DOCSLIB.ORG

Lu O at the End of the Century: One Hundred

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lu O at the End of the Century: One Hundred SAH/SCC U.S. Postage o behin^'the-scenes tnoca tour pagel FIRST CLASS MAIL o patrons page 3 PAID Pasadena, CA Permit No. 740 may and june evt C architectural exhibi pa^6 3 LU O bookwaiics page 7 sundays^^sata Sketd) of the Museum of Contemporary Art, Los Angeles, by Arata Isozaki. AT THE END OF THE CENTURY: ONE HUNDRED YEARS OF ARCHITECTURE BEHIND-THE-SCENES SAH/SCC TOUR SATURDAY, JUNE IOTH,10AM In conjunction with The Museum of Contemporary Art's major exhibition, "At The End of the Century: One Hundred Years of Architecture," SAH/SCC is conducting a behind- the-scenes guided tour of the exhibition on Saturday, June 10th, from 10AM to 2PM. The At The End of the Century tour will be guided by SAH/SCC Board Member and MOCA Curatorial Associate, Cara Mullio, and will be followed by lunch in Little Tokyo. Mullio will discuss the thematic structure of the exhibition and the myriad of details involved in curating a large-scale panoramic survey on 20th-century architecture. Conceived by former MOCA director Richard Koshaiek, with design elements by architect Frank Gehry, the exhibition began its international tour in 1998 in Tokyo and then traveled to other destinations around the world, such as Mexico City, Cologne, and Chicago. "At The 7960 Malin Chemosphere House by John Lautner is featured in the exhibition 'At the End of the Century: One Hundred The End of the Century" surveys the range of Years of Architecture' at MOCA through September 24th. (Photo: lulius Shulman) 20th-century architectural culture from the macrocosm of ideal cities to urban Utopias, Rise of Theory in the 1960s and 70s, The film and video footage, and high-resolution themed environments, capitol developments, House as an Aesthetic Laboratory, and The computer films of unbuilt architectural works and the microcosm of domestic living. The Skyscraper: A 20th Century Building Type. produced by MIT's Media Lab. "At The End of exhibition is organized into 21 thematic The documentation on view shows how the Century" will be on view through September sections providing a historical context and architecture is an art of the future, dependent 24th at MOCA at the Geffen Contemporary, pluralistic perspective for understanding on economic, political, social, and demographic 152 N. Central Avenue. contemporary developments. Section highlights factors as well as aesthetic and cultural ones. Tickets for this exclusive SAH/SCC tour are include: Grand Plans at the Turn-of-the- Presenting these ideas are objects ranging from limited. Cost is $40 for members, $55 for non- Century, The Russian Avant-Garde, Modern original and newly commissioned scale models members and includes the tour and lunch. Learning and Living at the Bauhaus, Mass to archival photographs, sketches, and new and Tickets must be pre-paid by mail; orders will be Housing and Villas in the 1920s and '30s, The original drawings. Appropriate to each section processed based on the postmark date. See Politics of Monumentality in 1930s and integrated throughout the exhibition are order form on Page 8. For more information, Architecture, Mass-Produced Housing and multi-media components consisting of film clips, please call Cara Mullio at 213.621.1781 or Industry After World War II, Creation of New large- and small-scale projections of historical 800.9SAHSCC. Capitals in the Second Half of the Century, The SAH/SCC NEWS is published bi-monthly by the Society of Architectural Historians/ Southern Colifomio Chapter. I see a lot of architecture each month. Nearly all of the interesting buildings I visit are not exactly new Subscription is a benefit of to me. I've usually seen them in photographs. The physical experience of visiting them becomes a membership. subconscious resolution of photographic images stored in my head and my real-life passage Editor: Julie D. Taylor through the space. Associate Editor: Linda Won There are more than 300 magazines around the world presenting architectural or interior Internet Editor: Barbara Lamprecht images on their pages each month. Entire television networks are devoted to satisfying our voyeuristic 818.794.5878; [email protected] urge to peek inside other people's homes. The race is on to discover the next new architectural image Executive Assistant: Grace Samudio and broadcast it around the world. Information and ads for the newsletter should It was a treat then, last month, to visit a great house in, of all places, Twenty-Nine Palms. be sent three weeks before the issue date. Though almost 50 years old, and recently restored and enhanced with subtle creativity, the house has Issue Deadline never been photographed. It's hard to describe the excitement of finding a house (especially one in July/ August 2000 June 10th the middle of the desert) that is one of the best looking and most interesting I've seen. September/October 2000 August 10th The best part is that the house, its garden, furnishings, and art are rigorous expressions of the person who lives tfiere. The power of such honesty and creative expression is memorable and rare. Pleose send all ad materials, notices of events, exhibitions and news—plus photographs—^to For me, it was also an adventure in discovery. But this house is extremely photogenic. How long ut in in HI tfie attention of tfie editor: can it stave off the hordes of editors and producers to remain a physical architectural experience, Z Z 2 S rather than a purely visual one? Julie D. Taylor, Editor SAH/SCC News m m in in We are all bombarded by carefully crafted architectural images. For the past 100 years, < < < < photography has been the primary way we collectively experience architecture. But times are P.O. Box 92224 Pasadena, CA 91109-2224 changing and TV is right there with us. Whether it's a show on design, architecture, or do-it-yourself 800.9SAHSCC (800.972.4722) improvement, it seems hard to escape the dizzying effect of touring a home on TV through the Newsletter telephone: 310.247.1099 moving wide-angle lens of a video camera. Newsletter fax: 310.247.8147 How effective, though, is TV at showing us what architecture is about? Are moving images Newsletter e-mail: [email protected] helping us understand our built-environment any better? So far, I don't think so. But as the technology becomes more familiar and the viewers become more demanding of new styles of SAH/SCC Executive Boord President: Ted Wells, [email protected] presentation, television producers will face new challenges in broadcasting visions of our architectural Vice President: Merry Ovnick, dreams. In the process, I hope they can begin to capture some of the spatial and experiential [email protected] excitement of architecture that can't be captured with still images. Secretary: Maria Alvarez This month, we begin a two-part lecture series in conjunction with the Museum of Development Officer: Sion Winship, Architecture that looks at how television presents architecture. Top producers and writers who create [email protected] some of the most respected architecture shows on TV (it's a short list) will discuss the challenges and Preservation Officer: John Beriey Publicist: Alison Cotter solutions they face each day in presenting architecture to the masses. What does this mean for those Treasurer: Rino Rubenstein of us who love and practice architecture? Join us on May 7th and June 18th in San Juan Capistrano to Volunteer Coordinator: Rebecca Kahn find out Advisory Board Liaison: Ezequiel Gutierrez We celebrate the spatial and personal experience of architecture with a unique series of Education Coordinator: Anthony Denzer, events. Modem Patrons, on Sunday, May 21st, and June 25th, offers members at the Patron level and [email protected] above the opportunity to visit celebrated houses with the clients who originally commissioned the Members-ot Large: John Ellis, [email protected]; architecture. This is living architectural history at its best Don't miss it Cara Muliio And wrapping it all up is a very special event on Saturday, June 24th, at the Museum of SAH/SCC Advisory Boord Contemporary Art (MOCA), organized by board member Cara Muliio. This special tour and lunch Ted Bosley, Ken Breisch, Stephen Horby, Elizabeth celebrating MOCA's newest exhibit "At the End of the Century: One Hundred Years of McMillian, Rochelle Mills, Claire Rogger, Richond C. Architecture," will look at the imagery that has defined architecture in the public's mind. It's an event Rowe, Nancy Smith, Robert Winter that can only happen once every 100 years. Since we won't be around for the next one, make sure you sign up for tfiis one. Ufv Membors: Ir) the next two months, SAH/SCC is providing many opportunities to experience the visual Grant Barnes Suzarute W. McCarthy and physical forms of architecture. Maybe you'll discover, as I did last month, a bit of good Kathleen Bbder Elizabeth AAcMillian architectore that is new to you. And remember, the next time you're in Twenty-Nine Palms, kx)k for Mary Dutton Boehm Le Roy Misuroco Bill Bowling Suson W. AAonteith the best house in town. Savor it and keep it a secret Ruth Bowman Doug Moreiond Lynn AAarie Bryant Daniel Muhoz Bente Budc Mark NkM% GwaU E. buck Peter A. Nimmer — TedWelh Bonnie Burton John M. Nisiey ParT>elo Burton ThofTKis O'ConrKsr Mr. & AArs. Sam Campbell Anne Otterson Look for Ted Wells this month as he joins Hue// Howser on PBS for a week of shows where the two of Robert Joy Chattel Helen & David Palmer them visit some of the coolest pools in Palm Springs, on "Visiting with Hue// Howser," wee/cn/g/its at Sara.
