DOCSLIB.ORG

Deckchair Cinema Screens Films 7 Nights a Week from April Until November

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Deckchair Cinema Screens Films 7 Nights a Week from April Until November Where Stars light the Screen General Information Deckchair Cinema screens films 7 nights a week from April until November. We are open nightly from 6pm, with films starting promptly at the advertised time. Dinner and Drinks You can bring your own food, but remember you cannot bring your own alcohol. We are a fully licensed venue and our bar opens from 6pm nightly. Our nightly caterers are: Sunday DeeBee Catering Monday DeeBee Catering Tuesday Oka Teppanyaki Wednesday Hanuman Thursday Fundraiser Catering Friday Hanuman Saturday DeeBee Catering Tickets Buy tickets online at www.deckchaircinema.com to skip the queue; we don’t charge any online booking fees! Or buy tickets at our Box Office nightly from 6pm (sorry we cannot process in- person, or telephone, bookings outside of our Box Office hours). Single Double Sessions Tickets (weekends only) Adults $16 $24 Concession* $12 $18 Members* $10 $15 Children (5-15) $8 $12 Family – 2 adults and 2 children $35 $55 Children 4 and under Free Free * ID required Membership $75 Become a member of the Darwin Film Society and over your 12 month membership you get: • 4 FREE tickets per year • 4 FREE members’ screenings per year • A MASSIVE $6 discount off the adult ticket price • And MUCH MORE! See website for more details and to purchase. Location Jervois Road, Darwin Waterfront Deckchair Cinema FREE parking at Deckchair and on the Esplanade. Only a short walk from town, Program 4, 2016 take the scenic Damoe Ra Park walkway to the cinema (just before Monday 26 September - Sunday 20 November Parliament House). SPECIAL EVENTS The Animal Condition: Documentary Launch (NT) Wednesday 28 September In an attempt to approach the topic in a non-polemical way, four friends take a road trip to learn more about industrial meat farming, interviewing activists and farmers along the way. This screening is the NT launch of this new Australian documentary. Shine: Mental Health Week Screening Wednesday 10 August This year Mental Health Week takes place between 9th - 15th October. To help promote social and emotional wellbeing to the community, the Darwin Film Society is teaming up with Team Health to program this special 20th anniversary screening of Shine, which stars Geoffery Rush as concert pianist David Helfgott and depicts the musician’s experience with mental illness. Lust and Revenge: Paul Cox Special Tuesday 8 November In honour of the passing of Paul Cox, multi-award winning Australian film director we bring you one of his most amusing films. Co-written by Cox and John Clarke, Lust and Revenge is a wonderfully sly satire about the ART world with beautiful performances by Claudia Karvan, Nicholas Hope and Chris Haywood. The 18th Over The Fence Comedy Festival Friday 11 November Over The Fence Comedy Film Festival is the longest running touring comedy film festival in Australia. Enjoy fourteen laugh- out-loud shorts from comedy filmmakers from around the world - this year’s theme is Its a Big Bad World Out There. Last Cab to Darwin CLOSING NIGHT – Sunday 20 November To celebrate reaching the 1000-member milestone this year, we handed the programming reigns to DFS members for our Closing Night film! The poll results are in and it’s the smash hit featuring many MEDIA OPERATED BY familiar faces and places: Last Cab to Darwin! Celebrate another SUPPORTER fab season of films with us at Deckchair’s Closing Night! Where Stars light the Screen Program 4, 2016 Belle and Sebastian: Love and Friendship (PG) 92m The Adventure Continues (PG) 97m 2016, Whilt Stillman, Monday 26 September - Sunday 20 November 2015, Christian Duguay, France Ireland | Netherlands | UK 26 Sep, 1 & 19 Oct, 19 Nov 1 & 9 October An attractive widow seeks a suitable Based on the classic French children’s husband for her