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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
English Management Sociology
Wintersession 2014 English CIN 372 W01: FILM GENRES: FILM NOIR (Fulfills LIT requirement or A&S elective): This course will closely examine the period of American filmmaking during and following WWII later labeled “Film Noir” as well as contemporary reinventions of the genre. The noir canon of films has been so categorized by their mood (bleakness, desperation, moral corruption), style (low-key and expressionistic lighting, deep focus), and characters (antiheroes, femmes fatales, doomed love). Exploring the cultural references to the more dark side of human nature, we will look at such films as They Live By Night and In a Lonely Place (Nicholas Ray), Touch of Evil (Orson Welles), Key Largo (John Huston), Mildred Pierce (Michael Curtiz), Double Indemnity and Sunset Boulevard (Billy Wilder), The Wrong Man (Alfred Hitchcock), Kiss Me Deadly (Robert Aldrich), and The Killing (Stanley Kubrick), as well as Post-noir and Neo Noir reinventions including Bonnie and Clyde (Arthur Penn), Chinatown (Roman Polanski), Blood Simple (Coen Bros.), Blade Runner (Ridley Scott), Pulp Fiction (Quentin Tarantino), Body Heat (Lawrence Kasdan), Lost Highway (David Lynch), Memento (Christopher Nolan), and A History of Violence (David Cronenberg), among others. We will also analyze how contemporary films, television dramas, and video games have incorporated certain aspects of noir; in particular, the male antihero (Breaking Bad, The Walking Dead), chiaroscuro lighting and cinematography as metaphor in television (Dexter, Mad Men), as well as the renewed interest in the genre as part of the game play in L.A. Noire. Management MG340A W01 Emotional Intelligence at Work PREQ: GB 215 The idea of emotional intelligence has been growing in interest during the last decade as an essential set of capacities and skills that complement and enhance the classic business focus on cognitive ability. -
The New Hollywood Films
The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
De Classic Album Collection
DE CLASSIC ALBUM COLLECTION EDITIE 2013 Album 1 U2 ‐ The Joshua Tree 2 Michael Jackson ‐ Thriller 3 Dire Straits ‐ Brothers in arms 4 Bruce Springsteen ‐ Born in the USA 5 Fleetwood Mac ‐ Rumours 6 Bryan Adams ‐ Reckless 7 Pink Floyd ‐ Dark side of the moon 8 Eagles ‐ Hotel California 9 Adele ‐ 21 10 Beatles ‐ Sgt. Pepper's Lonely Hearts Club Band 11 Prince ‐ Purple Rain 12 Paul Simon ‐ Graceland 13 Meat Loaf ‐ Bat out of hell 14 Coldplay ‐ A rush of blood to the head 15 U2 ‐ The unforgetable Fire 16 Queen ‐ A night at the opera 17 Madonna ‐ Like a prayer 18 Simple Minds ‐ New gold dream (81‐82‐83‐84) 19 Pink Floyd ‐ The wall 20 R.E.M. ‐ Automatic for the people 21 Rolling Stones ‐ Beggar's Banquet 22 Michael Jackson ‐ Bad 23 Police ‐ Outlandos d'Amour 24 Tina Turner ‐ Private dancer 25 Beatles ‐ Beatles (White album) 26 David Bowie ‐ Let's dance 27 Simply Red ‐ Picture Book 28 Nirvana ‐ Nevermind 29 Simon & Garfunkel ‐ Bridge over troubled water 30 Beach Boys ‐ Pet Sounds 31 George Michael ‐ Faith 32 Phil Collins ‐ Face Value 33 Bruce Springsteen ‐ Born to run 34 Fleetwood Mac ‐ Tango in the night 35 Prince ‐ Sign O'the times 36 Lou Reed ‐ Transformer 37 Simple Minds ‐ Once upon a time 38 U2 ‐ Achtung baby 39 Doors ‐ Doors 40 Clouseau ‐ Oker 41 Bruce Springsteen ‐ The River 42 Queen ‐ News of the world 43 Sting ‐ Nothing like the sun 44 Guns N Roses ‐ Appetite for destruction 45 David Bowie ‐ Heroes 46 Eurythmics ‐ Sweet dreams 47 Oasis ‐ What's the story morning glory 48 Dire Straits ‐ Love over gold 49 Stevie Wonder ‐ Songs in the key of life 50 Roxy Music ‐ Avalon 51 Lionel Richie ‐ Can't Slow Down 52 Supertramp ‐ Breakfast in America 53 Talking Heads ‐ Stop making sense (live) 54 Amy Winehouse ‐ Back to black 55 John Lennon ‐ Imagine 56 Whitney Houston ‐ Whitney 57 Elton John ‐ Goodbye Yellow Brick Road 58 Bon Jovi ‐ Slippery when wet 59 Neil Young ‐ Harvest 60 R.E.M. -
