Re-Imagine Laugh-O-Gram Center for Animation & Innovation
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Kcfringe2013online.Pdf
WELCOME to FRINGE Welcome to the 9th annual Kansas City Fringe Festival! Thanks to our amazing group of over 200 volunteers we are able to produce the KC Fringe Festival — an eleven day celebration of all things art in Kansas City. The Board of Direc- tor and Committee of Operations includes more than 20 volunteers that work year round to make this Festival happen. All of these volunteers I consider family — the Fringe Family. A growing community that comes together to work, support and promote artists of all genres. Here in KC we host one of the most diverse Fringes in existence. We provide space for ANY artist of ANY genre to present their work — as long as we have room for them! The KC Fringe Festival continues to get bigger and better each year. This year the Festival presents 134 art- ists/groups performing 363 shows along with the Fruck! (That’s the Fringe Art Truck) We have developed a diverse and huge audience that continues to grow each year. KC Fringe has truly become Kansas City’s Premiere Arts Festival and is a key component of Kansas City’s grow- ing reputation as America’s Creative Crossroads. I trust that most of you know that the Fringe is an unjuried, uncensored arts Festival and therefore unpredictable! We pro- vide artists the freedom to explore and experiment, freedom to develop without predetermined outcomes, freedom to chal- lenge assumptions and freedom to take a creative leap that will shape our world in years to come. We thank our Strategic Partners — Samuel Bennett with the William T Kemper Foundation, Commerce Bank, Trustee, RareWire and VML Inc. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
The Roots of Animation in Kansas City by Ron Green T the Turning Point of the a Recent Disney Movie “Saving Mr
JCHS Journal — Summer 2014 15 The Roots of Animation in Kansas City By Ron Green t the turning point of the A recent Disney movie “Saving Mr. Banks,” Tom Hanks (who plays Walt Disney) recalls Kansas City boyhood memories. Ever been to Kansas City, Mrs. Travers? Do you know Missouri at all? It’s mighty cold there in the winters. Bitter. My dad, Elias Disney, he owned a newspaper delivery route in Kansas City. Thousand papers. Twice daily. Morning and evening edition. Walt Disney drawing at his Laugh-O-Gram animation studio. Elias, he was a tough Star, Walt would hang around the Gray) decided to form their own businessman. A save-a-penny staff cartoonists. They would give commercial art shop The Iwerks- anywhere you can type of fella so him old drawings, which he would Disney studio. he wouldn’t employ any delivery take home for study and practice. boys, he just used me and my big This first studio was located in brother Roy. Disney’s fascination with “…an unused bathroom in the animation intensified. In 1919, at headquarters of the National Harsh as this experience was for age 17, he took an art apprentice Restaurant Association” located at the young boy, the work ethic it job at the Pesmen-Rubin the southeast corner of 13th and established would serve Walt Commercial Art Studio, a studio Oak Streets. They later moved Disney well when he set out to within the Gray Advertising their studio to the Railway make his mark in the animation Company at 14th and Oak in Exchange Building located at the world. -
KANSAS CITY GOES to the MOVIES from Watching Movies to Making Movies – Kansas City Has Done It All
