Robert Plant Shaken 'N' Stirred Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Robert Plant Shaken 'N' Stirred mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Shaken 'N' Stirred Country: US Style: Pop Rock, Synth-pop MP3 version RAR size: 1937 mb FLAC version RAR size: 1208 mb WMA version RAR size: 1663 mb Rating: 4.7 Votes: 737 Other Formats: DMF WAV AIFF AUD MPC MOD VOX Tracklist Hide Credits That Side Hip To Hoo A1 4:51 Written-By – Woodroffe*, Martinez*, Hayward*, Blunt* Kallalou Kallalou A2 4:17 Written-By – Woodroffe* Too Loud A3 4:07 Written-By – Woodroffe*, Martinez*, Hayward*, Blunt* Trouble Your Money A4 4:14 Written-By – Martinez*, Blunt* Pink And Black A5 3:45 Written-By – Woodroffe*, Martinez*, Hayward*, Blunt* This Side Little By Little B1 4:43 Written-By – Woodroffe* Doo Doo A Do Do B2 5:09 Written-By – Martinez*, Blunt* Easily Lead B3 4:35 Written-By – Woodroffe*, Martinez* Sixes And Sevens B4 6:04 Written-By – Woodroffe*, Martinez*, Hayward*, Blunt* Companies, etc. Record Company – Warner Communications Distributed By – Atlantic Recording Corporation Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Robert Plant Mastered At – Sterling Sound Pressed By – Specialty Records Corporation Credits Bass, Guitar – Paul Martinez Design Concept [Sleeve Concept] – Robert Plant Design, Photography By – Icon Drums – Ritchie Hayward* Engineer – Benji Lefevre, Tim Palmer Graphics [Silk Screen Prints] – Tim Elcoch Guitar, Guitar [Synthesised] – Robbie Blunt Keyboards – Jezz Woodroffe Producer – Benji Lefevre, Robert Plant, Tim Palmer Vocals – Robert Plant Vocals [Additional] – Toni Halliday Written-By – Plant* Notes Pressing Variant: Similar to "1375778 with only one pressing ring". This one has 2 pressing rings and "E A S T" embossed around the center hole. NOTE that usually the "T" is the most visible, sometimes the only really visible letter. 7 90265-1-E (Spine) 90265-1-E (Back Cover, B-Side Label) ℗ 1985 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ©1985 Robert Plant. Barcode and Other Identifiers Barcode (Scanned): 075679026514 Barcode (Text): 0 7567-90265-1 Matrix / Runout (Side One Etched, variant 1): ST-ES-855655-1[scratched out]C1 1-O Matrix / Runout (Side Two Etched, variant 1): ST-SS-855656-C I 2 Matrix / Runout (Side One Etched, variant 2): ST-ES-855655-1[scratched out]C1 1-3 Matrix / Runout (Side Two Etched, variant 2): ST-SS-855656-C 4SMI·4 Matrix / Runout (Stamped Both Sides): STERLING SRC [logo] Other versions Category Artist Title (Format) Label Category Country Year Shaken 'N' Stirred (LP, 90265-1-E Robert Plant Es Paranza Records 90265-1-E US 1985 Album) Shaken 'N' Stirred (CD, Es Paranza Records, R2 74161 Robert Plant R2 74161 US 2007 Album, RE, RM) Rhino Records Shaken 'N' Stirred (LP, P-13113 Robert Plant Es Paranza Records P-13113 Japan 1985 Album) Shaken 'N' Stirred (CD, 32XD-310 Robert Plant Es Paranza Records 32XD-310 Japan 1985 Album) Shaken 'N' Stirred (CD, 7 90265-2 Robert Plant Es Paranza Records 7 90265-2 Japan 1985 Album) Related Music albums to Shaken 'N' Stirred by Robert Plant Various - Blunt Trax Volume 5 Melanie Martinez - Crybaby's Extra Clutter EP Cliff Martinez - Traffic Melanie Martinez - Cry Baby Robert Plant - The Principle Of Moments Blunt - All Over Me / Chilling Blunt Instruments - Hold Back HOLMES MARTINEZ -.

