4Th Year, Issues 27-28, January 2013
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KHERAD-DISSERTATION-2013.Pdf
Copyright by Nastaran Narges Kherad 2013 The Dissertation Committee for Nastaran Narges Kherad Certifies that this is the approved version of the following dissertation: RE-EXAMINING THE WORKS OF AHMAD MAHMUD: A FICTIONAL DEPICTION OF THE IRANIAN NATION IN THE SECOND HALF OF THE 20TH CENTURY Committee: M.R. Ghanoonparvar, Supervisor Kamran Aghaie Kristen Brustad Elizabeth Richmond-Garza Faegheh Shirazi RE-EXAMINING THE WORKS OF AHMAD MAHMUD: A FICTIONAL DEPICTION OF THE IRANIAN NATION IN THE SECOND HALF OF THE 20TH CENTURY by Nastaran Narges Kherad, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2013 Dedication Dedicated to my son, Manai Kherad-Aminpour, the joy of my life. May you grow with a passion for literature and poetry! And may you face life with an adventurous spirit and understanding of the diversity and complexity of humankind! Acknowledgements The completion of this dissertation could not have been possible without the ongoing support of my committee members. First and for most, I am grateful to Professor Ghanoonparvar, who believed in this project from the very beginning and encouraged me at every step of the way. I thank him for giving his time so generously whenever I needed and for reading, editing, and commenting on this dissertation, and also for sharing his tremendous knowledge of Persian literature. I am thankful to have the pleasure of knowing and working with Professor Kamaran Aghaei, whose seminars on religion I cherished the most. -
“Transfer” XIV: 1-2 (2019), Pp. 49-72. ISSN: 1886-554
“Transfer” XIV: 1-2 (2019), pp. 49-72. ISSN: 1886-554 “SOMETHING FOREIGN IN IT”: A STUDY OF AN IRANIAN TRANSLATION OF WHITMAN’S IMAGE Behnam M. Fomeshi (ORCID: 0000-0001-6821-9699) TU Dortmund University (Germany) Reception date: 02/02/2018; Acceptance date: 15/03/2018 Introduction What happens to Whitman when he enters Iran? What does the Persian Whitman look like? What does his Persianness or his foreignness tell us about Whitman, Iran, and the interaction between the two? This essay answers these questions to elaborate on the dialogue created between American poetry and contemporary Iran through translating Whitman. Studies of the reception of a writer in another culture primarily deal with the translation of the works into the target language. Such studies usually ignore the translation of the writer’s image. The present essay focuses on the translation of an American writer’s image into a contemporary Iranian context. In this study, “image” refers both to visual representations, such as pictures or photographs, and the mental conceptions held in common by members of a group, such as is the subject of imagology. Walt Whitman (1819-1892), commonly referred to as the father of American free verse and the American poet of democracy, has frequently been studied in terms of his reputation, reception, and influence in other countries. Blodgett’s 1934 book, Walt Whitman in England, the first formal reception study of the poet in an international context, was followed by Betsy Erkkila’s Walt Whitman among the French: Poet and Myth (1980), Walter Grunzweig’s 49 “Transfer” XIV: 1-2 (2019), pp. -
ACTA UNIVERSITATIS UPSALIENSIS Studia Iranica Upsaliensia 28
ACTA UNIVERSITATIS UPSALIENSIS Studia Iranica Upsaliensia 28 Traces of Time The Image of the Islamic Revolution, the Hero and Martyrdom in Persian Novels Written in Iran and in Exile Behrooz Sheyda ABSTRACT Sheyda, B. 2016. Traces of Time. The Image of the Islamic Revolution, the Hero and Martyrdom in Persian Novels Written in Iran and in Exile. Acta Universitatis Upsaliensis. Studia Iranica Upsaliensia 28. 