Linndrum Service Manual
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Vprom User Manual
EPROM DRUMS www.alyjameslab.com USER MANUAL 2.0 BY Aly James ©2014-2016 ALYJAMESLAB TABLE OF CONTENTS INTRODUCTION............................................................................................................................. 3 WHAT’S NEW IN V2.0? .................................................................................................................. 6 INSTALLATION............................................................................................................................... 7 CONTROL PANELS ........................................................................................................................10 THE AM6070 DAC.........................................................................................................................13 SAMPLE TUNING ..........................................................................................................................17 THE HIHAT CASE...........................................................................................................................20 MAIN PANEL ................................................................................................................................21 CEM FILTERS ................................................................................................................................22 SETTINGS .....................................................................................................................................24 EPROM LOADING .........................................................................................................................26 -
Oberheim Prommer MIDI Sampler/ PROM Programmer USER's GUIDE
Oberheim Prommer MIDI Sampler/ PROM programmer USER'S GUIDE Prommer User's Guide Table of Contents 1 Prommer User's Guide Table of Contents 2 Oberheim Prommer User's Guide By Paul J. White Preliminary Edition, June 1986 CAUTION: To prevent fire or shock hazard, do not expose this appliance to rain or moisture. Do not remove cover. No user servicable parts inside. Refer servicing to qualified service personnel. WARNING: This equipment generates and uses radio frequency energy and if not installed and used properly, i.e., in strict accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause interference in which case the user at his own expense will be required to take whatever measures may be required to correct the interference. © 1986 - Oberheim - A division of ECC Development Corporation 11650 W. Olympic Blvd. , Los Angeles, CA 90064 All rights reserved. Reproduction in whole or in part is prohibited without permission. Oberheim, the Oberheim logo, Prommer, Matrix-12, Stretch, DMX, and DX are trademarks of ECC Development Corporation. Drumtraks is a trademark of SEQUENTIAL (Sequential Circuits, Inc.) Simmons is a trademark of Simmons Electronics Limited LinnDrum and Linn9000 are trademarks of Linn Electronics, Inc. Prommer User's Guide Table of Contents 3 TABLE OF CONTENTS PAGE 1. Introduction 7 2. Getting started 9 3. Blocks 13 A. Select block B. Block address C. Block length D. Protect 4. Sampling 17 A. Sample rate B. Sample time display C. Record trigger threshold D. How to record a sound 5. -
Muc 4313/5315
MUC 4313/5315 Reading Notes: Chadabe - Electric Sound Sample Exams Moog Patch Sheet Project Critique Form Listening List Truax - Letter To A 25-Year Old Electroacoustic Composer Fall 2003 Table of Contents Chadabe - Electric Sound Chapter Page 1 1 2 3 3 7 4 9 5 10 6 14 7 18 8 21 9 24 10 27 11 29 12 33 Appendex 1 – Terms and Abbreviations 35 Appendex 2 – Backus: Fundamental Physical Quantities 36 Sample Exams Exam Page Quiz 1 37 Quiz 2 40 Mid-Term 43 Quiz 3 47 Quiz 4 50 Final 53 Moog Patch Sheet 59 Project Critique Form 60 Listening List 61 Truax - Letter to a 25-Year Old Electroacoustic Composer 62 i Chapter 1, The Early Instruments What we want is an instrument that will give us a continuous sound at any pitch. The composer and the electrician will