Copy Link

Recommended publications

PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
[Show full text]
De Classic Album Collection
DE CLASSIC ALBUM COLLECTION EDITIE 2013 Album 1 U2 ‐ The Joshua Tree 2 Michael Jackson ‐ Thriller 3 Dire Straits ‐ Brothers in arms 4 Bruce Springsteen ‐ Born in the USA 5 Fleetwood Mac ‐ Rumours 6 Bryan Adams ‐ Reckless 7 Pink Floyd ‐ Dark side of the moon 8 Eagles ‐ Hotel California 9 Adele ‐ 21 10 Beatles ‐ Sgt. Pepper's Lonely Hearts Club Band 11 Prince ‐ Purple Rain 12 Paul Simon ‐ Graceland 13 Meat Loaf ‐ Bat out of hell 14 Coldplay ‐ A rush of blood to the head 15 U2 ‐ The unforgetable Fire 16 Queen ‐ A night at the opera 17 Madonna ‐ Like a prayer 18 Simple Minds ‐ New gold dream (81‐82‐83‐84) 19 Pink Floyd ‐ The wall 20 R.E.M. ‐ Automatic for the people 21 Rolling Stones ‐ Beggar's Banquet 22 Michael Jackson ‐ Bad 23 Police ‐ Outlandos d'Amour 24 Tina Turner ‐ Private dancer 25 Beatles ‐ Beatles (White album) 26 David Bowie ‐ Let's dance 27 Simply Red ‐ Picture Book 28 Nirvana ‐ Nevermind 29 Simon & Garfunkel ‐ Bridge over troubled water 30 Beach Boys ‐ Pet Sounds 31 George Michael ‐ Faith 32 Phil Collins ‐ Face Value 33 Bruce Springsteen ‐ Born to run 34 Fleetwood Mac ‐ Tango in the night 35 Prince ‐ Sign O'the times 36 Lou Reed ‐ Transformer 37 Simple Minds ‐ Once upon a time 38 U2 ‐ Achtung baby 39 Doors ‐ Doors 40 Clouseau ‐ Oker 41 Bruce Springsteen ‐ The River 42 Queen ‐ News of the world 43 Sting ‐ Nothing like the sun 44 Guns N Roses ‐ Appetite for destruction 45 David Bowie ‐ Heroes 46 Eurythmics ‐ Sweet dreams 47 Oasis ‐ What's the story morning glory 48 Dire Straits ‐ Love over gold 49 Stevie Wonder ‐ Songs in the key of life 50 Roxy Music ‐ Avalon 51 Lionel Richie ‐ Can't Slow Down 52 Supertramp ‐ Breakfast in America 53 Talking Heads ‐ Stop making sense (live) 54 Amy Winehouse ‐ Back to black 55 John Lennon ‐ Imagine 56 Whitney Houston ‐ Whitney 57 Elton John ‐ Goodbye Yellow Brick Road 58 Bon Jovi ‐ Slippery when wet 59 Neil Young ‐ Harvest 60 R.E.M.
