A Perfect Match Between Richness of Tone & Ease of Response!

Total Page：16

File Type：pdf, Size：1020Kb

par A perfect match between richness of tone & ease of response! Henri SELMER Paris unveils, with its new brand SeleS, a never before seen saxophone called Axos. This new instrument Axos is made in our factory located in Mantes-la-Ville, France, in the same factory as all other models since 1922. As all our top-of-the- range instruments, this model continues the tradition of craftsmanship manufacturing integrating new industrial techniques. Aiming to make quality instruments available to a greater number of musicians, Axos provides playing comfort with its specially adapted keywork as well as great mechanical reliability. This new saxophone Axos brings with it the heritage of over a century of history and technical knowledge from Henri SELMER Paris, the world leader in saxophone design and production. • Key: E-flat • Leather pads, metal resonator • Finish: colourless lacquer, engraved • Henri SELMER Paris S80 C* mouthpiece • SeleS case Axos is made with the same quality metals as the other Henri SELMER Paris saxophones.The way in which the strategic part of the saxophone, the bore, is treated in our metal workshops is as rigorous as the treatment of the professional models. This guarantees that the Henri SELMER Paris sound identity is found as well on the Axos, a delicate balance between rich harmonics and roundness of sound. A case specially designed for the Axos saxophone, with backpack straps. Lighter socket for an easy blowing Henri SELMER Paris ambassadors recommend Axos Claude DELANGLE John HELLIWELL • International soloist Supertramp • Professor at the Paris Conservatoire “ Axos has totally won “ Axos puts out me over! It is easy to what I put into it! play in the low register It gets a very good and has an especially and powerful sound. full and round sound It takes whatever in the middle register. you can give it. All this while keeping It’s got a good SELMER’s trademark: fat sound!” richness, sound and projection.” SeleS is a new brand created by Henri SELMER Paris respecting the values held by the SELMER family since the creation of the company in 1885. par www.seles.fr.

Copy Link

Recommended publications

Jodyjazz Super Jet Tenor Sax Mouthpiece
Toolshed Sax Dakota SDT-XR 52 Tenor Saxophone Highly Responsive, Aesthetically Detailed he SDT-XR 52 Tenor Saxophone from Sax Dakota is an ergo- King Zephyr saxophone models), and I was pleased to nomically deigned, aesthetically detailed and highly respon- find that choosing one over another really did make a Tsive instrument. It’s the company’s top-line tenor, made of difference in airstream control and physical comfort. raw bronze with a semi-matte Black Onyx finish on the body, bow Additional professional touches include a con- and bell, and a bright Black Onyx finish on the inside of the bell. veniently located front high-F lever, an adjust- The SDT-XR 52’s neck is silver-plated, and the keywork, trim and able right-hand thumb rest and a high F# key. grille-style keyguards are unfinished, sporting a distinct art deco-like Stainless steel key rods help enhance the action. design. The neck and bell are decorated with attractive hand-engrav- Black oxide steel springs and pivot screws ing. The raw bronze body of the SDT-XR 52 is essentially a brass alloy team with custom Italian pads and tone with increased copper content (77 percent), resulting in a smooth and boosters. The reinforced double arms on the highly resonant sound that’s reminiscent of certain post-World War low C/B/B-flat keys, along with Pisoni Pro II vintage horns. Playing it, I experienced a pleasing feeling of vibra- key pads, are designed to aid response and tion in the instrument’s body, even on upper-stack fingerings.