Load more

Recommended publications
  • Home & Garden Issue
    HOME & GARDEN ISSUE TeaPartySocietyMagazineNov09:Layout 1 9/30/09 11:16 AM Page 1 NATURALLY, YOU’LL WANT TO DO A LITTLE ENTERTAINING. Sometimes it’s the little moments that Septem matter most. Like when your children New d learn values that last a lifetime. Or laughter is shared for the sheer joy of it. That’s why families find it so easy to feel at home at Sherwood. Nestled in a lush valley of the Santa Monica Mountains, this gated country club community provides a sanctuary for gracious living and time well spent. Of course, with a respected address like Sherwood there may be times when you entertain on a grander scale, but it might just be the little parties that you remember most. For information about custom homesites available from $500,000, new residences offered from the high $1,000,000s or membership in Sherwood Lake Club please call 805-373-5992 or visit www.sherwoodcc.com. The Sherwood Lake Club is a separate country club that is not affiliated with Sherwood Country Club. Purchase of a custom homesite or new home does not include membership in Sherwood Country Club or Sherwood Lake Club or any rights to use private club facilities. Please contact Sherwood Country Club directly for any information on Sherwood Country Club. Prices and terms effective date of publication and subject to change without notice. CA DRE #01059113 A Community 2657-DejaunJewelers.qxd:2657-DejaunJewelers 1/6/10 2:16 PM Page 1 WHY SETTLE FOR LESS THAN PERFECTION The Hearts On Fire Diamond Engagement Ring set in platinum starting at $1,950 View our entire collection at heartsonfire.com Westfield Fashion Square | Sherman Oaks | 818.783.3960 North Ranch Mall | Westlake Village | 805.373.1002 The Oaks Shopping Center | Thousand Oaks | 805.495.1425 www.dejaun.com Welcome to the ultimate Happy Hour.
    [Show full text]
  • Good Work Lives on Casa Del Herrero Staff
    Casa del Herrero ANNUAL REPORT 2018-2019 GOOD WORK LIVES ON CASA DEL HERRERO STAFF Jessica Tade, PhD Executive Director Nichole LaViola Membership and Volunteer Manager Laura Wyles Office Manager José Aguilar Site Manager and Head Gardener Sergio Martinez Gardener Photography throughout this report provided courtesy of Matt Walla and Monie Photography. THANK YOU TO THE SANTA BARBARA FOUNDATION FOR PROVIDING FUNDING TO MAKE THIS PUBLICATION POSSIBLE. 4 ANNUAL REPORT CASA SPECIAL ISSUE 5 Board of Trustees Message from the Executive Director Casa del Herrero board members are engaged volunteers who provide George and Carrie Steedman were fortunate to build a home that leadership in stewarding the historic house museum and gardens. Through their remains a testament to their ingenuity and creative sensibility. The era of combined experience and enthusiasm, the board works to preserve the Casa’s the 1920s great estates is alive and well at Casa del Herrero. Today, I am history in service to the local community. especially proud of our preservation efforts, and our ability to share this important piece of Montecito history with the community. As I reflect on the past year, I am grateful for our family of donors, OFFICERS volunteers, committee members, and our dedicated Board of Trustees. Travis Kranz, PhD, President Together, we have accomplished so much. We completed necessary Meghan Stoll, Vice President restoration on the Pump House electrical wiring, restored the roof on the Christopher C. Hardy, CPA, Treasurer Casa workshop, started the Steedman family archive, and restored a Jennifer Kelly, Secretary number of historic chairs. Additionally, we revitalized the Arizona (cactus) Garden thanks to funding and assistance from the Garden Club of Santa Barbara.
