XIAN / LANZHOU / Itinerary arduous trek west into XIAHE (LABRANG) Fly to Lanzhou. -
Devotion to Tārā in Tangut Buddhism
DEVOTION TO TĀRĀ IN TANGUT BUDDHISM —BASED ON AN ART EXPLORATION OF TĀRĀ MURALS IN DUNHUANG CAVES A Dissertation Presented to the Faculty of the Department of Religious Studies at University of the West In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Religious Studies By Xiaoyang Zhang May 2021 Approval Page for Graduate Approved and recommended for acceptance as a dissertation in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Religious Studies. Xiaoyang Zhang Candidate May 4, 2021 Devotion to Tārā in Tangut Buddhism —Based on An Art Exploration of Tārā Murals in Dunhuang Caves APPROVED: Darui Long May 10, 2021 Chair Shi Zhiru May 6, 2021 Committee Member Miroj Shakya May 10, 2021 Committee Member I hereby declare that this dissertation has not been submitted as an exercise for a degree at any other institution, and that it is entirely my own work. © 2021 Xiaoyang Zhang ALL RIGHTS RESERVED Abstract Devotion to Tārā in Tangut Buddhism —Based on An Art Exploration of Tārā Murals in Dunhuang Caves By Xiaoyang Zhang This dissertation aims to reveal Tangut Buddhists’ devotion to Tārā through a detailed art analysis of Tārā murals in Tangut caves from the Dunhuang area, together with religious and historical discussions on Tangut Buddhism and the Tangut caves in Dunhuang. Dunhuang was a sacred site for Tangut Buddhists and Tangut-occupied Dunhuang for nearly one and a half centuries. Over eighty caves were created and reconstructed by Tanguts in the Dunhuang area. The three Tārā murals are painted in cave no. -
Aug 31, 2016 the Life of the Buddha at Chinese Buddhist Cave Complexes
The life of the Buddha at Chinese Buddhist cave complexes in Northwestern and Central China Dessislava Vendova Columbia University SRA2015-2 My dissertation topic and the main aspect of my PhD research is on Buddha’s extended biography which includes the narratives of his past lives (known as jataka tales) and also the story of his last life as Gotama Sakyamuni and I’m particularly interested in examining the role of the narrative and visual representations of the Buddha’s life story for the early spread of Buddhism. The tentative title of my doctoral dissertation is: “The Great Life of the Body of Buddha: Re- examination and re-assessment of the images and narratives of the life of Buddha Shakyamuni”. My dissertation will be a textual and iconographic re-examination of the connections between Buddhist narratives (and in particular the extended biography of the Buddha) and Buddhist images and will be focusing on the exploration of the connections between textual and iconographic representations of Buddha’s lives stories, and also the body of Buddha as depicted in Buddhist narratives and their visual iconic representations and will be a reassessment of the role and significance of narratives about the life of the Buddha and the produced images for the spread of Buddhism from India through Central Asia to China. Buddhist images, Buddhist cave temples and the role of visual representation of narratives at early Buddhist sites seems have undoubtedly had a very significant role for the spread of Buddhism and is a phenomenon that started in India, developed in Central Asia and then found new development in China. -
The Development and Dissemination of the Buddha Image Chukyi Kyaping Ursinus College, [email protected] Adviser: Hugh Clark
Ursinus College Digital Commons @ Ursinus College History Honors Papers Student Research 4-25-2016 The ninU tended Legacy of Hellenism: The Development and Dissemination of the Buddha Image Chukyi Kyaping Ursinus College, [email protected] Adviser: Hugh Clark Follow this and additional works at: https://digitalcommons.ursinus.edu/history_hon Part of the Asian Art and Architecture Commons, Asian History Commons, Buddhist Studies Commons, and the Chinese Studies Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Kyaping, Chukyi, "The ninU tended Legacy of Hellenism: The eD velopment and Dissemination of the Buddha Image" (2016). History Honors Papers. 