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Bruce Beresford's Breaker Morant Re-Viewed
FILMHISTORIA Online Vol. 30, núm. 1 (2020) · ISSN: 2014-668X The Boers and the Breaker: Bruce Beresford’s Breaker Morant Re-Viewed ROBERT J. CARDULLO University of Michigan Abstract This essay is a re-viewing of Breaker Morant in the contexts of New Australian Cinema, the Boer War, Australian Federation, the genre of the military courtroom drama, and the directing career of Bruce Beresford. The author argues that the film is no simple platitudinous melodrama about military injustice—as it is still widely regarded by many—but instead a sterling dramatization of one of the most controversial episodes in Australian colonial history. The author argues, further, that Breaker Morant is also a sterling instance of “telescoping,” in which the film’s action, set in the past, is intended as a comment upon the world of the present—the present in this case being that of a twentieth-century guerrilla war known as the Vietnam “conflict.” Keywords: Breaker Morant; Bruce Beresford; New Australian Cinema; Boer War; Australian Federation; military courtroom drama. Resumen Este ensayo es una revisión del film Consejo de guerra (Breaker Morant, 1980) desde perspectivas como la del Nuevo Cine Australiano, la guerra de los boers, la Federación Australiana, el género del drama en una corte marcial y la trayectoria del realizador Bruce Beresford. El autor argumenta que la película no es un simple melodrama sobre la injusticia militar, como todavía es ampliamente considerado por muchos, sino una dramatización excelente de uno de los episodios más controvertidos en la historia colonial australiana. El director afirma, además, que Breaker Morant es también una excelente instancia de "telescopio", en el que la acción de la película, ambientada en el pasado, pretende ser una referencia al mundo del presente, en este caso es el de una guerra de guerrillas del siglo XX conocida como el "conflicto" de Vietnam. -
Films Ilms - S Ydney Underground M Underground Ydney Ovies 1965-1970Ovies Art - Cinema Film Www
UBU Films - Sydney Underground Movies 1965-1970 DAVID PERRY EXPERIMENTAL FILMS DVD catalogue 2013 film - cinema artfilms educating imagination www.artfilms.com.au ALBIE THOMS Albie Thoms was a leading light of the Australian version of 60s/70s counter-culture movement which had a strong independent and experimental film-making presence. AN INTERVIEW WITH ALBIE THOMS This precious interview was recorded just three weeks before he passed away in November 2012. It covers a wide range of topics: Albie Thoms’ early theatre experiments with absurd plays, becoming a film maker, EXPERIMENTAL the UBU experimental film group’s work, government politics, rebellion, and the emergence of Sydney’s counterculture. It is a touching account AUSTRALIAN CINEMA SERIES from a once rebellious artist, illustrated with original photos, film clips, excerpts of performances and, most importantly, with selected clips from Albie’s experimental films. Code: KD-Albie Uni A$280 / School A$224 UBU Films - Sydney Underground Movies 1965-1970 Garry Shead DaVID PERRY EXPERIMENtaL FILMS Code: DP-Exp Uni A$320 / School A$272 PALM BEacH Code: AT-Palm Uni A$180/ School A$153 COLLECTABLE LIMITED EDITION SUNSHINE CITY Code: AT-Palm This digital collection of selected 16mm films made by the Ubu Films group Uni A$180 / School presents a unique opportunity to reconsider the wealth of invention that A$153 GarrY SHEAD is one of Australia’s most famous and acclaimed lyrical figurative expressionist artists, the signifies one of the most important cultural periods in Australia. Ubu Films was winner of the Archibald Prize for Portraiture and the Dobell Prize for Drawing. -
Paul Grabowsky