KANSAS CITY GOES TO THE MOVIES From watching movies to making movies – Kansas City has done it all KANSAS CITY GOES TO THE MOVIES From watching movies to making movies – Kansas City has done it all Kansas City has enjoyed a rich and rewarding relationship with the movies ever since motion pictures were introduced around the turn of the twentieth century. From the 1897 showing of three short films at the Coates Opera House1 to the megaplex theaters that dot the metropolis today, Kansas Citians have embraced the movies. The city and its history have been portrayed in films like Kansas Citian native Robert Altman’s Kansas City (1996) and Ang Lee’s Civil War historical drama, Ride With The Devil (1999). Today, filmmakers to come to the nation’s heartland to screen their movies to audiences before they open across the nation, while the Kansas City Film Commission strives to bring new business to the region by encouraging filmmakers to take advantage of local locations and talent by shooting their films here in the first place.2 Movies are glamour, hard work, compelling stories, and big business. And throughout the years, Kansas City has had its fair share of all of these. MOTION PICTURES – POPULAR ENTERTAINMENT AND CITY PROMOTION At the turn of the 19th century, live performances and vaudeville were big draws in theatres across the nation. That began to change with the advent of the motion picture. When the Coates Opera House showed “The Black Diamond Express,” and two other short films by the Lumieres Cinematography Co. -
Gregory Peck CENTENNIAL
ISSUE 76 AFI.com/Silver AFI SILVER THEATRE AND CULTURAL CENTER APRIL 29–JULY 7, 2016 GREGORY PECK CENTENNIAL PLUS DALTON TRUMBO SHAKESPEARE CINEMA DYLAN IN THE MOVIES WAGNER ON SCREEN FESTIVAL OF NEW SPANISH CINEMA WASHINGTON DC FANTASTIC FILM SHOwcASE Contents Special Engagements Special Engagements ......................2, 3 10th Anniversary! Gregory Peck Centennial .............................4 IDIOCRACY – All Tickets $5! Fri, Apr 29, 9:30; Sat, Apr 30, 9:30; Mon, May 2, 5:15; Shakespeare Cinema, Part III ...................6 Tue, May 3, 5:15; Wed, May 4, 5:15; Thu, May 5, 5:15 Stage & Screen .....................................7 Like his 1999 film OFFICE SPACE, Mike Judge’s satirical comedy IDIOCRACY has become a bona fide cult classic since its original Dalton Trumbo: Radical Writer .................8 theatrical release. An army experiment places two exceedingly average Dylan in the Movies .............................10 test subjects — Army Corporal Luke Wilson and prostitute Maya Rudolph Wagner on Screen — in suspended animation. They awake 500 years in the future to ..............................11 discover that America has become exponentially dumber, a dystopian Festival of New Spanish Cinema ...........12 world of commercial oppression, junk food diets, overflowing garbage Jean-Luc Godard: Rare and Restored 12 and crass anti-intellectualism. They are now the two smartest people alive. ...... DIR/SCR/PROD Mike Judge; SCR Etan Cohen; PROD Elysa Koplovitz Dutton. U.S., 2006, color, 84 min. Korean Film Festival DC ........................13 -
Place Images of the American West in Western Films
PLACE IMAGES OF THE AMERICAN WEST IN WESTERN FILMS by TRAVIS W. SMITH B.S., Kansas State University, 2003 M.A., Kansas State University, 2005 AN ABSTRACT OF A DISSERTATION submitted in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY Department of Geography College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2016 Abstract Hollywood Westerns have informed popular images of the American West for well over a century. This study of cultural, cinematic, regional, and historical geography examines place imagery in the Western. Echoing Blake’s (1995) examination of the novels of Zane Grey, the research questions analyze one hundred major Westerns to identify (1) the spatial settings (where the plot of the Western transpires), (2) the temporal settings (what date[s] in history the Western takes place), and (3) the filming locations. The results of these three questions illuminate significant place images of the West and the geography of the Western. I selected a filmography of one hundred major Westerns based upon twenty different Western film credentials. My content analysis involved multiple viewings of each Western and cross-referencing film content like