Movement, Meaning and Affect: the Stuff Childhood Literacies Are Made Of

Total Page:16

File Type:pdf, Size:1020Kb

Movement, Meaning and Affect: the Stuff Childhood Literacies Are Made Of Movement, meaning and affect: the stuff childhood literacies are made of DANIELS, Karen Diane Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/21513/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version DANIELS, Karen Diane (2018). Movement, meaning and affect: the stuff childhood literacies are made of. Doctoral, Sheffield Hallam University. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Movement, meaning and affect: The stuff childhood literacies are made of Karen Dianne Daniels A dissertation submitted in partial fulfilment of the requirements of Sheffield Hallam University for the Doctorate in Education February 2018 [Type text] Dedications I would like to thank my friends and colleagues, past and present, who live out positive visions for the world through the work that they do. I could not have done this work without you. I would like to thank my two doctoral supervisors, Professor Cathy Burnett and Professor Guy Merchant. They have been the very best of teachers and their unwavering support, guidance, advice, encouragement and endless patience has been invaluable. I would like to thank my colleagues who work in Teacher Education at Sheffield Hallam University and make it an exciting place to be. I would also like to thank the members of the Language and Literacy Research in Education research group. Our lively and challenging discussions have been so important. Thank you too, to the class teacher and the children in this study. You allowed me to join in with you over the course of the fieldwork and beyond. I want to thank my parents, Doreen and David Harris, who have always taken such good care of me and taught me from an early age to ask questions and value education. I thank Stuart for believing in me and being my friend. Last but certainly not least, I dedicate this work to my two daughters, Carly and Catherine. I acknowledge to you both that this really is ‘Your Song’. i Abstract This thesis emanates from an ethnographically informed study involving a close examination of the multiple ways that meaning making emerges in children’s ongoing, self-initiated activity. I adopt a poststructuralist frame which provides conceptual tools of emergence, movement and affect and pay attention to activity that spontaneously arose across children. I present a detailed description of the significance of movement in young children’s meaning making that involves the re- shaping, re-imagining and repurposing of materials and classroom areas. Movements are seen as integral to children’s symbolic meaning making and the kinds of practices that emerge. I make four contributions to knowledge through presenting new insights into movement during the process of meaning making in one Early Years settings as follows. I have shown the way children’s interest played out in their movement and identified three prevalent interest/ movement formations. I have underlined the importance of movement by illustrating the ways in which movement is deeply implicated within material arrangements of the classroom. I have suggested that the quality or dynamics of movement are related to affective atmospheres. Through juxtaposing movement, materials and classrooms, I have generated a conceptual framework for analysing the way in which agency is distributed across children’s moving bodies, the classroom, and its materials. My account of children’s activity has implications for the way that teachers might work to: see literacy as a collective endeavour deeply implicated with available materials be open to diverse pathways to literacy learning acknowledge literacy development as a non-linear trajectory take account of children’s spontaneous exploratory movement in classrooms take account of the way that movement contributes to the affective atmospheres in classrooms offer children opportunity for spontaneous exploration of meanings, real and imagined, so allowing diverse child-generated sites for participation forge broader understanding of the relationship between literacy and play ii Table of contents Dedications ……………………………………………………………………………... i Abstract ………………………………………………………………………………….. ii Table of contents ……………………………………………………………………….. iii Chapter 1. Introduction 1.1 A personal introduction and some professional concerns ……………………… 1 1.2 Thinking with theory and looking through lenses ………………………………... 2 1.3 It is just about what children do ……………………………………………………. 3 1.4 A brief outline of the thesis …………………………………………………………. 4 Chapter 2. Literacy defined in a statutory curriculum and literacies in everyday life: autonomous views and sociocultural accounts …………………………….. 