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This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Joseph Ritson and the Publication of Early English Literature Genevieve Theodora McNutt PhD in English Literature University of Edinburgh 2018 1 Declaration This is to certify that that the work contained within has been composed by me and is entirely my own work. No part of this thesis has been submitted for any other degree or professional qualification. Portions of the final chapter have been published, in a condensed form, as a journal article: ‘“Dignified sensibility and friendly exertion”: Joseph Ritson and George Ellis’s Metrical Romance(ë)s.’ Romantik: Journal for the Study of Romanticisms 5.1 (2016): 87-109. DOI:http://dx.doi.org/10.7146/rom.v5i1.26422. Genevieve Theodora McNutt 2 3 Abstract This thesis examines the work of antiquary and scholar Joseph Ritson (1752-1803) in publishing significant and influential collections of early English and Scottish literature, including the first collection of medieval romance, by going beyond the biographical approaches to Ritson’s work typical of nineteenth- and twentieth- century accounts, incorporating an analysis of Ritson’s contributions to specific fields into a study of the context which made his work possible. -
Statutes and Rules for the British Museum
(ft .-3, (*y Of A 8RI A- \ Natural History Museum Library STATUTES AND RULES BRITISH MUSEUM STATUTES AND RULES FOR THE BRITISH MUSEUM MADE BY THE TRUSTEES In Pursuance of the Act of Incorporation 26 George II., Cap. 22, § xv. r 10th Decembei , 1898. PRINTED BY ORDER OE THE TRUSTEES LONDON : MDCCCXCYIII. PRINTED BY WOODFALL AND KINDER, LONG ACRE LONDON TABLE OF CONTENTS CHAPTER I. PAGE Meetings, Functions, and Privileges of the Trustees . 7 CHAPTER II. The Director and Principal Librarian . .10 Duties as Secretary and Accountant . .12 The Director of the Natural History Departments . 14 CHAPTER III. Subordinate Officers : Keepers and Assistant Keepers 15 Superintendent of the Reading Room . .17 Assistants . 17 Chief Messengers . .18 Attendance of Officers at Meetings, etc. -19 CHAPTER IV. Admission to the British Museum : Reading Room 20 Use of the Collections 21 6 CHAPTER V, Security of the Museum : Precautions against Fire, etc. APPENDIX. Succession of Trustees and Officers . Succession of Officers in Departments 7 STATUTES AND RULES. CHAPTER I. Of the Meetings, Functions, and Privileges of the Trustees. 1. General Meetings of the Trustees shall chap. r. be held four times in the year ; on the second Meetings. Saturday in May and December at the Museum (Bloomsbury) and on the fourth Saturday in February and July at the Museum (Natural History). 2. Special General Meetings shall be sum- moned by the Director and Principal Librarian (hereinafter called the Director), upon receiving notice in writing to that effect signed by two Trustees. 3. There shall be a Standing Committee, standing . • Committee. r 1 1 t-» • 1 t> 1 consisting 01 the three Principal 1 rustees, the Trustee appointed by the Crown, and sixteen other Trustees to be annually appointed at the General Meeting held on the second Saturday in May. -
Manuscripts Collected by Thomas Birch (B. 1705, D. 1766)
British Library: Western Manuscripts Manuscripts collected by Thomas Birch (b. 1705, d. 1766), D.D., and bequeathed by him to the British Museum, of which he was a Trustee from 1753 until his death ([1200-1799]) (Add MS 4101-4478) Table of Contents Manuscripts collected by Thomas Birch (b. 1705, d. 1766), D.D., and bequeathed by him to the British Museum, of which he was a Trustee from 1753 until his death ([1200–1799]) Key Details........................................................................................................................................ 1 Provenance........................................................................................................................................ 1 Add MS 4106–4107 TRANSCRIPTS OF STATE PAPERS and letters from public and private collections, made by or for Birch, together with.................................................................................... 8 Add MS 4109–4124 ANTHONY BACON TRANSCRIPTS.Transcripts and extracts of the correspondence of Anthony Bacon (d. 1601), chiefly in..................................................................................................... 19 Add MS 4128–4130 ESSEX (DEVEREUX) PAPERSTranscripts of original letters and papers in the British Museum, Lambeth Palace Library,............................................................................................. 32 Add MS 4133–4146 FORBES PAPERS. Vols. II–XV.4133–4146. Collections of Dr. Patrick Forbes, consisting of lists, copies, etc., of....................................................................................................... -