narrative titles, American Indian homelands, fort names, and tombstone dates with scholarly and popular publications. The Western spatially favors Apachería, the Borderlands and Mexico, and the High Plains rather than the Pacific Northwest. Also, California serves more as a destination than a spatial setting. Temporally, the heart of the Western beats during the 1870s and 1880s, but it also lives well into the twentieth century. The five major filming location clusters are the Los Angeles / Hollywood area and its studio backlots, Old Tucson Studios and southeastern Arizona, the Alabama Hills in California, Monument Valley in Utah and Arizona, and the Santa Fe region in New Mexico. -
Downtown Kansas City Kansas Survey
DOWNTOWN KANSAS CITY, KANSAS HISTORIC RESOURCES SURVEY PREPARED FOR: Downtown Shareholders Kansas City, Kansas The Unified Government of Wyandotte County and Kansas City, Kansas PREPARED BY: Rosin Preservation, LLC inSITE Planning, LLC September 2016 ACKNOWLEDGEMENTS Mayor/CEO Mark Holland Board of Commissioners Ann Brandau-Murguia Brian McKiernan Melissa Bynum Jane Winkler Philbrook Harold L. Johnson, Jr. Gayle Townsend Mike Kane Hal T. Walker Angela Marley Jim F. Walters 2016 Downtown Shareholders Board of Directors and Officers Ashley Adorante Bill Hutton Wil Anderson, President Bridgette Jobe Roderick Bettis Lynn Kuluva Cindy Cash Dorota Lopez Jody Franchett Teresa Mata Simeon Henderson Murray Rhodes Clayton Hunter Jim Schraeder, Vice President Barbara Jolley, Secretary Hollis Worthen, Treasurer 2016 Downtown Shareholders Staff Chuck Schlittler, Director This publication has been financed in part with Federal funds from the National Park Service, a division of the United States Department of the Interior, and administered by the Kansas State Historical Society. The contents and opinions, however, do not necessarily reflect the view or policies of the United States Department of the Interior or the Kansas State Historical Society. This program receives Federal funds from the National Park Service. Regulations of the U. S. Department of the Interior strictly prohibit unlawful discrimination in departmental Federally Assisted Programs on the basis of race, color, national origin, age or handicap. Any person who believes he or she has been discriminated against in any program, activity, or facility operated by a recipient of Federal assistance should write to: Director, Equal Opportunity Program, U. S. Department of the Interior, National Park Service, 1201 Eye Street, Washington, DC 20005. -
The National Film Registry: Acquiring Our Film Heritage. INSTITUTION Southeast Missouri State Univ., Cape Girardeau
DOCUMENT RESUME ED 390 451 IR 055 806 AUTHOR Ziegler, Roy A. TITLE The National Film Registry: Acquiring Our Film Heritage. INSTITUTION Southeast Missouri State Univ., Cape Girardeau. Kent Library. PUB DATE Oct 95 NOTE 48p. PUB TYPE Reference Materials Bibliographies (131) Reports Descriptive (141) EDRS PRICE MFOI/PCO2 Plus Postage. DESCRIPTORS Academic Libraries; Access to Information; Annotated Bibliographies; *Archives; Culture; *Film Libraries; *Filmographies; *Library Collection Development; National Libraries; Preservation; *Videotape Recordings IDENTIFIERS Classical Hollywood Films; Historical Background; Library of Congress; *National Film Registry; *Southeast Missouri State University ABSTRACT The National Film Registry, which is primarily a designated list of films to be preserved by the Library of Congress, is also a valuable tool for selecting "films that are culturally, historically, and aesthetically significant." Following a brief discussion of the history and selection process of the National Film Registry, Southeast Missouri State University's Kent Library's effort to provide access to the films using the VHS videotape format is described. An annotated "videography" of the Nat;onal Film Registry archives (1989-94) is then provided with 150 films listed under the following categories: animation; avant garde; comedy; detective and mystery; documentary; fantasy; horror; musical; science fiction; silent films; war; and westerns. A list of film distributors' addresses and phone numbers is also included. (Contains 19 references.)