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Season 2014-2015
23 Season 2014-2015 Wednesday, January 28, at 8:00 The Philadelphia Orchestra Friday, January 30, at 2:00 Saturday, January 31, Yannick Nézet-Séguin Conductor at 8:00 Kirill Gerstein Piano Beethoven Symphony No. 5 in C minor, Op. 67 I. Allegro con brio II. Andante con moto III. Allegro— IV. Allegro Intermission Shostakovich Piano Concerto No. 2 in F major, Op. 102 I. Allegro II. Andante III. Allegro Shostakovich/from Suite from The Gadfly, Op. 97a: arr. Atovmyan I. Overture: Moderato con moto III. People’s Holiday: [Allegro vivace] VII. Prelude: Andantino XI. Scene: Moderato This program runs approximately 1 hour, 40 minutes. The January 28 concert is sponsored by MEDCOMP. designates a work that is part of the 40/40 Project, which features pieces not performed on subscription concerts in at least 40 years. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 24 Please join us immediately following the January 30 concert for a Chamber Postlude, featuring members of The Philadelphia Orchestra. Brahms Piano Quartet No. 3 in C minor, Op. 60 I. Allegro non troppo II. Scherzo: Allegro III. Andante IV. Finale: Allegro lomodo Mark Livshits Piano Kimberly Fisher Violin Kirsten Johnson Viola John Koen Cello 3 Story Title 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of audiences, and admired for a legacy of imagination and innovation on and off the concert stage. -
View List (.Pdf)
Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No. -
September 1, 2018
September 1, 2018: (Full-page version) Close Window “To achieve great things, two things are needed; a plan, and not quite enough time.” — Leonard Bernstein Start Buy CD Stock Program Composer Title Performers Record Label Barcode Time online Number Sleepers, Awake! 00:01 Buy Now! Wagner Prelude to Act 1 ~ Parsifal Royal Concertgebouw/Haitink Philips 420 886 028942088627 00:14 Buy Now! Strauss, R. Don Juan, Op. 20 (Symphonic Poem) Pittsburgh Symphony/Honeck Reference Recordings 707 030911270728 00:33 Buy Now! Brahms Clarinet Trio in A minor, Op. 114 Schmidl/Dolezal/Schiff London 410 114 028941011428 01:01 Buy Now! Pachelbel Suite in B flat for Strings Paillard Chamber Orchestra/Paillard Erato 98475 745099847524 01:13 Buy Now! Lalo Symphonie espagnole, Op. 21 Mutter/French National Orchestra/Ozawa EMI 547318 n/a 01:48 Buy Now! Geminiani Concerto No. 9 in A I Musici Philips 438 766 028943876629 02:01 Buy Now! Schumann Manfred Overture, Op. 115 Royal Concertgebouw/Haitink Philips 411 104 028941110428 Czecho-Slovak Radio 02:14 Buy Now! Humperdinck Prelude ~ The Canteen Woman Marco Polo 8.223369 4891030233630 Symphony/Fischer-Dieskau 02:23 Buy Now! Nicolai Symphony No. 2 in D Bamberg Symphony/Rickenbacher Virgin 91079 075679107923 03:00 Buy Now! Chopin Two Waltzes, Op. 18 & Op. 34 No. 1 Vladimir Ashkenazy London 414 600 028941460028 03:11 Buy Now! Reicha Horn Quintet in E, Op. 106 Klanska/Panocha Quartet Supraphon 73081 081757308120 03:40 Buy Now! Brahms Violin Sonata No. 2 in A, Op. 100 Perlman/Barenboim Sony 45819 07464458192 04:00 Buy Now! Bach Trio Sonata in G, BWV 1039 Florilegium Channel Classics 14598 723385145981 04:13 Buy Now! Haydn Symphony No. -
Leonide Massine: Choreographic Genius with A
