AHMAD SHAMLOU: Master Poet of Liberty VENDOR/LABEL: PATHFINDER HOME ENTERTAINMENT ORDER DATE: SEPT

Total Page：16

File Type：pdf, Size：1020Kb

NEW RELEASE - PRODUCT SHEET FORMAT: DVD TITLE: AHMAD SHAMLOU: Master Poet of Liberty VENDOR/LABEL: PATHFINDER HOME ENTERTAINMENT ORDER DATE: SEPT. 23, 2008 STREET DATE: OCT. 21, 2008 GENRE: DOCUMENTARY RATING: NOT RATED RUNNING TIME: 62 minutes COUNTRY/YEAR: IRAN / 1999 LANGUAGE: PERSIAN with Subtitles SRP: $24.98 CAT #: PH-91979 UPC #: 825307 919790 CAST & CREW: Director: MOSLEM MANSOURI CARTON QUANTITY: 30 per carton CASTS: AYDA SHAMLOU, SIMIN BEHBA- HANI, BAHRAM BEYZA’I IRAN DARROUDI, MAHMOUD DOWLATABADI, MOHAMMAD GHAZI, MOHAMMAD HOGHOUGH,I ABBAS KIA-ROSTAMI, JAVAD MOJABI, ZIA MOVAHHED, ESMAIL NOURIALA, MOHAM- MAD ALI SEPANLOU, POURAN SOLTANI, NASER TAGHVA’I. SYNOPSIS: Ahmad Shamlou (December 12, 1925 – July 24, 2000) was a Persian poet, writer, and journalist. Shamlou’s poetry is complex, yet his imagery - which contributes significantly to the intensity of his poems - is simple. For infrastructure and impact, he uses a kind of everyday imagery in which personified oxymoronic elements are spiked with an unreal combination of the abstract and the concrete unprece- dented in Persian poetry before him. He is considered as the founder of Persian blank poetry. It is said that you can- not find a literate household in Iran where there is none of his poetry books available. He is an “engaged” poet in the sense that his poetry addresses socio-political issues of his time, with a prophetic emphasize on Liberty and Human Rights. He has also written and translated numerous articles and books on a spectrum of subjects, from political to literary. His voluminous Ketab-e Koucheh (The Book of the Allies) is a major contribution to understanding Iranian folkloric beliefs and language. In 1984 he was nominated for the Noble Prize in Literature..

Copy Link

Recommended publications

KHERAD-DISSERTATION-2013.Pdf
Copyright by Nastaran Narges Kherad 2013 The Dissertation Committee for Nastaran Narges Kherad Certifies that this is the approved version of the following dissertation: RE-EXAMINING THE WORKS OF AHMAD MAHMUD: A FICTIONAL DEPICTION OF THE IRANIAN NATION IN THE SECOND HALF OF THE 20TH CENTURY Committee: M.R. Ghanoonparvar, Supervisor Kamran Aghaie Kristen Brustad Elizabeth Richmond-Garza Faegheh Shirazi RE-EXAMINING THE WORKS OF AHMAD MAHMUD: A FICTIONAL DEPICTION OF THE IRANIAN NATION IN THE SECOND HALF OF THE 20TH CENTURY by Nastaran Narges Kherad, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2013 Dedication Dedicated to my son, Manai Kherad-Aminpour, the joy of my life. May you grow with a passion for literature and poetry! And may you face life with an adventurous spirit and understanding of the diversity and complexity of humankind! Acknowledgements The completion of this dissertation could not have been possible without the ongoing support of my committee members. First and for most, I am grateful to Professor Ghanoonparvar, who believed in this project from the very beginning and encouraged me at every step of the way. I thank him for giving his time so generously whenever I needed and for reading, editing, and commenting on this dissertation, and also for sharing his tremendous knowledge of Persian literature. I am thankful to have the pleasure of knowing and working with Professor Kamaran Aghaei, whose seminars on religion I cherished the most.