have to labor together to get it. (Edgard Varèse, 1922) History of Music Technology 27th cent. B.C. - Chinese scales 6th cent. B.C. - Pythagoras, relationship of pitch intervals to numerical frequency ratios (2:1 = 8ve) 2nd cent. C.E. - Ptolemy, scale-like Ptolemaic sequence 16 cent. C.E. - de Salinas, mean tone temperament 17th cent. C.E. - Schnitger, equal temperament Instruments Archicembalo (Vicentino, 17th cent. C.E.) 31 tones/8ve Clavecin electrique (La Borde, 18th cent. C.E.) keyboard control of static charged carillon clappers Futurist Movement L’Arte dei Rumori (Russolo, 1913), description of futurist mechanical orchestra Intonarumori, boxes with hand cranked “noises” Gran concerto futuristica, orchestra of 18 members, performance group of futurist “noises” Musical Telegraph (Gray, 1874) Singing Arc (Duddell, 1899) Thaddeus Cahill Art of and Apparatus for Generating and Distributing Music Electronically (1897) Telharmonium (1898) New York Cahill Telharmonic Company declared bankruptcy (1914) Electrical Means for Producing Musical Notes (De Forest, 1915), using an audion as oscillator, more cost effective Leon Theremin Aetherphone (1920) a.k.a. -
A Study of Digital Samplers in Two Eras
On The Significance of Interface Design A Study of Digital Samplers In Two Eras A thesis submitted by Bjørnar Ersland Sandvik In partial fulfillment of the requirements for the Master’s degree in Musicology Department of Musicology Faculty of Humanities University of Oslo November, 2016 Adviser: Ragnhild Brøvig-Hanssen II Acknowledgments The process of completing this thesis would not have been possible without the help and support of a number of people. First of all, I wish to thank my supervisor, Ragnhild Brøvig- Hanssen, for taking a genuine interest in my work, and being so generous with her time, guidance, and support. Her contribution has been absolutely invaluable, and I have appreciated our conversations, her detailed and constructive comments on all of my drafts, and her general encouragement throughout the process. I was lucky enough to get the opportunity to present a draft of this thesis at the 10th Art of Record Production conference at Drexel University, Philadelphia in November 2015. I would like to thank the organizers of the conference, as well as the other participants for valuable feedback, inspiring paper presentations, and interesting conversations. A special thanks go to my co-student Emil Kraugerud, for being such a great travelling companion, and also to Associate Professor Hans T. Zeiner-Henriksen for joining us on a memorably day of sightseeing in New York. In addition, I want to thank the rest of my co-students for interesting conversations, important lunch breaks, and not least our short-lived but magnificent weekly ritual of celebrating “kakefredag” (cake Friday) at the university. -
SEPTEMBER 1987 I'm Happy to Announce the Availability of Mod- Poll
VOLUME 11, NUMBER 9, ISSUE 95 Features Columns Cover Photo by Leslie Burke EDUCATION JAZZ DRUMMERS' WORKSHOP Burke The Ride Cymbal by Peter Erskine 66 Leslie SHOW DRUMMERS' SEMINAR by Subbing A Broadway Show by Larry Spivack 68 Photo TEACHERS' FORUM Child Drummers by Brooke Sheffield Comer 70 DRUM SOLOIST Roy Haynes: "Snap Crackle" by Karl Sterling 80 ROCK PERSPECTIVES Recreating Beats by Kenny Aronoff 82 THE MACHINE SHOP Heavy Rock From Light Plastic by Clive Brooks 84 ROCK 'N' JAZZ CLINIC Styles are Related: Part 2 by Rod Morgenstein 92 TAKING CARE OF BUSINESS Consumer Rights And Options by Clifford J. Sherry, Ph.D. 94 CONCEPTS Showmanship Features by Roy Burns 110 RICK MAROTTA EQUIPMENT He didn't start playing drums until he was 19, but within a few SETUP UPDATE months, Rick Marotta was being asked to do sessions in New Marc Droubay and Mike Clark 108 York. He talks about his work with such artists as Steely Dan, PRODUCT CLOSE-UP Jackson Browne, and Larry Carlton, and explains what is Joe Montineri Custom Snare Drums behind his personal style. by Bob Saydlowski, Jr. 112 by Robyn Flans 16 ELECTRONIC REVIEW Headset Microphones GARY BURKE by Rick Van Horn 114 JUST DRUMS 122 Currently working with Joe Jackson, Gary Burke's credits also include such diverse artists as Bob Dylan and Steve Reich. He discusses his training and experiences, and gives examples of the charts he had to play for Jackson's Will Power album. PROFILES by Jeff Potter 22 UP AND COMING The Smithereens' Dennis Diken by Brooke Sheffield Comer 36 STEVE WHITE PORTRAITS After studying with no less than Bill Bruford, Steve White was Ralph Pace invited to join The Style Council at the age of 17. -