English Seafarer Communities in the Later Middle Ages: a Study in the Socio- Cultural Economics of an Occupational Group by Brenna Elizabeth Gibson
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, whe re applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non -commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be repro duced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Department of History English Seafarer Communities in the Later Middle Ages: A Study in the Socio- Cultural Economics of an Occupational Group by Brenna Elizabeth Gibson Thesis for the degree of Doctor of Philosophy October 2017 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Department of History Thesis for the degree of Doctor of Philosophy ENGLISH SEAFARER COMMUNITIES IN THE LATER MIDDLE AGES: A STUDY IN THE SOCIO-CULTURAL ECONOMICS OF AN OCCUPATIONAL GROUP Brenna Elizabeth Gibson England is a country with its roots steeped in maritime history. As an island, the lives and actions of England’s mariners through time are intrinsically linked to the timeline of the country itself. -
A Case Study of Strata Florida's Blaenaero
MONASTIC DEVELOPMENT AND DISSOLUTION IN WALES: CONTINUITY OR CHANGE FOR UCHELWYR? A CASE STUDY OF STRATA FLORIDA’S BLAENAERON GRANGE Heather Para Submitted to the University of Wales Trinity Saint David in fulfilment of the requirements for the degree of PhD University of Wales Trinity Saint David 2020 Declarations This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed … ....................................................... (candidate) Date .......28 March, 2020................................................................. STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where correction services have been used the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed … .................................................... (candidate) Date .......28 March, 2020................................................................. STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed… .............................................. (candidate) Date .......28 March, 2020................................................................. STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for deposit in the -
Monastic Developmentand Dissolution in Wales
MONASTIC DEVELOPMENT AND DISSOLUTION IN WALES: CONTINUITY OR CHANGE FOR UCHELWYR? A CASE STUDY OF STRATA FLORIDA’S BLAENAERON GRANGE Heather Para Submitted to the University of Wales Trinity Saint David in fulfilment of the requirements for the degree of PhD University of Wales Trinity Saint David 2020 Declarations This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed … ....................................................... (candidate) Date .......28 March, 2020................................................................. STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where correction services have been used the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed … .................................................... (candidate) Date .......28 March, 2020................................................................. STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed… .............................................. (candidate) Date .......28 March, 2020................................................................. STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for deposit in the -
MORTAL COIL and STARS with TRAINS of FIRE Hamlet Q2
MORTAL COIL and STARS WITH TRAINS OF FIRE Hamlet Q2 metaphors for the Copernican Astronomy and Kepler’s Nova of 1604 by Abraham Samuel Shiff Published in: Hamlet Works http://www.hamletworks.org (under: Hamlet Criticism) Submitted 30 July 2012 Revised 16 September 2012 1. Introduction / 1 1. INTRODUCTION Exploding cataclysmically to utter annihilation, a star that is normally too distant to be perceived by the naked eye will release a burst of visible energy to make it appear as a NEW STAR in the sky—a Stella Nova—in a place where none was previously seen. Shakespeare’s generation was startled by the appearance of two such extremely rare celestial events: Tycho’s Nova of 1572 and Kepler’s Nova of 1604. A metaphor for Tycho’s Nova has been previously identified in Hamlet. This essay argues that in Hamlet Q2 there are two more heretofore-unrecognized astronomical puns: “Stars with Trains of Fire” for Kepler’s Nova, and “Mortal Coil” for the Copernican astronomy. Convention Words in CAPITAL LETTERS are to be understood in their Aristotelian astronomical sense, as Shakespeare’s audience would have known them. They are defined in the essay. _______________________ Acknowledgements:—It is fortunate when a student can learn under the guidance of a beneficial constellation of extraordinary teachers. The idea that Mortal Coil is a metaphor for the Copernican astronomy came to mind when studying the history of science at the Graduate Center of the City University of New York (CUNY) in courses taught by Distinguished Professor Joseph W. Dauben. This journey of discovery began as just a five-minute class presentation on the Elizabethan mathematician Thomas Digges that extended into years of research into the era’s science and literature. -