LEONIDE MASSINE: CHOREOGRAPHIC GENIUS WITH A COLLABORATIVE SPIRIT A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN'S UNIVERSITY DEPARTMENT OF DANCE COLLEGE OF HEALTH, PHYSICAL EDUCATION AND RECREATION BY ©LISA ANN FUSILLO, D.R.B.S., B.S., M.A. DENTON, TEXAS Ml~.Y 1982 f • " /, . 'f "\ . .;) ;·._, .._.. •. ..._l./' lEXAS WUIVIAI'l' S UNIVERSITY LIBRAR't dedicated to the memories of L.M. and M.H.F. ACKNOWLEDGMENTS The author wishes to express her appreciation to the members of her committee for their guidance and assistance: Dr. Aileene Lockhart, Chairman; Dr. Rosann Cox, Mrs. Adrienne Fisk, Dr. Jane Matt and Mrs. Lanelle Stevenson. Many thanks to the following people for their moral support, valuable help, and patience during this project: Lorna Bruya, Jill Chown, Mary Otis Clark, Leslie Getz, Sandy Hobbs, R. M., Judy Nall, Deb Ritchey, Ann Shea, R. F. s., and Kathy Treadway; also Dr. Warren Casey, Lynda Davis, Mr. H. Lejins, my family and the two o'clock ballet class at T.C.U. iv TABLE OF CONTENTS DEDICATION • • • . iii ACKNOWLEDGMENTS . iv LIST OF TABLES • . viii LIST OF FIGURES . ix LIST OF ILLUSTRATIONS . X Chapter I. INTRODUCTION . 1 Purpose • • • • • • • . • • • • 5 Problem • • . • • • • • . • • • 5 Rationale for the Study • • • . • . • • • • 5 Limitations of the Study • • . • • • • • 8 Definition.of Terms • . • • . • . • • 8 General Dance Vocabulary • • . • • . • • 8 Choreographic Terms • • • • . 10 Procedures. • • • . • • • • • • • • . 11 Sources of Data • . • • • • • . • . 12 Related Literature • . • • • . • • . 14 General Social and Dance History • . • . 14 Literature Concerning Massine .• • . • • • 18 Literature Concerning Decorative Artists for Massine Ballets • • • . • • • • • . 21 Literature Concerning Musicians/Composers for Massine Ballets • • • . -
January/February 2012
MGS Mission Statement Promote the guitar in all its stylistic and cultural diversity through sponsorship of public forums, concerts, and workshops. Serve as an educational and social link between the community and amateur and professional guitarists of all ages. A Publication of the Minnesota Guitar Society • P.O. Box 14986 • Minneapolis, MN 55414 JANUARY / FEBRUARY 2012 VOL. 28 NO. 1 We Bring the World of Music to You! The Beijing Guitar Duo Zoran Dukić from China at Sundin Hall at Sundin Hall on Sat., Jan. 21st on Sat., Feb. 18th e are delighted that the second half of our 2011 12 o classical guitar duo may be attracting more atten- concert series at Sundin Music Hall starts with the first tion these days than the Beijing Guitar Duo, composed appearance in Minnesota by one of the most celebrated of Meng Su and Yameng Wang, natives of China who Wclassical guitarists in the world, Zoran Dukić. In addition to his Ncurrently reside in the U.S. We are thrilled that they will be our performance on Saturday, January 21st, Dukić will be giving a February guest artists. Their concert is Saturday, Feb. 18th at 8 pm. masterclass (also at Sundin Hall) the next day. See sidebar for more They will conduct a masterclass on Friday the 17th at 2 pm. Both information. Members of our board, and others, who have had the will be at Sundin Music Hall. See sidebars for more info, and for opportunity to hear or meet the artist all rave about his tremendous details of their program. -
A Listening Guide for the Indispensable Composers by Anthony Tommasini
A Listening Guide for The Indispensable Composers by Anthony Tommasini 1 The Indispensable Composers: A Personal Guide Anthony Tommasini A listening guide INTRODUCTION: The Greatness Complex Bach, Mass in B Minor I: Kyrie I begin the book with my recollection of being about thirteen and putting on a recording of Bach’s Mass in B Minor for the first time. I remember being immediately struck by the austere intensity of the opening choral singing of the word “Kyrie.” But I also remember feeling surprised by a melodic/harmonic shift in the opening moments that didn’t do what I thought it would. I guess I was already a musician wanting to know more, to know why the music was the way it was. Here’s the grave, stirring performance of the Kyrie from the 1952 recording I listened to, with Herbert von Karajan conducting the Vienna Philharmonic. Though, as I grew to realize, it’s a very old-school approach to Bach. Herbert von Karajan, conductor; Vienna Philharmonic (12:17) Today