DOCSLIB.ORG

Film Ephemera and Collections Management Selected Bibliography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Film Ephemera and Collections Management Selected Bibliography Reel Heritage: Film Ephemera and Collections Management Selected Bibliography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Collections Management – General Buck, Rebecca A., and Jean Allman Gilmore. Collection Conundrums: Solving Collections Management Mysteries. Washington, DC: American Association of Museums, 2007. Case, Mary. Registrars on Record: Essays on Museum Collections Management. Washington, DC: Registrars Committee of the American Association of Museums, 1988. The Council for Museums, Archives and Libraries. Benchmarks in Collection Care for Museums, Archives, and Libraries: A Self-Assessment Checklist. London: Resource, 2002. Deciding on Digital Tools for Collection Management. Wellington: National Services, Museum of New Zealand Te Papa Tongarewa, 2003. Fahy, Anne. Collections Management. London: Routledge, 1995. Gregory, Vicki L. Collection Development and Management for 21st Century Library Collections: An Introduction. New York: Neal-Schuman Publishers, 2011. Habich, Elizabeth Chamberlain. Moving Library Collections: A Management Handbook. Westport, CT: Greenwood Press, 1998. Hillhouse, Susanna. Collections Management: A Practical Guide. Cambridge: Collections Trust, 2009. Johnson, Peggy. Fundamentals of Collection Development & Management. Chicago: American Library Association, 2004. Kipp, Angela. Managing Previously Unmanaged Collections: A Practical Guide for Museums. Lanham: Rowman and Littlefield, 2016. Malaro, Marie C. A Legal Primer on Managing Museum Collections. Washington, DC: Smithsonian Institution Press, 1998. 1 Reel Heritage: Film Ephemera and Collections Management Selected Bibliography Matassa, Freda. Museum Collections Management A Handbook. London: Facet Publishing, 2011. Oleck, Joan. Trends in Photography Special Collections Management. New York: Primary Research Group, 2011. Powell, Brent A. Collection Care: An Illustrated Handbook for the Care and Handling of Cultural Objects. Lanham: Rowman & Littlefield, 2016. Rinaldy, Caroline. Trends in Rare Book & Documents Special Collections Management. New York: Primary Research Group, 2008. Ritzenthaler, Mary Lynn, Diane Vogt-O'Connor, and Mary Lynn Ritzenthaler. Photographs: Archival Care and Management. Chicago: Society of American Archivists, 2006. Simmons, John E. Things Great and Small: Collections Management Policies. Washington, DC: American Association of Museums, 2006. Museum Studies – General Bedford, Leslie. The Art of Museum Exhibitions How Story and Imagination Create Aesthetic Experiences. Walnut Creek: Left Coast Press, 2014. Bitgood, Stephen. Attention and Value Keys to Understanding Museum Visitors. Walnut Creek, California: Left Coast Press, Inc, 2013. Buck, Rebecca A., and Jean Allman Gilmore. On the Road Again: Developing and Managing Traveling Exhibitions. Washington, DC: American Association of Museums, 2003. Carr, David. The Promise of Cultural Institutions. Walnut Creek, CA: AltaMira Press, 2003. Clark Conference, and Charles Werner Haxthausen. The Two Art Histories: The Museum and the University. Williamstown, MA: Sterling and Francis Clark Art Institute, 2002. Drotner, Kirsten, and Kim Schrøder. Museum Communication and Social Media: The Connected Museum. New York: Routledge, 2013. Dudley, Sandra H. Museum Materialities: Objects, Engagements, Interpretations. London: Routledge, 2010. ---. Museum Objects: Experiencing the Properties of Things. London: Routledge, 2012. Edson, Gary. Museum Ethics. London: Routledge, 1997. 