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Gisella Martignago.Pdf PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO FACULDADE DE DIREITO PROGRAMA DE PÓS GRADUAÇÃO EM DIREITO GISELLA MARTIGNAGO DIREITO DE PROTEÇÃO À DIVERSIDADE CULTURAL MUSICAL: A MÚSICA ELETRÔNICA E O DJ SÃO PAULO 2014 GISELLA MARTIGNAGO DIREITO DE PROTEÇÃO À DIVERSIDADE CULTURAL MUSICAL: A MÚSICA ELETRÔNICA E O DJ Tese apresentada como requisito parcial para obtenção do título de Doutora em Filosofia do Direito no Curso de Pós- Graduação stricto sensu da Pontifícia Universidade Católica de São Paulo. Orientador: Professor Doutor Willis Santiago Guerra Filho SÃO PAULO 2014 GISELLA MARTIGNAGO DIREITO DE PROTEÇÃO À DIVERSIDADE CULTURAL MUSICAL: A MÚSICA ELETRÔNICA E O DJ Tese apresentada como requisito parcial para obtenção do título de Doutora em Filosofia do Direito no Curso de Pós-Graduação stricto sensu da Pontifícia Universidade Católica de São Paulo. Aprovada em ____ de ____________________ de ______ ________________________________________ ________________________________________ ________________________________________ ________________________________________ ________________________________________ Ao meu amor Jean Felipe Calil Peres AGRADECIMENTOS Agradeço à minha família de Florianópolis, meus pais Egon Martignago e Ismênia Rodrigues Martignago e minha tia Maria Regina Rodrigues, por me ensinarem os reais valores para formação de um ser humano; Aos meus irmãos e cunhados Eduardo Martignago e Maria Fernanda Evangelista Martignago; Graciella Martignago e Rodrigo Cassol; aos sobrinhos Maria Fernanda Martignago Cassol, Henrique Martignago Cassol e Guilherme Martignago Cassol, Maria Luiza Lima Martignago e Marina Evangelista Martignago. Obrigada por fazerem parte da minha vida; À minha família construída em São Paulo: meu marido Jean Felipe Calil Peres, meus sogros Wanderley Fernandes Peres e Edna Calil Peres, meus cunhados Carlos Eduardo Calil Peres e Fabiane Zaneli Veschi, o meu agradecimento pelo apoio e carinho nesta fase de construção; Aos amigos Márcia Maria Corrêa Munari e João Carlos Azuma, que estão sempre presentes nos principais momentos da minha vida: obrigada; Ao meu orientador, Professor Doutor Willis Santiago Guerra Filho, pelo conhecimento vasto e incomum das várias áreas do conhecimento; À amiga Francisca Mattos pela cuidadosa revisão do trabalho e pelas contribuições valiosas; Aos amigos Camila Castanhato, Rodrigo de Camargo Cavalcanti, Giselle Ashitani Inouye e Juliana Ferreira de Oliveira Duarte, pelo convívio na longa caminhada de construção da tese; Ao professor Antônio Carlos Matteis de Arruda Junior, pelos valiosos apontamentos na finalização do trabalho; Ao amigo Rui de Oliveira, da Secretaria da Pós Graduação em Direito da PUC/SP, o meu muito obrigada pelo constante auxílio nos procedimentos administrativos do doutorado. [...] a música é antes de mais nada uma práxis social que deve ser considerada na sua integração com a cultura a que ela pertence. Isso significa que a música traz consigo o peso de uma tradição que determina não só as modalidades da ação musical, mas obviamente também as modalidades da escuta. Por isso, determinados módulos compositivos se impõem cada vez mais com o passar do tempo, gerando hábitos de escuta e, portanto, esquematismos de expectativas na sucessão de eventos que constituem o conteúdo do trecho musical. Giovanni Piana RESUMO Direito e música são temas de grande riqueza e complexidade. No entanto, a relação entre estes dois campos do conhecimento e da cultura humanos costuma não ser explorada pelos pesquisadores de ambos universos científicos. A presente tese tem como objetivo analisar a música eletrônica e o trabalho do DJ dentro da perspectiva dos Direitos Culturais. Ademais cumpre descrever que nosso ordenamento jurídico é falho quanto à compreensão e regulamentação das criações e da atividade dos artistas DJs. Prova de tal postura encontra-se na impossibilidade deste realizar o registro de sua obra musical tampouco seu trabalho ser regulamentado pelas leis trabalhistas. No momento em que se acolher e regulamentar esta atividade artística, a liberdade de expressão musical e a diversidade cultural musical estarão fortalecidas. Palavras-chave: Direitos Culturais. Diversidade Cultural Musical. Música Eletrônica. DJ (Disc Jockey). ABSTRACT Law and music are topics of great richness and complexity. However, the relationship between these two fields of human knowledge and culture is not usually explored by scientific researchers of both universes. This thesis aims to analyze the electronic music DJ and work from the perspective of Cultural Rights. Moreover describe that meets our legal system is flawed as the understanding and regulation of the activity and creations of artists DJs Proof of this position lies in the impossibility of this hold the record of his musical work nor their work is regulated by labor laws. At the moment we accept and regulate this artistic activity, freedom of musical expression and musical cultural diversity will be strengthened. Keywords: Cultural Rights. Cultural Diversity Music. Electronic Music. DJ (Disc Jockey). SUMÁRIO 1 INTRODUÇÃO …………………………………………..