8 2.1 Introduction …………………………………………………………………………… 8 2.2 Contrasting home and school experiences from sociocultural perspectives ….. 9 2.3 Young children, print literacies and early education contexts: constructed disjuncture ……………………………………………………………………………….. 12 2.4 Researching literacy as an ideological practice ……………………………..….. 17 2.5 Literacy in the statutory curriculum: an autonomous view of standardised literacy ……………………………………………………………………………………. 18 2.6 The problem with researching literacy from an autonomous view ……………... 21 2.7 Meaning making, culture and developing understandings of young children’s literacy practices …………………………………………………………………………. 23 2.8 Insights from seminal ethnographies exploring young children’s literacy practices from a sociocultural perspective ……………………………………………………….. 25 2.9 Chapter summary …………………………………………………………………….29 Chapter 3. Expanding notions of literacy: sociocultural and sociomaterial perspectives ……………………………………………………………………………. 31 3.1 Introduction …………………………………………………………………………... 32 3.2.1 Agency and social theory ……………………………………………………….... 32 3.2.2 Young children as cultural agents ……………………………………………….. 34 3.2.3 Taking up literacies and children as agents ……………………………………. 36 iii 3.3.1 Semiosis and young children’s meaning making practices …………………… 36 3.3.2 Meaning, modes and representation ……………………………………………. 38 3.3.3 Synaesthesia and affordances ………………………………………………...… 41 3.3.4 Semiosis and participation in the cultural world of the classroom ………...…. 42 3.4 Drawing relationships between play, the meanings children make and early literacy …………………………………………………………………………………….. 43 3.5.1 Materials and classrooms ………………………………………………………… 46 3.5.2 Play, literacy and materials ………………………………………………………. 47 3.5.3 Classroom materials as ‘tools’ for literacy instruction …………………………. 49 3.5.4 Digital tools shaping new literacy practices ……………………………..……… 51 3.5.5 Classrooms as organised learning spaces for early literacy ...……………….. 53 3.5.6 Classroom time as a resource …………………………………………………… 54 3.6 Chapter summary and research questions ………………………………………. 56 Chapter 4. A methodology for observing young children’s meaning making practices ………………………………………………………………………….……… 59 4.1 Introduction ………………………………………………………………………….. 59 4.2 Justifying an ethnographic approach……………………………………………… 60 4.3 Systematic empirical inquiry through observation in a naturalistic setting ….… 63 4.4 Introducing the research setting ……………………………………………..……. 65 4.5 A snapshot of a typical field visit …………………………………………………… 67 4.6 Summary of data generated during the fieldwork and moving towards inductive processes …………………………………………………………………………………. 69 4.6.1 Photographing children’s activity in the learning environment ………………. 69 4.6.2 Field notes …………………………………………………………………………. 69 4.6.3 Filming episodes of children’s activity ……………………………………………71 4.7 Reflective log and reflections on the data generation process ……………….. 73 4.8 The crisis of legitimacy and the crisis of representation ……………………..… 73 4.8.1 The challenge of the least adult role ……………………………………………. 74 4.8.2 Challenges or researcher bias in observation …………………………………. 77 4.9 Ethical considerations in observing young children’s activity in a iv school setting …………………………………………………………………………….. 79 4.9.1 Protecting the rights and interests of participants ……………………………... 80 4.9.2 Children as research participants ……………………………………………...... 81 4.9.3 The ethical challenges of filming children ………………………………………. 84 4.9.4 Gaining children’s ongoing consent to be observed and filmed …..…………. 85 4.10 Moving from data to inductive analysis and coding ………………………….. 86 4.10.1 The process of inductive coding ……………………………………………….. 90 4.10.2 Refining the focus ……………………………………………………………..... 90 4.11.1 Tools of analysis : Analysis of micro-movements ……..…………………….. 93 4.11.2 Analysis by movement mapping ………………………………………………. 96 4.12 Further analysis: identifying interest/movement formations ……………...….. 97 4.13 Movement as multi-scalar ……………………………………………………... 101 4.14 Representation of the data ………………………………………………………. 102 4.15 Chapter summary ………………………………………………………………… 103 Chapter 5. The Frozen © Spot Tray: Converging interest …………………….. 105 5.1 Introduction ………………………………………………………………………….105 5.2 Introducing the episode …………………………………………………………… 107 5.3 The spot tray ………………………………………………………………………... 107 5.4 Narrative account 1 ………………………………………………………………… 108 5.5 Narrative account 2 ………………………………………………………………… 113 5.6 Converging movement/interest ………………………………………………...... 116 5.7 Converging movement/ interest and dynamics of activity ……………………... 117 5.8 The significance of movement in the episodes …………………………………. 119 5.9 Walking and negotiating classroom spaces …………………………………….