[Show full text]
Robert Plant E O Mainstream Interseccional
LÍBERO Revista eletrônica do Programa de Mestrado em Comunicação da Faculdade Cásper Líbero ISSN 1517-3283 ANO XX - No 39 JAN. / AGO. 2017 O incessante rugido: Robert Plant e o mainstream interseccional El incesante rugido: Robert Plant y el mainstream interseccional The incessant roar: Robert Plant and the intersectional mainstream _Fábio Cruz _Guilherme Curi SOBRE OS AUTORES > FÁBIO CRUZ > Doutor em Cultura Midiática e Tecnologias do Imaginário (PUC-RS) Professor do curso de Jornalismo da Universidade Federal de Pelotas (UFPel) E-mail: [email protected] GUILHERME CURI > Mestre em Sociologia pela University College Dublin E-mail: [email protected] RESUMO > RESUMEN > ABSTRACT > Neste artigo, propomos um estudo sobre a carreira do cantor inglês Robert Plant com relação a aspectos inerentes ao mundo da música popular massiva (JANOTTI JUNIOR, 2006; 2007). Classificado como um artista “mainstream interseccional”, assim proposto pelos autores, Plant personifica a autenticidade do rock ao mesmo tempo em que sustenta a tradição dos seus tempos como vocalista do extinto grupoLed Zeppelin e ao buscar uma autonomia criativa em cada trabalho. Não obstante, está imerso aos ditames mercadológicos que envolvem o cenário musical. Para discutir essas questões, adotamos como corpus analítico os dez trabalhos solo do músico, os quais englobam um período que tem início em 1982, com Pictures at eleven, e vai até a sua última produção, Lullaby and...The ceaseless roar, lançado em 2014. Palavras-chave: rock, música popular massiva, mainstream, criatividade, mercado e consumo. En este trabajo se propone un estudio de la carrera de la cantante británica Robert Plant con respecto a los aspectos relacionados con el mundo de la música popular de masas (Janotti JUNIOR, 2006; 2007).
[Show full text]
80'S & 90'S Hits
maandag 12 t/m zaterdag 17 april 2010 NR ARTIEST ALBUM NR ARTIEST ALBUM 1 MICHAEL JACKSON THRILLER 76 DEEP PURPLE IN ROCK 2 U2 THE JOSHUA TREE 77 GOLDEN EARRING THE NAKED TRUTH 3 PEARL JAM TEN 78 BILLY JOEL GREATEST HITS VOL. 1&2 4 MEAT LOAF BAT OUT OF HELL 79 ROLLING STONES LET IT BLEED 5 DIRE STRAITS BROTHERS IN ARMS 80 AEROSMITH NINE LIVES 6 NIRVANA NEVERMIND 81 DURAN DURAN SEVEN AND THE RAGGED TIGER 7 EAGLES HOTEL CALIFORNIA 82 BRUCE SPRINGSTEEN BORN TO RUN 8 COLDPLAY A RUSH OF BLOOD TO THE HEAD 83 DIRE STRAITS LOVE OVER GOLD 9 METALLICA METALLICA 84 LENNY KRAVITZ ARE YOU GONNA GO MY WAY 10 PINK FLOYD DARK SIDE OF THE MOON 85 GEORGE MICHAEL FAITH 11 GUNS ‘N ROSES USE YOUR ILLUSION 1 86 SIMPLE MINDS ONCE UPON A TIME 12 QUEEN A NIGHT AT THE OPERA 87 SUPERTRAMP CRIME OF THE CENTURY 13 RED HOT CHILI PEPPERS CALIFORNICATION 88 BON JOVI CROSSROAD 14 FLEETWOOD MAC RUMOURS 89 ROBBIE WILLIAMS LIFE THRU A LENSE 15 LIVE THROWING COPPER 90 U2 WAR 16 MARILLION MISPLACED CHILDHOOD 91 STEVIE WONDER SONGS IN THE KEY OF LIFE 17 BEATLES SGT PEPPER’S LONELY HEARTS CLUB BAND 92 IRON MAIDEN SEVENTH SON OF A SEVENTH SON 18 BRUCE SPRINGSTEEN BORN IN THE USA 93 DAVID BOWIE LET’S DANCE 19 RADIOHEAD OK COMPUTER 94 QUEEN GREATEST HITS 2 20 PHIL COLLINS BUT SERIOUSLY 95 SNOW PATROL EYES OPEN 21 SUPERTRAMP BREAKFAST IN AMERICA 96 FRANKIE GOES TO HOLLYWOOD WELCOME TO THE PLEASUREDOME 22 REM AUTOMATIC FOR THE PEOPLE 97 PHIL COLLINS FACE VALUE 23 U2 THE UNFORGETTABLE FIRE 98 GOEDE DOEL BELGIE 24 PINK FLOYD THE WALL 99 GUNS ‘N ROSES LIVE ERA ‘87-’93 25 PAUL SIMON