daughter and herself - novel, orphan Sebastian and his and throws polite society into a palaver. dependable Pyrenees Mountain Dog, Based on Jane Austen’s humorous SEPTEMBER Belle, must find their adopted mother, novel and comedy of manners. who they believe has survived a plane Mon 26-Sep 7.30pm Love and Friendship PG 92m crash. French with English subtitles. Maggie’s Plan (M) 98m Tues 27-Sep 7.30pm Sing Street M 106m 2015, Susanna White, USA Wed 28-Sep 7.30pm The Animal Condition - CTC 90m The BFG (PG) 117m 2, 7 & 19 November Documentary Launch 2016, Steven Spielberg, When Maggie (Greta Gerwig) becomes Thurs 29-Sep 7.30pm Fundraiser: Jason Bourne M 123m UKA | Canada | USA involved with a married man, (Ethan (Young Professionals Network) 3 & 18 November Hawke), and things don’t work out, she Fri 30-Sep 7.30pm Mustang M 97m Steven Spielberg brings this Roald resolves to reunite him with his wife (Julianne Moore) in this screw-ball 30-Sep 9.30pm Girl Asleep M 77m Dahl classic to life. When an orphan called Sophie accidently sees a giant (anti-) romantic comedy. OCTOBER on the streets of London, she is captured and taken to Giant Land. Miles Ahead (M) 100m 2015, Don Cheadle, USA Sat 01-Oct 7.30pm Belle & Sebastian - PG 97m 23 & 28 October The Adventure Continues The Clan (MA15+) 110m Don Cheadle (also a co-writer) plays 2015, Pablo Trapero, Argentina | Spain 01-Oct 9.30pm Love and Friendship PG 92m Miles Davis in this biopic, exploring the Sun 02-Oct 7.30pm Embrace of the Serpent with NT Short M 125m 25 & 29 October, 4 November life and career of the jazz legend via Members Free Screening followed by Café Cinema Based on shocking real events, the an imagined encounter between Davis Mon 03-Oct 7.30pm Girl Asleep M 77m Puccios appeared to be an ordinary and a journalist (Ewan McGregor). middle-class Argentinian family. But in Tues 04-Oct 7.30pm Swiss Army Man M 97m the 70s and 80s, the family’s patriarch, Mustang (M) 97m Wed 05-Oct 7.30pm Goldstone M 109m Arquímedes, masterminded a series 2015, Deniz Gamze Ergüven, Thurs 06-Oct 7.30pm Fundraiser: Finding Dory G 97m of money-driven kidnappings. Spanish France | Germany | Turkey | Qatar (Guide Dogs NT) with English subtitles. 30 September, 8 & 24 October Fri 07-Oct 7.30pm Sonita CTC 90m A heart-wrenching coming of age story Dingo (PG) 109m set in Turkey. When five orphaned 07-Oct 9.30pm Sing Street* M 106m 1991, Rolf de Heer, Australia sisters are caught socialising with some Sat 08-Oct 7.30pm The Wait CTC 100m 28 October local boys, their guardians fear for 08-Oct 9.30pm Mustang M 97m their reputations and resort to drastic Young John Anderson (Colin Friels) is measures. Turkish with English subtitles. Sun 09-Oct 7.30pm Belle & Sebastian - The Adventure PG 97m captivated by jazz musician Billy Cross Continues with NT Short (Miles Davis in his only film appearance) Our Kind of Traitor (MA15+) 108m Mon 10-Oct 7.30pm Three MA15+ 88m and his band when they perform on the 2016, Susanna White, UK | France Tue 11-Oct 7.30pm Sonita* CTC 90m local airstrip in the Kimberley after their 14 & 29 October, 15 November Wed 12-Oct 7.30pm Shine - M 105m plane is diverted. Years later, he still dreams of joining Billy in Paris. A white knuckled spy thriller based Mental Health Week Screening on John Le Carre’s novel, a school Thurs 13-Oct 7.30pm Fundraiser: Shrek PG 90m Downriver (MA15+) 99m teacher (Ewan McGregor) is drawn into (St John Ambulance) high level espionage by a charismatic Fri 14-Oct 7.30pm Our Kind of Traitor MA15+ 108m 2015, Grant Scicluna, Australia and mysterious Russian he meets 4, 12 & 16 November on vacation. 14-Oct 9.30pm Goldstone M 109m James (Reef Ireland) returns Sat 15-Oct 7.30pm Blazing Saddles – M 95m from juvenile detention over the The Red Turtle (PG) 80m Gene Wilder special screening disappearance of a boy years earlier. 