Recommended publications
  • Netflix and the Development of the Internet Television Network
    Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
    [Show full text]
  • Clara Wieck Schumann
    Volume 7, Issue 2 The Kapralova Society Journal Fall 2009 A Journal of Women in Music Clara Schumann: A Composer’s Wife as Composer Eugene Gates In an age when musical talent in a as little as I spoke. But I had female was seldom developed beyond the always been accustomed to level of an accomplishment--a means of en- hear a great deal of piano hancing her matrimonial prospects--Clara playing and my ear became Schumann, née Wieck, received an envi- more sensitive to musical able musical education, and enjoyed a bril- sounds than to those of liant performing career that kept her before speech.2 the public for more than half a century. Best remembered today as one of the foremost Clara inherited her prodigious musical pianists of the nineteenth century, and as the gifts from both parents. Friedrich Wieck devoted wife and musical helpmate of Rob- (1785-1873), though largely self-educated in ert Schumann, Clara Schumann was also music (he held a degree in theology), was a highly respected during her lifetime as a shrewd businessman and a remarkable composer1--a fact rarely mentioned in music teacher of piano and singing. Obsessed with history textbooks. This article examines her a burning ambition to acquire musical distinc- Special points of interest: life and works, and the forces that impeded tion, he was also an opportunist who ex- her progress as a musical creator. ploited the talents of his immediate family to The details of Clara Wieck's early enhance his reputation as a teacher.3 years are preserved in a diary which Clara's mother, Marianne Tromlitz Clara Schumann Friedrich Wieck, her father-teacher- Wieck (1797-1872), was an uncommonly tal- Jennifer Higdon manager, began for her when she was ented singer and pianist.
    [Show full text]
  • Music in Poetry and Poetry in Music: Tumanian's Anush
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2015 Music In Poetry And Poetry In Music: Tumanian's Anush Beata Asmik Navratil Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1068 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC IN POETRY AND POETRY IN MUSIC: TUMANIAN’S ANUSH By BEATA NAVRATIL A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2015 ©2015 BEATA NAVRATIL All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Musical Arts James R. Cowdery Date Chair of Examining Committee Norman Carey Date Executive Officer Stephen Blum Zdravko Blažeković Tatjana Markovic Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC IN POETRY AND POETRY IN MUSIC: TUMANIAN’S ANUSH by Beata Navratil Advisor: Professor Stephen Blum The poem Anush by the Armenian poet Hovhannes Tumanian (1869–1923) is rooted in traditional Armenian music. Tumanian’s poem reflects a number of manifestations thereof: (1) It borrows in its style from Armenian lyrical songs (such as lalik and khagh), from the parerg style (the traditional dance-song), and from the voghb style (laments such as funeral laments, bayati, and tragic odes).
    [Show full text]
  • Media – History
    Matej Santi, Elias Berner (eds.) Music – Media – History Music and Sound Culture | Volume 44 Matej Santi studied violin and musicology. He obtained his PhD at the University for Music and Performing Arts in Vienna, focusing on central European history and cultural studies. Since 2017, he has been part of the “Telling Sounds Project” as a postdoctoral researcher, investigating the use of music and discourses about music in the media. Elias Berner studied musicology at the University of Vienna and has been resear- cher (pre-doc) for the “Telling Sounds Project” since 2017. For his PhD project, he investigates identity constructions of perpetrators, victims and bystanders through music in films about National Socialism and the Shoah. Matej Santi, Elias Berner (eds.) Music – Media – History Re-Thinking Musicology in an Age of Digital Media The authors acknowledge the financial support by the Open Access Fund of the mdw – University of Music and Performing Arts Vienna for the digital book pu- blication. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche National- bibliografie; detailed bibliographic data are available in the Internet at http:// dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial-NoDeri- vatives 4.0 (BY-NC-ND) which means that the text may be used for non-commercial pur- poses, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contacting rights@transcript- publishing.com Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder.