[Show full text]
Song of the Day Xcviii
SONG OF THE DAY XCVIII So here we are, the final two SOTD‟s and I feel that I could write for hours about both of these tracks and still not say all that can be said for these epic moments in the Led Zeppelin catalog. As the recent ones have been pretty long, I fully expect this one, and the next, to be massively long. Not only were the songs themselves quite lengthy, but their place in Zeppelin‟s history, rock history, and our very own consciousness dictates that they be given the utmost respect and in attempting to do that I am certain that I will be elaborating on these for quite a few pages. I promised a wild journey for this particular song, and believe me, it is. So get your bags packed and let‟s head back to “Physical Graffiti,” side two, track three, clocking in at 9:41 – oh wait, that‟s not right – clocking in at 8:32, the song that Robert has said is the one that best defines Led Zeppelin, the incredible and most epic, “Kashmir.” For those of you too young to know a time when LP‟s ruled the day, the original pressings of “Physical Graffiti” listed “Kashmir” incorrectly as being 9:41… and to clarify one thing to anyone who may get confused, when I mention the lengths of the songs in this series, I always go by the album length. For some odd reason, CD‟s tend to add a second to songs… so if you‟re thinking I am constantly getting the time wrong on the songs, I‟m not.
[Show full text]
Breunig to Edit Volume 66
A Commuter? Breunig To Edit Volume 66 The senior editors of Volume 65 an- at edit meetings in his new position as editor prestigious White Castle are included. loiineed the appointment of John Breunig, of the Rikers Island Gazette. Breunig has insisted upon the inclusion of a (' '85, as editor-in-chief of Volume! 66 of Volume 65 editorial page editor Elaine staff member to be named later and wants no Hie Ram last Sunday. "Mellon" Giacomello, FC '84, an ardent part of a straight cash deal for Smith. Breunig, a communications major, is the Phyllis Zagano admirer, will return to Long Sports editor Mike Sheridan, FC '84, ust commuter to hold the position according Island in an attempt to replace Christie plans on returning to his cozy Walsh Hall o departing editor-in-chief Bob Ponichtera, Brinkley as the apple of Billy Joel's eye. apartment to practice his stunning wit by C '84. The native of New Rochelle, a for- Should her plan fail, she will apply for a standing in front of a mirror an extra three ncr Sandinista rebel, was last seen at Rose position as an official New York Islander hours a night. Wedding bells are also in the Hill sporting pink hair, a stunning button hockey puck. future for Mike, as he plans to return to lown blouse, and fashionable, yet slightly Production manager Kevin Cusick, VC Alaska, not only in search of his luggage, but risque, leather gym shorts as he pranced off '84, heads to Washington to return to his in hopes of finding that 3'8" Eskimo woman in Friday's Billy Idol conceit.