2016, Michael Dudok de Wit, 15-Oct 9.30pm Swiss Army Man M 97m But will finding the boy’s remains Japan | France | Belgium Sun 16-Oct 7.30pm Three* with NT Short MA15+ 88m offer deliverance, or dredge up painful 22 October, 13 November Mon 17-Oct 7.30pm Freedom Stories* PG 99m truths and family secrets? A man marooned on an island has his escape attempts thwarted by Tues 18-Oct 7.30pm Girl Asleep* M 77m Down Under (MA15+) 90m a mysterious red turtle. Stunningly Wed 19-Oct 7.30pm Love and Friendship PG 92m animated, this is a beautiful and moving 2016, Abe Forsyth, Australia Thurs 20-Oct 7.30pm Fundraiser: Secret Life Of Pets G 90m allegory about the circle of life. (Carers NT) 9 & 11 November With a uniquely Australian mix of Sing Street (M) 106m Fri 21-Oct 7.30pm Swiss Army Man* M 97m slapstick comedy, uncomfortable 2016, John Carney, Ireland | UK 21-Oct 9.30pm Embrace of the Serpent M 125m truths and unnervingly familiar 27 Sep, 7 Oct, 12 & 18 Nov Sat 22-Oct 7.30pm The Red Turtle PG 80m caricatures, Down Under follows Invoking a veritable memory lane 22-Oct 9.15pm Lights Out M 81m two carloads of testosterone-fuelled of 80s music, Sing Street is the hot-heads in the aftermath the now- Sun 23-Oct 7.30pm Miles Ahead with NT Short M 100m heartwarming and hilarious story of infamous Cronulla riots. Conor from working class Dublin who Mon 24-Oct 7.30pm Mustang* M 97m forms a band to win a girl. Tues 25-Oct 7.30pm The Clan MA15+ 110m Embrace of the Serpent (M) 125m Wed 26-Oct 7.30pm Radical Reels - 2015, Ciro Guerra, Columbia | Venezuela Sonita (CTC) 90m Tickets at www.radicalreels.com.au 2 & 21 October, 1 November 2015, Rokhsareh Ghaemmaghami, Germany | Switzerland Thurs 27-Oct 7.30pm Fundraiser: Pulp Fiction R18+ 154m In this dream-like film told in two (Environmental Defenders Office) parallel narratives set 30 years apart, 7 & 11 October Fri 28-Oct 7.30pm Dingo - Miles Davis double PG 109m Karamakate is an Amazonian shaman, A Sundance award-winning documentary, Sonita tells the story of a 14-year old 28-Oct 9.30pm Miles Ahead* - Miles Davis double M 100m and last survivor from his tribe.
Load more

Recommended publications
  • Bruce Beresford's Breaker Morant Re-Viewed
    FILMHISTORIA Online Vol. 30, núm. 1 (2020) · ISSN: 2014-668X The Boers and the Breaker: Bruce Beresford’s Breaker Morant Re-Viewed ROBERT J. CARDULLO University of Michigan Abstract This essay is a re-viewing of Breaker Morant in the contexts of New Australian Cinema, the Boer War, Australian Federation, the genre of the military courtroom drama, and the directing career of Bruce Beresford. The author argues that the film is no simple platitudinous melodrama about military injustice—as it is still widely regarded by many—but instead a sterling dramatization of one of the most controversial episodes in Australian colonial history. The author argues, further, that Breaker Morant is also a sterling instance of “telescoping,” in which the film’s action, set in the past, is intended as a comment upon the world of the present—the present in this case being that of a twentieth-century guerrilla war known as the Vietnam “conflict.” Keywords: Breaker Morant; Bruce Beresford; New Australian Cinema; Boer War; Australian Federation; military courtroom drama. Resumen Este ensayo es una revisión del film Consejo de guerra (Breaker Morant, 1980) desde perspectivas como la del Nuevo Cine Australiano, la guerra de los boers, la Federación Australiana, el género del drama en una corte marcial y la trayectoria del realizador Bruce Beresford. El autor argumenta que la película no es un simple melodrama sobre la injusticia militar, como todavía es ampliamente considerado por muchos, sino una dramatización excelente de uno de los episodios más controvertidos en la historia colonial australiana. El director afirma, además, que Breaker Morant es también una excelente instancia de "telescopio", en el que la acción de la película, ambientada en el pasado, pretende ser una referencia al mundo del presente, en este caso es el de una guerra de guerrillas del siglo XX conocida como el "conflicto" de Vietnam.