    [Show full text]
  • Explorations in Semantic Parallelism
    Explorations in Semantic Parallelism Explorations in Semantic Parallelism James J. Fox Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Fox, James J, 1940 - author. Title: Explorations in semantic parallelism / James J. Fox. ISBN: 9781922144690 (paperback) 9781925021066 (ebook) Subjects: Semantics. Parallelism (Linguistics) Dewey Number: 401.43 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Nic Welbourn and layout by ANU Press Printed by Grifn Press This edition © 2014 ANU Press Contents Acknowledgments ..................................vii Dedication ....................................... xi Comparative Issues 1. Introduction ...................................3 2. Roman Jakobson and the comparative study of parallelism .. 19 3. Trajectories in the continuing study of parallelism ........ 41 4. Semantic parallelism in Rotenese ritual language ......... 91 5. ‘Our ancestors spoke in pairs’ ..................... 129 6. On binary categories and primary symbols ............ 149 7. Category and complement ....................... 181 8. Exploring oral formulaic language .................. 201 The Traditional Oral Canon 9. Genealogies of the Sun and Moon .................. 219 10. Manu Kama’s road, Tepa Nilu’s path ................ 229 11. Genealogy and topogeny ........................ 265 12. Blood-red millet: An origin narrative ................. 277 13. Admonitions of the ancestors: Giving voice to the deceased .............................. 283 14. To the aroma of the name: The celebration of a ritual of rock and tree .............................. 295 The Christian Oral Canon 15.
    [Show full text]
  • Applying a Rhizomatic Lens to Television Genres
    A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here.
    [Show full text]
  • Narrative Strategies in the Dream Songs Cooper Childers
    Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2009 "A Long Wonder the World Can Bear & Be" : Narrative Strategies in The Dream Songs Cooper Childers Follow this and additional works at: http://mds.marshall.edu/etd Part of the Literature in English, North America Commons, and the Poetry Commons Recommended Citation Childers, Cooper, ""A Long Wonder the World Can Bear & Be" : Narrative Strategies in The Dream Songs" (2009). Theses, Dissertations and Capstones. Paper 531. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. "A Long Wonder the World Can Bear & Be": Narrative Strategies in The Dream Songs Thesis Submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in English by Cooper Childers Dr. Mary B. Moore, Ph.D., Committee Chairperson Dr. Chris Green, Ph.D. Dr. Janet Badia, Ph.D. May 2009 ABSTRACT This thesis examines the narrative development of The Dream Songs while viewing Henry as the locus and the impetus of the various narrative strategies deployed therein. Through the abundance of generic and literary allusions present in The Dream Songs, Berryman's sequence functions both to engage and to interact with the Western literary canon. The first chapter of this thesis locates The Dream Songs within Petrarchan sequences. The second chapter treats Henry's and the unnamed speaker's local language and shows how their competing speech genres inform the sequence's modes.