2 Reel Heritage: Film Ephemera and Collections Management Selected Bibliography Kreps, Christina F. Liberating Culture: Cross-Cultural Perspectives on Museums, Curation, and Heritage Preservation. London: Routledge, 2003. Lord, Barry, and Gail Dexter Lord. The Manual of Museum Exhibitions. Walnut Creek, CA: AltaMira Press, 2002. Macdonald, Sharon. A Companion to Museum Studies. Malden, MA: Blackwell Pub, 2006. Marstine, Janet. New Museum Theory and Practice An Introduction. Malden, MA: Blackwell, 2006. ---. Routledge Companion to Museum Ethics: Redefining Ethics for the Twenty-First Century Museum. Milton Park, Abingdon, Oxon: Routledge, 2011. Pearce, Susan M. Museum Studies in Material Culture. London: Leicester University Press, 1989. Putnam, James. Art and Artifact: The Museum As Medium. NY: Thames & Hudson, 2001. Rhys, Owain. Contemporary Collecting: Theory and Practice. Edinburgh, MuseumsEtc., 2014. Sandell, Richard. Museums, Prejudice, and the Reframing of Difference. London: Routledge, 2007. Schubert, Karsten. The Curator's Egg: The Evolution of the Museum Concept from the French Revolution to the Present Day. London: Ridinghouse, 2009. Sherman, Daniel J. Museums and Difference. Bloomington: Indiana University Press, 2008. Talboys, Graeme K. Museum Educator's Handbook. Farnham, Surrey: Ashgate, 2011. Were, Graeme, and J. C. H. King. Extreme Collecting: Challenging Practices for 21st Century Museums. New York: Berghahn Books, 2012. Wood, Elizabeth E., and Kiersten Fourshé Latham. The Objects of Experience: Transforming Visitor-Object Encounters in Museums. 2013. Collections Conservation Bachmann, Konstanze. Conservation Concerns: A Guide for Collectors and Curators. New York: Cooper- Hewitt National Museum of Design, Smithsonian Institution, 1992. Caple, Chris. Preventive Conservation in Museums. London: Routledge, 2011. 3 Reel Heritage: Film Ephemera and Collections Management Selected Bibliography Corr, Susan. Caring for Collections: A Manual of Preventive Conservation. Ireland: Heritage Council, 2000. Keene, Suzanne. Managing Conservation in Museums. Oxford: Butterworth-Heinemann, 1996. March, Tina S. F Is for Foam: A Look at Materials Used by the Jim Henson Company. Buffalo: State University of New York, 2000. Saaze, Vivian van. Installation Art and the Museum Presentation and Conservation of Changing Artworks. Amsterdam: Amsterdam University Press, 2013. Display, Conservation, and Preservation of Costume Collections Brooks, Mary M. Textiles Revealed: Object Lessons in Historic Textile and Costume Research. London: Archetype Publications, 2000. Friedland, Nancy E. Documenting: Costume Design. New York: Theatre Library Association, 2010. Flecker, Lara. A Practical Guide to Costume Mounting. Oxford: Butterworth-Heinemann, 2007. Howard, Miranda. Darning the Wear of Time: Survey and Annotated Bibliography of Periodical Literature of Costume Conservation, Restoration, and Documentation Published in English, 1980-1996. Lanham, MD: Scarecrow Press, 2000. Robinson, Jane, and Tuula Pardoe. An Illustrated Guide to the Care of Costume and Textile Collections. London: Museums & Galleries Commission, 2000. Utilizing Archives and Cultural Repositories Alexander, Ben and Jeannette A. Bastian. Communities and Their Archives: Creating and Sustaining Memory. London: Facet, 2009. Balloffet, Nelly, Jenny Hille, and Judith A. Reed. Preservation and Conservation for Libraries and Archives. Chicago: American Library Association, 2005. Bastian, Jeannette A. and Ben Alexander. Community Archives: The Shaping of Memory. London: Facet, 2009. Blouin, Francis X. and William G. Rosenberg. Archives, Documentation, and Institutions of Social Memory: Essays from the Sawyer Seminar. Ann Arbor: University of Michigan Press, 2007. 