    [Show full text]
  • Paul Grabowsky
    PAUL GRABOWSKY SELECTED CREDITS DAISY WINTERS (2017) THE MENKOFF METHOD (2015) WORDS AND PICTURES (2013) EMPIRE FALLS (2005) THE JUNGLE BOOK 2(2003) (Original Songs, Lyrics – “Jungle Rhythm”, “W-I-L-D”, “Jungle Rhythm (Mowgli Solo)”) BIOGRAPHY Paul Grabowsky is a pianist, composer, arranger and conductor, and is one of Australia’s most distinguished artists. Born in Papua New Guinea in 1958, Paul was raised in Melbourne where he attended Wesley College. He began classical piano lessons at the age of five, studying with Mack Jost from 1965-1978. He began informal studies in jazz around 1976, and fully devoted his energies to improvised music from 1978. During the 70’s he became prominent in the music scene in Melbourne, working in various jazz, theatre and cabaret projects. He lived in Munich, Germany from 1980-1985, where he was active on the local and European jazz scenes, performing and recording with Johnny Griffin, Chet Baker, Art Farmer, Benny Bailey, Guenther Klatt, Marty Cook and many others. He returned to Australia in 1986. In 1983, he formed the Paul Grabowsky Trio, winner of four ARIA awards and one of Australia’s longest-living and most influential jazz ensembles. He has also won two Helpmann awards, several Bell awards and a Deadly award. He was the Sydney Myer Performing Artist of the year in 2000, and received the Melbourne Prize for Music in 2007. As a performer, he became known for his work with the ‘Wizards of Oz’, a group he co- led with saxophonist Dale Barlow from 1987-1989 and Vince Jones, for whom he was musical director in 1988-89.
    [Show full text]
  • FLH Journal 2015 (Pdf) Download
    Journal of FRODSHAM AND DISTRICT HISTORY SOCIETY Issue No.45 December 2015 CONTENTS HISTORY SOCIETY NEWS – Chairman, Brian Dykes 2 THE REEDS AT RUNNYMEDE? - Rudyard Kipling 3 FROM THE ARCHIVES – Kath Hewitt 4-10 1. LETTER FROM JACK – Jack Thomas 2. 17th ROYAL HORSE ARTILLERY – 11™ ARMOURED DIVISION SURVEY PARTY, JULY 1944 – DIVISION SIGN “THE CHARGING BULL” – Arthur Beresford Harrop RECALLING CHANGES AT THE END OF WORLD WAR II - Tony Field 11-14 WATERLOO CONNECTIONS - Sue Lorimer 15 BLACKSMITHS IN FRODSHAM IN THE PAST - Arthur R Smith 16-18 WILLIAM CHARLES COTTON - Michael Freedman 19-20 ‘PRINCE WARIBO: NEW LINKS WITH THE FAMILY OF FRODSHAM’S BLACK PRINCE – Heather Powling 21-25 FRODSHAM NEWS 1881 26 ROCK HOUSE, HIGH STREET, REMEMBERED – John Miller 27-29 PARISH CHURCH RESTORATION – Heather Powling 29 ARCHIVE STOP PRESS! – Kath Hewitt 30 FRODSHAM HERITAGE NEWS – Kath Gee 31 PROGRAMME OF MEETINGS 2016 – Betty Wakefield 32 Front cover picture: Magna Carta Memorial, Runnymede The Magna Carta Memorial was established by the American Bar Association to commemorate the sealing of the Magna Carta, (the great charter), which is held as being the first "bill of human rights", and established the principle of freedom under the law. The charter was sealed by King John on the 15th June 1215 at a location on the opposite side of the Thames to the memorial. © Copyright Len Williams and licensed for reuse under the Creative Commons Licence. Submitted to www.geograph.org.uk 1 HISTORY SOCIETY NEWS President: Mrs Joan Douglas Officers: Mr Brian Dykes, Chairman; Dr Kath Gee, Hon.Sec.; Mr David Fletcher, Hon.Treasurer.