    [Show full text]
  • The Episodes in Virgil's Aeneid
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1945 The Episodes in Virgil's Aeneid James E. Busch Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Classical Literature and Philology Commons Recommended Citation Busch, James E., "The Episodes in Virgil's Aeneid" (1945). Master's Theses. 82. https://ecommons.luc.edu/luc_theses/82 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1945 James E. Busch THE EPISODES IN VIRGIL'S AENEID BY JAMES E. BUSCH, C. P. ~ THESIS SUBMITTED IN PARTIAL FULFILLMENT or THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LOYOLA UNIVERSITY NOVEMBER 1945 VITA James Edwin Busch. C. P. was born in Chicago, Illinois. June 23, 1916. After receiving his elementary eduoation at St. Viator's Grammar Sohool, Chioago. Illinois, he entered the Passionist Preparatory Seminary at Normandy, Missouri. in September, 1930. He was graduated from the Preparatory Seminary and entered the Novitiate of the Passionists at Louisville, Kentuoky, in June, 1935. Atter a year at Louis­ Ville, Kentuoky. he was ,transferred to Detroit, Miohigan, where he studied Philosophy. In 1939. he finished his three year Philosophy oourse and received his BaChelor of Arts degree at Detreit, Miohigan. He returned to Chioago.
    [Show full text]
  • TIP 57 Trauma-Informed Care in Behavioral Health Services
    A TREATMENT IMPROVEMENT PROTOCOL Trauma-Informed Care in Behavioral Health Services TIP 57 A TREATMENT IMPROVEMENT PROTOCOL Trauma-Informed Care in Behavioral Health Services TIP 57 U.S. DEPARTMENT OF HEALTH AND HUMAN SERVICES Substance Abuse and Mental Health Services Administration Center for Substance Abuse Treatment 1 Choke Cherry Road Rockville, MD 20857 Trauma-Informed Care in Behavioral Health Services Acknowledgments This publication was produced under contract numbers 270-99-7072, 270-04-7049, and 270­ 09-0307 by the Knowledge Application Program (KAP), a Joint Venture of The CDM Group, Inc., and JBS International, Inc., for the Substance Abuse and Mental Health Services Administration (SAMHSA), U.S. Department of Health and Human Services (HHS). Andrea Kopstein, Ph.D., M.P.H., Karl D. White, Ed.D., and Christina Currier served as the Contracting Officer’s Representatives. Disclaimer The views, opinions, and content expressed herein are the views of the consensus panel members and do not necessarily reflect the official position of SAMHSA or HHS. No official support of or endorsement by SAMHSA or HHS for these opinions or for the instruments or resources described are intended or should be inferred. The guidelines presented should not be considered substitutes for individualized client care and treatment decisions. Public Domain Notice All materials appearing in this volume except those taken directly from copyrighted sources are in the public domain and may be reproduced or copied without permission from SAMHSA or the authors. Citation of the source is appreciated. However, this publication may not be reproduced or distributed for a fee without the specific, written authorization of the Office of Communications, SAMHSA, HHS.
    [Show full text]
  • Ineffable Twaddle
    Ineffable Twaddle “It is my business to know what other people don’t know.” The Adventure of the Blue Carbuncle A monthly publication of The Sound of the Baskervilles A Scion Society of the Baker Street Irregulars since Mary 31, 1980 Serving the Greater Puget Sound Region of Western Washington Volume 30, Issue 7 th July 2011 15 Annual Watson Picnic is July 23!! OUR 30TH YEAR In our more than 31 years, we’ve had share!! And, if you’re bringing a loads more than fifteen picnics, but this is dish that needs special utensils, th our 15 consecutive one—aided without fail please bring those as well!! Inside this issue: by Committee Chair Paul Williams. He is PFL David and Terri will again th taking us back to the south shelter at beau- bring plates, napkins, cutlery 15 Annual Watson 1 tiful Seahurst Park in Burien on Saturday, and drinking glasses! Picnic is July 23!! July 23!! The formal running time of our Dr. Burien is easy to get to from all points Sing-Along with 1 John H. Watson Picnic is 11:00 a.m. to 3:00 north, south, east and west! And Seahurst “Dr. Watson and p.m., but parking is always at a premium Park is a gorgeous site, right on the Sound! Mr. Holmes” and construction may force you to park fur- PFL David says there will be a game, but ther away from our shelter—so get there there’s no need to brush up on your athletic “But It’s the Solar 2 early!! skills, because you won’t need any of those! System!” This is a pot-luck, so please bring enough And, watch out because 3-time trophy win- food—salads, main dishes, side dishes, ner John Nelson plans to participate!!! First to Crack the 2 chips, snacks, sweets—and beverages to Don’t miss the fun...it’s always a great day! Case Contributed by Treasurer Al Nelson Sing-Along with “Dr.