Review of "Beat Box: a Drum Machine Obsession" Lincoln Lounsbury the Sweetheart Contract
The Councilor: A Journal of the Social Studies Volume 75 Article 6 Number 1 Volume 75 No. 1 (2014) January 2014 Review of "Beat Box: A Drum Machine Obsession" Lincoln Lounsbury The Sweetheart Contract Follow this and additional works at: http://thekeep.eiu.edu/the_councilor Part of the Curriculum and Instruction Commons, Educational Methods Commons, Elementary Education Commons, Elementary Education and Teaching Commons, Junior High, Intermediate, Middle School Education and Teaching Commons, and the Pre-Elementary, Early Childhood, Kindergarten Teacher Education Commons Recommended Citation Lounsbury, Lincoln (2014) "Review of "Beat Box: A Drum Machine Obsession"," The Councilor: A Journal of the Social Studies: Vol. 75 : No. 1 , Article 6. Available at: http://thekeep.eiu.edu/the_councilor/vol75/iss1/6 This Article is brought to you for free and open access by the Journals at The Keep. It has been accepted for inclusion in The ouncC ilor: A Journal of the Social Studies by an authorized editor of The Keep. For more information, please contact [email protected]. Lounsbury: Review of "Beat Box: A Drum Machine Obsession" Beat Box: A Drum Machine Obsession by Joe Mansfield, Get On Down, 2013 When Wurlitzer released the first commercially available drum machine, the Side Man, in 1959, the famed organ company was attempting to fulfill a modest need: rhythmic accompaniment for the organist or musical combo at times when employing a drummer was not practical. The print advertisement for the Side Man showed a quartet featuring an accordionist, guitarist, organist, and an attractive piece of furniture about the size of a hi-fi. Inside its wooden exterior, the Side Man relied on vacuum tubes and a motor driven wheel with electrical contact points to generate its sounds. -
ROGER LINN DESIGN Software Version 2.1
AdrenaLinn II ROGER LINN DESIGN Software Version 2.1 Knapp zwei Jahre nachdem das AdrenaLinn, welches nicht nur bei Gitarristen sondern Musikern aller Instrumenten- und Turntable-Gattungen Gefallen gefunden hat, das Licht der Welt erblickte, präsentiert Roger Linn nun dessen Nachfolger. Von Hause aus Gitarrist, Sänger und Komponist, war der amerikanische Sound-Designer bereits für einige Meilensteine des Musik- Equipments wie beispielsweise LM-1 Linn Drum Computer, Linn 9000, Akai MPC-60 und MPC-3000 verantwortlich. Übersicht Fabrikat: Roger Linn Design Modell: AdrenaLinn II Software-Version 2.1 Herkunftsland: USA Gerätetyp: Beat-Synched Filter FX (beat-synchrone Modulations- und Delay-Effekte) + Amp Modeling + Drum Box, programmierbar, MIDI Gehäuse: Aluminium-Druckguss, verschraubte Bodenwanne, je zwei große und kleine Gummifüße Effekte: Tremolo/Pan, Filter Tremolo, Flanger/Chorus, Rotary, Vibrato, Random Filter, Random Flanger, Tremolo Sequence, Filter Sequence, Arpeggiator, Auto Filter, Talk Box, Volume Envelope, Delay (max. 2,8 Sek.), Noise Gate, 24 Modelings (21× Amp, 2× Fuzz, 1× D.I., regelbar mit Drive, Bass, Mid, Treble, Volume) Speicherplätze: Effekte: 100 Presets/100 User; Drumbeats: 100 Presets/100 User Sampling-Frequenz: 40 kHz A/D-DA-Wandler: 24 Bit, interne Signalverarbeitung 32 Bit Anschlüsse: Input, Outputs L/Mono und Right, Phones, MIDI In, MIDI Out, Besaß das eher unscheinbare AdrenaLinn Netzteil noch ein indigo-blaues Gehäuse, kommt das konzept Regler: Input Level, 4× Parameter AdrenaLinn II in Gelb/Schwarz. Frohe Bot- Die leicht modifizierte Zusatzbezeichnung Value (Endlosraster-Potis) Taster: Main Tap/Hold, Parameter schaft für Besitzer des ersteren: Per Upgrade- „Beat-Synched Filter-FX + Amp Modeling + Select Up/Down, Sequencer Select, € Kit für rund 95 lässt es sich eigenhändig zur Drum Box“ lässt nicht einmal im Ansatz die Start/Preset (Fuß), Bypass/ Version II aufrüsten. -