PAUL GRABOWSKY SELECTED CREDITS DAISY WINTERS (2017) THE MENKOFF METHOD (2015) WORDS AND PICTURES (2013) EMPIRE FALLS (2005) THE JUNGLE BOOK 2(2003) (Original Songs, Lyrics – “Jungle Rhythm”, “W-I-L-D”, “Jungle Rhythm (Mowgli Solo)”) BIOGRAPHY Paul Grabowsky is a pianist, composer, arranger and conductor, and is one of Australia’s most distinguished artists. Born in Papua New Guinea in 1958, Paul was raised in Melbourne where he attended Wesley College. He began classical piano lessons at the age of five, studying with Mack Jost from 1965-1978. He began informal studies in jazz around 1976, and fully devoted his energies to improvised music from 1978. During the 70’s he became prominent in the music scene in Melbourne, working in various jazz, theatre and cabaret projects. He lived in Munich, Germany from 1980-1985, where he was active on the local and European jazz scenes, performing and recording with Johnny Griffin, Chet Baker, Art Farmer, Benny Bailey, Guenther Klatt, Marty Cook and many others. He returned to Australia in 1986. In 1983, he formed the Paul Grabowsky Trio, winner of four ARIA awards and one of Australia’s longest-living and most influential jazz ensembles. He has also won two Helpmann awards, several Bell awards and a Deadly award. He was the Sydney Myer Performing Artist of the year in 2000, and received the Melbourne Prize for Music in 2007. As a performer, he became known for his work with the ‘Wizards of Oz’, a group he co- led with saxophonist Dale Barlow from 1987-1989 and Vince Jones, for whom he was musical director in 1988-89. -
FLH Journal 2015 (Pdf) Download
Journal of FRODSHAM AND DISTRICT HISTORY SOCIETY Issue No.45 December 2015 CONTENTS HISTORY SOCIETY NEWS – Chairman, Brian Dykes 2 THE REEDS AT RUNNYMEDE? - Rudyard Kipling 3 FROM THE ARCHIVES – Kath Hewitt 4-10 1. LETTER FROM JACK – Jack Thomas 2. 17th ROYAL HORSE ARTILLERY – 11™ ARMOURED DIVISION SURVEY PARTY, JULY 1944 – DIVISION SIGN “THE CHARGING BULL” – Arthur Beresford Harrop RECALLING CHANGES AT THE END OF WORLD WAR II - Tony Field 11-14 WATERLOO CONNECTIONS - Sue Lorimer 15 BLACKSMITHS IN FRODSHAM IN THE PAST - Arthur R Smith 16-18 WILLIAM CHARLES COTTON - Michael Freedman 19-20 ‘PRINCE WARIBO: NEW LINKS WITH THE FAMILY OF FRODSHAM’S BLACK PRINCE – Heather Powling 21-25 FRODSHAM NEWS 1881 26 ROCK HOUSE, HIGH STREET, REMEMBERED – John Miller 27-29 PARISH CHURCH RESTORATION – Heather Powling 29 ARCHIVE STOP PRESS! – Kath Hewitt 30 FRODSHAM HERITAGE NEWS – Kath Gee 31 PROGRAMME OF MEETINGS 2016 – Betty Wakefield 32 Front cover picture: Magna Carta Memorial, Runnymede The Magna Carta Memorial was established by the American Bar Association to commemorate the sealing of the Magna Carta, (the great charter), which is held as being the first "bill of human rights", and established the principle of freedom under the law. The charter was sealed by King John on the 15th June 1215 at a location on the opposite side of the Thames to the memorial. © Copyright Len Williams and licensed for reuse under the Creative Commons Licence. Submitted to www.geograph.org.uk 1 HISTORY SOCIETY NEWS President: Mrs Joan Douglas Officers: Mr Brian Dykes, Chairman; Dr Kath Gee, Hon.Sec.; Mr David Fletcher, Hon.Treasurer. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Roger Ebert's
The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked. -
The Troubles with Law and Economics