[Show full text]
“Transfer” XIV: 1-2 (2019), Pp. 49-72. ISSN: 1886-554
“Transfer” XIV: 1-2 (2019), pp. 49-72. ISSN: 1886-554 “SOMETHING FOREIGN IN IT”: A STUDY OF AN IRANIAN TRANSLATION OF WHITMAN’S IMAGE Behnam M. Fomeshi (ORCID: 0000-0001-6821-9699) TU Dortmund University (Germany) Reception date: 02/02/2018; Acceptance date: 15/03/2018 Introduction What happens to Whitman when he enters Iran? What does the Persian Whitman look like? What does his Persianness or his foreignness tell us about Whitman, Iran, and the interaction between the two? This essay answers these questions to elaborate on the dialogue created between American poetry and contemporary Iran through translating Whitman. Studies of the reception of a writer in another culture primarily deal with the translation of the works into the target language. Such studies usually ignore the translation of the writer’s image. The present essay focuses on the translation of an American writer’s image into a contemporary Iranian context. In this study, “image” refers both to visual representations, such as pictures or photographs, and the mental conceptions held in common by members of a group, such as is the subject of imagology. Walt Whitman (1819-1892), commonly referred to as the father of American free verse and the American poet of democracy, has frequently been studied in terms of his reputation, reception, and influence in other countries. Blodgett’s 1934 book, Walt Whitman in England, the first formal reception study of the poet in an international context, was followed by Betsy Erkkila’s Walt Whitman among the French: Poet and Myth (1980), Walter Grunzweig’s 49 “Transfer” XIV: 1-2 (2019), pp.
[Show full text]
A Study of the Poetic Foundations of Three Prominent Contemporary
Propósitos y Representaciones May. 2021, Vol. 9, SPE(3), e1097 ISSN 2307-7999 Current context of education and psychology in Europe and Asia e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE3.1097 RESEARCH NOTES A Study of the Poetic Foundations of Three Prominent Contemporary Poets Mehdi Akhavan Sales, Ahmad Shamloo and Hamid Mossadegh with an Approach to European Literature Un estudio de los fundamentos poéticos de tres destacados poetas contemporáneos Mehdi Akhavan Sales, Ahmad Shamloo y Hamid Mossadegh con un enfoque de la literatura europea Farshad Daneshvar Nik PhD student in Persian language and literature, Islamic Azad University, Mashhad Branch, Iran Mohammad Fazeli Member of the Department of Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Parvin Dokht Mashhor Member of the Department of Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Received 07-08-20 Revised 08-10-20 Accepted 09-02-20 On line 03-06-21 *Correspondence Cite as: Email: [email protected] Daneshvar, F., Fazali, M., & Dokht, P. (2021). A Study of the Poetic Foundations of Three Prominent Contemporary Poets Mehdi Akhavan Sales, Ahmad Shamloo and Hamid Mossadegh with an Approach to European Literature. Propósitos y Representaciones, 9(SPE3), e1097. Doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE3.1097 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2021. Este artículo se distribuye bajo licencia CC BY-NC-ND 4.0 Internacional (http://creativecommons.org/licenses/by-nc-nd/4.0/). A Study of the Poetic Foundations of Three Prominent Contemporary Poets Mehdi Akhavan Sales, Ahmad Shamloo and Hamid Mossadegh with an Approach to European Literature Summary Literary schools in the West are influenced by the social and political conditions prevailing in those societies; This means that each school in line with the political and social developments of its time has undergone structural and content changes and gives way to a school with a different perspective.
[Show full text]
Collective Love
art credit rule should be: if on side, then in gutter. if underneath, then at same baseline as text page blue line, raise art image above it. editorial note editorial note CARLA CRAWFORD AHMAD SHAMLOU I have wept in blazing solitude with you For the sake of the living And have sung the most beautiful of songs Soleil, 2014 In the darkest of graveyards Oil on Linen, 15 x 16 in Collective For the dead of this year Love Were the most loving of the living Give me your hands Your hands know me You found-at-last I speak with you As the cloud with the storm The weed with the felds The rain with the sea The bird with spring And the tree that speaks with the woods For I have discovered your depths For my voice is Intimate with yours. Tears are a mystery —Translated from the Persian by Niloufar Talebi Smiles a mystery Love a mystery The tears of that night were the smile of my love I am not a tale to be told Not a song to be sung Not a sound to be heard Or something that you can see Ahmad Shamlou (1925–2000) was nominated for the No- Or something that you can know bel Prize in 1984. Shamlou, also known under his pen name, I am Common Pain A. Bamdad, is among the most influential Iranian literary Cry me out! voices of the twentieth century, and widely known as the father of modern Iranian poetry. He published more than seventy books, including poetry, fiction, short stories, chil- The tree speaks with the woods dren’s books, essays, translations, and several volumes of his The weed with the felds encyclopedia of Iranian folklore, Book of Alley.
