DOCSLIB.ORG

International Participants 20.8.2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
International Participants 20.8.2013 iNtErNaTiOnAl pArTiCiPaNtS 20.8.2013 CoMpAnY NaMe TiTlE cOuNtRy wEbSiTe sAlEs aGeNtS Alpha Violet Keiko Funato CEO, Sales & Acquisitions France www.alphaviolet.com Celluloid Dreams Hengameh Panahi Chairman France www.celluloid-dreams.com Deckert Distribution Heino Deckert Managing Director Germany www.deckert-distribution.com EastWest Filmdistribution Sasha Wieser CEO Austria www.eastwest-distribution.com First Hand Films Ayse Poffet Finance and Administration Switzerland www.firsthandfilms.com Hanway Films Mark Lane Sales Manager, Hanway Select UK www.hanwayfilms.com LevelK Freja Johanne Sales and Festival Coordinator Denmark www.levelk.dk New Europe Film Sales Anja Sosic Sales & Promotion Manager Poland www.neweuropefilmsales.com Reel Suspects Frederic Gentet Head of Festivals & Sales France www.reelsuspects.com Smile Entertainment Timo T. Lahtinen CEO, President Denmark www.smile.dk Taskovski Films Irena Taskovski Managing Director UK www.taskovskifilms.com Taskovski Films Inka Achté Sales and Acquisitions Coordin. UK www.taskovskifilms.com TrustNordisk Silje Nikoline Glimsdal Sales Manager Denmark www.trustnordisk.com Urban Distribution International Fernanda Renno Sales France www.urbandistrib.com Versatile Films Pape Boye Sales, Acquisitions France www.versatilefilms.com Wild Bunch Emmanuelle Fellous Acquisitions France www.wildbunch.biz The Yellow Affair Karoliina Martikainen Sales Executive Sweden, Finland www.yellowaffair.com MEDIA DESK FINLAND CoMpAnY NaMe TiTlE cOuNtRy wEbSiTe DiStRiBuToRs Arthaus Svend Jensen CEO Norway www.arthaus.no Estinfilm Mati Sepping Managing Director Estonia www.estinfilm.ee Eyefilm René Wolf Head of Acquisitions / Netherlands www.eyefilm.nl Programmer Fidalgo Film Distribution Frank L. Stavik Managing Director, CEO Norway www.filmweb.no/fidalgo Just Film Distribution / Jean Heijl Managing Director Netherlands www.justbridge.nl Just Bridge Entertainment Kino Artis / Tallinn Film Tiina Teras Head of Distribution Estonia www.kino.ee Must Käsi / Kino Soprus Tiina Savi Head of Distribution Estonia www.kinosoprus.ee Njutafilm Nicolas Debot Head of Acquisition Sweden www.njutafilms.com Nonstop Entertainment Johannes Glaumann Theatrical / Sales Coordinator Sweden www.nonstopentertainment.com Soda Pictures Frances Harvey Acquisition Manager UK www.sodapictures.com Yume Pictures Patrizia Raeli Managing Director UK www.yumepictures.co.uk Tv-bUyErS ETV / ERR Estonian Public Katrin Rajasaare Head of Acquisitions Estonia www.err.ee Broadcasting TVP Telewizja Polska Aleksandra Biernacka Head of Festivals Poland www.tvp.pl ZDF Margrit Staerk Director Acquisitions Germany www.zdf-enterprises.de Feature Films ZDF ZDF/Arte Alexander Bohr Acquisitions Germany www.zdf.de fEsTiVaLs + mArKeTs Baltic Event / Estonian Eda Koppel Events Manager / Estonia www.be.poff.ee Film Foundation Information Manager Locarno International Film Festival Sergio Fant Programmer Italy www.pardolive.ch International Film Festival Rotterdam Gerwin Tamsma Programmer Netherlands www.filmfestivalrotterdam.com/en Palm Springs International Alissa Simon Programmer USA www.psfilmfest.org Film Festival Saint Petersburg International Kirsi Tykkyläinen Artistic Director Russia www.festival-spb.ru/en Film Festival SPIFF Tallinn Black Nights Film Festival Sten-Kristian Saluveer Industry Director Estonia www.2013.poff.ee/eng Tribeca Film Festival Cara Cusumano Programmer USA www.tribecafilm.com/festival Nordisk Film & TV Fond Hanne Palmquist CEO Denmark www.nordiskfilmogtvfond.com pReSs + pUbLiCiTy Silversalt PR Thessa Mooij PR Agent USA www.silversaltpr.com Filmmaker Magazine Lauren Wissot Journalist and film critic USA www.filmmakermagazine.com Freelance Kirpi Uimonen Ballesteros Reporter USA www.kirpinhollywood.fi Filmecho/Filmwoche Birgit Heidsiek Journalist Germany www.filmecho.de The Hollywood Reporter Nick Holdsworth Reporter Russia www.hollywoodreporter.com Screen International Jorn Rossing Jensen Reporter France www.screendaily.com Variety Elsa Keslassy Reporter France www.variety.com.