4 Reel Heritage: Film Ephemera and Collections Management Selected Bibliography Burton, Antoinette M. Archive Stories: Facts, Fictions, and the Writing of History. Durham, NC: Duke University Press, 2005. Cox, Richard J. Closing an Era: Historical Perspectives on Modern Archives and Records Management. Westport, CT: Greenwood Press, 2000. ---. Personal Archives and a New Archival Calling: Readings, Reflections and Ruminations. Duluth, MN: Litwin Books, 2008. ---, and David A. Wallace. Archives and the Public Good: Accountability and Records in Modern Society. Westport, CT: Quorum Books, 2002. Craven, Louise. What Are Archives?: Cultural and Theoretical Perspectives: a Reader. Aldershot, U.K: Ashgate, 2008. Documenting a Province: The Archives of Ontario at 100. Toronto: Archives of Ontario, 2003. Ellis, Judith. Keeping Archives. Port Melbourne, Australia: Thorpe, 1993. Farr, Ian. Memory. Cambridge, MA: MIT Press, 2012. Forde, Helen. Preserving Archives. London: Facet, 2007. Great Britain Department for Culture, Media and Sport. Centres for Social Change: Museums, Galleries and Archives for All. London: The Department, 2000. Hamilton, Carolyn. Refiguring the Archive. Dordrecht, Netherlands: Kluwer Academic Publishers, 2002. Jimerson, Randall C. Archives Power: Memory, Accountability, and Social Justice. Chicago: Society of American Archivists, 2009. Kumbier, Alana. Ephemeral Material: Queering the Archive. Sacramento: Litwin Books, 2014. Mays, Sas. Libraries, Literatures, and Archives. New York: Routledge, 2014. Merewether, Charles (ed.). The Archive. London: Whitechapel, 2006. National Council on Archives. Changing the Future of Our Past. Sheffield: National Council on Archives, 2002. Osthoff, Simone. Performing the Archive: The Transformation of the Archive in Contemporary Art from
Load more

Recommended publications
  • A/V Material Resources Webinars, Videos Connecting to Collections
    A/V Material Resources Webinars, Videos Connecting to Collections – Caring for Audiovisual material https://www.connectingtocollections.org/av/ CCAHA – A Race Against Time: Preserving AV Media https://ccaha.org/sites/default/files/attachments/2018- 07/A%20Race%20Against%20Time%20Summary.pdf ALCTS – Moving Image Preservation 101 https://www.youtube.com/watch?v=rb77uztb_IU Leaflets / Quick Reference Library of Congress https://www.loc.gov/preservation/care/record.html https://www.loc.gov/preservation/about/faqs/audio.html Video Format Id Guide Sarah Stauderman & Paul Messier https://cool.culturalheritage.org/videopreservation/vid_id/ Texas Commission on the Arts- Videotape Identification and Assessment Guide https://www.arts.texas.gov/wp-content/uploads/2012/04/video.pdf Film Care https://filmcare.org/ mini Disc http://www.minidisc.org/index.php In depth reference NEDCC - Fundamentals of AV Preservation Texbook https://www.nedcc.org/fundamentals-of-av-preservation-textbook/chapter1-care-and- handling-of-audiovisual-collections National Film and Sound Archive of Australia https://www.nfsa.gov.au/preservation/guide/handbook Washington State Film Preservation Manual https://www.lib.washington.edu/specialcollections/collections/film-preservation-manual/ National Film Preservation Foundation – guide to film preservation https://www.filmpreservation.org/preservation-basics/the-film-preservation-guide http://www.folkstreams.net/vafp/guide.php The State of Recorded Sound Preservation in the United States http://www.clir.org/wp-content/uploads/sites/6/pub148.pdf