2. https://digitalcommons.ursinus.edu/history_hon/2 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in History Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. The Unintended Legacy of Hellenism: The Development and Dissemination of the Buddha Image Chukyi Kyaping April 24, 2016 Submitted to the faculty of Ursinus College in fulfillment of the requirements for Honors in History “The Unintended Legacy of Hellenism: The Development and Dissemination of the Buddha Image” Chukyi Kyaping and Hugh Clark (Mentor), History In the first and second century CE, the first images of an anthropomorphic Buddha emerged from the region of Gandhara in the northern Indian subcontinent that later served as the foundation for subsequent representations of the Buddha. This marked a significant shift in the perception of the Buddha, by which point Buddhism had transformed from a philosophy into a religion. -
China-13-Index
1030 ©Lonely Planet Publications Pty Ltd altitude sickness 896, 1014 Bǎoshān region 681-4 ancient settlements 27 Bāotóu 858-9 Bànpō neolithic village 366 Bǎoxiāng Temple 659 Hóngcūn 381 Barkhor 885 Jiāngtóuzhōu 592-3 Bāshā 620 Jiāohé ruins 787 Bayanhot 846-7 Luótiáncūn 434-5 bazaars, see markets Píngyáo 15, 346-50, 346, 15, 27 beaches tǔlóu 19, 270, 280-3, 566-7, 18 Běidàihé 142 Wǔfū 289 Běihǎi 605 Wùyuán 437-8 Bó’áo 578-9 Xiàméi 288 Dàlián 297 798 Art District 79 Xīdì 380-1 Dōngjiāo Coconut Plantation 575 Yúyuán 265 Hǎinán 569 a Ānhuī 44, 375-95, 376 Hong Kong 475 accommodation 982-5, 1017-18, 1022 climate 377 Macau 522 see also individual locations costs 377 Pǔtuóshān 267 acrobatics highlights 376 qīngdǎo 164-5 Běijīng 101, 102 Huángshān 385-90, 386 Sānyà 581-2, 21 Dūnhuáng 832 Huīzhōu villages 380-5 Shāndōng 144 Guǎngzhōu 540 travel seasons 375 Shíméi Bay 580 Shànghǎi 211 travel to/from 377 Sun & Moon Bay 580 activities 985 travel within 377 Xīngchéng 307 Yángjiāng 554 birdwatching 331, 628-30, 650-1, Túnxī 377-80, 378 675, 873, 972-3 weather 375 Yāntái 173 boat trips 27, 288, 475, 542, 557, animism 940 Yuè Liàng Wān 576 beer 951-2 589, 608, 622, 719, 773-5, 765, Ānshùn 624-6, 626 814, 849 Běidàhú Ski Resort 316 architecture 963-6 caving 455 Běidàihé 142 concession-era 122-4, 161-5, cycling 87, 330-1, 572, 592, 595, 599, 185-92, 277, 384, 418-9, 467, Běihǎi 605-8, 606 655-6, 683, 796, 822, 1001, 21 512, 541 Běijícūn (North Pole village) 332-3 hiking 29, 170-1, 247, 342, 387-8, Huīzhōu 384 Běijīng 16, 50-112, 52-3, 56, 83, 391, 402-3, -
Pilgrims in Old Uyghur Inscriptions Full Article Language: En Indien Anders: Engelse Articletitle: 0
_full_alt_author_running_head (neem stramien B2 voor dit chapter en dubbelklik nul hierna en zet 2 auteursnamen neer op die plek met and): Mein- ert and Sørensen _full_articletitle_deel (kopregel rechts, vul hierna in): Pilgrims in Old Uyghur Inscriptions _full_article_language: en indien anders: engelse articletitle: 0 204 Raschmann Chapter 8 Pilgrims in Old Uyghur Inscriptions: A Glimpse behind Their Records Simone-Christiane Raschmann 1 Introduction The remains of Old Uyghur Buddhist scriptures of varying content, as well as records and documents of Buddhist communities and monasteries which are preserved in numerous Central Asian collections worldwide, clearly demon- strate the widespread and fairly long-lasting Buddhist orientation of the Uy- ghurs and their affiliation to different Buddhist schools or varieties of Buddhism.1 In addition, colophons added to the copies of Buddhist texts and cartouches added to Buddhist wall paintings deliver information on transla- tors, writers, readers and sponsors.2 Finally, a significant number of Old Uy- ghur inscriptions were left by pilgrims at various sites. But, as far as we know today, indigenous records on Buddhist pilgrimages like those of the famous Chinese Buddhist monastic travellers Faxian (ca. 340–before 423, 法顯), Xuanzang (600/602–664, 玄奘), and others, are just as limited as manuals or descriptive itineraries for pilgrimage in Old Uyghur Buddhist literature.3 1 Cf. amongst others, Jens Wilkens, “Buddhismus bei den türkischen Völkern Zentralasiens,” in Der Buddhismus II: Theravada-Buddhismus und tibetischer Buddhismus, ed. Manfred Hutter (Stuttgart: Verlag W. Kohlhammer, 2016), 469–490; Jens Wilkens, “Buddhism in the West Uyghur Kingdom and Beyond,” in Transfer of Buddhism Across Central Asian Networks (7th to 13th Centuries), ed.