[Show full text]
Robert Plant
Robert Plant 1967 A1.OUR SONG B1.Laughin’ Cryin’ Laughin’ 7”: UK CBS 202656 1967 A1.LONG TIME COMING B1.I’ve Got a Secret 7”: UK CBS 2858 € Plant (vocals), Robbie Blunt (guitar), Paul Martinez (bass), Jezz Woodroffe (keyboards) plus Phil Collins, Cozy Powell, Raphael Ravenscroft. 1982.06 PICTURES AT ELEVEN UK.2 US.5 t Produced by Robert Plant A1.Burning Down One Side A2.Moonlight in Samosa A3.Pledge Pin A4.Slow Dancer B1.Worse Than Detroit B2.Fat Lip B3.Like I’ve Never Been Gone B4.Mystery Title (orig lp) UK/GER Swan Song SSK-59418 [ps], US Swan Song SS-8512 [ps], ARG Swan Song 3144, BRA Swan Song 20080, CAN Swan Song XSS-8512, JPN Swan Song P-11225, MEX Atlantic LWA-6135, YUG Suzy ATL-59418 (orig cs) US Swan Song CS-8512 (reiss cd) US Swan Song 8512, UK Swan Song 90340 3 stars. After the long, hot journey in the Zeppelin, an oasis. Robert Plant’s first solo album is rooted in the music of Zeppelin, of course, but that’s not to say he’s tied to the past. Rather, he branches out, embracing a lighter, crisper studio sound that indulged in familiar exotica while shedding the heavy intensity of Led’s epic arrangements. You’ve seen the swagger of “Burning Down One Side” and “Worse Than Detroit” before, but unchained from his former band Plant could pass for Steven Tyler in a serious mood. Drummer Phil Collins keeps the beat on its toes, Cozy Powell is more a student of the Bonham school, and the core of Robbie Blunt, Paul Martinez and Jezz Woodroffe are as tight as any band Ozzy brought along for the ride.
[Show full text]
Demonstration Purposes for Sales of Polishing of Metal
This is a document produced for demonstration purposes for sales of Polishing Of Metal. This text should not be considered as the final nor as the completed version of the document. All multimedia functions have been turned off, as the associated files were not included in this demo version. Some text contained within is incomplete because of truncation for inclusion in this demo document. Copyright persists on this demo version of Polishing Of Metal. It is illegal to duplicate or use material contained within without written permission of the work’s owner or publisher. THE POLISHING OF METAL The History of Heavy Metal Rock Music. Derek McDonald, General Editor. THE POLISHING OF METAL: THE HISTORY OF HEAVY METAL ROCK MUSIC. Copyright 2006 Derek E. McDonald All Rights Reserved. Published by: Emperor Multimedia Corporation Ltd. 126 Martindale Ave. Oakville, Ontario Canada. L6H 4G7 No portion of this publication may be duplicated, modified, stored in any form of storage and retrieval device, transmitted, reproduced or hired in any form and by any device now known or to ever be invented, including but not limited to photocopying, radio broadcast, recording, or translation to any language or mechanical or electronic devices without the prior written permission of the Copyright owner. The rights held on this publication are subject to the rules and regulations of the Copyrights Act of Canada and are enforced by international treaties. Written, conceived and edited by Derek McDonald. Disclaimer: Let it be known that you use the information contained within this publication at your own risk and as-is. Although every effort has been made to ensure the accuracy of the information contained within, the author, publisher and those associated with them accept no liability, including legal, financial and moral, for your use of information contained here-in.
[Show full text]
Ð Ð¾ð±Ñšñ€Ñ‚ Ðÿð»Ð°Ð½ñ‚ ÐÐ
Ð Ð¾Ð±ÑŠÑ€Ñ‚ ÐŸÐ»Ð°Ð½Ñ‚ ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„Ð¸ÑÑ ‚Ð° & Ð³Ñ€Ð°Ñ„Ð¸Ðº) Raising Sand https://bg.listvote.com/lists/music/albums/raising-sand-866481/songs Walking into Clarksdale https://bg.listvote.com/lists/music/albums/walking-into-clarksdale-1072260/songs Dreamland https://bg.listvote.com/lists/music/albums/dreamland-608495/songs Pictures at Eleven https://bg.listvote.com/lists/music/albums/pictures-at-eleven-277929/songs Mighty ReArranger https://bg.listvote.com/lists/music/albums/mighty-rearranger-302845/songs Fate of Nations https://bg.listvote.com/lists/music/albums/fate-of-nations-607704/songs Now and Zen https://bg.listvote.com/lists/music/albums/now-and-zen-837006/songs Sixty Six to Timbuktu https://bg.listvote.com/lists/music/albums/sixty-six-to-timbuktu-836694/songs https://bg.listvote.com/lists/music/albums/lullaby-and...-the-ceaseless-roar- Lullaby and... The Ceaseless Roar 17508281/songs Shaken 'n' Stirred https://bg.listvote.com/lists/music/albums/shaken-%27n%27-stirred-724309/songs Nine Lives https://bg.listvote.com/lists/music/albums/nine-lives-222407/songs Band of Joy https://bg.listvote.com/lists/music/albums/band-of-joy-2006571/songs Soundstage: Robert Plant and the https://bg.listvote.com/lists/music/albums/soundstage%3A-robert-plant-and-the- Strange Sensation strange-sensation-7564970/songs Sensational Space Shifters https://bg.listvote.com/lists/music/albums/sensational-space-shifters-17018611/songs Carry Fire https://bg.listvote.com/lists/music/albums/carry-fire-37761417/songs Manic Nirvana https://bg.listvote.com/lists/music/albums/manic-nirvana-724315/songs The Principle of Moments https://bg.listvote.com/lists/music/albums/the-principle-of-moments-899480/songs.