[Show full text]
The Manichaean Living Self Reflected in Persian Mystical Poetry
The Manichaean Living Self Reflected in Persian Mystical Poetry Omid Behbahani Introduction The Living Self, as part of the divine entity imprisoned in Matter, is a defined concept in the Manichaean mythological terminology. The essence of this concept, adopted and adapted in Iranian Mysticism and reflected in the words of Persian poets, is the focus of this article. After introducing the concept of Living Self, I will bring some examples of Rumi, Hafez, and a few modern Persian poets to demonstrate the conti- nuity of ancient believes in classical and modern Persian poetry. Manichaeism, founded in the third century CE by Mani, borne in Bab- ylonia (a province of Persia at the time), once flourished in the ancient world and claimed followers from North Africa to China for over a mil- lennium. It was adopted as the state religion by Uygur kingdom (762- 840 CE). “In China the religion was proscribed in 863, but although persecuted it survived there at least until the 14th century.”1 1Mary Boyce: A Reader in Manichaean Middle Persian and Parthian, Textes et Mémoires, vol. 2 (Téhéran, Liège: Bibliothèque Pahlavi, 1975), 4. Omid Behbahani <[email protected]> is an Associate Professor in Ancient Iranian Cul- ture and Languages at the Institute for Humanities and Cultural Studies (IHCS), Tehran, Iran. She teaches Manichaean Middle Persian and Parthian Texts of Turfan (Xinyang, China) at IHCS, Faculty of Linguistics (1998-present). She was appointed Invited Lecturer in Persian Language and Iranian Studies at Eötvös Loránd University, Budapest, Hungary (2008-2009), and the Australian National University (ANU), Canberra, Australia (2014-2017).
[Show full text]
Sohrab Sepehri's Imaginative Voyage from Negative Romanticism to Positive Romanticism in His Cycles of Poems
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 5 No. 6; December 2014 Copyright © Australian International Academic Centre, Australia Sohrab Sepehri's Imaginative Voyage from Negative Romanticism to Positive Romanticism in his Cycles of Poems Mohammad Hussein Oroskhan (Corresponding author) Department of English Literature, Faculty of Humanities, Vali-e-Asr University, Rafsanjan, Kerman, Iran E-mail: [email protected] Esmaeil Zohdi Department of English Literature, Faculty of Humanities, Vali-e-Asr University, Rafsanjan, Kerman, Iran E-mail: [email protected] Doi:10.7575/aiac.alls.v.5n.6p.227 Received: 04/09/2014 URL: http://dx.doi.org/10.7575/aiac.alls.v.5n.6p.227 Accepted: 31/10/2014 Abstract Romanticism extended to different countries around the Europe in eighteenth and nineteenth century. This school not only includes European countries but also countries outside the continent like Iran. Similarly, Romanticism developed some of its features out of Iranian contemporary literature. Sohrab Sepehri, the contemporary Iranian poet, has always been at the center of Romanticism investigation in Iran. Regarding Morse Peckham's view of Romanticism, this could be inferred that Sepehri has made a voyage from the "static mechanism" to "dynamic organicims". Sepehri's change of view causing this journey was his acquaintance with the Far Eastern mysticism. Therefore, the present study aims to investigate this phase shifting by focusing on its effect on his poems. Keywords: Soharab Sepehri, static mechanism, dynamic organicism, romanticism 1. Introduction Romanticism designates a literary and philosophical theory which situates the individual at the center of all life and experience. By situating the man at the center, it focuses on man's unique feelings, attitudes and experiences.