    [Show full text]
  • International Preservation Issues Number Seven International Preservation Issues Number Seven
    PROCEEDINGS OF THE INTERNATIONAL SYMPOSIUM THE 3-D’SOFPRESERVATION DISATERS, DISPLAYS, DIGITIZATION ACTES DU SYMPOSIUM INTERNATIONAL LA CONSERVATION EN TROIS DIMENSIONS CATASTROPHES, EXPOSITIONS, NUMÉRISATION Organisé par la Bibliothèque nationale de France avec la collaboration de l’IFLA Paris, 8-10 mars 2006 Ed. revised and updated by / Ed. revue et corrigée par Corine Koch, IFLA-PAC International Preservation Issues Number Seven International Preservation Issues Number Seven International Preservation Issues (IPI) is an IFLA-PAC (Preservation and Conservation) series that intends to complement PAC’s newsletter, International Preservation News (IPN) with reports on major preservation issues. IFLA-PAC Bibliothèque nationale de France Quai François-Mauriac 75706 Paris cedex 13 France Tél : + 33 (0) 1 53 79 59 70 Fax : + 33 (0) 1 53 79 59 80 e-mail: christiane.baryla@bnf.fr IFLA-PAC Director e-mail: corine.koch@bnf.fr Programme Officer ISBN-10 2-912 743-05-2 ISBN-13 978-2-912 743-05-3 ISSN 1562-305X Published 2006 by the International Federation of Library Associations and Institutions (IFLA) Core Activity on Preservation and Conservation (PAC). ∞ This publication is printed on permanent paper which meets the requirements of ISO standard: ISO 9706:1994 – Information and Documentation – Paper for Documents – Requirements for Permanence. © Copyright 2006 by IFLA-PAC. No part of this publication may be reproduced or transcribed in any form without permission of the publishers. Request for reproduction for non-commercial purposes, including
    [Show full text]
  • Great Literature Collection
    Great Literature Collection Aldrich Ames: Traitor Within CIA operative Aldrich Ames has, like his father, always been a company man. Although not always competent, he is chief of the Counter Intelligence Soviet Branch and has few friends within the Agency. On the verge of financial ruin due to, among other things, his wife Rosario's heavy spending, the hard-drinking and desperate Ames decides to sell secrets to the Russians. His first "job" has fatal consequences for ten Russians who worked for the CIA. Ames' boss, the Chief of Operations, who is friendly toward Ames, discovers that someone within the CIA is divulging high-level information. He appoints Jeanne Vertefeuille to head up the investigation. Jeanne recruits her own older staff, derisively dubbed the "over the hill gang". Poring through an abundance of records, case files and information proves to be an awesome task and their search goes on for eight years. After a year-long stint in Rome and now with Bush in the White House, Ames continues turning over information to the Russians for millions of dollars, re-routing deposits to Swiss banks and his wife's family in Colombia. Still an alcoholic, he buys a Jaguar and moves his family to an expensive home in a plush suburb. Ames soon realizes, however, that the investigation is closing in and gets very nervous when a Russian politico who could disclose Ames' duplicity defects to America. Ames gets lucky, his treason is not yet uncovered. Ames' own actions, however, begin to draw suspicion towards him, especially when he tries to conduct his own investigation to uncover the spy within the CIA.