(AEF) * Reproductions supplied by EDRS are the best that can be made * * from the original document. * U S DEPARTMENT Of- E DU( Al IO'L EDUCATIONAL RESOURLLS INEORMAT ION E.ENTER 0 doc.umenln.v, :won eptotlig rd eeLL.,000 rout trq, 01191f1atirig It 0 Minor 1,00ff ff1,111, PorIs ci vio, i.f pu IfOO, .O flO.'1W11011 iii Ii t,..ir . -
Comprehensive Project List
Comprehensive Project List Unique Specialty Projection & Sound Installations (Boston Light & Sound - Design, Supply, & Install) TRIBECA GRAND HOTEL - New York, NY The Grand Screening Room at the Tribeca Grand Hotel in NYC is a state-of-the-art screening room for the exhibition of 35mm Motion Pictures in full Dolby Digital and DTS surround sound. BL&S recently upgraded this facility, which can now exhibit DCI-Compliant digital cinema releases, along with enhanced high definition video capability (HDCAM, HDV, Blu-Ray and DigiBeta formats). The system also boasts fully integrated touch-panel control from multiple operator locations. CLIENT: Tribeca Grand Hotel PLAZA THEATRE - El Paso, TX The Philanthropy Theatre is a unique, multi-use space within the El Paso Civic Center, which also houses the Plaza Performing Arts Center. BL&S designed & installed an integrated high definition video projection system with Dolby Digital playback capability. A custom retractable electric screen with motorized masking curtains was installed to convert the live performance / presentation stage to a video theatre. The system required ease of operation for non-technical users, which was done using an integrated AMX touch-panel control system which controls screen, masking, projector lift, video switching, audio presets and controls through an easy to use touch-panel. The system also accommodates professional staging companies during a performance by providing HD inputs for their equipment and full access to advanced system features. CLIENT: El Paso Community Foundation BILLY WILDER THEATRE AT THE HAMMER MUSEUM - Los Angeles, CA This theatre runs presentations for the UCLA Film & Television Archive and the Hammer Museum. BL&S provided (2) Dual Mode 35mm / 70mm Film Projectors in 2006, and is currently installing (2) Custom Dual Mode 16mm / 35mm Projectors specially fabricated to run Nitrate Cellulose Film. -
The General Cinema Northpark I & Ii: a Case
THE GENERAL CINEMA NORTHPARK I & II: A CASE STUDY OF A THIRD GENERATION MOVIE THEATER by JEREMY FLOYD SPRACKLEN Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN HISTORY THE UNIVERSITY OF TEXAS AT ARLINGTON MAY 2015 Copyright © by Jeremy Floyd Spracklen 2015 All Rights Reserved ii Acknowledgements I would like to express my appreciation for all of the friends and family who encouraged and assisted me throughout my academic career and the writing of this thesis. Specifically, Bob and Diana Cunningham, Cindy and Gary Sharp, and Jessica Tedder. I am humbled by the amount of support that I have been given. I am thankful to my committee, Bart Weiss, Dr. Gerald Saxon, and chair Dr. Robert Fairbanks. Their suggestions and guidance throughout the research and writing of this work cannot be understated. Additionally, I am thankful to Adam Martin for his encyclopedic knowledge of theater buildings. But most of all, I would like to thank Ron Beardmore. His infectious love for the art of projecting film, and the theaters that show them, was the primary factor in choosing this subject for study. April 14, 2015 iii Abstract THE GENERAL CINEMA NORTHPARK I & II: A CASE STUDY OF A THIRD GENERATION MOVIE THEATER Jeremy Spracklen, MA The University of Texas at Arlington, 2015 Supervising Professor: Robert Fairbanks The purpose of this thesis is to present a typology of movie exhibition eras and then explore one of those eras in greater detail by studying a specific market and theater within that market. -