Cultural Uses of Magic in Fifteenth-Century England
Cultural Uses of Magic in Fifteenth-Century England by Laura Theresa Mitchell A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Medieval Studies University of Toronto © Copyright by Laura Theresa Mitchell 2011 Cultural Uses of Magic in Fifteenth-Century England Laura Theresa Mitchell Doctor of Philosophy Medieval Studies University of Toronto 2011 Abstract This dissertation examines the ways that books can show the place of magic in fifteenth-century English society. Specifically, I am interested in what was important about magic to people and how magic was used by people in the creation of their identities, both as individuals and within the community. As I explore these issues, I aim to demonstrate that magic freely co-mingled with non-magical texts in manuscripts. Furthermore, this mixing of magical and non-magical texts is a vital part of understanding magic‟s role in the shaping of people‟s identities, both public and private. Chapter one presents the results of a preliminary survey of magic in fifteenth-century English manuscripts. I clarify how I delineate between texts – magical and non-magical and between genres of magic. This chapter also uses a series of case studies to look at some of the issues of ownership that are dealt with in more detail in the later chapters of this thesis. Chapters two, three, and four look at individual manuscripts in depth. In Chapter two, I examine how a lower gentry household used their notebook to establish their place within a strata of the gentry that was increasingly interested in medical and scientific texts in the fifteenth century. -
John Locke As a Reader of Thomas Hobbes's Leviathan: a New Manuscript
John Locke as a Reader of Thomas Hobbes’s Leviathan: A New Manuscript* Felix Waldmann University of Cambridge In the summer of 2019, several newspapers announced the discovery of John Milton’s personal copy of Shakespeare’s first folio. The copy, preserved in the Free Library of Philadelphia, had previously attracted attention for its re- markable annotations in the hand of an unidentifiable early owner. But it was only when a scholar noticed the similarity of the annotator’s hand with Milton’s that the association was wagered. As the Milton scholar William Poole noted in The Guardian: “It was, until a few days ago, simply too much to hope that Milton’s own copy of Shakespeare might have survived.” Yet it had survived, and in plain sight.1 The implications of the discovery are now the product of considerable scholarship by specialists in early modern literature, but its reper- cussions can be felt in neighboring disciplines, where scholars could reasonably ask whether other figures could be placed in dialogue by a similar discovery. This has remained an object of fascination for students of John Locke’s political thought since the 1950s, when Peter Laslett recovered the master catalog of Locke’s library from the moldering hunting lodge of Locke’s descendants, the Lovelace family of Torridon in Ross-shire.2 The catalog listed a copy of the first edition of Thomas Hobbes’s Leviathan (1651), but the copy itself—traceable by a line of descent to the possession of the Lovelaces—had disappeared.3 It * For their help in the preparation of this article, I would like to thank Mark Goldie, Tom Hamilton, Patrick Kelly, Scott Mandelbrote, J. -
Hospitality in a Cistercian Abbey: the Case of Kirkstall in the Later Middle Ages