[Show full text]
The Early Evolution of the Saxophone Mouthpiece 263
THE EARLY EVOLUTION OF THE SAXOPHONE MOUTHPIECE 263 The Early Evolution of the Saxophone Mouthpiece The Early Saxophone Mouthpiece TIMOTHY R. ROSE The early saxophone mouthpiece design, predominating during half of the instrument’s entire history, represents an important component of the or nine decades after the saxophone’s invention in the 1840s, clas- saxophone’s initial period of development. To be sure, any attempt to re- Fsical saxophone players throughout the world sought to maintain a construct the early history of the mouthpiece must be constrained by gaps soft, rounded timbre—a relatively subdued quality praised in more recent in evidence, particularly the scarcity of the oldest mouthpieces, from the years by the eminent classical saxophonist Sigurd Rascher (1930–1977) nineteenth century. Although more than 300 original Adolphe Sax saxo- as a “smooth, velvety, rich tone.”1 Although that distinct but subtle tone phones are thought to survive today,2 fewer than twenty original mouth- color was a far cry from the louder, more penetrating sound later adopted pieces are known.3 Despite this gap in the historical record, this study is by most contemporary saxophonists, Rascher’s wish was to preserve the intended to document the early evolution of the saxophone mouthpiece original sound of the instrument as intended by the instrument’s creator, through scientific analysis of existing vintage mouthpieces, together with Antoine-Joseph “Adolphe” Sax. And that velvety sound, the hallmark of a review of patents and promotional materials from the late nineteenth the original instrument, was attributed by musicians, including Rascher, and early twentieth centuries.
[Show full text]
A Study of Alterations to the Baffle of the Clarinet Mouthpiece and How They Affect Tone Quality, Intonation, and Response
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 A Study of Alterations to the Baffle of thel C arinet Mouthpiece and How They Affect Tone Quality, Intonation, and Response. Edmund Walter Winston Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the Music Commons Recommended Citation Winston, Edmund Walter, "A Study of Alterations to the Baffle of thel C arinet Mouthpiece and How They Affect Tone Quality, Intonation, and Response." (1976). LSU Historical Dissertations and Theses. 8160. https://digitalcommons.lsu.edu/gradschool_disstheses/8160 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. A STUDY OF ALTERATIONS TO THE BAFFLE OF THE CLARINET MOUTHPIECE AND HOW THEY AFFECT TONE QUALITY , INTONATION, AND RESPONSE A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Edmund Walter Winston B.M.E,, Louisiana State University, 1963 M=Mc, Louisiana State University, 1969 May, 19 7 6 UMI Number: DP69547 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted.
[Show full text]
New NAMM Products Information and Pricing
SALE New NAMM Products Information and Pricing HOT NEW TRUMPETS FROM YAMAHA The new Yamaha Custom Xeno Pro Bb Trumpets feature a revamped bell, providing a powerful tonal core and more precise slotting in the upper register, as well as a newly designed leadpipe. The lighter valve casing and pistons allow for enhanced response and optimal tone control. Yamaha YTR-8335IIGS (Yellow Brass Bell, ML Bore) MSRP: $3,423 Our price: $2,439.99 (IN STOCK!) Yamaha YTR-8335IIRS (Silver Bell, ML Bore) MSRP: $3,510 Our price: $2,535.99 (IN STOCK!) HOT NEW SAXOPHONES FROM CONN-SELMER SELMER AS42 PRO ALTO SAXOPHONE The 40 Series saxophones from Conn-Selmer, Inc. are a first ever collaboration between Henri Selmer Paris and Selmer USA. All the horns feature a custom designed and manufactured Henri Selmer Paris neck and mouthpiece, along with a feature filled body that responds at a top performance level.The black nickel and silver- plated versions both feature a silver-plated Henri Selmer Paris neck. Yellow brass, fully ribbed construction, hand engraved, genuine BAM case, genuine Selmer Paris neck and mouthpiece, Pisoni pro pads with metal resonators, High F# key, rocking table mechanism, adjustment screws. Selmer AS42 PRO MSRP: $4,043 Our Price: $2,779 (IN STOCK!) SELMER AS32 INTERMEDIATE ALTO SAXOPHONE Featuring a post to body construction, leather pads with metal resonators and hand engraving - the body for the AS32 is ready for the advancing player, but it also comes with a neck designed and manufactured by Selmer Paris for this instrument, as well as a mouthpiece from Selmer Paris specially made for the advancing player.