196 pp. Uppsala. ISBN 978-91-554-9577-0 The present study explores the image of the Islamic Revolution, the concept of the hero, and the concept of martyrdom as depicted in ten post-Revolutionary Persian novels written and published in Iran compared with ten post-Revolutionary Persian novels written and published in exile. The method is based on a comparative analysis of these two categories of novels. Roland Barthes’s structuralism will be used as the theoretical tool for the analysis of the novels. The comparative analysis of the two groups of novels will be carried out within the framework of Foucault’s theory of discourse. Since its emergence, the Persian novel has been a scene for the dialogue between the five main discourses in the history of Iran since the Constitutional Revolution; this dialogue, in turn, has taken place within the larger framework of the dialogue between modernity and traditionalism. The main conclusion to be drawn from the present study is that the establishment of the Islamic Republic has merely altered the makeup of the scene, while the primary dialogue between modernity and traditionalism continues unabated. This dialogue can be heard in the way the Islamic Republic, the hero, and martyrdom are portrayed in the twenty post-Revolutionary novels in this study. -
A Study of the Poetic Foundations of Three Prominent Contemporary
Propósitos y Representaciones May. 2021, Vol. 9, SPE(3), e1097 ISSN 2307-7999 Current context of education and psychology in Europe and Asia e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE3.1097 RESEARCH NOTES A Study of the Poetic Foundations of Three Prominent Contemporary Poets Mehdi Akhavan Sales, Ahmad Shamloo and Hamid Mossadegh with an Approach to European Literature Un estudio de los fundamentos poéticos de tres destacados poetas contemporáneos Mehdi Akhavan Sales, Ahmad Shamloo y Hamid Mossadegh con un enfoque de la literatura europea Farshad Daneshvar Nik PhD student in Persian language and literature, Islamic Azad University, Mashhad Branch, Iran Mohammad Fazeli Member of the Department of Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Parvin Dokht Mashhor Member of the Department of Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Received 07-08-20 Revised 08-10-20 Accepted 09-02-20 On line 03-06-21 *Correspondence Cite as: Email: [email protected] Daneshvar, F., Fazali, M., & Dokht, P. (2021). A Study of the Poetic Foundations of Three Prominent Contemporary Poets Mehdi Akhavan Sales, Ahmad Shamloo and Hamid Mossadegh with an Approach to European Literature. Propósitos y Representaciones, 9(SPE3), e1097. Doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE3.1097 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2021. Este artículo se distribuye bajo licencia CC BY-NC-ND 4.0 Internacional (http://creativecommons.org/licenses/by-nc-nd/4.0/). A Study of the Poetic Foundations of Three Prominent Contemporary Poets Mehdi Akhavan Sales, Ahmad Shamloo and Hamid Mossadegh with an Approach to European Literature Summary Literary schools in the West are influenced by the social and political conditions prevailing in those societies; This means that each school in line with the political and social developments of its time has undergone structural and content changes and gives way to a school with a different perspective. -
Collective Love
art credit rule should be: if on side, then in gutter. if underneath, then at same baseline as text page blue line, raise art image above it. editorial note editorial note CARLA CRAWFORD AHMAD SHAMLOU I have wept in blazing solitude with you For the sake of the living And have sung the most beautiful of songs Soleil, 2014 In the darkest of graveyards Oil on Linen, 15 x 16 in Collective For the dead of this year Love Were the most loving of the living Give me your hands Your hands know me You found-at-last I speak with you As the cloud with the storm The weed with the felds The rain with the sea The bird with spring And the tree that speaks with the woods For I have discovered your depths For my voice is Intimate with yours. Tears are a mystery —Translated from the Persian by Niloufar Talebi Smiles a mystery Love a mystery The tears of that night were the smile of my love I am not a tale to be told Not a song to be sung Not a sound to be heard Or something that you can see Ahmad Shamlou (1925–2000) was nominated for the No- Or something that you can know bel Prize in 1984. Shamlou, also known under his pen name, I am Common Pain A. Bamdad, is among the most influential Iranian literary Cry me out! voices of the twentieth century, and widely known as the father of modern Iranian poetry. He published more than seventy books, including poetry, fiction, short stories, chil- The tree speaks with the woods dren’s books, essays, translations, and several volumes of his The weed with the felds encyclopedia of Iranian folklore, Book of Alley. -