I much prefer more vibrant and transparent accounts, like this great performance from Philippe Herreweghe’s 1996 recording with the chorus and orchestra of the Collegium Vocale, which is almost three minutes shorter. Philippe Herreweghe, conductor; Collegium Vocale Gent (9:29) Grieg, “Shepherd Boy” Arthur Rubinstein, piano Album: “Rubinstein Plays Grieg” (3:26) As a child I loved “Rubinstein Plays Grieg,” an album featuring the great pianist Arthur Rubinstein playing piano works by Grieg, including several selections from the composer’s volumes of short, imaginative “Lyrical Pieces.” My favorite was “The Shepherd Boy,” a wistful piece with an intense middle section. -
Eun Sun Kim Conducts Prokofiev Price & Tchaikovsky
MARCH 2020 THOMAS DAUSGAARD, MUSIC DIRECTOR EUN SUN KIM CONDUCTS PROKOFIEV PRICE & TCHAIKOVSKY DAUSGAARD CONDUCTS STRAUSS’ SALOME ALSO THIS MONTH AUBREY LOGAN COUNT BASIE ORCHESTRA Trim: 8.375” x 10.875” Bleed: 8.625” x 11.125” My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Bjorn Stehr Director, Private Wealth Advisor 206-793-4120 [email protected] Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2020 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. CONTENTS MARCH 2020 4 / Calendar 6 / The Orchestra 54 / Benaroya Hall Guide FEATURES 5 / Community Connections 7 / Meet the Musicians 10 / On a High Note 12 / In Conversation with Thomas Dausgaard 55 / The Lis(z)t CONCERTS 14 / March 3 Aubrey Logan with the Seattle Symphony 17 / March 6 & 7 Bach & Telemann 23 / March 8 Celebrate Asia 26 / March 12 & 14 Tchaikovsky Symphony No. 5 AUBREY LOGAN 31 / March 13 14 Tchaikovsky Untuxed 33 / March 19 & 21 R. -
Reconsidering the Nineteenth-Century Potpourri: Johann Nepomuk Hummel’S Op
Reconsidering the Nineteenth-Century Potpourri: Johann Nepomuk Hummel’s Op. 94 for Viola and Orchestra A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Performance Studies Division of the College-Conservatory of Music 2018 by Fan Yang B. M., Hong Kong Academy for Performing Arts, 2008 M. M., Hong Kong Academy for Performing Arts, 2010 D. M. A. Candidacy, University of Cincinnati, 2013 Abstract The Potpourri for Viola and Orchestra, Op. 94 by Johann Nepomuk Hummel is available in a heavily abridged edition, entitled Fantasy, which causes confusions and problems. To clarify this misperception and help performers choose between the two versions, this document identifies the timeline and sources that exist for Hummel’s Op. 94 and compares the two versions of this work, focusing on material from the Potpourri missing in the Fantasy, to determine in what ways it contributes to the original work. In addition, by examining historical definitions and composed examples of the genre as well as philosophical ideas about the faithfulness to a work—namely, idea of the early nineteenth-century work concept, Werktreue—as well as counter arguments, this research aims to rationalize the choice to perform the Fantasy or Potpourri according to varied situations and purposes, or even to suggest adopting or adapting the Potpourri into a new version. Consequently, a final goal is to spur a reconsideration of the potpourri genre, and encourage performers and audiences alike to include it in their learning and programming. -
Boléro." : Bruno Bozzetto’S Animated Music