[Show full text]
THE WOODWIND FAMILY: May 11-15 Ferndale 3Rd-5Th Elementary Music: Lesson 3 Paper Supplement
Music 3rd-5th p. 1 Name ____________________________________________________ Class __________________________________ UNDERSTANDING MUSIC - THE WOODWIND FAMILY: May 11-15 Ferndale 3rd-5th Elementary Music: Lesson 3 Paper Supplement DIRECTIONS: If you have online access, please refer to the lesson available at the following link. https://sway.office.com/eqg4qa4CPTgkUG66?ref=Link&loc=mysways Complete the Exit Ticket at the end, and your answers will be recorded for your music teacher to see. If you would rather use this paper version of the lesson, or it works better for your family, we hope to provide you with the same information as best we can. (We really miss interacting with your children and would much rather see them in person!) Please follow the lesson below. Thank you for working so hard with your children! LESSON REVIEW: In the second lesson, we gave you an in depth look at the brass family. The brass instruments are made from a mix of metals and all make sound as the player vibrates his/her lips into a mouthpiece. THE WOODWIND FAMILY: Now, let’s learn about the woodwind family. There are many members of the woodwind family, and we want you to know their differences. You have three goals: STUDENT OUTCOMES: Know how the woodwind instruments make their sounds. Explain what a reed is. Decide which woodwind instrument you like the best. WOODWIND FAMILY ~-~ --',_,,,,.,. con-tra plccolo bassoon This picture shows 9 different Flu-te bassoon woodwind instruments. bass clarinet- English saxophone horn What similarities do you notice? What oboe differences do you see? In general, woodwinds have a long thin shape with many keys.
[Show full text]
Clarinet Survival Guide
ELECTRIC TEACHING STRATEGIES CLARINETGUITAR Mouthpiece/Barrel Have beginning students warm up daily with only the mouthpiece and barrel to focus on fundamentals. The students will produce a concert F# if embouchure, air support, and tongue position are all correct. SURVIVAL Straws To help students understand the components of a good embouchure, have them drink water through a straw while looking in a mirror. While drinking GUIDE water, most students will have a flattened chin, the correct amount of lower lip rolled over the bottom teeth, and firm corners. Encourage students to practice their embouchure with a mirror daily. Swab in Bell To help students develop a good air column, insert a bundled up swab into the bell of the clarinet and have them play a low chalumeau E1. Tell the student to try to push the swab out of the clarinet with the air. Suddenly pull the swab out of the bell and the student should be producing a big, full sound. Paper Trick Students often don’t take enough mouthpiece. Place a piece of paper between the mouthpiece and the reed and mark the contact point on the reed lightly with a pencil. This will illustrate how much mouthpiece to take. Cutting a mouthpiece patch in half and placing it further down on the mouthpiece can also be a great tactile reminder for students of where to put their teeth and of how much mouthpiece to take. Hand Position If a student rests their left thumb on the body of the instrument while playing throat tones, rather than hovering it over the tone hole, place a mounting square on the instrument under the thumb hole.
[Show full text]
EXTREMELY UNIQUE OBOE MOUTHPIECE for SINGLE REED, LOOK! - (Ebay Item 180168768972 End Time Oct-18-07 14:58:33 PDT) 10/19/2007 11:42 AM
EXTREMELY UNIQUE OBOE MOUTHPIECE FOR SINGLE REED, LOOK! - (eBay item 180168768972 end time Oct-18-07 14:58:33 PDT) 10/19/2007 11:42 AM Buy Sell My eBay Community Help Sign out Site Map All Categories Search Advanced Search Categories Motors Express Stores Sneak Peek: See what's changing on eBay Back to My eBay Listed in category: Musical Instruments > Woodwind > Bassoon, Oboe EXTREMELY UNIQUE OBOE MOUTHPIECE FOR SINGLE REED, LOOK! Item number: 180168768972 Comes with the orig. lig. and cap. Pristine condition Sorry, you were outbid. This item sold to sharonquilt8w0z for US $256.00. Find more items from the same seller. Bid or Buy Now! Add to Favorite Sellers BOX OF ASSORTED WOODWIND MOUTHPIECES, 40 BARITONE SAXOPHONE NECK, EXCELLENT VINTAGE SELMER PARIS BT Bb CLARINET, M 5109 - EX. TOTAL 7 bids: US $135.27 2 bids: US $34.00 5 bids: US $256.00 Time left: 5d 5h 14m Time left: 5d 21h 46m Time left: 6d 1h 50m View more items from this seller Increase your chances of winning next time: Track your bidding, especially during the final minutes of a listing. Use My eBay, email notifications, and eBay Toolbar. Try entering your highest maximum bid. eBay will only use as much of your bid as necessary to win. Use completed item search to better estimate the final price of items you bid on. Similar items from all eBay sellers Help Item Name Price End Date Ultrasonic Reed Cleaner for Oboe, Bassoon, Sax. SALE ! US $39.95 Nov-05-07 11:33:07 PST KITTY CAT PICTURE FRAME FOR YOUR FAVORITE PET UNIQUE US $5.99 Nov-06-07 23:47:20 PST NEW FOX RENARD OBOE REED CASE FOR 3 REEDS US $20.95 Nov-03-07 11:16:32 PDT TOP DOG PICTURE FRAME FOR YOUR FAVORITE PET UNIQUE US $5.99 Nov-06-07 23:50:06 PST Find similar items on eBay Express..
