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HUNTIA a Journal of Botanical History HUNTIA A Journal of botanical History VolUme 14 NUmber 1 2009 Hunt Institute for botanical Documentation Carnegie mellon University Pittsburgh The Hunt Institute for botanical Documentation, a research division of Carnegie mellon University, specializes in the history of botany and all aspects of plant science and serves the international scientific community through research and documentation. To this end, the Institute acquires and maintains authoritative collections of books, plant images, manuscripts, portraits and data files, and provides publications and other modes of information service. The Institute meets the reference needs of botanists, biologists, historians, conservationists, librarians, bibliographers and the public at large, especially those concerned with any aspect of the North American flora. Huntia publishes articles on all aspects of the history of botany, including exploration, art, literature, biography, iconography and bibliography. The journal is published irregularly in one or more numbers per volume of approximately 200 pages by the Hunt Institute for botanical Documentation. external contributions to Huntia are welcomed. Page charges have been eliminated. All manuscripts are subject to external peer review. before submitting manuscripts for consideration, please review the “Guidelines for Contributors” on our Web site. Direct editorial correspondence to the editor. Send books for announcement or review to the book reviews and Announcements editor. The subscription rate is $60.00 per volume. Send orders for subscriptions and back issues to the Institute. Hunt Institute Associates may elect to receive Huntia as a benefit of membership; contact the Institute for more information. Hunt Institute for botanical Documentation Carnegie mellon University 5th Floor, Hunt library 4909 Frew Street Pittsburgh, PA 15213-3890 Telephone: 412-268-2434 email: [email protected] Web site: http://huntbot.andrew.cmu.edu/ HIbD/Publications/HI-Pubs/Pub-Huntia.shtml editor and layout Scarlett T. Townsend book reviews and Announcements editor Charlotte A. Tancin Associate editors T. D. Jacobsen Angela l. Todd Frederick H. Utech James J. White Designer Lugene b. bruno Photographer Frank A. reynolds Printed and bound by RR Donnelley, Hoechstetter Plant, Pittsburgh, Pennsylvania © 2009 Hunt Institute for botanical Documentation All rights reserved ISSN 0073-4071 HuntiA 14(1) 2009 Book Reviews and Announcements Attenborough, David. Amazing Rare Things: The Art of Natural History in the Age of Discovery. London: Royal Collection Publications, 2007. 223 p., ill. (chiefly col.). £18.95 (hardback); £9.95 (paperback). iSBn-13: 978-1-902163-46-8 (hardback); 978-1-902163-99-4 (paperback). think of BBC and nature broadcasting and Sir David Attenborough’s name comes to mind. His 50-year career is highlighted — to list only three — by the 13-part series Life on Earth (1979), The Living Planet (1984) and The Trials of Life (1979–1990), each with an accompanying publication. His impressive filmography leaves one wondering what topic on natural history remains for him (though he is in his early 80s). For his book Amazing Rare Things, Attenborough was privileged to “riffle through,” he states tongue-in-cheek, paintings in the Royal Collection by Leonardo da Vinci, Cassiano dal Pozzo, Alexander Marshal, Maria Sibylla Merian and Mark Catesby. Martin Clayton wrote on da Vinci, Rea Alexandratos on Pozzo, and Susan Owens on Marshal, Merian and Catesby. the readers might imagine Sir David (he was knighted in 1985) standing beside the admirers of these artworks and adding interesting little facts about the subjects since his notes (initialed D.A.) are interspersed throughout the text. Martin Clayton’s chapter on Leonardo da Vinci (1452– Common dolphin, stork and details of a porcupine. 1519) must have been a daunting challenge to compile. Attenborough remarks on a civit and a sloth. Da Vinci was not merely an artist but also a scientist as is Alexander Marshal (ca.1620–1682) in the mid-17th indicated by the text images of studies of horses, cats and century began a florilegium depicting British plants lions and of my favorites the red chalk drawings of Star through the seasons to which he added until his death. of Bethlehem (Ornithogalum umbellatum), Job’s tears (Coix Marshal lived during a time when plant introductions lachryma-jbi) and Oak (Quercus robur). two studies of a were arriving from throughout the world to satisfy the bear’s foot and the uterus of a pregnant cow are particularly demand in new gardens. With a few exceptions the amazing. in this chapter Sir David’s notes relate to bears chief repository for his work is this album in the Royal and their feet and da Vinci’s musing on dragons. Collection. Multiple images are spaced apart on a page, Cassiano dal Pozzo (1588–1647), whose collections with the inclusion, with no regard to scale, of a bird, i have admired, lived with his