Mourners in Common: Qassem Soleimani, Mohammad Reza Shajarian, and the “Pattern” of Iranian Culture
Mourners in Common: Qassem Soleimani, Mohammad Reza Shajarian, and the “Pattern” of Iranian Culture By Peyman Eshaghi [This article was originally published on 22 November 2020 on Jadaliyya via the following URL: https://www.jadaliyya.com/Details/42047/Mourners-in-Common-Qassem-Soleimani,-Mohammad-Reza- Shajarian,-and-the-“Pattern”-of-Iranian-Culture. It was temporarily removed and will be live again. For more information, please see the Iran Page editors’ note: https://www.jadaliyya.com/Details/42072] Iranians lost two of the most popular figures in their contemporary history in 2020, Qassem Soleimani and Mohammad Reza Shajarian. Although Soleimani and Shajarian possessed distinct lifestyles, they enjoyed a common group of admirers who comprised a large number of Iranians. This article seeks to show why and how they shared the same fans and makes the case that one cannot understand their popularity based on an imagined polarized base. While Soleimani’s assassination always loomed as a possibility and Shajarian suffered for years from a chronic illness, many Iranians experienced their deaths as catastrophic, painful, and sudden, communicating their grief on social media. Some actively participated in farewell ceremonies, especially for Soleimani where dozens died due to overcrowding. Later in the year, thousands attended Shajarian’s funeral despite the threat of COVID-19. Soleimani and Shajarian had two different personalities, two histories, and two life paths. Despite these differences, each was known for possessing characteristics cherished by many Iranians. Soleimani was the son of a poor villager from an underdeveloped area of Iran. He spent the early years of his life in poverty. -
The Manichaean Living Self Reflected in Persian Mystical Poetry
The Manichaean Living Self Reflected in Persian Mystical Poetry Omid Behbahani Introduction The Living Self, as part of the divine entity imprisoned in Matter, is a defined concept in the Manichaean mythological terminology. The essence of this concept, adopted and adapted in Iranian Mysticism and reflected in the words of Persian poets, is the focus of this article. After introducing the concept of Living Self, I will bring some examples of Rumi, Hafez, and a few modern Persian poets to demonstrate the conti- nuity of ancient believes in classical and modern Persian poetry. Manichaeism, founded in the third century CE by Mani, borne in Bab- ylonia (a province of Persia at the time), once flourished in the ancient world and claimed followers from North Africa to China for over a mil- lennium. It was adopted as the state religion by Uygur kingdom (762- 840 CE). “In China the religion was proscribed in 863, but although persecuted it survived there at least until the 14th century.”1 1Mary Boyce: A Reader in Manichaean Middle Persian and Parthian, Textes et Mémoires, vol. 2 (Téhéran, Liège: Bibliothèque Pahlavi, 1975), 4. Omid Behbahani <[email protected]> is an Associate Professor in Ancient Iranian Cul- ture and Languages at the Institute for Humanities and Cultural Studies (IHCS), Tehran, Iran. She teaches Manichaean Middle Persian and Parthian Texts of Turfan (Xinyang, China) at IHCS, Faculty of Linguistics (1998-present). She was appointed Invited Lecturer in Persian Language and Iranian Studies at Eötvös Loránd University, Budapest, Hungary (2008-2009), and the Australian National University (ANU), Canberra, Australia (2014-2017). -
Sohrab Sepehri's Imaginative Voyage from Negative Romanticism to Positive Romanticism in His Cycles of Poems