    [Show full text]
  • Spring 2001 ISSN 1521-1576 PRESERVATION®
    VOLUME 26, No. 1 CALIFORNIA Spring 2001 ISSN 1521-1576 PRESERVATION® A QUARTERLY PUBLICATION OF THE CALIFORNIA PRESERVATION FOUNDATION CAN RELIGIOUS SITES BE SAVED? by Roberta Deering Religion and politics. These are two topics and is the least that, in earlier times, were not to be discussed restrictive means at the dinner table. The two topics are inte­ of furthering that grally intertwined, not only in California and compelling This issue: U.S. history, but throughout world history. governmental Though religious freedom and the separation interest." AB 133 l lA 2 of church and state were both cornerstones of is a state law, California much of the early European immigration to passed in 1994, Preservation what became the United States, much of the that limits landmark designations of "noncom­ Conference world's history and today's news involves mercial property owned by a religiously strong interrelationships between religion and affiliated association or corporation not orga­ Preview politics. Just think of the recent decision of the nized for private profit," unless the owner does 4 Taliban rulers of Afghanistan to destroy not object. Such a property could not be 2001 Preservation centuries-old and world- renowned Buddhist designated if the owner objects and if the landmarks. owner publicly determines it will suffer Design Award Closer to home, recent legislative and substantial hardship in terms of economic Winners judicial branch decisions continue this return or reasonable use, or be deprived of country's on-going debate about the free "... the appropriate use of its property in the 12 exercise of religion and the separation of furtherance of its religious mission ..
    [Show full text]
  • HISTORICAL CONTEXT Historical Context
    HISTORICAL CONTEXT Historical Context THE STORY OF THE ALCAZAR GARDENS C"ol G,een"ee 'The past is a foreign country; they spoke a different language there. " The Go-Between (A Cannes Festival award winning film) To trace the history of the Alcazar Gardens of Balboa Park, and to identify their significance as part of San Diego's regional herrtage, this chapter will explore their connections with the Moorish gardens of Spain. This chapter will also link the popular twentieth­ century appreciation of Moorish gardens to the emergence of the Spanish Revival style that became an architectural vernacular in those parts of America which have strong ties to Hispanic history. The importance of the Alcazar Gardens is cultural. in the broadest sense of the tenn. 1 To Americans, the culture represented by these gardens belongs to an unfamiliar time and place: Islamic Spain.2 Because the rich, complex history of Spain is not well understood by most English-speaking park visitors, and because the pattern and symbolism of Moorish gardens are not part of America's cultural literacy, non-Hispanic visitors often need extra help in interpreting the design metaphors of the Alcazar Gardens. 3 For Americans one key that can help unlock some of the seeming mystery of Moorish gardens is an understanding of the term alcazar. This word evolved from the Arab language, and means the (al) fortified palace (casr). In Andalusia this word is pronounced al-KAH-sar, with the accent on the second syllable.4 Each major city in Moorish Spain had its own fortified palace--a large walled compound that contained royal reception and dining AIc.Jzar Garden • Balboa Park San Diego • Califomia rooms, pleasure gardens, business offices, workers' quarters, orchards, food gardens, cisterns, workshops and farm animals.