[Show full text]
The Academic Resume of Dr. Gholamhossein Gholamhosseinzadeh
The Academic Resume of Dr. Gholamhossein Gholamhosseinzadeh Professor of Persian Language and Literature in Tarbiat Modarres University Academic Background Degree The end date Field of Study University Ferdowsi Persian Language University of ١٩٧٩/٤/٤ BA and Literature Mashhad Persian Language Tarbiat Modarres and Literature University ١٩٨٩/٢/٤ MA Persian Language Tarbiat Modarres and Literature University ١٩٩٥/٣/١٥ .Ph.D Articles Published in Scientific Journals Year of Season of Row Title Publication Publication Explaining the Reasons for Explicit Adoptions Summer ٢٠١٨ of Tazkara-Tul-Aulia from Kashif-Al-Mahjoub ١ in the Sufis Karamat Re-Conjugation of Single Paradigms of Middle Spring ٢٠١٧ Period in the Modern Period (Historical ٢ Transformation in Persian Language) ٢٠١٧ Investigating the Effect of the Grammatical Elements and Loan Words of Persian Language Spring ٣ on Kashmiri Language ٢٠١٧ The Course of the Development and Spring Categorization of the Iranian Tradition of ٤ Writing Political Letter of Advice in the World Some Dialectal Elements in Constructing t he Spring ٢٠١٦ ٥ Verbs in the Text of Creation ٢٠١٦ The Coding and the Aspect: Two Distinctive Fall ٦ ١ Year of Season of Row Title Publication Publication Factors in the Discourse Stylistics of Naser Khosrow’s Odes ٢٠١٦ Conceptual Metaphor: Convergence of Summer ٧ Thought and Rhetoric in Naser Khosrow's Odes ٢٠١٦ A Comparative Study of Linguistic and Stylistic Features of Samak-E-Ayyar, Hamzeh- Fall ٨ Nameh and Eskandar-Nameh ٢٠١٦ The Effect of Familiarity with Old Persian
[Show full text]
Mawlana Mawdudi and Political Islam
Mawlana Mawdudi and Political Islam Mawlana Mawdudi was one of the most influential and important Islamic thinkers of the modern world, whose brand of political Islam has won wide- spread acceptance in South and South-East Asia as well as the Middle East. He was not only an Islamic scholar, but also a journalist and political activist who founded the Jamaat-i-Islami, which has subsequently influenced the development of many Islamic movements and parties throughout the Muslim world. This book is the first to engage critically and assess his career and legacy within the wider context of political Islam. It includes coverage of his early life and influences, and examines his considerable influence in the con- temporary Islamic world. The issues that were a concern for Mawdudi and continue to have resonance for our world today include such questions as the role of women in Islam; the possibilities for democracy in an Islamic state; the importance of jihad; and the moral and religious responsibility of the individual. While focus is on Mawdudi’s life and writings, this is placed within the wider context of topical, often contentious, Islamic thought. Providing an up-to-date and detailed critical study of Mawlana Mawdudi and many issues surrounding political Islam both in Mawdudi’s time and today, this book will be an important text for scholars of Islamic studies, political science and philosophy. Roy Jackson is Senior Lecturer in Religion, Philosophy and Ethics at the University of Gloucestershire, with a research interest in the interaction between religion, ethics and philosophy, and with particular emphasis on Islam.
[Show full text]
On the Oceanic Waves of Ahmad Shamlou's Poetry Translation By
On The Oceanic Waves Of Ahmad Shamlou’s Poetry (A Selection Of Poems) This Translation Is Dedicated To All Fallen Revolutionaries Contents Note: 6 Introduction 7 Abraham in the Fire 11 Abraham’s Song In the Fire 12 Nocturne 15 Nocturne 16 The Birth Of He Who Fell Amorously 17 Aida in The Mirror 22 Of Death… 23 Recurrence 24 Rendezvous 27 The Dead 29 Aida, Tree, Dagger and Memories 31 Nocturne 32 Nocturne (I Love Her…) 36 From the Wound of Aba-e’s Heart 40 Of Your Uncles 43 The Bright Horizon 45 The Death of Vartan 47 Contents Universal Love 49 Little Songs from Abroad 53 Lovesong 54 In This Dead End 56 The Children of the Abyss 58 The Endgame 60 Manifesto 63 A Ballad for February’s Human 64 Moments and Always 73 I Turned Death Into … 74 On the Threshold 76 On the Threshold 77 Panegyrics Without Rewards 83 And Thus the Earth Spoke to Man 84 I Am The Masses’ Collaborator 89 I Wasn’t Born Yesterday… 90 I Wish I Could Be Water 92 To Think… 94 Phenix in the Rain 95 Elegy 96 Poniard on the Platter 98 A Funeral Oration 99 The Split 101 The Wind Is Dead! You Said 102 4 Contents The Anecdote of Moons’ Restlessness 108 Nowruz In Winter 109 The All-Night Vigils 111 The Elegies of the Land 113 Hamlet 114 Poetry Is Emancipation 117 With Eyes 119 The Garden of Mirrors 123 On the Cobblestones 124 Poverty 127 The Garden of Mirrors 128 The Hour of Execution 130 The Punishment 131 5 Note: Translating is often challenging due to cultural and historical differences but the challenge becomes even greater when translating poetry where the particularities are most pronounced.