    [Show full text]
  • David Stratton's Stories of Australian Cinema
    David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor
    [Show full text]
  • Films Film - Cinema Www
    david perry experimental films dvd catalogue 2012 film - cinema artfilms educating imagination www.artfilms.com.au a ustralian cinema history shorts new o ne country, one people - ngurra kuJu walyJa t his exceptional collection of short films explores the story of the Canning stock route told through the eyes of four emerging aboriginal filmmakers: Clint dixon, morika Biljabu, Kenneth “KJ” martin and Curtis taylor with award-winning filmmaker and mentor nicole ma. the compilation ngurra Kuju Walyja - One Country, One people - films from the Canning stock route tells an intercultural and intergenerational story of community, collaboration and reconciliation in action. across Western australia’s expansive desert history of t he archive Box / f ilm-work / menace c arlton + godard region, the Kimberley, pilbara and Goldfields, a network of aboriginal australian cinema archive proJect d isc 1: film-Work = cinema communities and their art enterprises are home to some of australia’s Code: SAU-History a 3 dvd box set, provides an films create d by the Buesst’s leisurely, intimate most distinguished artists. Uni a$375 / school a$188 in-depth encounter with the australian Waterside Workers and at times quite personal stories, sources and contexts federation film Unit (1952- documentary on the ‘60s Code: fO-One Uni a$280 / school a$140 interviews with of melbourne’s realist film 58) constitute a highly & early ‘70s independent australian filmmakers movement, including the significant contribution melbourne filmmaking scene feature documentary the to an australian cultural centred in Carlton is one of BoB connelly, archive project. heritage of working class the most significant cinematic roBin anderson, disc 1: the archive project cultural production often contributions to australian Bo B weiss, feature documentary overlooked by both film and film history.
    [Show full text]
  • Roger Ebert's
    The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked.
    [Show full text]
  • Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi's the Chant of Jimmie Blacksmith Revisited
    FILMHISTORIA Online Vol. 28, núms. 1-2 (2018) · ISSN: 2014-668X Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi’s The Chant of Jimmie Blacksmith Revisited ROBERT J. CARDULLO University of Michigan Abstract The Chant of Jimmie Blacksmith (1978) broke ground in its native country for dealing bluntly with one of the most tragic aspects of Australian history: the racist treatment of the aboriginal population. Adapted faithfully from the 1972 novel by Thomas Keneally, the film concerns a young man of mixed race in turn-of-the-century Australia who feels torn between the values and aspirations of white society, on the one hand, and his aboriginal roots, on the other, and who ultimately takes to violence against his perceived white oppressors. This essay re-views The Chant of Jimmie Blacksmith from the following angles: its historical context; its place in the New Australian Cinema; its graphic violence; and the subsequent careers of the film’s director, Fred Schepisi, and its star, Tommy Lewis. Keywords: The Chant of Jimmie Blacksmith; Fred Schepisi; Thomas Keneally; New Australian Cinema; racism and colonialism Prior to the late 1970s, Australia was something of a cinematic backwater. Occasionally, Hollywood and British production companies would turn up to use the country as a backdrop for films that ranged from the classic (On the Beach [1959]) to the egregious (Ned Kelly [1970], starring Mick Jagger). But the local movie scene, for the most part, was sleepy and unimaginative and very few Australian films traveled abroad. Then, without warning, Australia suddenly experienced an efflorescence of imaginative filmmaking, as movies such as Picnic at Hanging Rock (1975), The Getting of Wisdom (1977), My Brilliant Career (1979), and Breaker Morant (1980) began to be shown all over the world.