[Show full text]
Robert Plant
Robert Plant Robert Anthony Plant (* 20. August 1948 in West Bromwich, Staffordshire) ist ein britischer Rockmusiker und gilt als der Begründer des hardrocktypischen Gesangsstils. In den Jahren 1966 und 1967 hatte Plant erste Aufnahmen für die Plattenfirma CBS mit der Band Listen. Mit der Band of Joy hat er u.a. Jefferson Airplane, Quicksilver oder Moby Grape gecovert. Mit Alexis Korner hat er Bluesstandards aufgenommen (eine gemeinsame Aufnahme ist z.B. Operator auf dem Album Bootleg Him von 1972). Led Zeppelin Berühmtheit erlangte Robert Plant mit der bahnbrechenden Hardrockband Led Zeppelin (mit Jimmy Page, John Paul Jones und John Bonham), deren Sänger er von der Gründung 1968 bis zur Auflösung 1980 war. Er schrieb die meisten Texte und wurde dabei wesentlich von der germanischen und keltischen Mythologie sowie von verschiedenen dieser mythologischen Thematik verhafteten Büchern inspiriert, u.a. denen von J.R.R. Tolkien. Paradebeispiele hierfür sind die tiefsinnigen und sprachlich geschliffenen Texte von Ramble On, Immigrant Song, Stairway to Heaven, Misty Mountain Hop, The Rain Song, No Quarter und insbesondere The Battle of Evermore. Seit Beginn des kometenhaften Aufstieges von Led Zeppelin zur weltweit höchstdotierten Rockband war Robert Plant ein Vorbild für eine ganze Generation von Hardrocksängern, sowohl was den Gesangsstil als auch das Outfit und die Bühnenpräsenz betraf. Mehrfach wurde versucht, seinen ausdrucksstarken und variantenreichen Stil bis in die Gestik zu imitieren, z.B. von David Coverdale von Whitesnake und David Lee Roth von Van Halen, jedoch wurden diese Versuche von vielen als „Plagiate“ abgestempelt. Es gilt in Rock-Fachkreisen als unbestritten, dass „ein wesentlicher Teil des immensen Erfolges von Led Zeppelin - speziell bei Live- Konzerten - auf die Persönlichkeit Robert Plants zurückzuführen ist“ (O-Ton des Musik-Journalisten Alan Bangs).