Load more

Recommended publications
  • Public Service Broadcasting Resists the Search for Independence in Brazil and Eastern Europe Octavio Penna Pieranti OCTAVIO PENNA PIERANTI
    Public Service Broadcasting Resists The search for independence in Brazil and Eastern Europe Octavio Penna Pieranti OCTAVIO PENNA PIERANTI PUBLIC SERVICE BROADCASTING RESISTS The search for independence in Brazil and Eastern Europe Sofia, 2020 Copyright © Author Octavio Penna Pieranti Translation Lee Sharp Publisher Foundation Media Democracy Cover (design) Rafiza Varão Cover (photo) Octavio Penna Pieranti ISBN 978-619-90423-3-5 A first edition of this book was published in Portuguese in 2018 (“A radiodifusão pública resiste: a busca por independência no Brasil e no Leste Europeu”, Ed. FAC/UnB). This edition includes a new and final chapter in which the author updates the situation of Public Service Broadcasting in Brazil. To the (still) young Octavio, who will one day realize that communication goes beyond his favorite “episodes”, heroes and villains Table of Contents The late construction of public communication: two cases ............. 9 Tereza Cruvinel Thoughts on public service broadcasting: the importance of comparative studies ............................................................................ 13 Valentina Marinescu QUESTIONS AND ANSWERS .......................................................... 19 I ........................................................................................................... 21 THE END .............................................................................................. 43 II ........................................................................................................
    [Show full text]
  • Annual Report and Accounts 2004/2005
    THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to
    [Show full text]
  • Telewizja W Europie: Raporty Powtórne 2008 -- Polska
    Telewizja w Europie: Raporty powtórne 2008 POLSKA Published by OPEN SOCIETY INSTITUTE Október 6. u. 12. H-1051 Budapest Hungary 400 West 59th Street New York, NY 10019 USA © OSI/EU Monitoring and Advocacy Program, 2008 All rights reserved. TM and Copyright © 2008 Open Society Institute EU MONITORING AND ADVOCACY PROGRAM Október 6. u. 12. H-1051 Budapest Hungary Websites <www.eumap.org> <www.mediapolicy.org> Design & Layout by Q.E.D. Publishing PODZIĘ KOWANIA Podziękowania Ten raport dotyczący Polski został opracowany w ramach serii raportów monitorujących zatytułowanych „Telewizja w Europie – raporty powtórne 2008”. Raporty te przedstawiają sytuację w dziewięciu krajach z dwudziestu, które obejmowała pierwotna seria z 2005 roku „Telewizje w Europie: regulacje, polityka i niezależność”. Raport z 2008 roku obejmuje kraje: Albanię, Bułgarię, Czechy, Włochy, Litwę, Macedonię, Polskę, Rumunię i Słowację. Obie serie raportów zostały przygotowane przez EU Monitoring and Advocacy Program (Program Monitoringu i Formowania Opinii Unii Europejskiej, EUMAP), będący częścią Open Society Institute (Instytutu Wolnego Społeczeństwa, OSI) oraz przez Network Program (Program Mediów) działający w ramach Open Society Foundation (Fundacji Otwartego Społeczeństwa), we współpracy z lokalnymi ekspertami. EUMAP i NMP wyraża uznanie następującym osobom za ich wiodącą rolę w przygotowaniu i sprawdzeniu raportów krajowych. Ostateczną odpowiedzialność za treść raportów ponoszą jednak wymienione wyżej programy. „Telewizja w Europie – raporty powtórne 2008, Polska”