    [Show full text]
  • COMMUNITY Dtvtlopmtnt
    CITY OFVENTURA COMMUNITY DtVtLOPMtNT Agenda Item: 3 Date: April 25, 2018 To: Historic Preservation Committee From: Scott Kolwitz, Principal Planner (805) 658-475 Dave Ward, AICP, Planning Manager Subject: 5-Day Posting Standards - Significant Architects/Builders - Post Historic Consultant Review Background The Historic Preservation Committee (HPC) implemented the Historic Resources Protection Policies and Procedures on May 24, 2010, in response to General Plan Action item 9.19: For any project in a historic district or that would affect any potential historic resource or structure more than 40 years old, require an assessment of eligibility for State and Federal register and landmark status and appropriate mitigation to protect the resource. The City Council implemented Action item 9.19 by amending Ventura Municipal Code Sec. 2R.450.220 which requires a Historical Resource Assessment for all applications for demolition permits of a building or structure more than 40 years old at the time of application. The 5-day review period was implemented HPC and Planning Division staff to accommodate a streamlined review process, in which Historic Resource Assessments can take 60 days or more (this includes the time for an applicant to research/prepare historical evidence) to appear before the H PC. Discussion Between June 28, 2017, and August 23, 2017, the HPC conducted a series of discussions on the 5-day Posting Standards Document which resulted in the adoption and implementation of the attached revised 5-Day Posting Standards Document on July 26, 2017 (Attachment A). Since July 26, 2017, staff has been providing the revised 5-day Posting Standards Document to potential applicants.
    [Show full text]
  • National Register of Historic Places Inventory
    FHR-8-300 (11-78) United States Department off the Interior Heritage Conservation and Recreation Service National Register of Historic Places Inventory—Nomination Form See instructions in How to Complete National Register Forms Type all entries—complete applicable sections 1. Name historic Steedman Estate / jQT 71985 and/orcommon Casa del Herrero (House of the Blacksmith)___________QHP 2. Location street & number 1387 East Valley Road N/A not for publication city, town Montecito N/A vicinity of congressional district state California code 06 county Santa Barbara code 083 3. Classification Category Ownership Status Present Use district public x occupied agriculture museum y building(s) x private unoccupied commercial park structure both work in progress educational X private residence site Public Acquisition Accessible entertainment religious object in process _X_ yes: restricted government scientific being considered yes: unrestricted industrial transportation x N/A no military other- 4. Owner of Property name Mrs. George E. Bass (Medora Steedman Bass) street* number 1387 East Valley Road city, town Santa Barbara N/A_ vicinity of state California 93108 5. Location of Legal Description courthouse, registry of deeds, etc. Santa Barbara Courthouse city, town >anta Barbara state California 6. Representation in Existing Surveys A Guide to Architecture in Los Angeles x title and Southern California___________has this property been determined elegible? .yes no By David Gebhard and Robert Winter, Published by Peregrine Smith, Inc. date. 19771 f\ ~7 "7 . federal«__•_„_• state_ « _ • _ county local c/o Dr. David Gebhard, Department of Art depository for survey records University of California Santa Barbara city, town state California 7.
    [Show full text]
  • Final Programmatic Environmental Assessment Recurring Actions in Arizona, California, and Nevada December 2014
    Final Programmatic Environmental Assessment Recurring Actions in Arizona, California, and Nevada December 2014 U.S. Department of Homeland Security 1111 Broadway, Suite 1200 Oakland, California 94607 TABLE OF CONTENTS Contents 1. Section 1 ONE Introduction ........................................................................................... 1-1 1.1 Introduction .............................................................................................. 1-1 1.2 Disaster Programs .................................................................................... 1-1 1.3 Regulatory Background ........................................................................... 1-2 1.4 Purpose of This Document....................................................................... 1-3 1.5 Activities Not Covered by This Programmatic Environmental Assessment ............................................................................................... 1-4 1.5.1 Statutory Exclusions .................................................................... 1-4 1.5.2 Categorical Exclusions................................................................. 1-4 1.5.3 Activities Requiring a Stand-Alone Environmental Assessment Instead of a Programmatic Environmental Assessment ................................................................................... 1-5 1.5.4 Activities Requiring an Environmental Impact Statement .......... 1-5 1.6 Activities Covered by the Programmatic Environmental Assessment ..............................................................................................