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 5 No. 6; December 2014 Copyright © Australian International Academic Centre, Australia Sohrab Sepehri's Imaginative Voyage from Negative Romanticism to Positive Romanticism in his Cycles of Poems Mohammad Hussein Oroskhan (Corresponding author) Department of English Literature, Faculty of Humanities, Vali-e-Asr University, Rafsanjan, Kerman, Iran E-mail: [email protected] Esmaeil Zohdi Department of English Literature, Faculty of Humanities, Vali-e-Asr University, Rafsanjan, Kerman, Iran E-mail: [email protected] Doi:10.7575/aiac.alls.v.5n.6p.227 Received: 04/09/2014 URL: http://dx.doi.org/10.7575/aiac.alls.v.5n.6p.227 Accepted: 31/10/2014 Abstract Romanticism extended to different countries around the Europe in eighteenth and nineteenth century. This school not only includes European countries but also countries outside the continent like Iran. Similarly, Romanticism developed some of its features out of Iranian contemporary literature. Sohrab Sepehri, the contemporary Iranian poet, has always been at the center of Romanticism investigation in Iran. Regarding Morse Peckham's view of Romanticism, this could be inferred that Sepehri has made a voyage from the "static mechanism" to "dynamic organicims". Sepehri's change of view causing this journey was his acquaintance with the Far Eastern mysticism. Therefore, the present study aims to investigate this phase shifting by focusing on its effect on his poems. Keywords: Soharab Sepehri, static mechanism, dynamic organicism, romanticism 1. Introduction Romanticism designates a literary and philosophical theory which situates the individual at the center of all life and experience. By situating the man at the center, it focuses on man's unique feelings, attitudes and experiences. -
The Academic Resume of Dr. Gholamhossein Gholamhosseinzadeh
The Academic Resume of Dr. Gholamhossein Gholamhosseinzadeh Professor of Persian Language and Literature in Tarbiat Modarres University Academic Background Degree The end date Field of Study University Ferdowsi Persian Language University of ١٩٧٩/٤/٤ BA and Literature Mashhad Persian Language Tarbiat Modarres and Literature University ١٩٨٩/٢/٤ MA Persian Language Tarbiat Modarres and Literature University ١٩٩٥/٣/١٥ .Ph.D Articles Published in Scientific Journals Year of Season of Row Title Publication Publication Explaining the Reasons for Explicit Adoptions Summer ٢٠١٨ of Tazkara-Tul-Aulia from Kashif-Al-Mahjoub ١ in the Sufis Karamat Re-Conjugation of Single Paradigms of Middle Spring ٢٠١٧ Period in the Modern Period (Historical ٢ Transformation in Persian Language) ٢٠١٧ Investigating the Effect of the Grammatical Elements and Loan Words of Persian Language Spring ٣ on Kashmiri Language ٢٠١٧ The Course of the Development and Spring Categorization of the Iranian Tradition of ٤ Writing Political Letter of Advice in the World Some Dialectal Elements in Constructing t he Spring ٢٠١٦ ٥ Verbs in the Text of Creation ٢٠١٦ The Coding and the Aspect: Two Distinctive Fall ٦ ١ Year of Season of Row Title Publication Publication Factors in the Discourse Stylistics of Naser Khosrow’s Odes ٢٠١٦ Conceptual Metaphor: Convergence of Summer ٧ Thought and Rhetoric in Naser Khosrow's Odes ٢٠١٦ A Comparative Study of Linguistic and Stylistic Features of Samak-E-Ayyar, Hamzeh- Fall ٨ Nameh and Eskandar-Nameh ٢٠١٦ The Effect of Familiarity with Old Persian -
Mawlana Mawdudi and Political Islam
Mawlana Mawdudi and Political Islam Mawlana Mawdudi was one of the most influential and important Islamic thinkers of the modern world, whose brand of political Islam has won wide- spread acceptance in South and South-East Asia as well as the Middle East. He was not only an Islamic scholar, but also a journalist and political activist who founded the Jamaat-i-Islami, which has subsequently influenced the development of many Islamic movements and parties throughout the Muslim world. This book is the first to engage critically and assess his career and legacy within the wider context of political Islam. It includes coverage of his early life and influences, and examines his considerable influence in the con- temporary Islamic world. The issues that were a concern for Mawdudi and continue to have resonance for our world today include such questions as the role of women in Islam; the possibilities for democracy in an Islamic state; the importance of jihad; and the moral and religious