    [Show full text]
  • Analog, the Sequel: an Analysis of Current Film Archiving Practice and Hesitance to Embrace Digital Preservation by Suzanna Conrad
    ANALOG, THE SEQUEL: AN ANALYSIS OF CURRENT FILM ARCHIVING PRACTICE AND HESITANCE TO EMBRACE DIGITAL PRESERVATION BY SUZANNA CONRAD ABSTRACT: Film archives preserve materials of significant cultural heritage. While current practice helps ensure 35mm film will last for at least one hundred years, digi- tal technology is creating new challenges for the traditional means of preservation. Digitally produced films can be preserved via film stock; however, digital ancillary materials and assets in many cases cannot be preserved using traditional analog means. Strategy and action for preserving this content needs to be addressed before further content is lost. To understand the current perspective of the film archives, especially in regards to the film industry’s marked hesitation to embrace digital preservation, the Academy of Motion Picture Arts and Sciences’ paper “The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motion Picture Materials” was closely evaluated. To supplement this analysis, an interview was conducted with the collections curator at the Academy Film Archive, who explained the archives’ current approach to curation and its hesitation to move to digital technologies for preservation. Introduction Moving images are a vital part of our cultural heritage. The music, film, and broadcasting industries, as well as academic and cultural institutions, have amassed a “legacy of primary source materials” of immense value. These sources make the last one hundred years understandable as an era of the “media of the modernity.”1 Motion pictures and films were established as vital archival records as early as the 1930s with the National Archives Act, which included motion pictures in the definition of “objects of archival interest.”2 As cultural artifacts, moving images deserve archival care and preservation.3 However, the art of preserving moving images and film can at times be daunting.
    [Show full text]
  • University of Arizona, Planning for the Sustainable Preservation of At-Risk
    DIVISION OF PRESERVATION AND ACCESS Narrative Section of a Successful Application The attached document contains the grant narrative of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the NEH Division of Preservation and Access application guidelines at http://www.neh.gov/divisions/preservation for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Preservation and Access staff well before a grant deadline. Note: The attachment only contains the grant narrative, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Planning for the Sustainable Preservation of At-Risk Film in the Center for Creative Photography Archives Institution: University of Arizona Project Director: Alexis Peregoy Grant Program: Sustaining Cultural Heritage Collections Center for Creative Photography, University of Arizona Page 1 of 12 “Planning for the Sustainable Preservation of At-Risk Film in the CCP Archives” NARRATIVE INTRODUCTION Project overview. The Center for Creative Photography (CCP) at the University of Arizona (UA) seeks a $40,000 grant to plan for the sustainable preservation of at-risk film-based materials found within the archive collections. The film-based materials include cellulose nitrate and acetate negatives, slides, transparencies, and film reels from the late 19th century through the 20th century.
    [Show full text]
  • Collections Care Paper, Photographs, Textiles & Books
    guide to Collections Care Paper, Photographs, Textiles & Books PLUS, check out our Resource Section for more information on preservation and conservation. see pages 56-60. call: 1-800-448-6160 fax: 1-800-272-3412 web: Gaylord.com GayYlouro Trustedrd Source™ A CONTINUUM OF CARE Gaylord’s commitment to libraries and the care of their collec- tions dates back more than eighty years. In 1924, the company published Bookcraft, its first training manual for the repair of books in school and public libraries. Updated regularly, the publication has provided librarians with simple cost-effective techniques for the care of their collections. When the field of preservation expanded during the 1980s, Gaylord responded with a line of archival products. In 1992, it issued its first Archival Supplies Catalog, followed by its innova- tive series of Pathfinders. Written by conservators, these illustrated guides earned a reputation for reliable information on the care and storage of paper, photographs, textiles, and books. This Guide to Collections Care continues Gaylord’s commitment to providing its users with the reliable information they need to preserve their treasures. Conservators have updated the information from our original Pathfinders and combined all five booklets into this one easy guide. We have also added product references as a convenient resource tool. ©2010, Gaylord Bros., Inc. All rights reserved. Printed in USA Gaylord Bros. PO Box 4901 Syracuse, NY 13221-4901 Gaylord Bros. gratefully acknowledges the authors of this pamphlet: Nancy Carlson
    [Show full text]
  • The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi T Audiovisual Archives