Hofstra Law Review Volume 20 | Issue 4 Article 2 1992 The rT oubles with Law and Economics Leonard R. Jaffee Follow this and additional works at: http://scholarlycommons.law.hofstra.edu/hlr Part of the Law Commons Recommended Citation Jaffee, Leonard R. (1992) "The rT oubles with Law and Economics," Hofstra Law Review: Vol. 20: Iss. 4, Article 2. Available at: http://scholarlycommons.law.hofstra.edu/hlr/vol20/iss4/2 This document is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Review by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. Jaffee: The Troubles with Law and Economics THE TROUBLES WITH LAW AND ECONOMICS Leonard 1? Jaffee* In this Article's first Part, the author sets Law and Economics' own devices against its fundamental proposition: In free contractual pursuit of personal wealth, we find the best means of serving nearly all of our legitimate interpersonaland social interests. Using the classic "efficient breach" case as paradigm, Profes- sor Jaffee argues that all contracts cases defy judgment of whether agreement or breach is efficient-that every such case is intractably ambiguous and threatens inefficient or vagrant costs, profits, or demoralization. He offers instead specific performance as the pre- ferred remedy for breach of contract. He argues that neither ex ante nor ex post contractual adjustments-whether toward an agreed remedy like liquidated damages or modification of obliga- tion-sufficiently resolve such cases or stay their threats, since we cannot ever know what is needed to compensate properly. -
Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi's the Chant of Jimmie Blacksmith Revisited
FILMHISTORIA Online Vol. 28, núms. 1-2 (2018) · ISSN: 2014-668X Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi’s The Chant of Jimmie Blacksmith Revisited ROBERT J. CARDULLO University of Michigan Abstract The Chant of Jimmie Blacksmith (1978) broke ground in its native country for dealing bluntly with one of the most tragic aspects of Australian history: the racist treatment of the aboriginal population. Adapted faithfully from the 1972 novel by Thomas Keneally, the film concerns a young man of mixed race in turn-of-the-century Australia who feels torn between the values and aspirations of white society, on the one hand, and his aboriginal roots, on the other, and who ultimately takes to violence against his perceived white oppressors. This essay re-views The Chant of Jimmie Blacksmith from the following angles: its historical context; its place in the New Australian Cinema; its graphic violence; and the subsequent careers of the film’s director, Fred Schepisi, and its star, Tommy Lewis. Keywords: The Chant of Jimmie Blacksmith; Fred Schepisi; Thomas Keneally; New Australian Cinema; racism and colonialism Prior to the late 1970s, Australia was something of a cinematic backwater. Occasionally, Hollywood and British production companies would turn up to use the country as a backdrop for films that ranged from the classic (On the Beach [1959]) to the egregious (Ned Kelly [1970], starring Mick Jagger). But the local movie scene, for the most part, was sleepy and unimaginative and very few Australian films traveled abroad. Then, without warning, Australia suddenly experienced an efflorescence of imaginative filmmaking, as movies such as Picnic at Hanging Rock (1975), The Getting of Wisdom (1977), My Brilliant Career (1979), and Breaker Morant (1980) began to be shown all over the world. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Organization for American States (Oas) Reader Table
ORGANIZATION FOR AMERICAN STATES (OAS) READER TABLE OF CONTENTS Alberto M. Piedra 1960-1962 Staff, OAS, Washington, DC 19 2-19 4 US Representative to the Economic and Social Council, OAS, Washington, DC John A. Ferch 1961-196, Staff, OAS, Washington, DC Curtis C. Cutter 1967-196 Special Assistant to Ambassador Sol .inowit0, OAS, Washington, DC 1enry E. Catto, Jr. 1969-1971 Deputy Representative, OAS, Washington, DC Joseph John Jova 1969-1971 Ambassador, OAS, Washington, DC James .. Morad 1970-1971 Public Affairs Advisor, OAS, Washington, DC David .a0ar 197, E3ecutive Officer of the Development Secretariat, OAS, Washington, DC Wade Matthews 1976-1977 Deputy Director of the US Mission to the OAS, Washington, DC 4ale Mc4ee 1977-19 1 Ambassador, OAS, Washington, DC Owen 5. .ee 197 -1995 Alternative Representative, OAS, Washington, DC 1erbert Thompson 19 0 Deputy Permanent Representative, OAS, Washington, DC Thomas J. Dunnigan 19 1 Deputy Chief of Mission, OAS, Washington, DC J. William Middendorf, II 19 1-19 5 Ambassador, OAS, Washington, DC 5ruce Mal9in 19 ,-19 6 Economic/Commercial Officer, OAS, Washington, DC Robert W. Dre3ler 19 ,-19 4 Director of Mission Operations, OAS, Washington, DC Douglas 4. 