For Preview Only ROCKIN’ ROBIN HOOD NOTTINGHAM MARKET

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For Preview Only ROCKIN’ ROBIN HOOD NOTTINGHAM MARKET DUNGEON Book by Brian D. Taylor Music by Eric Rockwell, Lyrics by Joanne Bogart © Copyright 2018, by Brian D. Taylor, Eric Rockwell, and Joanne Bogart Professionals and amateurs are hereby warned that a royalty must be paid for every performance, whether or not admission is charged. All inquiries regarding rights should be addressed to Pioneer Drama Service, Inc., PO Box 4267, Englewood, CO 80155. All rights to this musical—including but not limited to amateur, professional, public SHERWOOD FOREST reading and translation into foreign languages—are controlled by Pioneer Drama Service, Inc., without whose permission no performance, reading or presentation of any kind in whole or in part may be given. All other rights in this play, including radio broadcasting, television and motion picture rights, are controlled by BRIAN D. TAYLOR, ERIC ROCKWELL and JOANNE BOGART to whom all inquiries should be addressed c/o Pioneer Drama Service, Inc. PO Box 4267, Englewood, CO 80155-4267. These rights are fully protected under the copyright laws of the United States of America and of all countries covered by the Universal Copyright Convention or with which the United States has reciprocal copyright relations, including Canada, Mexico, Australia and all nations of the United Kingdom. ONE SCRIPT PER CAST MEMBER MUST BE PURCHASED FOR PRODUCTION RIGHTS. COPYING OR DISTRIBUTING ALL OR ANY PART OF THIS BOOK WITHOUT PERMISSION IS STRICTLY FORBIDDEN BY LAW. On all programs, printing and advertising, the following information must appear: 1. The full name of the musical 2. The full name of the playwright, the composer, and the lyricist 3. The following notice: “Produced by special arrangement with Pioneer Drama Service, Inc., Denver, Colorado” 58 For preview only ROCKIN’ ROBIN HOOD NOTTINGHAM MARKET Book by BRIAN D. TAYLOR Music by ERIC ROCKWELL, Lyrics by JOANNE BOGART CAST OF CHARACTERS # of lines *ROBIN ..............................idealistic young man who 92 grows to be a hero *HAZEL ..............................Robin’s clever twin sister 41 Villagers AVALEE ...............................widow who’s a bit touched; sells 24 chickens and eggs at the market VIOLET ...............................flower vendor 10 ROSEMARY .........................sells herbs and spices 10 LINNAEN .............................cloth merchant 18 LITTLE JOHN .......................blacksmith with a 46 pacifistic nature *SAYRA ..............................Little John’s daughter; longs 28 to be a warrior FRIAR TUCK ........................jolly local friar; enjoys a 36 good laugh CITADEL BEGGAR WOMAN .................poor soul; the only one in 9 poverty at the outset CHORUS .............................as desired as extra villagers n/a Nuns and Orphans MOTHER MARY ...................nun in charge of the convent— 13 and the orphans SISTER PATIENCE ................ever-so-patient 9 SISTER FORTHRIGHT ...........tells it like it is 11 GINNY ................................oldest orphan; Mother Mary’s 8 right hand *SAM .................................youngest orphan; playful and 37 imaginative; good-hearted *RUTH ...............................pious orphan 9 *PETE ................................strong-spirited orphan; wants to 12 be a tough guy *MAYBE .............................another orphan; Pete’s 11 non-committal sidekick ii 57 RIGHTS MUST BE PURCHASED BEFORE REPRODUCING THIS SCRIPT For preview only ELLEN-A-DALE may be played as either male or female with simple CHORUS .............................as desired as extra nuns and n/a changes in name and use of pronoun. orphans THEATRE SAFETY Sheriff and His Spies Only one moment requires an arrow to be shot from the stage, when SHERIFF .............................self-interested ward of 119 Robin accidentally shoots the offstage cow in ACT ONE. Use a rubber Nottingham; longs for more tipped arrow and be sure to clear the target area of any bystanders. power and relevance While using real raw chickens may be a simple, cheap, and funny way *MARIAN ............................Sheriff’s adopted daughter; 70 to make the items at Avalee’s chicken store, it is not advised unless one of his top spies the chickens have been thoroughly disinfected. Realistic-looking REGAN ...............................another spy 14 alternatives can be easily made with molding clay, carved foam, or SIR GUY OF GISBOURNE ......Sheriff’s enforcer; an assassin 10 other materials. And, of course, rubber chickens can be found online who’s a bit unhinged and can be played up for humor. SIR DIVVY ...........................another strong arm; 11 blissfully daft GUARD ...............................watches the dungeon; dozy 6 EXTRAS ..............................as desired as extra spies n/a Others ELLEN-A-DALE .....................minstrel; ousted by Prince John 12 LADY BLACKWOOD ..............widowed landowner; weds 65 Sheriff to expand her power; calls the shots in Nottingham SCARLET WILL ....................spy with a secret; tasked 23 to watch over Marian TAX COLLECTORS ................at least two 31 PRISONERS ........................at least two 10 KING RICHARD ....................good king who’s gone abroad 18 KING’S GUARDS ..................protect the king n/a SIR BRAHME .......................skilled archer n/a *See PRODUCTION NOTES for suggestions on splitting these roles. 