Bellano, Marco. "Boléro." : Bruno Bozzetto’s Animated Music. New York: Bloomsbury Academic, 2021. 165–176. Bloomsbury Collections. Web. 8 Oct. 2021. <http:// dx.doi.org/10.5040/9781501350894.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 8 October 2021, 07:21 UTC. Copyright © Marco Bellano 2021. Released under a CC BY-NC-ND licence (https:// creativecommons.org/licenses/by-nc-nd/3.0/). You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 7 Bol é ro Description A Coca-Cola glass bottle, thrown away by the angry conductor, gets drawn on paper and used as an inspirational piece by the animator. As the short fi lm begins, the bottle is now fl ying over an empty and eerie landscape, while high-pitched electronic sound effects accompany its trajectory. In the distance stays the silhouette of a landed space vehicle, with a shape not far from that of the command module of the Apollo Moon missions. The bottle seems to have come from there; with a loud thud, it plunges into the ground and leans to the left. Being very close to the point of view, it almost fi lls the screen transversally. It still contains a few drops of Coca-Cola. The spaceship takes off with a roar: the light from its engines outlines the profi le of the bottle. When the sound of the spaceship wanes away, the music of the Bol é ro slowly fades in. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
FILM DATE IMAGE a Midsummer Night's Dream “Puck”
FILM DATE IMAGE A Midsummer Night's Dream 1935 “Puck” Enas Delikanis 1963 (Greek) 7 Faces of Dr. Lao 1964 Manos 1966 “The Hands of Fate” Pink Narcissus 1971 Flesh Gordon 1974 (Satyr-like Beast) Buck Rogers 1981 “The Satyr” Sorceress 1982 The Muppets 1994 “King Midas” Cremaster 4 1994 Saturday Night Live 1995 “Goatboy” (skit) The Island of Dr. Moreau 1996 “Goatman” Satyr (Porn) 1998 Dirty Work 1998 (Balcony Satyr Decors) A Midsummer Night’s Dream 1999 “Puck” Malcolm in the Middle 2000 Charmed 2003 “Nymphs Just Wanna Have Fun” Hercules 2004 “Half God, Half Man, All Power” The Chronicles of Narnia 2005 “The Lion, the Witch and the Wardrobe” Mad TV “Imagitopia” Pan’s Labyrinth 2006 Satan’s Playground 2006 (Satyr Door Knocker) His Majesty Minor 2007 The Water Horse 2007 (Satyr Statue) 300 2007 Epic Movie 2007 Dave Chappelle 2007 Bedtime Stories 2008 The Chronicles of Narnia 2008 “Prince Caspian” DYOSA 2008 Broadway Bares 2008 (Greek Mythology Musical) Asgaard 2008 (Mexican Game Show) Spanish Movie 2009 The Satyr of Springbok Heights 2009 The Death of Pentheus 2009 Drag Me To Hell 2009 (Satyr Goat Demon) My Life In Ruins 2009 (Satyr Postcard clip) History Channel 2009 “Clash of the Gods” Dinner for Schmucks 2010 Black Waters of Echo’s Pond 2010 The Chronicles of Narnia 2010 “The Voyage of the Dawn Treader” Demonicsex 2010 (Satyr Porn) Percy Jackson & the Olympians 2010 “The Lightning Thief” Satyr 2010 Lord Cockworthy 2011 Dark Hallow 2013? https://www.youtube.com/watch?v=s2jRFZkVffA The Family Meal 2010 (Filmed at Satyr Grill) The Candy Flip -
Scholarly Program Notes on the Graduate Voice Recital of Emily Davis Emily Davis Southern Illinois University Carbondale, [email protected]
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School 4-17-2015 Scholarly Program Notes on the Graduate Voice Recital of Emily Davis Emily Davis Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Davis, Emily. "Scholarly Program Notes on the Graduate Voice Recital of Emily Davis." (Apr 2015). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF EMILY DAVIS by Emily Davis B.A. Music, Luther College, 2013 B.A. History, Luther College, 2013 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Music. Department of Music in the Graduate School Southern Illinois University Carbondale May 2015 RESEARCH PAPER APPROVAL SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF EMILY DAVIS By Emily Davis A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Vocal Performance Approved by: Dr. David Dillard, Chair Dr. Diane Coloton Tim Fink Graduate School Southern Illinois University Carbondale April 17, 2015 AN ABSTRACT OF THE RESEARCH PAPER OF EMILY DAVIS, for the Master of Music degree in VOCAL PERFORMANCE, presented on March 22, 2015, at Southern Illinois University Carbondale. TITLE: SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF EMILY DAVIS MAJOR PROFESSOR: Dr.