    [Show full text]
  • California National Historic Landmarks
    NATIONAL HISTORIC LANDMARKS PROGRAM NATIONAL PARK SERVICE LISTING OF NATIONAL HISTORIC LANDMARKS BY STATE CALIFORNIA (145) ABBEY, THE, JOAQUIN MILLER HOME....................................................................................................... 12/29/62 OAKLAND, ALAMEDA COUNTY, CALIFORNIA AHWAHNEE, THE .......................................................................................................................................... 05/28/87 MARIPOSA COUNTY, CALIFORNIA ALCATRAZ ISLAND ....................................................................................................................................... 01/17/86 SAN FRANCISCO, SAN FRANCISCO COUNTY, CALIFORNIA ALMA (Scow Schooner) ................................................................................................................................. 06/07/88 SAN FRANCISCO, SAN FRANCISCO COUNTY, CALIFORNIA ANGELUS TEMPLE ....................................................................................................................................... 04/27/92 LOS ANGELES, LOS ANGELES COUNTY, CALIFORNIA ANZA, JUAN DE, HOUSE .............................................................................................................................. 04/15/70 SAN JUAN BAUTISTA, SAN BENITO COUNTY, CALIFORNIA AQUATIC PARK ............................................................................................................................................. 05/28/87 SAN FRANCISCO, SAN FRANCISCO COUNTY, CALIFORNIA ASILOMAR CONFERENCE GROUNDS
    [Show full text]
  • Memorandum Introduction
    Rincon Consultants, Inc. 209 East Victoria Street Santa Barbara, California 93101 805 319 4092 OFFICE AND FAX [email protected] www.rinconconsultants.com Memorandum To: Laura Yanez, Project Engineer, City of Santa Barbara Public Works From: Susan Zamudio-Gurrola, MHP, Architectural Historian, Rincon Consultants, Inc. Date: April 8, 2019 Re: Olive Mill Road Roundabout Project Consistency of Historical Resources Evaluation Report (HRER) with the City of Santa Barbara Master Environmental Assessment (MEA) Guidelines for Archaeological Resources and Historic Structures and Sites (January 2002), Historic Structures/Sites Report Requirements Introduction Per the attached Historical Resources Evaluation Report (HRER) prepared for the California Department of Transportation (Caltrans), the City of Santa Barbara (City) and County of Santa Barbara (County), with funding from the Federal Highway Administration, propose improvements to the intersection of Coast Village Road/North Jameson Lane/Olive Mill Road and U.S. 101 at post mile 10.5 by creating a new intersection configuration (project). The purpose of the project is to enhance traffic operations and safety for motor vehicle and active transportation users (pedestrians and bicyclists). The project will complete the proposed improvements included in the South Coast Route 101 High Occupancy Vehicle (HOV) Lanes Project-North Segment, where the HOV Lanes Project will add a third lane to the mainline in both directions of travel. This project includes federal funding. A detailed project description is included as an attachment to this memorandum. Caltrans requires that all cultural resources within a project’s Area of Potential Effects (APE) be considered for direct and indirect impacts per Section 106 of the National Historic Preservation Act (NHPA).
    [Show full text]
  • Five-Year Progress Report Cover Photos
    NATIONAL HISTORIC LANDMARKS REPORT ON DESIGNATIONS Five-Year Progress Report Cover Photos: Left: Detail, The Epic of American Civilization, Baker Library, Dartmouth College, Hanover, New Hampshire Upper Right: Denver & Rio Grande Railroad San Juan Extension (Cumbres & Toltec Scenic Railroad), Colorado and New Mexico Lower Right: Old San Juan Historic District, San Juan, Puerto Rico Fort Apache, Joseph Girard, ca. 1875, Arizona As an architectural compendium, the Fort Apache historic district provides a unique physical representation of overlapping Federal policies toward American Indians. Designated a National Historic Landmark as Fort Apache and Theodore Roosevelt School, 2011 Introduction National Historic Landmarks are historic The National Historic Landmarks Program places that illustrate the heritage of the is a grassroots preservation program which United States. Today, just over 2,500 seeks to assist property owners to preserve historic properties bear this national and protect historic properties. Most NHLs distinction. are privately owned and the NHL Program requires the consent of the majority of A National Historic Landmark (NHL) is a owners before proceeding with a National historic building, site, structure, object or Historic Landmark nomination. district that represents an outstanding aspect of American history and culture. NHLs may Designation as a National Historic be a property with the strongest association Landmark ensures that stories of nationally with a turning point or significant event in important historic events, places, or persons our nation’s history; the best property to tell are recognized and preserved for the benefit the story of an individual who played a of all citizens. significant role in the history of our nation; an exceptional representation of a particular building type or technique, engineering method, or architectural style in the country; or provide the potential to yield new and innovative information about the past through archeology.