56 iii RIGHTS MUST BE PURCHASED BEFORE REPRODUCING THIS SCRIPT For preview only SETTING Scene Eight: Time: Near the end of the 12th century. Bows, arrows (ROBIN, SIR GUY, SIR BRAHME) Place: Nottingham. Target with three arrows, target with one arrow and shards of a shattered arrow (SIR DIVVY) SET DESCRIPTION Lute (ELLEN-A-DALE) Sherwood Forest provides the main backdrop. A canopy of trees can be painted on the back wall or backdrop. Trees or rocks that can be hidden behind are placed far UPSTAGE. COSTUME NOTES Costumes should be reflective of the 12th century time period and The foreground utilizes two tall stone walls on wagons. These are each character’s station, with the following specifics: double-sided and can be moved around the stage to create different looks, including Nottingham Market, the citadel, and the dungeon. From ACT ONE, Scene Five through the end of the play, ROBIN HOOD wears a hooded green cloak. For the first four scenes, Nottingham Market, ACT ONE: The two walls are spaced apart, one he specifically does not wear a cloak of any sort. In ACT TWO, at CENTER RIGHT and the other at CENTER LEFT. On one of the Scene Seven, ROBIN is in disguise, wearing knight’s clothing that stone walls, horseshoes, shields, and other armor and metalwork conceals his face. are hung about and lined along shelves to create the look of Little SHERIFF, SPIES, and TAX COLLECTORS all carry sheathed swords. John’s blacksmith shop. On the other wall, flowers are in bunches along the wall, creating the look of Violet’s flower shop. Other SCARLET wears a red cloak. shops—Avalee’s chicken and egg cart, Rosemary’s herb stand, and SAYRA carries a sheathed sword. Linnaen’s fabric stall—are created by carts, small tables, shelves, or GUARD wears a belt, from which his keys hang. racks that can easily be moved on and off. There should be a small If the children’s parts are split, their costumes in ACT TWO should be open space where Robin and Hazel can set up for their archery very similar, if not identical, to their younger costumes. sales. The general look is a lively marketplace in Nottingham. KING RICHARD should wear a crown. Nottingham Market, ACT TWO: The walls are in the same position as in Act One, but business has clearly suffered in the ensuing three SOUND EFFECTS years. All wares are gone from the blacksmith’s wall, leaving only Cow moo, frog croak, owl hoot, fanfare, arrow release. empty shelves and hooks. Only dandelions hang from the florist’s FLEXIBLE CASTING NOTES wall. Linnaen’s fabric stall and the archery stall are notably gone. There are several roles that begin as younger characters, then appear Citadel: The walls are rotated 180 degrees, each revealing a plain three years older in ACT TWO: ROBIN, HAZEL, SAYRA, SAM, RUTH, stone wall on the other side. They are placed together at CENTER, PETE, MAYBE, MARIAN. Any of these roles may be split to have a creating one large stone wall. In front of this are two large chairs younger performer play the role in ACT ONE, and an older performer and a large wooden table. play the role in ACT TWO. For male characters, including Robin, you Dungeon: The plain sides of the stone walls are separated, and a set could cast a female actor to play the younger boy version, much like is of prison bars with a door are attached between them to create the commonly done with Peter Pan. look of a dungeon. There is a stool downstage by one of the walls. The cast and chorus can also be expanded by adding any number Sherwood Forest: The walls are removed, revealing the forest in full. of additional villagers, nuns, orphans, spies, tax collectors, prisoners, Bushes, rocks, and logs may be added to fill out the look. and tournament crowd members. Archery Contest: The walls are removed for the tournament. There are The cast can be downsized by doubling some or all of the following benches or stands UP RIGHT for the crowd, and thrones or more roles: BEGGAR WOMAN, SIR BRAHME, GUARD, KING’S GUARDS, regal seating UP LEFT for Marian, the sheriff, and Lady Blackwood. KING RICHARD, PRISONERS, and TAX COLLECTORS. *See set designs on pages 57 and 58. To make casting more flexible, the roles of AVALEE, LINNAEN, VIOLET, ROSEMARY, BEGGAR WOMAN, GINNY, SAM, RUTH, MAYBE, REGAN, iv 55 For preview only Money bags (SPIES) SYNOPSIS OF SCENES Coin (LITTLE JOHN) ACT ONE Scene Four: Scene One: Nottingham Market, near the end of the 12th century. Rope bindings (FRIAR TUCK) Scene Two: The citadel. Money bag, coins (SHERIFF) Scene Three: Nottingham Market. Scene Five: Scene Four: The citadel. Bows, arrows, sign reading “Archeree Supplize” (ROBIN, HAZEL) Scene Five: Nottingham Market. Coin (SAM) Scene Six: The dungeon. Coins (VILLAGERS, NUNS, ORPHANS) Money bags (SPIES) Scene Seven: Nottingham Market. Lute (ELLEN-A-DALE) ACT TWO Scene Six: Scene One: Nottingham Market, about three years later.
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