    [Show full text]
  • Presidential Election 2020 BELARUS Television & Social
    Presidential election 2020 BELARUS Television & Social Media Media Monitoring Campaign report (15 July – 4 August 2020) 10 August 2020 Bratislava, Minsk This project was supported by the Open Initiative Partnership MEMO 98 www.memo98.sk | [email protected] | www.facebook.com/memo98.sk | +421 903 581 591 [email protected] (Rasťo Kužel), [email protected] (Ivan Godársky), [email protected] (Marek Mračka) 2 INTRODUCTION Between 29 April – 19 May (first monitoring period) and 3 – 23 June 2020 (second monitoring period), MEMO 98, a Slovak non-profit specialist media-monitoring organization, in cooperation with the EAST Center (Eurasian States in Transition Research Center), a Belarusian think-tank focusing on post-Soviet and East-European studies, and Linking Media, a Belarusian civil society organization focusing on media, monitored traditional1 and social2 media in the run-up to the 9 August presidential election. The findings of both periods were presented in our interim report published on 3 August. This report presents the media monitoring findings of both, traditional and social3 media during three weeks of the official campaign period from 15 July through 4 August.4 The main purpose of the media monitoring was to determine if voters were provided an opportunity to receive ample information to make qualified choices at the ballot box and whether this information was sufficiently diverse, balanced and of adequate quality.5 While for most people, television is the primary source of information about politics6, the growing relevance of social media7 has inspired us to include also Facebook, Instagram, Telegram and VK into our monitoring.8 We were assessing to what extent were social media used during elections and to what extent could nominated candidates overcome the state monopoly on information by turning to social media.
    [Show full text]
  • CEV Tokyo Volleyball European Qualification Women 2020
    CEV Tokyo Volleyball European Qualification Women 2020 International TV schedule match date TV channel/platform Territory live delayed highlights time (local) 7th January 2020 SPOR SMART - D-SMART TUR X 15:00 7th January 2020 Teleradiokompaniya Start Ltd. RUS X 15:00 Germany vs. Turkey 7th January 2020 ZDF GER X 7th January 2020 Polsat Sport POL X 13:00 7th January 2020 EuroVolley.tv www X 13:00 7th January 2020 SPOR SMART - D-SMART TUR 18:00 7th January 2020 Teleradiokompaniya Start Ltd. RUS X 18:00 7th January 2020 TVP Sport POL X 16:00 Poland vs. Bulgaria 7th January 2020 Bulgarian National TV BUL 7th January 2020 Polsat Sport POL X 16:00 7th January 2020 EuroVolley.tv www X 16:00 7th January 2020 SPOR SMART - D-SMART TUR X 21:30 7th January 2020 Teleradiokompaniya Start Ltd. RUS X 20:30 7th January 2020 Ziggo Sport NED X 18:30 Azerbaijan vs. Netherlands 7th January 2020 CBC Sport AZE X 21:30 7th January 2020 Polsat Sport POL X 18:30 7th January 2020 EuroVolley.tv www X 18:30 8th January 2020 SPOR SMART - D-SMART TUR X 15:00 8th January 2020 Teleradiokompaniya Start Ltd. RUS X 15:00 Croatia vs. Turkey 8th January 2020 Polsat Sport POL X 13:00 8th January 2020 EuroVolley.tv www X 13:00 8th January 2020 SPOR SMART - D-SMART TUR X 18:00 8th January 2020 Teleradiokompaniya Start Ltd. RUS X 18:00 8th January 2020 Radio Television Belge Francophone (RTBF) BEL X X 16:00 Belgium vs.