like-minded brother in a animal or insect. Attenborough discusses the non-plants palazzo in Rome with his Paper Museum of paintings, in Marshal’s paintings, particularly the macaw and drawings and prints; also his books and specimens, a greyhound, both likely pets. laboratory for experiments, and live birds and animals. Perhaps there is no naturalist as intriguing as Maria He was a member of the Accademia dei Lincei, a scientific Sibylla Merian (1647–1717), known for her travel to academy founded in 1603. Dal Pozzo commissioned Surinam, with her daughter, to draw insects. Born in artworks and purchased early collections. His museum Frankfurt, Merian’s father (Matthäus Merian the Elder) was a lively resource for visiting scholars. Author Rea was an engraver, publisher and topographical artist; her Alexandratos concludes, “nonetheless, Cassiano’s stepfather was a Dutch flower painter and teacher (Jacob Paper Museum remains one of the most impressive Marrell); her husband was a pupil of Marrell. in 1691 manifestations of the new spirit of empirical investigation she moved to Amsterdam where, with the assistance of that transformed the study of natural history in the the Dutch East india Company, she gained access to the seventeenth century.” Cassiano’s artist(s) has depicted finest natural history collections, learning all she could a variety of intriguing plants and animals, including about the metamorphosis of butterflies and moths.n ine Pummelo, digitated lemon, a European pelican, years later she and her daughter set sail for Surinam, 87 88 HuntiA 14(1) 2009 where the Labadist community was strongly connected (A few are by Georg Ehret.) George III, harshly criticized along the north coast of South America. though i am for “losing the colonies,” acquired this early survey about uncertain of her living conditions, she did have a garden. them — purchased from a London bookseller 20 years there she brought back from her expeditions into the after Catesby’s death. Attenborough includes a number wilds insects and caterpillars in order to observe their of notes. Several are about two beautiful plates of the transformations. Merian’s magnificent Metamorphosis ivory-billed woodpecker and the passenger pigeon, the Insectorum Surinamensium was published in 1705. the former believed to be extinct in the 1970s (fortunately last few plates are dramatic ones of a caiman clenching there has been a recent sighting) and the latter last sighted a coral snake and a Golden tegu lizard, both seemingly in the wild in 1889, with the last survivor dying in a unrelated to Merian’s title. Attenborough’s notes relate zoo in 1914. He also comments on a bald eagle seizing to Cassava (Manihot) and surrounding critters, ants, flag- a fish, a nightjar about to swallow a cricket, flamingos, legged bugs, lantern flies, and various aquatic flora and problems of painting fish that do not retain their colors fauna. the title of Attenborough’s book is taken from out of water and also crabs that have expired. a letter dated 1702 by Merian to her nuremberg doctor this is a fine book, well-illustrated, and about a friend Johann Volckamer (known for his engravings of collection not easily accessible to most of us. i only regret fruits in Nürnbergische Hesperides of 1708–1714) in which that i learned about the related exhibition at Buckingham she reported painting “many amazing rare things which Palace the day before my week’s visit to London came to have never been seen before.” a close! After you read the book, listen to the interview Mark Catesby (1683–1749), born in Suffolk, is known on 15 August 2008 with Sir David about Amazing Rare for his The Natural History of Carolina, Florida and the Things on Public Radio international’s Living on Earth at Bahama Islands for which he made 263 watercolors of flora <loe.org>. Merely search for the name Attenborough. and fauna and etched them after studying with a master. — James J. White, Curator of Art Batey, Mavis, ed. A Celebration of John Evelyn: and Flanders in 1642 opened his eyes to the Proceedings of a Conference to Mark the Tercentenary of His world at large. From his maternal grandfather, Death. Surrey: Surrey Gardens trust, 2007. x, 196 p., John Stansfield, he had learned that England ill. (some col.), maps, ports., plans. £15.00. iSBn-13: was a gateway to Europe, the north Sea and 978-0-9540630-2-3 (paperback). English Channel not barriers but trade routes. if you think you know John Evelyn (1620–1706), Stansfield’s business was shipping, his fleet came this book will add a whole new level of understanding out of newhaven. … His cargoes included iron, to the man and his work. this compilation of conference wheat and lead, going to ports as distant as papers holds interesting in-depth details about Evelyn’s Marseilles and even newfoundland. Although beliefs, his trip to italy and its narrative, his scientific he had been long dead when Evelyn headed discourse and, of course, his relationship to trees.
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