80S 90S Hand-Out
FILM 160 NOIR’S LEGACY 70s REVIVAL Hickey and Boggs (Robert Culp, 1972) The Long Goodbye (Robert Altman, 1973) Chinatown (Roman Polanski, 1974) Night Moves (Arthur Penn, 1975) Farewell My Lovely (Dick Richards, 1975) The Drowning Pool (Stuart Rosenberg, 1975) The Big Sleep (Michael Winner, 1978) RE- MAKES Remake Original Body Heat (Lawrence Kasdan, 1981) Double Indemnity (Billy Wilder, 1944) Postman Always Rings Twice (Bob Rafelson, 1981) Postman Always Rings Twice (Garnett, 1946) Breathless (Jim McBride, 1983) Breathless (Jean-Luc Godard, 1959) Against All Odds (Taylor Hackford, 1984) Out of the Past (Jacques Tourneur, 1947) The Morning After (Sidney Lumet, 1986) The Blue Gardenia (Fritz Lang, 1953) No Way Out (Roger Donaldson, 1987) The Big Clock (John Farrow, 1948) DOA (Morton & Jankel, 1988) DOA (Rudolf Maté, 1949) Narrow Margin (Peter Hyams, 1988) Narrow Margin (Richard Fleischer, 1951) Cape Fear (Martin Scorsese, 1991) Cape Fear (J. Lee Thompson, 1962) Night and the City (Irwin Winkler, 1992) Night and the City (Jules Dassin, 1950) Kiss of Death (Barbet Schroeder 1995) Kiss of Death (Henry Hathaway, 1947) The Underneath (Steven Soderbergh, 1995) Criss Cross (Robert Siodmak, 1949) The Limey (Steven Soderbergh, 1999) Point Blank (John Boorman, 1967) The Deep End (McGehee & Siegel, 2001) Reckless Moment (Max Ophuls, 1946) The Good Thief (Neil Jordan, 2001) Bob le flambeur (Jean-Pierre Melville, 1955) NEO - NOIRS Blood Simple (Coen Brothers, 1984) LA Confidential (Curtis Hanson, 1997) Blue Velvet (David Lynch, 1986) Lost Highway (David -
Creative Conflict in Writing Return of the Jedi Ewoks
V. 12 – N. 1 - jan./ abr. 2021 ISSN: 2179-1465 / https://www.revistageminis.ufscar.br Brett Davies Meiji University EWOKS VERSUS DEAD HEROES: CREATIVE CONFLICT IN Tokyo, Japan WRITING RETURN OF THE JEDI EWOKS CONTRA HERÓIS MORTOS: CONFLITO CRIATIVO NA ESCRITA DE RETURN OF THE JEDI ABSTRACT The original Star Wars trilogy established a storytelling model that still influences Hollywood filmmaking today. However, the third episode in the saga, Return of the Jedi (1983), was received less favorably than its predecessors by critics. This article will examine historical record and analyze aspects of syuzhet (‘plot’) and fabula (‘story’) (BORDWELL, 1985, pp. 49-50) in the screenplay in order to establish why Return of the Jedi works less successfully as a narrative than the first two films. The results of the investigation suggest that this was due to a fundamental philosophical conflict between screenwriters George Lucas and Lawrence Kasdan. Keywors: Star Wars, George Lucas, Lawrence Kasdan, syuzhet, fabula. RESUMO A trilogia original de Star Wars estabeleceu um modelo de narrativa que ainda hoje influencia o cinema de Hollywood. No entanto, o terceiro episódio da saga, Return of the Jedi (1983), foi recebido pela crítica de forma menos favorável do que seus antecessores. Este artigo examinará o registro histórico e analisará aspectos de syuzhet ('enredo') e fabula ('história') (BORDWELL, 1985, pp. 49-50) no roteiro, a fim de estabelecer porque Return of the Jedi teve menos sucesso como narrativa em comparação aos dois primeiros filmes. Os resultados da investigação sugerem que isso se deveu a um conflito filosófico fundamental entre os roteiristas George Lucas e Lawrence Kasdan. -
An Eye Catching