Doctor Beat Ml-60 ‘1984’ Ml-60 ‘1984’
Cult VIP/36 10/2/06 11:13 am Page 2 –/––/–CULT VIP: ROGER LINN / Text by TIM NOAKES Doctor Beat ml-60 ‘1984’ ml-60 ‘1984’ ml-60 ‘1984’ Thanks to Roger Linn, programmable drum machines have become the centre of modern music production. Here, the inventor recalls how his creation pushed Prince, Stevie Wonder and Dr Dre to the top of the charts, but left him at the whim of shady businessmen. Every Monday night, Roger Linn drives from but soon got distracted by the rock’n’roll heard about the invention of computers, a his house in the north Berkley hills down to the revolution. Combining his passion for guitars and development that eventually spurred him on to Caffe Trieste coffee shop to soothe its patrons technology, the 14-year-old Linn took an after- form his own company, Linn Electronics. with mandolin renditions of traditional Neapolitan school job at a guitar shop in Hollywood, where “A friend of mine took me to The Computer songs. When the weather’s good, he even invites he learnt how to install pick-ups. A few years Store, which was the only place in Los Angeles people up to his house to listen to folk music. So passed, by which stage he had gained a reputation that sold them. It was run by these proto-typical it comes as somewhat of a surprise to hear that for fusing together existing guitar FX pedals to nerds who used words like bits and bytes, RZA, one of hip hop’s most illustrious producers, produce unique sounds. -
Transformation 19
TTRANSFORMARANSFORMAT IONT IONS ERIES SERIES 1917 COLLECTCOLLEIONct TRANSFORMAION TRANSFORMATTIONION NEW WORLDS of SOUND Electronics and the Evolution of Music in Canada KATHARINE WRIGHT Transformation Series Collection Transformation “Transformation,” an occasional series of scholarly papers La collection Transformation, publication en série paraissant published by the Collection and Research Division of the irrégulièrement de la Division de la collection et de la recherche Canada Science and Technology Museums Corporation, is de la Société des musées de sciences et technologies du intended to make current research available as quickly and Canada, a pour but de faire connaître, le plus vite possible et inexpensively as possible. The series presents original research au moindre coût, les recherches en cours dans certains secteurs. on science and technology history and issues in Canada Elle prend la forme de monographies ou de recueils de courtes through refereed monographs or collections of shorter études acceptés par un comité d’experts et s’alignant sur le studies, consistent with the corporate framework, “The thème central de la Société, « La transformation du Canada ». Transformation of Canada,” and curatorial subject priorities Elle présente les travaux de recherche originaux en histoire des in agriculture and forestry, communications and space, sciences et de la technologie au Canada et questions connexes transportation, industry, physical sciences and energy. réalisés en fonction des priorités du Musée, dans les secteurs de l’agriculture et des forêts, des communications et de l’espace, des transports, de l’industrie, des sciences physiques et de l’énergie. Disclaimer Responsabilité The publication format of the Transformation series La formule de la collection Transformation ne permet precludes extensive copy-editing. -
Adrenalinn Manual