[Show full text]
The Woodwind Family
Directions: Read the following information, view the videos, and complete the assignment at the end. The Woodwind Family Think about a coach blowing a whistle to get your attention. The noise may sound harsh. It is not too different from original woodwind instruments. The first woodwind instruments were hollow pieces of wood: one end was open and the other end was closed. By blowing into the open end, people made whistles. Over time these instruments became more complicated. Since they were made of wood, they became known as the woodwind family. Today, woodwind instruments are made of wood, metal, plastic or some combination. They are all basically narrow cylinders or pipes, with holes, an opening at the bottom end and a mouthpiece at the top. Keys cover the holes of most woodwind instruments. They are played by blowing air through the mouthpiece (that's the "wind" in "woodwind") and opening or closing the holes with your fingers to change the pitch. The mouthpieces for some woodwinds, including the clarinet, oboe and bassoon, use a thin piece of wood called a reed, which vibrates when you blow across it. The clarinet uses a single reed made of one piece of wood, while the oboe and bassoon use a double reed made of two pieces joined together. The smaller woodwinds play higher pitches, while the longer and larger instruments play the lower notes. The woodwind family of instruments includes these basic instruments, from the highest sounding instruments to the lowest: flute, oboe, clarinet, bassoon, and saxophone. The Woodwind Family: https://www.youtube.com/watch?v=KEt1Mm8sSkA The flute: The flute is the oldest of all instruments that produce pitched sounds (not just rhythms), and was originally made from wood, stone, clay or hollow reeds like bamboo.
[Show full text]
Medium of Performance Thesaurus for Music
A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.
[Show full text]
Selmer Paris Mouthpieces Woodwind Improves Any Saxophone Playing
To place an order: call +44 (0)20 7935 2407 or email [email protected] WOODWIND MOUTHPIECES: SELMER (PARIS) SAXOPHONE SOLOIST SAXOPHONE MOUTHPIECES THE JAZZ SERIES (METAL) MOUTHPIECE KITS The new “Soloist” mouthpieces for Alto and Tenor Designed for jazz and studio work, these mouthpieces Saxophones designed by Selmer (Paris) have been feature a bright sound. Musicians appreciate their inspired by the older “Soloist” model manufactured exceptional flexibility. Metal Jazz mouthpieces are available in the 1940’s. Features include a round throat and for alto and tenor saxophones. Standard facing - C** Silver- traditional bead design. Precision tooled from a plated cap and ligature are included. hard rubber bar, its inner chamber offers a nice direct volume with a warm, centered sound to play both jazz and classical repertoire. Available in facings C* through J. (For tip openings and facing MJ402 Alto Saxophone lengths, see table below.) MJ404 Tenor Saxophone S432 Alto Saxophone Facings Alto Tenor S434 Tenor Saxophone C 1.60/20 1.70/24 SOLOIST SAXOPHONE MOUTHPIECE FACINGS C* 1.70/20 1.80/24 FACINGS ALTO S432 TENOR S434 C** 1.80/20 1.90/24 OPENING TIP OPENING TABLE LENGTH TIP OPENING TABLE LENGTH D 1.90/20 2.00/24 C* 1.70 22.00 1.80 24.00 E 2.00/20 2.10/24 C** 1.80 22.00 1.90 24.00 F 2.20/20 2.30/24 D 1.90 22.00 2.00 24.00 G 2.40/20 2.50/24 E 2.00 22.00 2.10 24.00 SUPER SESSION SAXOPHONE MOUTHPIECES F 2.20 22.00 2.30 24.00 The new Super Session saxophone mouthpiece has been specially designed for Jazz playing, but is also suitable for more academic G 2.40 22.00 2.50 24.00 playing.