[Show full text]
Verfallendes Land
Verfallendes Land Bilder und Texte für die in meiner zweiten Heimat lebenden Menschen. Afsane Bahar Erschienen 2010 - 2011 bei FriedensTreiberAgentur Wolfgang Kuhlmann Professor-Schwippert-Str. 49 40591 Düsseldorf http://FriedensTreiberAgentur.de/index.php Widmung Diese Bilder- und Textsammlung möchte ich herzlich zwei Personen widmen, für die ich tiefe Liebe und Hochachtung empfinde: der iranischen Soziologin, Schriftstellerin und Friedenskämpferin, Frau Sima Kassaie. Viele Gedankengänge und Präzisierungen in den vorliegenden Schriften gehen auf ihre bereichernde Initiative und Teilnahme zurück. dem deutschen Juristen, Schriftsteller und Friedenskämpfer Herrn Wolfgang Kuhlmann. Ohne seine facettenreiche, aktive Unterstützung und seine kritische Begleitung hätte ‚Afsane Bahar‘ kaum den Zugang zu den deutschsprachigen Lesern gefunden. 2 Inhaltsverzeichnis Einleitung .................................................................................................... 6 Der Baum ohne Blätter ............................................................................... 8 Fünfzehn Positionsbestimmungen ............................................................ 10 Kleines Experiment ................................................................................... 31 Kriegsbegeisterung ................................................................................... 32 Weihnachten 2009 .................................................................................... 34 Friedensnobelpreis 2009 .........................................................................
[Show full text]
Tendencies of Change in the Intellectual Life of Iran After 1979 Within the Framework of Abdolkarim Sorous‟S Ideas a Thesis S
TENDENCIES OF CHANGE IN THE INTELLECTUAL LIFE OF IRAN AFTER 1979 WITHIN THE FRAMEWORK OF ABDOLKARIM SOROUS‟S IDEAS A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY ECE ADVĠYE IġIK IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN THE DEPARTMENT OF MIDDLE EAST STUDIES JULY 2017 Approval of the Graduate School of Social Sciences Prof. Dr. Tülin GENÇÖZ Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. Assist. Prof. Dr. Derya GÖÇER AKDER Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. Assoc. Prof. Dr. Mehmet OKYAYUZ Supervisor Examining Committee Members Prof. Dr. Mehmet YETĠġ (Ankara Uni., SBKY) Assoc. Prof. Dr. Mehmet OKYAYUZ (METU, ADM) Assoc. Prof. Dr. KürĢad ERTUĞRUL (METU, ADM) PLAGIRISM I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Ece Adviye IġIK Signature : iii ABSTRACT TENDENCIES OF CHANGE IN THE INTELLECTUAL LIFE OF IRAN AFTER 1979 WITHIN THE FRAMEWORK OF ABDOLKARIM SOROUSH‟S IDEAS IĢık, Ece Adviye M.S., Middle East Studies Program Supervisor : Assoc. Prof. Dr. Mehmet OKYAYUZ July 2017, 159 pages The aim of this thesis is to shed light to the tendencies of change in the intellectual life of Iran with the framework of the development of a religious intellectual‟s ideas, who is Abdolkarim Soroush.
[Show full text]
World Poetry Movement
World Poetry Movement Director of "International Peace Poetry Festival (Iran- Tehran) 24 Sept 2011, Iran Tehran-Poetry Movement Program Title in Iran “Peace with Humans and Creatures” The event was hosted by the International Festival of Peace Poetry” and 30 poets participated. Despite all hurdles and last minute change of plans, the program took place in the Niavaran Meeting Hall. At the beginning of the program, Rira Abbasi, director of the festival addressed the audience about the formation and extent of poetry movements in the world and announced the union of the International Peace Poetry Festival with other independent poetry movements. “There were 37 organizers and 100 poets present in the Medellin Poetry Festival in Colombia where I was invited this year and there were talks about this movement. Things that we have been talking about here in Iran for years, like poetry of peace and the viewpoint of its readers, reconciliation of people with nature, unison of language in rendering the message of the poet in any tongue, promoting courage and justice among people and in literature, standing by human rights particularly with the wounded human soul that is hampered by war and violence and the fact that poetry can reach out to people quicker and more economically than other forms of art and that this movement is a way to make poetry a global phenomenon. A month after such discussions, 77 international festivals, 317 poets and 83 countries from all continents joined hands in poetry,” said Abbasi. “I have always believed that poetry can bring a change in culture and behavior of any society and one must make an effort so it is heard by one and all, because violence kills any human voice at the brink of its formation and this is why the program is named ‘Peace with Humans and Creatures’.
[Show full text]