    [Show full text]
  • SHOPLIFTERS a FILM by KORE-EDA HIROKAZU FUJI TELEVISION NETWORK, GAGA CORPORATION Et AOI PRO INC
    SHOPLIFTERS A FILM BY KORE-EDA HIROKAZU FUJI TELEVISION NETWORK, GAGA CORPORATION et AOI PRO INC. present LILY FRANKY • ANDO SAKURA • MATSUOKA MAYU • KIKI KILIN SHOPLIFTERS A FILM BY KORE-EDA HIROKAZU 121 MIN. – JAPAN – 2018 – 1.85 – 5.1 INTERNATIONAL PRESS Manlin STERNER Cell : +33 6 63 76 31 13 [email protected] JAPANESE PRESS Naeko YODA Cell: +81 50 3537 6138 (main) – +81 70 3330 2912 (sub) [email protected] Chieko NEMOTO Cell: +81 50 3537 6268 (main) – +81 70 3330 2920 (sub) [email protected] Kenji SASAKI Cell: +81 50 3537 6503 (main) – +81 70 3330 2927 (sub) [email protected] Presskit and stills downloadable from www.wildbunch.biz SYNOPSIS After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them… INTERVIEW WITH KORE-EDA HIROKAZU Director You decided to make this film after learning about incidents of families illegally receiving the pensions of parents who had already died years ago. Was your inten- tion to depict a family from a different angle compared to your previous films? The first thing that came to my mind was the tagline: “Only the crimes tied us together”. In Japan, crimes like pension frauds and parents making their children The later scenes showing the family being split up are heartbreaking.
    [Show full text]
  • Geoblocking, Technical Standards and the Law
    Scholarly Commons @ UNLV Boyd Law Scholarly Works Faculty Scholarship 2016 Geoblocking, Technical Standards and the Law Marketa Trimble University of Nevada, Las Vegas -- William S. Boyd School of Law Follow this and additional works at: https://scholars.law.unlv.edu/facpub Part of the Internet Law Commons Recommended Citation Trimble, Marketa, "Geoblocking, Technical Standards and the Law" (2016). Scholarly Works. 947. https://scholars.law.unlv.edu/facpub/947 This Book Chapter is brought to you by the Scholarly Commons @ UNLV Boyd Law, an institutional repository administered by the Wiener-Rogers Law Library at the William S. Boyd School of Law. For more information, please contact [email protected]. 54 THEORY ON DEMAND GEOBLOCKING, TECHNICAL STANDARDS AND THE LAW MARKETA TRIMBLE Introduction In a world where countries cannot agree on a single set of laws that would apply uniformly around the globe, most national laws need to be territorially confined. Without territorial limits, laws have extraterritorial effects that often, although not always, impinge upon other coun- tries’ sovereignty and freedom to set their own laws and policies. For example, what might work as law in the United States might not work in France, and therefore French law might be different from U.S. law. Some legal rights and responsibilities exist only within countries’ jurisdictional limits, and therefore persons and entities may enjoy the rights and must fulfill the responsibilities within the defined territory. For example, copyright is territorially limited;
    [Show full text]
  • FOCUS 2012 World Film Market Trends