Film and Television Projects Made in Texas (1910 – 2021) Page 1 of 36
Film and Television Projects Made in Texas (1910 – 2021) Page 1 of 36 PROJECT NAME TYPE PRODUCTION COMPANY PRODUCTION DATE(S) CITY/TOWN SHOT IN MAGNOLIA TABLE - SEASON 4 TV Series (Network/Cable/Digital) Blind Nil LLC 2021-06-14 – 2021-07-02 Valley Mills; Waco MAGNOLIA TABLE - SEASON 3 TV Series (Network/Cable/Digital) Blind Nil LLC 2021-04-06 – 2021-04-23 Valley Mills Austin; College Station; Fredericksburg; San QUEER EYE - SEASON 6 TV Series (Network/Cable/Digital) Netflix / LWT Enterprises 2021-03-22 – 2021-07-02 Antonio BBQ BRAWL - SEASON 3 TV Series (Network/Cable/Digital) Rock Shrimp Productions 2021-02-22 – 2021-04-02 Austin; Bee Cave; Buda; Cedar Park; Manor Bee Cave; Driftwood; Dripping Springs; BBQ BRAWL - SEASON 2 TV Series (Network/Cable/Digital) Rock Shrimp Productions 2021-02-22 – 2021-04-01 Fredericksburg; Luckenbach Highland Haven; South Padre Island; LAKEFRONT BARGAIN HUNT - SEASON 12 TV Series (Network/Cable/Digital) Magilla Entertainment 2021-01-27 – 2021-06-10 Surfside Beach Rebel 6 Films / TLG Motion FREE DEAD OR ALIVE Feature (Independent) Pictures 2021-01-24 – 2021-03-03 Alpine; Austin; Buda; Lajitas; Terlingua READY TO LOVE - SEASON 3 TV Series (Network/Cable/Digital) Light Snack Media, LLC 2021-01-20 – 2021-03-27 Houston MAGNOLIA TABLE - SEASON 2 TV Series (Network/Cable/Digital) Blind Nil LLC 2021-01-18 – 2021-01-28 Valley Mills VAN GO TV Series (Network/Cable/Digital) Rabbit Foot Studios 2020-11-17 – 2021-05-12 Austin Austin; Bartlett; Bastrop; Lockhart; WALKER - SEASON 1 TV Series (Network/Cable/Digital) CBS -
Mutual Musicians Foundation Photograph Collection (UMKC) (Original Project Images: Wall Photos + Individual Prints 1-181)
Mutual Musicians Foundation Photograph Collection (UMKC) (Original Project Images: Wall Photos + Individual Prints 1-181) Original Location ID Description Date Image Credit Notes Wall: West 1 Chick Saunders with sax [n.d.] Stardust caption: "Chick Productions / Key Saunders and His Ring Agency Disciples"; includes original project negative Wall: West 2 Roy Searcy at piano [n.d.] William includes original Fambrough project negative Wall: West 3 Eddie Baker seated holding a [n.d.] Bibbs includes original trombone Photographer project negative Wall: West 4 Grouping of two photos: (first [n.d.] / February [unknown] / second photo: 7x5, photo: top) Paul Gray, Dizzy 19, 1990 [unknown] see also P141- Gillespie; outside Paul Gray's individual print; Jazz Place; Lawrence, Kansas; includes original (second photo: bottom) project negative Oliver Todd Band: Marcellus Lee (drums), Todd (piano), Sam Johnson (bass), Elmer Price (trumpet), Al Zanders (sax), John Henry Hoard (sax); performing upstairs of the Mutual Musicians Foundation Wall: West 5 Unidentified woman outside [n.d.] [unknown] includes original Local 627 building project negative Wall: West 6 Samuel "Baby" Lovett [n.d.] [unknown] includes original project negative Wall: West 7 Jimmy McConnell holding [n.d.] [unknown] inscribed: "To Local trumpet 627 / Jimmy Mc"; written on back: "Jas. McConnell - trumpet / Band leader - School Teacher"; includes original project negative Wall: West 8 Pianist Harry Swanagan [n.d.] [unknown] inscribed (faded): "To Richard and Elmer / Best Wishes / Harry Swanagan"; written on back: "Swanagan"; photo mounted on paperboard; includes original project negative Original Location ID Description Date Image Credit Notes Wall: West 9 Unidentified man [n.d.] [unknown] includes original project negative Wall: West 10 Unidentified man, [n.d.] [unknown] includes original unidentified woman standing project negative next to a well Wall: West 11 Ladies Auxiliary for Local 627: [n.d.] [unknown] photo is scan of (back row) Mrs.