User Manual Written By Craig Anderton and Roger Linn Roger Linn Design • Berkeley, CA • www.rogerlinndesign.com Tested To Comply With FCC Standards FOR OFFICE USE This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference and (2) this device must accept any interference received, including interference that may cause undesired operation. This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numerique de la classe B respecte toutes les exigences du Reglement sur le materiel brouilleur du Canada. AdrenaLinn Users Manual © 2001-2002 Roger Linn Design Revision date: Friday, June 28, 2002 Table of Contents Introduction ..........................................................................................1 Welcome ..........................................................................................2 I Wanna Use It Right Now! ..............................................................3 Chapter 1: AdrenaLinn Operation Basics ...........................................5 About Modes Of Operation ..............................................................6 Inputs and Outputs...........................................................................7 About Presets ..................................................................................8 About Drumbeats.............................................................................8 Chapter 2: Main Mode Controls -
TECHNEWS Words: MICK WILSON
TECH NEWS TECHNEWS words: MICK WILSON BRAND NEW AND GOOD FOR YOU... Numark drop two new DJ products designed to get your groove on ot to feel left out of all its sights. The NS6 was a solid bit of Up next is the other new offering, the NTX1000 is packed with all new the fun their cousins are well-built kit and gained itself a lot of the NTX1000 Turntable, which — as technology to ensure that the deck having over at Denon DJ, fans. Now Numark have redesigned with Denon DJ’s new VL12 turntable is perfect for DJs from all walks of N Numark have announced the NS6 to bring you the NS6II; a — shifts away from the usual 1200 life. Scratch, mix or mobile DJs will the release of two new bits of DJ completely reworked version of the clone styling and adopts a design find the NTX1000 perfect for their gear — the NS6II DJ Controller and original with even better specs. that gives Numark’s new deck its needs, with a start-up torque of 4kg, the NTX1000 Turntable. It’s been a own identity. The new deck looks S-shaped tone arm, adjustable pitch- while since Numark have announced The NS6II is a four-channel DJ pretty cool, with its black and silver range from ±8%, +16%, +50% as well anything major in the DJ arena, controller with eight performance metallic casing taken from the styling as the ability to change the start and so the timing couldn’t be better as pads per deck that can be utilised and design of the top of the range stop speed of the platter. -
Linn 9000 Owners Manual
Linn 9000 Owners Manual The Linn LM-1 Drum Computer was created by guitarist Roger Linn and he used for this synth to see active listings with more images, specs and information. Akurate Products · Majik Products · Sneaky-Sekrit Products Sneaky/Sekrit Products · User Manuals · Owners Manuals. DS Systems. Introduction To DS Concepts. Linn Electronics Linn 9000 (1984) Rating: 3.5 out of 5. Drum machine based on 18 PCM manual -Linn 9000 MANUAL -Service schematics. CONTACT. It comes complete with a printed manual of step-by-step instructions, and supporting so for service it can be unplugged and the TR-808 will still work (so this is not a I have not worked on one before, and I was amazed to find it Linn 9000 3. The LinnDrum was the second machine from Linn Electronics. an eBay search for this synth to see active listings with more images, specs and information. snare and hihat samples (among others) while IMO the later 9000 lacks character. Original factory specs. We only use standard shipping ground service. leloops Linn Drum LM1 Linn Drum LM2 Linn Linn-9000 Linn Linndrum. Linn 9000 Owners Manual Read/Download See also "Service Manual" section Véase también página "Service Manual" LESLIE 125 - 225 models. LINN Linn 9000. LOGAN Big-Band & Harmonizer Your new prophet 5 will come complete with an owners manual with blank patch The Linn 9000 is a rare & classic machine used on many hits over the years. The Linn 9000 was plagued by chronic software bugs and a reputation for Manual or programmable record punch in/out, Under the Environment File, you can manufacturer and service, we had strong competition, we had no investment.