1artley 19 4-19 6 Mission Coordinator, OAS, Washington, DC John J. Crowley, Jr. 19 4-19 6 Deputy Chief of Mission, OAS, Washington, DC Richard T. McCormac9 19 5-19 9 Ambassador, OAS, Washington, DC Robert M. Sayre 19 5-19 7 Advisor, OAS, Washington, DC 19 7-199, Undersecretary for Management, OAS, Washington, DC Stephen F. Dachi 19 9-1990 Deputy Permanent Representative, OAS, Washington, DC ALBERTO M. -
Psychedelic Gospels
The Psychedelic Gospels The Psychedelic Gospels The Secret History of Hallucinogens in Christianity Jerry B. Brown, Ph.D., and Julie M. Brown, M.A. Park Street Press Rochester, Vermont • Toronto, Canada Park Street Press One Park Street Rochester, Vermont 05767 www.ParkStPress.com Park Street Press is a division of Inner Traditions International Copyright © 2016 by Jerry B. Brown and Julie M. Brown All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. Note to the Reader: The information provided in this book is for educational, historical, and cultural interest only and should not be construed in any way as advocacy for the use of hallucinogens. Neither the authors nor the publishers assume any responsibility for physical, psychological, legal, or any other consequences arising from these substances. Library of Congress Cataloging-in-Publication Data [cip to come] Printed and bound in XXXXX 10 9 8 7 6 5 4 3 2 1 Text design and layout by Priscilla Baker This book was typeset in Garamond Premier Pro with Albertus and Myriad Pro used as display typefaces All Bible quotations are from the King James Bible Online. A portion of proceeds from the sale of this book will support the Multidisciplinary Association for Psychedelic Studies (MAPS). Founded in 1986, MAPS is a 501(c)(3) nonprofit research and educational organization that develops medical, legal, and cultural contexts for people to benefit from the careful uses of psychedelics and marijuana. -
HAWAII MARINE Voluntary Payment for Delivery to MCAS Housing/SI Per Four-Week Period
HAWAII MARINE Voluntary payment for delivery to MCAS housing/SI per four-week period. _X - S I''N ' / ' IAr Vt 1 t'.1 t 1N s...Yk, Cr VIV' QV.", UM" c.01410,1411W.,1,,,, AS"S tLnM. p.Mt. ititet;D IS ACT A rose decorates the plaque placed in the lobby of the newly dedicated Smedley Hall. BEQ dedicated in hero's name Story and photos a one-man assault on an enemy Marine Barracks Hawaii; and According to Russel, Smedley by Sgt. Chuck Jenks machine gun position. Although Russel E. Smedley, brother of the was the kind of guy who wouldn't MARINE BARRACKS Hawaii, he managed to destroy the Medal of Honor recipient. have necessarily thought he Pearl Harbor - He was 17 years machine gun nest, he was hit in "We were very close," said warranted the honor of having a Russell E. Smedley pauses after the unveiling of his brother's old in 1967 when he led his six- the chest and was mortally Russel, a native of Albany, Ga. barracks named after him. "I portrait that hangs in the lobby of the newly dedicated Smedley man squad against an enemy wounded. For his heroic actions, "He was 17 and I was 14. We used guess that was just Larry," Hall. force of Viet Cong and North Smedley was posthumously to get into all kinds of trouble. Russel said. "I know our family is Vietnamese army regulars awarded the Medal of Honor. You know, the kind of trouble kids more proud of him every day." carrying 122mm rocket launchers get into," he said.