    [Show full text]
  • Norman Kaye Brings “… Mastery “Norman Kaye Is “… a Fine Musician – a Absolute Attention
    NormanThe Remarkable Kaye 1927-2007 HHHHH “… brilliant AFI musical Best Actor imagination” 1983 “His playing demanded “Norman Kaye brings “… mastery “Norman Kaye is “… a fine musician – a absolute attention. distinction to whatever he of an expert in organ wonderful actor, and a A great talent.” performs, in whatever medium” improvisation” playing” compassionate lover of life” Douglas Lawrence Michael Shmith David Carolane Dr AE Floyd Paul Cox It was as accompanist that Norman Kaye wove much of the musical magic for which he will long be remembered. His improvisations and varied harmonies to hymns frequently took surprising turns into ‘uncharted harmonic waters’, and the modes of his ‘return to dry land’ always gave evidence of his brilliant imagination Geoffrey Cox, organist and director of music, St Patrick’s Cathedral, Melbourne 1 Prelude (Norman Kaye) 0’56” qk O little town of Bethlehem 2 Spoken introduction (AE Floyd) 1’22” (arr. Norman Kaye) Tudor Choristers 4’26” 3 Noel (Daquin) Melbourne Town Hall 5’04” ql Postlude (Norman Kaye) 4 Scherzo (Percy Whitlock) Our Lady of Victories’ Church 1’37” Melbourne Town Hall 1’46” w0 Preludium (John Bull) 5 Melbourne Town Hall St Patrick’s Cathedral 1’01” Improvisation (Norman Kaye) 0’51” wa In Nomine (Richard Alwood) St Patrick’s Cathedral 1’34” 6 O Song of Courage (Norman Kaye) Littlejohn Chapel 1’22” ws A Duo (Richard Farnaby) St Patrick’s Cathedral 1’43” 7 A Song of Victory (Norman Kaye) Littlejohn Chapel 2’50” wd Praeludium (Giles Farnaby) St Patrick’s Cathedral 0’54” 8 Postlude, 1963 (Norman
    [Show full text]
  • Father Damien Authentiek Religieus Portret Sylvain De Bleeckere Men(S)
    father damien authentiek religieus portret sylvain de bleeckere men(s)tis 2009 Father Damien * Sylvain De Bleeckere * www.menstis.be * 2009 Inhoud 1 Een tweeledig biografisch fragment 5 De schuld van de ‘haole’ 5 Molokai 6 ‘Ka pa pupuile’ 7 Jozef De Veuster wordt pater Damiaan 8 Van Ninde in België tot Honolulu in Hawaï 8 Herinneringen 10 Film en biografie 11 2 Een Belgische ERA-productie 12 Het vinden van een goed concept 12 De filosofie van authenticiteit en onafhankelijkheid 12 De bijzondere locatie 13 De casting 13 De opnames 14 De postproductie 15 3 Regisseur Paul Cox 16 Fotografie als job, film als hobby 16 Oorlogskind 17 Illuminatie 17 Het humane portret 18 Vincent en Damiaan 19 Father Damien * Sylvain De Bleeckere * www.menstis.be * 2009 4 De cinematografie 20 Een lineaire en eenvoudige vertelling 20 Een sterk opende parallelmontage 20 Het panoramische blikveld 20 De travelling 21 Veelzijdige belichting van het hoofdkarakter 21 De klankband 22 5 Religieuze betekenisruimte 24 ‘As music in the tree’ 24 De heerser 24 Buigen 25 Oceaan en pali 26 Locatie 27 Gesel 28 Eenzaamheid 29 Kruis 30 Tegenwind 31 In de kamer van de macht 32 Altaar 33 Heilige Geest 34 Father Damien * Sylvain De Bleeckere * www.menstis.be * 2009 De openingsscène – de volledige Engelse titel is Molokai : The Story of Father Damien ; in Vlaanderen werd de film uitgebracht met de titel Damiaan – plaatst de toeschouwer midden in de actie. De film neemt geen aanloop, heeft geen tijd voor een inleiding. Dat hoeft ook niet. De twee personages krijgen ook geen inleiding op de dramatische feiten die in hun leven ingrijpen.
    [Show full text]
  • Cactus Paul Cox Music Credits
    Giovanni Pergolese Stabat Mater Recorded by Rantos Collegium Musical Director Spiros Rantos Orchestra Manager Barbara Glaser Singers Hartley Newnham Jane Edwards Yannis Markopolous To Kariofili Mana Mou EMI/Greece - Columbia Chansons der Trouvères Chanterai por mon Coraige Teldec/Carinia Records/Sydney Music Effects Asher Bilu Party Songs Elsa Davis The film features the use of 'found' music on the soundtrack, typical of Paul Cox, with nothing by way of conventional underscore. Elsa Davis sings a couple of songs at a birthday party (for more on Davis, see this site's 'about the movie'), and Robert Menzies' character Robert even uses the spines of a cactus to produce musical sounds - presumably these are the "musical effects" credited to the production's designer, Asher Bilu. Apart from the use of a recording by Greek composer Yannis Markopoulos (he has a wiki here), the main music featured at start and close of the film and during a slow set of pans during a performance, is Pergolese's (as per film credits, also Pergolesi, and with a wiki here) Stabat Mater. Hartley Newnham and Jane Edwards are the featured performers who appear in the film: Hartley Newham: Hartley Newnham had previously appeared in director Paul Cox's My First Wife, and at time of writing there was this short CV here. Hartley Newnham's concert and stage experience as a countertenor ranges from medieval to contemporary music theatre. He has composed for theatre, dance and concert performance. He has sung with the Victorian State Opera, in Viennaʼs Summer Opera Series, for the ABC throughout Australia, the BBC, Radio France, and Hong Kong Radio, and with ensembles such as La Romanesca, and has also sung and appeared in the films My First Wife and Cactus by Paul Cox.