    [Show full text]
  • Lutah Maria Riggs Papers, Circa 1920-Circa 1984 0000169
    http://oac.cdlib.org/findaid/ark:/13030/kt709nf413 No online items Finding Aid for the Lutah Maria Riggs papers, circa 1920-circa 1984 0000169 Finding aid prepared by Melinda Gandara, Jennifer Whitlock, Alex Hauschild, Shelby Parrot, Jillian O’Connor, Alyssa Uchi, and Chris Marino. The finding aid for this collection was made possible by a Getty Foundation Archival Arrangement & Description Grant. Architecture and Design Collection, Art, Design & Architecture Museum Arts Building Room 1434 University of California Santa Barbara, California, 93106-7130 805-893-2724 [email protected] 2010 Finding Aid for the Lutah Maria 0000169 1 Riggs papers, circa 1920-circa 1984 0000169 Title: Lutah Maria Riggs papers Identifier/Call Number: 0000169 Contributing Institution: Architecture and Design Collection, Art, Design & Architecture Museum Language of Material: English Physical Description: 253.0 Linear feet(126 record storage boxes, 39 flat file drawers, 1 oversize drawing, and 2 models) Date (inclusive): circa 1920-circa 1984 creator: Riggs, Lutah Maria, 1896-1984 -- Archives Access Partially processed collection, open for use by qualified researchers. Custodial History note Gift of Lutah Maria Riggs, 1979. Preferred Citation note Lutah Maria Riggs papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Biographical/Historical note Lutah Maria Riggs was born on October 31, 1896 in Toledo, Ohio. She came to Santa Barbara in 1914 and attended Santa Barbara City Junior College until 1917 when she went on to study at the University of California, Berkeley. She graduated from Berkeley in 1919 with a Bachelor’s degree in Architecture. Just out of school, Riggs found employment as a draftswomen and designer for Ralph D.
    [Show full text]
  • Lutah Maria Riggs
    U.S. Postage SOCIETY OF ARCHITECTURAL HISTORIANS SOUTHERN CALIFORNIA CHAPTER FIRST CLASS MAIL PAID Pasadena, CA Permit No. 740 i P.O. Box 56478, Sherman Oaks, CA 91413. 800.9SAHSCC, www.sahscc.org Lutah Maria Riggs SAH/SCC Exhibition and Tour Saturday, October 9th, 9:45 AM Casa del Herrem, MonleciW Photo: Jurgen Hilmer Organized by SAH/SCC Executive Board Member Sian Winship, the day begins with an exclusive tour of the University Art Museum exhibition Picturing Tradition: lutah Maria Riggs Encounters Mexican Architecture, led by architecture and design curator Kurt Helfrich, In December 1922 and January 1923. Riggs and her employer, architect George Washington Smith (1876-1930), visited some of Mexico's most picturesque towns. Smith commissioned Riggs to sketch and photo• graph the local architecture and architectural details as source material for future designs in Santa Barbara and a book he hoped to publish with Riggs on Mexican architecture. The exhibition features historic drawings and Riggs' black-and-white photographs. Contemporary photographs by noted architect, artist, and SAH/SCC Life Member Stephen Harby will also be featured. Following our visit to the exhibit, the group will be allowed pnvate access to the University's architectural archives to study plans, drawings, and photos for the Riggs-designed estates the group will visit that afternoon in Montecito. After an alfresco luncheon at the beautiful and historic Four Seasons Biltmore Hotel, tour-goers will visit three Montecito properties designed by Riggs. including Casa del Herrero (George Washington Smith and Lutah Maria Riggs. 1923). Originally built for the family of George Fox Steedman, an industrialist from St.
    [Show full text]