SIDELINES, Friday, March 4, 1988 Page 5 EN TER TA IN ME NT Plants 'Now and Zen' mixes then and now Cult and Whitesnake and others sampled snatches of old Zepplin good, the modernization attempt that a slightly biased opinion. Not over the past year. The average songs into the mix and letting Plant just doesn't v/ork as well. many blues men can make it in the twelve-year-old, however, probably and Page duel with themselves. It A friend was listening to the modem world, but Plant looks like, doesn't know much about Robert also has Jimmy Page playing a album and said, "It's OK, but those he's going to try. If his be:! keeps> Plant, except that he used to look guitar riff VERY similar to the old snare drums have that new, tight up with this, he ought to make it. a lot like F.odger Coverdale. And rockabilly hit "Train Kept a Roll- sound. I liked the old Zepplin songs Record provided by Cat's Re--: even if peo )le do remember, and ing," a version of which Page played with loose snares where it sounded cords. ; even though this is a Robert Plant on 22 years ago with the Yardbirds. huge." On the less successful songs 1 'In their review of the album. Rolling " album on which Jimmy Page plays Bringing it all back home indeed. the sound is too clear and clean to Stone called "Dance on My Own" a guitar, it definitely is not a Led A similar time warp is the focus really let loose. -
Album Backup List
Updated 20/08/2008 Index to My Albums - Quote FULL titles please File Artist Title Notes CD Year 0148 A Hi Fi Serious 128 2002 0296 A Teen Dance Ordinance VBR 2005 0047 A1 Here We Come 1999 0014 A1 A List 2000 0082 A1 Make It Good 2002 0157 Aaliyah One In A Million 128 1996 Hits & Unreleased - The Ultimate 0233 Aaliyah Collection 192 2002 0182 Aaliyah I Care 4 U 128 2002 0024/27 ABBA Gold - Greatest Hits VBR 1992 AD32 ABBA Gold - Greatest Hits CDA 1992 Thank You For The Music (3CD) 0004 ABBA Collectors set 1995 0054 ABBA The Definitive Collection (2CD) VBR 2001 AB39 ABBA The Definitive Collection (2CD) CDA 2001 0104 ABC Absolutely 1990 0118 ABC The Remix Collection 1993 AD39 ABC The Collection CDA 0070 Paula Abdul Greatest Hits Of Paula Abdul 2000 0076 Ace Of Base Ace Of Base 1983 0085 Ace Of Base Happy Nation 1993 0233 Adam & The Ants Dirk Wears White Socks 192 1979 0150 Adam & The Ants Ant Music 192 1980 0002 Adam & The Ants Friend or Foe 1982 0191 Adam & The Ants Antics In The Forbidden Zone 128 1990 0237 Adam & The Ants Very Best Of Adam & The Ants 128 1999 0194 Adam Ant Strip 256 1983 0315 Adam Ant Strip 320 1983 AD27 Adam Ant Hits CDA 0262 Bryan Adams Cuts Like A Knife 192 1990 0262 Bryan Adams Into The Fire 192 1990 0200 Bryan Adams Waking Up The Neighbours VBR 1991 0163 Bryan Adams Unplugged (Live) 128 1997 0189 Bryan Adams On A Day Like Today 320 1998 AD30 Bryan Adams On A Day Like Today CDA 1998 0198 Bryan Adams The Best Of Me VBR 1999 AD29 Bryan Adams The Best Of Me CDA 1999 0114 Bryan Adams Spirit OST 2002 0293 Bryan Adams -
Jornalismo Teoria E Prática.Indd
COLEÇÃO ACADÊMICA EDITORA CATARSE LTDA Rua Oswaldo Aranha, 444 Bairro Santo Inácio Santa Cruz do Sul/RS CEP 96820-150 www.editoracatarse.com.br facebook.com/editoracatarse CONSELHO EDITORIAL Antonio Fausto Neto – Unisinos Ernesto Söhnle Jr. – UNISC Eunice Piazza Gai – UNISC Fernando Resende – UFF Jesús Gallindo Cáceres – Benemérita Universidad Autónoma de Puebla (México) João Canavilhas – Universidade de Beira Interior (Portugal) Mario Carlón – Universidade de Buenos Aires (UBA) Marcos Fábio Belo Matos – UFMA. Raquel Recuero – UFPel. Walter Teixeira Lima – UMESP Fábio Cruz Gilmar Hermes Organizadores Jornalismo: Teoria e Prática - Abordagens culturais, interfaces e meios Pelotas 2017 editora J82 Jornalismo: teoria e prática – abordagens culturais, interfaces e meios [recurso eletrônico] / Fábio Cruz, Gilmar Hermes, organizadores - Santa Cruz do Sul: Catarse, 2017. 196 p. : il. Texto eletrônico. Modo de acesso: World Wide Web. 1. Jornalismo. 2. Jornalismo - Teoria. 3. Telejornalismo. 4. Semiótica. 5. Jornalismo esportivo. 