    [Show full text]
  • Prospect‟S Descriptive Processes
    1 PROSPECT‟S DESCRIPTIVE PROCESSES THE CHILD, THE ART OF TEACHING, and THE CLASSROOM and SCHOOL Revised Edition Edited by Margaret Himley Revised Edition edited by Lynne Strieb, with Patricia Carini, Rhoda Kanevsky, Betsy Wice First Published by the Prospect Center, Spring 2002 Revised Edition Published online by the Prospect Center, Winter 2011 © The Prospect Archives and Center for Education and Research, North Bennington, VT ©The Prospect Archives and Center for Education and Research, Winter 2011 2 TABLE OF CONTENTS Preface to the Revised Edition 4 Introduction by Margaret Himley 5 THE CHILD 9 The Child: Descriptive Review of the Child 10 [1] “The Child: Descriptive Review of the Child” by Patricia F. Carini, in From Another Angle 10 [2] “A Letter to Parents and Teachers on Some Ways of Looking At and Reflecting on Children” by Patricia F, Carini 13 [3] “Descriptive Review of the Child: Observing and Describing Babies and Adolescents” by Patricia F. Carini 20 [4] “Recollecting and Describing Physical Presence and Gesture,” a group process adapted from Guidelines for Prospect Fall Conference 2002 by Patricia F. Carini and Betsy Wice 25 The Child: Descriptive Review of Children‟s Works 27 [5] “Collecting and Describing Children‟s Works at Prospect” by Patricia F. Carini 27 [6] “Descriptive Review of Children‟s Works in Shared Territory by Margaret Himley 30 [7] “Descriptive Review of Works: Guidelines for Describing Visual Works,” adapted from “Made By Hand,” remarks made by Patricia F. Carini at University of Vermont Workshop with Vermont Writing Project, March, 2007 37 [8] “Descriptive Review of Children‟s Works: Guidelines for Describing Written Work,” adapted from Guidelines for Prospect‟s Fall Conference, 2008 by Patricia F.
    [Show full text]
  • Books Volume V
    Books Volume V The National Herald a b DECEMBER 20, 2008 www.thenationalherald.com Sponsored by the Greek Ministry of National Education and Religious Affairs 2 THE NATIONAL HERALD DECEMBER 20, 2008 ost of the early The National Herald immigrants who A weekly publication of the NATIONAL came to this HERALD, INC. (ΕΘΝΙΚΟΣ ΚΗΡΥΞ), reporting the news and addressing the issues country during the of paramount interest to the Greek American early years of the community of the USA. M20th century are no longer with Publisher-Editor us. The sons and daughters of Antonis H. Diamataris Assistant to Publisher, Advertising those first immigrants to the Veta H. Diamataris Papadopoulos United States are also fast Special Section Managing Editor disappearing. Amongst her Elaine Thomopoulos siblings and friends of that second Production Manager generation, my dear mother, who Chrysoula Karametros just turned 91, remains one of the 37-10 30th Street, LIC, NY 11101-2614 last survivors. To preserve our Tel: (718)784-5255, heritage, the children of the hardy Fax: (718)472-0510, early immigrants must tell of the e-mail: [email protected] challenges and triumphs they and www.thenationalherald.com Democritou 1 and Academias Sts, their parents faced: poverty, hard Athens, 10671, Greece work, prejudice, clinging to their Tel: 011.30.210.3614.598, Greek identity in the “xenitia” Fax: 011.30.210.3643.776, (strange land). In this issue we e-mail: [email protected] Subscriptions by mail: 1 year $59.85, 6 months have included several books that $29.95, 3 months $19.95, 1 month $9.95.
    [Show full text]