HOSPITALITY IN A CISTERCIAN ABBEY: THE CASE OF KIRKSTALL IN THE LATER MIDDLE AGES RICHARD JAMES ANDREW THOMASON TWO VOLUMES VOLUME ONE Submitted in Accordance with the Requirements for the Degree of Doctor of Philosophy Institute for Medieval Studies University of Leeds September 2015 The candidate confirms that the work submitted is his own work and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Richard James Andrew Thomason ACKNOWLEDGEMENTS Many people have helped me research and write this thesis, personally and professionally. I thank the library staff of Boston Spa (British Library), the Yorkshire Archaeological Society, and Canon Clarke of the College of the Resurrection at Mirfield, for their hospitality and diligent aid. I thank the staff of West Yorkshire Archaeological Service for sharing their resources with me. I thank the staff of the Discovery Centre (Leeds Museums and Galleries) for their camaraderie and aid. I thank Rebecca Hirst and Dorian Knight who undertook a challenging internship and archived a great many of Kirkstall’s objects, many of which are analysed in this thesis. I thank Professor David Stocker for his encouragement and insight that he kindly extended to me. I thank my friends, fellow students, and the staff at the University of Leeds, who have broadened my intellectual horizons immeasurably. I want to thank Paul, May, and Meg Waller for the warmth of their friendship, which helped me in some difficult times during the thesis. -
21/09/18 6:17 Pm
The English Mercurie Hoax and the Early History of the Newspaper Markman Ellis, QMUL [Pre-publication accepted draft to be published in Book History in 2019.] In 1794 the Scottish antiquarian George Chalmers (1742-1825) undertook research into the origin of newspapers, “those pleasant vehicles of instruction, those entertaining companions of our mornings” for his biography of the Scottish publisher and scholar Thomas Ruddiman (1764-1757). After assessing the historical evidence, he declared that the first newspaper, which he defined as a regularly printed gazette of news, was English. It may gratify our national pride to be told, that mankind are indebted to the wisdom of Elizabeth and the prudence of Burleigh for the first news-paper. The epoch of the Spanish Armada is also the epoch of a genuine news-paper. In the British Museum, there are several news-papers, which had been printed while the Spanish fleet was in the English Channel, during the year 1588. It was a wise policy, to prevent, during a moment of general anxiety, the danger of false reports, by publishing real information. And the earliest news-paper is entitled, THE ENGLISH MERCURIE, which, by Authority, was “imprinted at London by Christopher Barker, her Highnesses printer, 1588”.1 Although Chalmers noted some oddities about this example (it was printed in “Roman, not in black, letter” and had certain anachronisms), his discovery was celebrated in literary journals and magazines.2 Over the following decades, it was accepted as authoritative in a series of reference works, beginning with the fifth edition of Isaac Disraeli’s Curiosities of Literature (1807),3 and thereafter the fourth volume of John Nichols’s Literary Anecdotes of the Eighteenth Century (1812),4 Johann Beckmann’s Concise History of Ancient Institutions (1823);5 and from there in various encyclopædias including Encyclopædia Londinensis (1820), 6 Encyclopaedia Americana (1832), 7 Brockhaus’s Conversations-Lexikon (1832),8 and Encyclopaedia Metropolitana (1845).9 There was only one problem with this patriotic discovery: it was a hoax. -
The History and Future of Reading Shakespeare
A Return to ‘The Great Variety of Readers’: The History and Future of Reading Shakespeare A thesis submitted for the degree of Doctor of Philosophy by Robin P. Williams, ma School of Arts Brunel University july 2014 williams abstract abstract a return to ‘the great variety of readers’: the history and future of reading shakespeare For almost a century Shakespeare’s work has been viewed primarily under a supremacy of performance with an insistence that Shakespeare wrote his work to be staged, not read. This prevailing view has ensured that most responses in Shakespearean research fit within this line of enquiry. The recent argument that Shakespeare was a literary dramatist who wrote for readers—as well as audiences—has met with resistance. This thesis first exposes the very literate world Shakespeare lived in and his own perception of that world, which embraces a writer who wrote for readers. The material evidence of readers begins in Shakespeare’s own lifetime and grows steadily, evidenced by the editorial methods used to facilitate reading, the profusion of books specifically for readers of general interest, and the thousands of lay reading circles formed to enjoy and study the plays. Readers of the seventeenth through the nineteenth centuries are shown to have spontaneously responded to the works as literature, as reading Shakespeare aloud within a family or social circle has a tenacious history. For three hundred years after Shakespeare’s death it was readers and Shakespeare reading groups who created and maintained Shakespeare’s legacy as a literary icon and national hero. The history of millions of lay readers reading aloud in community was engulfed by the transition of the texts into academia and performance criticism until by the 1940s Shakespeare reading groups were virtually non-existent.