    Copyright ©2012 Academy of Motion Picture Arts and Sciences. “Oscar,” “Academy Award,” and the Oscar statuette are registered trademarks, and the Oscar statuette the copyrighted property, of the Academy of Motion Picture Arts and Sciences. The accuracy, completeness, and adequacy of the content herein are not guaranteed, and the Academy of Motion Picture Arts and Sciences expressly disclaims all warranties, including warranties of merchantability, fi tness for a particular purpose and non-infringement. Any legal information contained herein is not legal advice, and is not a substitute for advice of an attorney. All rights reserved under international copyright conventions. No part of this document may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without permission in writing from the publisher. Published by the Academy of Motion Picture Arts and Sciences Inquiries should be addressed to: Science and Technology Council Academy of Motion Picture Arts and Sciences 1313 Vine Street, Hollywood, CA 90028 (310) 247-3000 http://www.oscars.org Printed in the United States of America Library of Congress Cataloging-in-Publication Data The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi t Audiovisual Archives 1. Digital preservation – Case Studies. 2. Film Archives – Technological Innovations 3. Independent Filmmakers 4. Documentary Films 5. Audiovisual I. Academy of Motion Picture Arts and
    [Show full text]
  • Jts2019 Collaborative Notes
    Joint Technical Symposium (JTS) PRESERVE THE LEGACY | CELEBRATE THE FUTURE HILVERSUM, 3-5 OCTOBER 2019 ▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁ Image credit: Melanie Lemahieu, melanielemahieu.com, CC BY-SA JTS2019 COLLABORATIVE NOTES taken by Erwin Verbruggen, Joshua Ng, Rasa Bočytė, and Ross Garrett. JTS2019 was organized on behalf of the Coordinating Council of Audiovisual Archiving Associations (CCAAA) by AMIA, FIAF, FIAT/IFTA, and IASA. JTS2019 was held in conjunction with the International Association of Sound and Audiovisual Archives (IASA) 50th Anniversary conference and hosted by the Netherlands Institute for Sound and Vision. DOI: https://doi.org/10.5281/zenodo.3835666 About JTS The Joint Technical Symposium (JTS) is the international scientific and technical event hosted by the audiovisual archives associations that make up the CCAAA. Held every few years, this joint event brings together technical experts from around the world to share information and research about the preservation of original image and sound materials. The 2019 JTS was organized by AMIA, FIAF, FIAT/IFTA, and IASA on behalf of the CCAAA JTS 2019 was held October 3-5, 2019 in conjunction with the International Association of Sound and Audiovisual Archives (IASA) conference and hosted by the Netherlands Institute for Sound and Vision in Hilversum, the Netherlands. About CCAAA The professional archivists that the CCAAA ultimately represents work in institutions such as archives, libraries and museums at national and local level, university teaching and research departments, and broadcast and production organisations. Jts2019.com https://www.ccaaa.org/pages/news-and-activities/joint-technical-symposium.html JTS2019 DOCUMENTATION JTS2019 Twitter archive as ​TAGSExplorer​ or ​TAGS Archive JTS2019 images on IASA’s ​Flickr Selected conference recordings on Sound and Vision’s ​Vimeo Slide decks on ​OSF Meetings Verbruggen, Erwin, Joshua Ng, Rasa Bočytė, and Ross Garrett.
    [Show full text]
  • NORTHEAST HISTORIC FILM Jbn F7 1993 [, / / I I PO BOX 900, MAIN ST, BUCKSPORT, ME 04416-0900 1
    LIBRARY OF COiiGRESS , NORTHEAST HISTORIC FILM JbN F7 1993 [, / / I I PO BOX 900, MAIN ST, BUCKSPORT, ME 04416-0900 1 Northeast Historic Film would like to bring to the National Film Preservation Board study on the current state of film preservation a statement concerning the significance, and the imperilled state, of the nontheatrical film record. This archives was established to care for regional films. It is an uphill, almost hopeless, battle. "Local history" and "amateur" weigh heavily in some circles as pejorative. Funding support for regional film preservation is virtually nonexistent. We believe that local and regional moving images record and interpret the real issues and real lives of the passing century. From these moving images and sound posterity will understand the era--its life and its art. James Agee wrote, "since intimate specification is even less dispensable to most good art than generalization, I believe that most of the best films, like most of the best of any other art, are and would always have to be developed locally, and primarily for local audiences." (The Nation. 24 Nov 1945). While Agee's is an extreme statement, we'll take the opportunity to stand up for these comers of the national film preservation picture: 1. There are few advocates when the production and exhibition canon is left behind. For example, so-called "our town pictures." often made by itinerant exhibitors, have next to no literature legitimizing the genre. Their valuable look into our nation's democratization of film language and technique, as well as community life, awaits discovery and preservation.