    FOCUS 2012 WORLD FILM MARKET TRENDS WORLDFILMTENDANCES DU MARCHÉ MONDIAL DU FILM MARKETTRE NDSTENDAN CESDUMARCE HÉMONDIAL DUFILMWO LDFILMMAR ETTRENDSTE focus 2012 World Film Market Trends Tendances du marché mondial du film Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 Lay-out: Acom*Europe | Printed: Global Rouge, Les Deux-Ponts © 2012, Marché du Film ISSN: 1962-4530 Imprimé sur papier labelisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. 2 Editorial While the European Audiovisual Observatory Alors que l’Observatoire européen de l’audio- is in Cannes celebrating its 20th anniversary, the visuel fête cette année à Cannes son 20ème anni- FOCUS is celebrating its own 15th edition! versaire, le FOCUS célèbre déjà sa 15ème édition ! Having already traveled a long road together, Déjà un long chemin ensemble, et une colla- an exemplary collaboration has enabled our two boration exemplaire qui a permis à nos deux ins- institutions to provide, year after year, the global titutions de fournir à l’industrie mondiale, année industry with an essential source of streamlined après année, une source d’information synthé- information. tique devenue indispensable. See you in another five years for our next mile- Rendez-vous dans 5 ans pour un nouvel anni- stone birthday! versaire ! Jérôme Paillard Jérôme Paillard Executive Director Directeur Délégué FOCUS 2012 World Film Market Trends, appears FOCUS 2012, Tendances du marché mon- for the fifteenth consecutive year. We are pleased dial du film, paraît pour la quinzième année to collaborate once again with the Marché du Film consécutive. Nous nous réjouissons de cette colla- and value highly our work together.
    [Show full text]
  • Must-Carry Rules, and Access to Free-DTT
    Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT
    [Show full text]
  • Broadcasting
    Broadcasting tpc zürich ag: sport studio; control room 1, 2, 3, VR1, VR2 Zurich, Switzerland TSR Télévision Suisse Romande Geneva, Switzerland References: AURUS & NEXUS/NEXUS STAR TVE Radio Televisión Espanola: A4 Studio, Studio 10 + 11 Madrid, Spain Antena 3 Madrid (TV) Madrid, Spain (9 Main Consoles) WDR Westdeutscher Rundfunk: »Philharmonic Hall«; dubbing studio Astro (Malaysian satellite television): HD Sport channel; U+V (2 Main Consoles); dubbing studio S (2 Main Consoles); FS con- TV Studio 1, 2, 3 Kuala Lumpur, Malaysia trol room AB, Studio E Cologne; Studio B1/2 Bocklemund; dubbing Anhui TV 1000 m² + 1200 m² Studio Hefei-Anhui, China Dusseldorf Germany (2 Main Consoles) studio 1 + 2 BBC Scotland: Studio A & C Glasgow, United Kingdom BR Bayerischer Rundfunk: FM 1, FM 3 (TV); Radio Studio 1 + 2, References: CRESCENDO & NEXUS/NEXUS BR Residenz Munich; FS Studio Franken Nuremberg, Germany STAR Canal 9 Valencia, Spain ASTRO: HD Sport channel, Arena Studio Kuala Lumpur, Malaysia CCTV: Hall 1 + Studio 9 Beijing, China (3 Main Consoles) (2 Main Consoles) Crow TV Studio Tokyo, Japan Anhui TV: 1000 m²- + 1200 m² studio Hefei-Anhui, China (2 Main Deutschlandradio Berlin, Cologne, Germany Consoles) Deutsche Welle TV: Audio-control room 3 Berlin, Germany CCTV: news studios 06 + 07 Beijing, China (7 Main Consoles) FM 802: Radio Osaka, Japan (4 Main Consoles) Hangzhou TV Hangzhou, China (3 Main Consoles) France 2: TV Studio C; News Studio Paris, France HR Hessischer Rundfunk: TV control room 2 Frankfurt/Main; Fuji TV: DAV Studio; Studio A Tokyo,
    [Show full text]
  • Colcoa-Press-2019-Part IV