    [Show full text]
  • HAYWOOD Chris
    SHANAHAN CHRIS HAYWOOD | Actor FILM Year Production / Character Director Company 2018 DIRT MUSIC Gregor Jordan Wildgaze Films Warwick 2017 AUSTRALIA DAY Kriv Stenders Hoodlum Entertainment Dr. Norris 2015 BOAR Chris Sun Pig Enterprises Pty Ltd Jack 2014 TRUTH James Vanderbilt FEA Productions Pty Ltd Bill Hollowell 2014 LOVE IS NOW Jim Lounsbury Eponine Films Ben 2012 NIM’S ISLAND 2 Brendan Maher Nim’s Productions P/L. Grant 2012 ALMAYER’S FOLLY U-Wei Haji Saari Tanah Licin Sdn Bhd Captain Ford 2011 PALAWAN FATE Auraeus Solito Cinemalaya Foundation Landowner 2011 SWERVE Craig Lahiff Duo Art Productions Armstrong 2011 SLEEPING BEAUTY Julia Leigh Sleeping Beauty Productions Man 2 2010 HELL’S GATE Noise & Light Pty Ltd Old Soldier 2009 BENEATH HILL 60 Jeremy Sims The Silence Productions Colonel Rutledge Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2009 SAVAGES CROSSING Kevin James Dobson Show Film Chris 2009 REINCARNATION OF WILLIAM Malcolm McDonald December Films BUCKLEY John Morgan 2008 BOYS ARE BACK IN TOWN Scott Hicks SLF Boys Production P/L Tom 2008 THE LAST CONFESSION OF Michael James Rowland Essential Viewing ALEXANDER PEARCE Knopwood 2007 RETURN TO GREENHAVEN DRIVE The McCrae Brothers Screentime Dashiell 2006 SALVATION Paul Cox Illumination Films Architect 2006 THE BRIDGE John Gaeta 21st Century Productions Tokyo Dr Hecks 2005 SOLO Morgan O’Neill Screentime Pty Ltd/Project Greenlight Arkan 2005 JINDABYNE
    [Show full text]
  • David Stratton's STORIES of AUSTRALIAN CINEMA
    David Stratton’s STORIES OF AUSTRALIAN CINEMA **David Stratton: A Cinematic Life (a feature version of this series) has been selected to screen at the 70th Cannes Film Festival which opens May 17. “When I started championing Australian cinema at the Sydney Film Festival I couldn’t have imagined the richness of movies that would follow,” says David. “These are the stories of the films that changed the way the world saw us and how we saw ourselves … a story of how the films and those who made them broke through the status quo.” Revered critic David Stratton tells the glorious story of Australian cinema, focusing in on the films that capture the nation’s true nature with candour, emotion and humour. David is superbly qualified for this task. While he adapted to a new country and turned his passion for cinema into a profession as a film festival director and film critic, a growing band of courageous Australians turned their enthusiasm for storytelling into an extraordinary body of work. “A nation found its identity through cinema and so did I; this is my journey through the movies that made our nation,” he says. Those movies are wildly diverse but strong themes echo throughout the body of work. Screen Australia, The Australian Broadcasting Corporation and Screen NSW in association with the Adelaide Film Festival present A Stranger Than Fiction Production Episode one: Game Changers (June 6) Filmmakers gained confidence with: the boldness of Picnic at Hanging Rock and Mad Max; the global success of Crocodile Dundee and Shine; the flamboyance of Strictly Ballroom; the substance and style of Samson & Delilah.
    [Show full text]