6. Redes sociais. I. Cruz, Fábio. II. Hermes, Gilmar. ISBN: 978-85-69563-18-1 CDD: 070.4 Bibliotecária responsável: Fabiana Lorenzon Prates - CRB 10/1406 Diagramação: Mirian Flesch de Oliveira Editor: Demétrio de Azeredo Soster PREFÁCIO A Comunicação é essencial. Perpassa todos os saberes. Agencia a produção de conhecimentos. Está presente, de uma forma indissociável, na vida humana. A cada passo, desenha as transformações de todos os níveis da trajetória existencial. Possui um perfil multifacetado. É singular e, ao mes- mo tempo, se inscreve na pluralidade. O seu sentido plural tem abrangência. Diversifica-se em aspectos, circunstâncias e reali- dades. Uma de suas pronúncias é o Jornalismo, indissociável das sociedades democráticas. Falar em Jornalismo, escrevê-lo e criticá-lo nunca é pisar no excessivo e no demasiado. -
KC PITCH PAGE 3 Letters
ALL THE NEWS THAT'S FIT TO PITCH FREE FREE CZ\gnsas Citt's Music ani 'Lnttrtainmtnt ~srartr ISSUE 20 AUGUST 1982 AKITOSHI-TABACkIN'S FREE BIG BAND JAZZ HITS THE PLAZA By John Geier monlC. He immediately Lew Tabackin, she leads an or sitions and arrangements of Aki his to Norman chestra which many critics con yoshi. Featured soloists have The Toshiko Akiyoshi-Lew Taback who shortly there- sider to be the most exciting included trumpeters Steven Huff after. and original in existence. As stetter and Bobby Shew, reedmen in Big Band will give a free composer and arranger, Akiyoshi Gary Foster and Dick Spencer, stirred much makes the orchestra her instru trombonists Jimmy Knepper and concert at Brush Creek on the among jazz lovers in ment, as did Ellington before Bill Reichenbach, and of course was soon to do the her. Akiyoshi enjoys experi the leaders themselves. The Country Club Plaza, Sunday, AInerica. Her piano art menting and giving her work an the :voters in the was described by Leonard oriental flavor. the band draws September at PM. It as "firey, powerfullv very reactions ,from 5, 7: 00 audiences and critics al ike. will be the band's first appear RECOMMENDED RECORDINGS BY TOSHI KO AKIYOSHI: ance in Kansas City since its triumphant performance at the 1978 Women I s Jazz Festi val. City Parks "Music in wi 11 bring money play exercises. free charge. cal impact. I'm very careful not to go into a contemporar'( music direction, where the sound gets complicated. That can and SUMMER has been, done by serious musi Tabackin is a virtuoso of the cians t, contemporary musicians, in and it' s nothing new. -
Ebook Download Now and Zen Kindle
NOW AND ZEN PDF, EPUB, EBOOK Linda Gerber | 214 pages | 04 Jun 2007 | Penguin Putnam Inc | 9780142406571 | English | New York, NY, United States Now and Zen PDF Book The Way I Feel. The album made the top 10 in the US No. Deb, along with Leslie Snyder and Nancy Reich are in the process of starting a non- profit called Cold Cap Cuties that will provide the use of Arctic Cold Caps to women during chemo treatment to help them keep their hair. Media Control Charts. Now and Zen is so much more than a yoga studio! Retrieved 15 May Hidden categories: CS1 Dutch-language sources nl CS1 German-language sources de Use dmy dates from May Articles with short description Short description is different from Wikidata Articles with hAudio microformats Album articles lacking alt text for covers. New York. Our small class size allows us of help each student find their safest and most beneficial practice for their body. The Zen Doorbell The world's most aesthetically sophisticated doorbell -- its acoustic brass bowl-gong fills your environment with beautifully complex tones whenever it strikes. With a new band and a new perspective on his music, Plant returned in late with more of the sound that had previously defined him in Led Zeppelin. Even if you can not attend the classes at the time offered, if you register for the class you will get a recording of the class to use for 2 days so you can practice at your convenience. Dutch MegaCharts [15]. Retrieved 8 January Collector's Guide to Heavy Metal.