    September 19, 2019 COLCOA French Film Festival Monday, September 23 – Saturday, September 28 DGA in Hollywood $$ This film festival showcases the latest work from France. It only looks like it the Coca Cola Film Festival if you read it too fast. September 3, 2019 Critic's Picks: A September To-Do List for Film Buffs in L.A Alain Delon in 'Purple Moon' (1960) A classic lesbian drama, French noirs starring Alain Delon and Jean Gabin and a series of matinees devoted to Katharine Hepburn are among the plentiful vintage and classic options for SoCal film buffs this month. OLIVIA AT THE LAEMMLE ROYAL | 11523 Santa Monica Blvd. Already underway and screening daily through Sept. 5 at the Laemmle Royal is a new digital restoration of Jacqueline Audry’s trailblazing 1951 feature Olivia, one of the first films, French or otherwise, to deal with female homosexuality. Set in a 19th-century Parisian finishing school for girls, the film depicts the struggle between two head mistresses (Edwige Feuillere and Simone Simon) for the affection of their students, and how one girl’s (Marie-Claire Olivia) romantic urges stir jealousy in the house. Audry, one of the key female filmmakers of post-World War II France, stages this feverish chamber drama (based on a novel by the English writer Dorothy Bussy) with a delicate yet incisive touch, allowing the story’s implicit sensuality to simmer ominously without boiling over into undue hysterics. Lesbian dramas would soon become more explicit, but few have matched Olivia’s unique combination of elegance and eroticism. FRENCH FILM NOIR AND KATHARINE HEPBURN MATINEES AT THE AERO | 1328 Montana Ave.
    [Show full text]
  • As of August 27Th COUNTRY COMPANY JOB TITLE
    As of August 27th COUNTRY COMPANY JOB TITLE AFGHANISTAN MOBY GROUP Director, channels/acquisitions ALBANIA TVKLAN SH.A Head of Programming & Acq. AUSTRALIA AUSTRALIAN BROADCASTING CORPORATION Acquisitions manager AUSTRALIA FOXTEL Acquisitions executive AUSTRALIA SBS Head of Network Programming AUSTRALIA SBS Channel Manager Main Channel AUSTRALIA SBS Head of Unscripted AUSTRALIA SBS Australia Channel Manager, SBS Food AUSTRALIA SBS Television International Content Consultant AUSTRALIA Special Broadcast Service Director TV and Online Content AUSTRALIA SPECIAL BROADCASTING SERVICE CORPORATION Acquisitions manager (unscripted) AUSTRIA A1 TELEKOM AUSTRIA AG Head of Broadcast & SAT AUSTRIA A1 TELEKOM AUSTRIA AG Broadcast & SAT AZERBAIJAN PUBLIC TELEVISION & RADIO BROADCASTING AZERBAIJAN Director general COMPANY AZERBAIJAN PUBLIC TELEVISION & RADIO BROADCASTING AZERBAIJAN Head of IR COMPANY AZERBAIJAN PUBLIC TELEVISION & RADIO BROADCASTING AZERBAIJAN Deputy DG COMPANY AZERBAIJAN GAMETV.AZ PRODUCER CENTRE General director BELARUS MEDIA CONTACT Buyer BELARUS MEDIA CONTACT Ceo BELGIUM NOA PRODUCTIONS Ceo ‐ producer BELGIUM PANENKA NV Managing partner RTBF RADIO TELEVISION BELGE COMMUNAUTE BELGIUM Head of Acquisition Documentary FRANCAISE RTBF RADIO TELEVISION BELGE COMMUNAUTE BELGIUM Responsable Achats Programmes de Flux FRANCAISE RTBF RADIO TELEVISION BELGE COMMUNAUTE BELGIUM Buyer FRANCAISE RTBF RADIO TELEVISION BELGE COMMUNAUTE BELGIUM Head of Documentary Department FRANCAISE RTBF RADIO TELEVISION BELGE COMMUNAUTE BELGIUM Content acquisition
    [Show full text]