[Show full text]
Difficulty As a Concept Inventory Design Consideration: an Exploratory Study of the Concept Assessment Tool for Statics (CATS) Dana L
Purdue University Purdue e-Pubs Open Access Dissertations Theses and Dissertations Spring 2015 Difficulty as a concept inventory design consideration: An exploratory study of the concept assessment tool for statics (CATS) Dana L. Denick Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_dissertations Part of the Educational Assessment, Evaluation, and Research Commons, and the Engineering Education Commons Recommended Citation Denick, Dana L., "Difficulty as a concept inventory design consideration: An exploratory study of the concept assessment tool for statics (CATS)" (2015). Open Access Dissertations. 448. https://docs.lib.purdue.edu/open_access_dissertations/448 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Graduate School Form 30 Updated 1/15/2015 PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Dana L. Denick Entitled Difficulty as a Concept Inventory Design Consideration: An Exploratory Study of the Concept Assessment Tool for Statics (CATS) For the degree of Doctor of Philosophy Is approved by the final examining committee: Ruth Streveler Chair Monica Cardella Senay Purzer Paul Steif To the best of my knowledge and as understood by the student in the Thesis/Dissertation Agreement, Publication Delay, and Certification Disclaimer (Graduate School Form 32), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy of Integrity in Research” and the use of copyright material. Approved by Major Professor(s): Ruth Streveler Approved by: Ruth Streveler 4/9/2015 Head of the Departmental Graduate Program Date i DIFFICULTY AS A CONCEPT INVENTORY DESIGN CONSIDERATION: AN EXPLORATORY STUDY OF THE CONCEPT ASSESSMENT TOOL FOR STATICS (CATS) A Dissertation Submitted to the Faculty of Purdue University by Dana L.
[Show full text]
Reorganization of Science in Secondary Schools
DEPARTMENT OF THE INTERIOR BUREAU' OF EDUCATION BULLETIN, 1920, No. 26 REORGANIZATION OF SCIENCE IN SECONDARY SCHOOLS A ,REPORT OF THE COMMISSION ON THE REORGANIZATION OF SECOND- ARY EDUCATION, APPOINTED BY THE NATIONAL EDUCATION ASSOCIATION LIBRARY OF DIE UNIVERSITY OF WISCONSIN MADISON WASHINGTON GOVERNMENT PRINTING OFFICE 1920 ,fr MEMBERS OF THE SCIENCE COMMITTEE. 1.;.:ttt),Per4 S., HighSchool, Medford, Mass.( Physics.) Itriggs,'Thomas H., Teachers Cole, New York, N. Y.(Superrisory.) ('aldwell, Otis W., Teachers College, New York, N. Y. (Ch. Superrimm.y.) Carpenter, C. D., School of Practical Arts, Teachers College, New York, N. (' hentixtry.) (11/iiitCr,John G..Chicag11N1.--(ltioiutly.) 4'twait, G. A., West Roxbury Schol, Boston, Mass.--(Phyxics.) Dysall. M., Schenley High Sclniol, Pittsloorgh, Phi/81es.) Eason, Thomas., State Department of Education, Richmond. Va.- --(llifilogir. Eddy, Walter 11.. Teachers College, New York, N. 1'.---1/tiotoqll. Vender, tharltbs.W., Lowell High School, San Francisco, Vie!d, William L. W., Milton Academy, Milton, Mitss. --( Bio/ogy.) Ilaey, IA II., State Normal School, Kalamazoo, Mih.----( 8 iology.) Heald, F. E...gikultural College, Amherst. Mass.----((,eneal Science.) Ifedrick. \V. .1.. McKinley High School, 11'asloington, 1). C.( Physics.) inggenbotham, Mullein., 1114h School, Houston, Tex.--(Genera/ Science.) Iliggifis. I.. D., State Normal Sch(ol, Danbury. Conn.(( ;enera/ Seicncr.) ihde, Louis G., High School, PittshugIn Pa. ((,eneral Science.) Jenks, L. E., University of )tuffalooltuffalo, N. Y.(Chemistry.) Kerr, Tlepry, High School, Fresno, Calif.----( (,enera/ Science.) Statehigh.schoorstiperviso, Ito.:torr, Mass.(Superi8ory.) Klid, ill:tries A., I'nlvrsity (if California, Berkeley, Callf.(itioiopp.) Iann, C.It.,Educatlonal Divishin,C.S.11'arI)tq Washington, I ).
[Show full text]