…………….. 11 2 DIREITO CULTURAL ……………………………………..……….... 15 2.1 CONCEITO DE CULTURA................................................................... 15 2.2 CULTURA E CIVILIZAÇÃO: DE SEMELHANTES A DISTINTOS.. 18 2.2.1 Cultura com viés econômico ……………………………………….. 21 2. 3. DIREITO CULTURAL E A PROTEÇÃO 23 INTERNACIONAL…….. 2.3.1 Declaração Universal dos Direitos Humanos …….......................... 24 2.3.2 O Pacto Internacional sobre Direitos Econômicos, Sociais e Culturais e o Comitê de Direitos Econômicos, Sociais e Culturais .......... 25 2.3.2 A participação do Conselho de Direitos Humanos para proteção do direito cultural e diversidade cultural .................................................. 27 2.4 O DIREITO CULTURAL E A PROTEÇÃO NACIONAL ................... 33 2.4.1 O Plano Nacional de Cultura, o Sistema Nacional da Cultura e suas metas ...................................................................................................... 38 3 DIVERSIDADE CULTURAL COMO DIMENSÃO DOS DIREITOS HUMANOS .............................................................................. 43 3.1 IDENTIDADE CULTURAL E SUA LOCALIZAÇÃO NO TEMPO E NO ESPAÇO.................................................................................................. 43 3.2 DIVERSIDADE CULTURAL: SUA CONSTITUIÇÃO E DESENVOLVIMENTO ............................................................................... 47 3.3 A UNESCO E O BERÇO DA DIVERSIDADE CULTURAL............... 50 3.3.1 Declaração Universal sobre a Diversidade Cultural ....................... 53 3.4 CONVENÇÃO SOBRE PROMOÇÃO E PROTEÇÃO DA DIVERSIDADE DAS EXPRESSÕES CULTURAIS .................................. 55 4 A DIVERSIDADE CULTURAL MUSICAL E A MÚSICA 62 ELETRÔNICA ............................................................................................. 4.1 MÚSICA ERUDITA E MÚSICA POPULAR: ANTAGÔNICAS OU COMPLEMENTARES?................................................................................ 62 4.2 MÚSICA DO SÉCULO XX: O ACASO NA MÚSICA E O ESTABELECIMENTO DE UMA NOVA RELAÇÃO ENTRE COMPOSITOR E INTÉRPRETE ................................................................. 63 4.3 ARNOLD SCHOENBERG E A INVENÇÃO DO CANTO-FALADO (SPRECHGESANG)....................................................................................... 68 4.4 A MÚSICA E SUA PRÁXIS SOCIAL.................................................... 73 4.5 MÚSICA ELETROACÚSTICA: SUA CRIAÇÃO EFERVESCENTE NO ESPAÇO E NO TEMPO......................................................................... 76 4.6 MÚSICA CONCRETA (FRANÇA) E ELEKTRONISCHE MUSIK (ALEMANHA) ............................................................................................. 84 4.7 A INDETERMINAÇÃO DE JOHN CAGE E A LICHT DE KARLHEINZ STOCKHAUSEN................................................................... 88 4.8 TROPICALISMO ................................................................................... 93 4.9 A MÚSICA ELETRÔNICA DO SÉCULO XXI COMO DISCURSO ABERTO......................................................................................................... 96 5 PROPOSTA DE ADENSAMENTO DO REGIME JURÍDICO DA DIVERSIDADE CULTURAL MUSICAL: O CASO DO DJ .................. 99 5.1 DIREITO E MÚSICA: COADUNAÇÃO NECESSÁRIA PARA PROTEÇÃO DA PRÁTICA MUSICAL DE DJs ......................................... 99 5.2 O CASO DO DJ ...................................................................................... 100 5.3 O REGIME JURÍDICO E A ATIVIDADE DE DJ: DIREITO AUTORAL E ASPECTOS TRABALHISTAS ............................................ 103 5.3.1 Direito de Autor ................................................................................ 103 5.3.2 Aspectos trabalhistas ........................................................................ 105 6 CONSIDERAÇÕES FINAI S .................................................................. 107 REFERÊNCIAS ........................................................................................... 110 ANEXO A .................................................................................................... 118 11 1 INTRODUÇÃO Direito e música são temas de grande riqueza e complexidade. Entretanto, a interface entre estes dois campos do conhecimento e a cultura humanos costuma não ser explorada pelos pesquisadores de ambos universos científicos. Cultura é tudo aquilo que resulta de uma atividade humana. Tanto a cultura como a música vivenciam
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