    [Show full text]
  • Pragmatic Audiovisual Preservation
    http://doi.org/10.7207/twr20-10 Pragmatic Audiovisual Preservation Ashley Blewer DPC Technology Watch Report October 2020 © Digital Preservation Coalition 2020 and Ashley Blewer 2020 ISSN: 2048-7916 DOI: http://doi.org/10.7207/twr20-10 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without prior permission in writing from the publisher. The moral rights of the author have been asserted. First published in Great Britain in 2020 by the Digital Preservation Coalition. Pragmatic Audiovisual Preservation Foreword The Digital Preservation Coalition (DPC) is an advocate and catalyst for digital preservation, ensuring our members can deliver resilient long-term access to digital content and services. It is a not-for- profit membership organization whose primary objective is to raise awareness of the importance of the preservation of digital material and the attendant strategic, cultural and technological issues. It supports its members through knowledge exchange, capacity building, assurance, advocacy and partnership. The DPC’s vision is to make our digital memory accessible tomorrow. The DPC Technology Watch Reports identify, delineate, monitor and address topics that have a major bearing on ensuring our collected digital memory will be for the future. They provide an advanced introduction in order to support those charged with ensuring a robust digital memory, and they are of general interest to a wide and international audience with interests in computing, information management, collections management and technology. The reports are commissioned after consultation among DPC members about shared priorities and challenges; they are commissioned from experts; and they are thoroughly scrutinized by peers before being released.
    [Show full text]
  • 102 Stat. 1774 Public Law 100-446—Sept
    102 STAT. 1774 PUBLIC LAW 100-446—SEPT. 27, 1988 Public Law 100-446 100th Congress An Act Sept. 27, 1988 Making appropriations for the Department of the Interior and related agencies for [H.R. 4867] *^® fiscal year ending September 30,1989, and for other purposes. Be it enacted by the Senate and House of Representatives of the United States of America in Congress assembled. That the following sums are appropriated, out of any money in the Treasury not otherwise appropriated, for the Department of the Interior and related agencies for the fiscal year ending September 30, 1989, and for other purposes, nsimely: TITLE I—DEPARTMENT OF THE INTERIOR BUREAU OF LAND MANAGEMENT MANAGEMENT OF LANDS AND RESOURCES For expenses necessary for protection, use, improvement, develop­ ment, disposal, cadastral surveying, classification, and performance of other functions, including maintenance of facilities, as authorized by law, in the management of Ismds and their resources under the jurisdiction of the Bureau of Land Management, including the general administration of the Bureau of Land Management, $508,462,000, of which not to exceed $1,000,000 to be derived from the specisJ receipt account established by section 4 of the Land and Water C!onservation Fund Act of 1965, as amended (16 U.S.C. 4601-6a(i)), $70,000,000 for firefighting and repayment to other appropriations from which funds were transferred under the author­ ity of section 102 of the Department of the Interior and Related Agencies Appropriations Act, 1988, and $23,000,000 for the Auto­ mated Land and Mineral Record Sjrstem Project shcdl remain avail­ able until expended: Provided, That appropriations herein made shall not be available for the destruction of healthy, unadopted, wild horses and burros in the care of the Bureau of Land Management or 43 use 1474.
    [Show full text]
  • TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
    ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "sleg@loc.gov"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report -­ ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A.
    [Show full text]