responsibility of the individual. While focus is on Mawdudi’s life and writings, this is placed within the wider context of topical, often contentious, Islamic thought. Providing an up-to-date and detailed critical study of Mawlana Mawdudi and many issues surrounding political Islam both in Mawdudi’s time and today, this book will be an important text for scholars of Islamic studies, political science and philosophy. Roy Jackson is Senior Lecturer in Religion, Philosophy and Ethics at the University of Gloucestershire, with a research interest in the interaction between religion, ethics and philosophy, and with particular emphasis on Islam. -
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Iran's Mahmoud Dowlatabadi: breaking taboos Opiiniion - IInternatiionall Monday, 25th November 2013 Mahmoud Dowlatabadi, recently announced as the winner of the 2013 Jan Michalski Prize, answers questions from Tasja Dorkofikis for PEN Atlas, charting the works, influences and world-view of Iran's most important living writer. Those iin power iin IIran consiider your work to be subversiive,, though you yoursellf say that your books are not delliiberatelly polliitiicall.. What do you thiink are the rolles of a wriiter and of lliiterature? Especiialllly iin a country where there are lliimiits on free expressiion? I have never been a political activist, but I have pondered political issues as a citizen, and political thoughts have always been reflected in my work. Nevertheless, what has been and will be of fundamental importance to me is to create literature. A writer can have whatever role he likes. The important thing is to not let the lack of freedom of speech conquer your inner freedom, especially because man lives mostly in his mind and a man who is also a writer lives even more exclusively in his mind. Your earlly wriitiing focuses on periiods of sociiall and cullturall transformatiion iin IIran.. Kelliidar and Miissiing Solluch chroniiclle a hiistoriicall periiod when peoplle miigrated from the country to ciitiies.. Have you allways been iinterested iin thiis shiift iin sociiety? Social and historical changes are the most important events in the life of a writer. The period and works that you refer to had to be written from the perspective of an ever-changing history. One of the aspects of my work as a writer was to pay attention to history, both to classic Persian literature and the modern literature of the last century. -
Examination of Modern Iranian Novelism
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 6 No 6 S6 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy December 2015 Examination of Modern Iranian Novelism Sirvan Bahrami MSc graduate of Persian Language and Literature, Applied Science &Technology University- Saqez branch Email: [email protected] Ebrahim Vasheghani Farahani Assistant Professor of Persian Language and Literature, Payame Noor University (PNU), Tehran, Iran Email: [email protected] Doi:10.5901/mjss.2015.v6n6s6p130 Abstract There are many old stories in Iran. But fiction has come from Europe to Iran. Mahmud Dowlatabdi is one of the most Influential writers especially in Regional Persian literature. His works are valuable in the realm of story in Iran. He illustrates some elements in his work such as: political, social, and economical elements faced during his life. In this article, it is tried to present a brief explanation about story, short story and its appearance in Iran, summary of "travel" & then elements of story in it. In some parts, a brief explanation of story `s elements & some sample of the work are given. Keywords: Fiction, Novelism, Iran. 1. Intruduction In all of the different cultures, periods, and nations, story`s narration was not conveyed in written form but orally. The history of it is as long as man`s life when the Troglodyte hunted animals (At nights, cutting down the meats, tell the events of day to each other) (Forester, 2005: 40). While writing a story has a great influence in men`s thoughts & also men try to support their ideas and convey them to the others by means of writing during different eras, longevity of writing a story is shorter than that of storytelling.