[Show full text]
Detailed Instrument List & Descriptions
DIRECTORY OF INSTRUMENTS IN GARRITAN WORLD INSTRUMENTS 66 THE WIND INSTRUMENTS ARIA name: Description: Controls: Africa Arghul The Arghul is a reed woodwind instrument that Vel (attack), MW consists of two asymmetrical pipes. One pipe, (vol/eq), Porta, a chanter with between five and seven finger Lgth, VAR1, holes, is dedicated to the melody. The second VAR2, FiltLv, pipe, longer than the first, produces a drone. FiltFq, VibSpd, Arghuls come in different sizes and are played in Vib Amt, AirNs, Egypt and surrounding regions. Fluttr, Auto- • Range: C3- C6 Legato, BndSpd, Keyswitches Mijwiz 1 The Mijwiz is a traditional instrument of Egypt Vel (attack), MW and is one of the oldest wind instruments. Its (vol/eq), Porta, name means “dual” as it consists of two short Lgth, VAR1, bamboo reed pipes tied together. Instead of hav- VAR2, FiltLv, ing a separate reed attached to a mouthpiece, FiltFq, VibSpd, the reed in the Mijwiz is a vibrating tongue Vib Amt, AirNs, made from a slit cut into the wall of the instru- Fluttr, Auto- ment itself. Legato, BndSpd, • Range: C3 - C6 Keyswitches Mijwiz 2 Another Mijwiz instrument with a different Vel (attack), MW range and character. (vol/eq), Porta, • Range: C4 - C6 Lgth, VAR1, VAR2, FiltLv, FiltFq, VibSpd, Vib Amt, AirNs, Fluttr, Auto- Legato, BndSpd, Keyswitches A User’s Guide to Garritan World Instruments THE WIND INSTRUMENTS ARIA name: Description: Controls: China Bawu The Bawu is a side-blown wind instrument Vel (attack), MW found throughout China. Although it re- (vol/eq), Porta, Lgth, sembles a flute, it is actually a reed instrument.
[Show full text]
Clarinet Mouthpiece Setup Patricia Dilutis Clarinet
Clarinet Mouthpiece Setup Patricia DiLutis Clarinet Mouthpiece Setup -The Clarinet setup includes the mouthpiece, reed, ligature, and barrel -Use a little cork grease to place the mouthpiece on the barrel smoothly -Put your reed in your mouth: DO NOT suck or chew on it -Put your ligature on first, then slide your reed to avoid chipping your reed -Tighten the ligature to properly hold the reed in place: the reed should be slightly above the top of the mouthpiece -In case you forgot your ligature or it is broken, you can temporarily use a rubber band to hold the reed onto the mouthpiece Embouchure -This is what the facial muscle form to make a good tone -DO NOT swallow your lips inside of your mouth or make a round chin, but always push forward -Put your pointer finger on your bottom lip and push against it: your muscles engage! -Replace your finger with your set up -Rest your top teeth on the mouthpiece, but also squeeze them with your top lip -Blow! Troubleshooting: -Keep the bottom of the barrel open -Push up against your bottom lip, as you did with your finger Tonguing -Begin the sound with the tongue -Feel your tongue at the tip of the reed -Put your tongue on the reed first, then blow and feel the pressure inside your face -You need the air behind the tongue to produce the sound right away -Move the tongue back slightly to create the sound.
[Show full text]