The Gift of Inspiration: ’N’ Roll a Rockfantasy “If No One Is Barfing Or Bleeding, It’S Not Rock ’N’ Roll.” Wow

Total Page:16

File Type:pdf, Size:1020Kb

The Gift of Inspiration: ’N’ Roll a Rockfantasy “If No One Is Barfing Or Bleeding, It’S Not Rock ’N’ Roll.” Wow Photos and story by Janna Lopez The Gift of Inspiration: ’n’ Roll a Rockfantasy “If no one is barfing or bleeding, it’s not rock ’n’ roll.” Wow. Maybe the perfect words, spoken by rock ’n’ roll musi- cian, Michael Gerbino (more on him later) to describe the magic of a particular time and place — when you’re 20. But what happens when you’re 40? Or 50? Or even older? Though your kids might be nearly full-grown, they might also still live at home, so maybe living the rock ’n’ roll fantasy isn’t the best idea. After all, you’re an adult now. You have a job, a stack of bills to pay, a life insurance policy, kids’ sports schedules to adhere to. But then the “becoming a rock star” dream you once had rears its head again, as powerful as ever. For many dads, and even some moms, thankfully, there’s an incredible once-in-a-lifetime opportunity to live November 28 to January 4 out the rock ’n’ roll dream, in real time, with real lights, a real stage, and a real rock star jamming beside you — all without the young- Closed December 10, 24 & 25 er-days aftermath of brawling, barf or blood. Rock ’n’ Roll Fantasy Camp, home-based in Las Vegas, is most cer- tainly a mature-version, dream-like oasis for those who love music, once performed or dream of performing, or want to gain invaluable music technique education in a very short time. Though there are modified versions of this rock camp model, including day-long and business-style retreats, the most well-known format is the intensive four-day camp. A better future for wildlife. DECEMBER 2014 | 21 This camp is about music . It’s about relationships between fathers and sons. This story is shared because we all ing, recording and then performing take the spotlight. David Fishof, the ny-musical-trades. He’s performed Mark Cook, a dad camper from have those goals, inspirations inside with globally known rock stars such camp’s founder, does an incredible over 4,500 live shows and recorded Portland, Oregon, guitar player with us that sometimes remain dormant. as Roger Daltrey (The Who), Slash job of selecting counselors who or jammed with Rob Halford (Judas several local music projects and an For a lot of (dare I say) middle-aged (Guns n’ Roses), Steven Tyler (Aero- are talented teachers and humble Priest), Vince Neil (Motley Crue) artist with creative aspirations, says, people, being connected to music smith) and Joe Walsh (The Eagles). people — although it’s apparent the and the Pointer Sisters, to name a “Mikey really made sure we each is at the top of that list. We reach Throughout the four days, over a selections are a perfect fit at least few. He’s even held the illustrious were clear on our parts, but he also mile-markers in life where clues dozen camp counselors who are in part because Fishof is that same honor of fulfilling the role of Bill wanted us not to forget to enjoy the about time’s marching orders could also rock stars, such as Vinny Apice straight-shooting, passion-instilling Wyman in the Rolling Stones tribute experience.” He adds, “I can’t believe CAMP COUNSELOR PETER KLETT WORKS WITH 11-YEAR range from needing reading glasses (Black Sabbath), Peter Klett (Candl- kind of guy himself. band Satisfaction, which had a three- how incredibly patient he was, and OLD SEASONED CAMPER BEN BLUESTEIN to scan restaurant menus, to the box) and Rudy Sarzo (Ozzy, Quiet As a result of Fishof’s past work, year, nearly-800-show schedule. how when we all jammed with loss of dear friends. Whether we gift Riot, White Snake) coach, guide, connections in the music business, For this particular camp, Gerbi- George Lynch and Brad Whitford someone with opportunities, or gift teach and encourage participants his multi-faceted wealth of industry no was the counselor of the band on stage, we could at least hold our them to ourselves, something like to write, play and perform. For a knowledge and his optimistic donned “Tattoo Zoo.” Band camp own. At the end of the four days, ev- Rock ’n’ Roll Fantasy Camp is an much-reduced fee, spouses, partners outlook on making people’s dreams group members came from England, erything came together for a pretty absolute dream come true. or parents of children who are come true, over 3,000 people have Texas, Oregon and Northern decent performance. What Mikey The majority of camp attendees are campers can attend over the course had a part of the rock ’n’ roll fantasy. California. The skill level within this taught us was invaluable.” of four days and during non-instruc- GUEST PERFORMER STU HAMM men between the ages of 30 and 60, That’s 3,000 people with completely particular group varied from some Gerbino adds, “I totally enjoy con- tional hours, as “groupies.” although there were several women different lives, individual goals and musical band experience to a lot of necting with my counselor peers as participants at the session I attended, Several weeks before you arrive, unique roads leading to their time prior band experience, which meant well as the campers. We as counsel- and even older kids. People from Fantasy Camp staff work behind the and place onstage, jamming next to getting all the players to stylistically ors are here to help the campers. It’s all walks of life participate in rock scenes to coordinate with campers. a childhood hero. coalesce and be ready to perform as our job to give the campers the best camp, to celebrate life (there was You’re assigned a band based on skill When asked why he started the a band — a major task. Yet Gerbino rock star moments we can. They are one camper who’d been diagnosed level, and each band is provided a camp and continues to do this over was both patient and persistent. the total focus. Being a counselor ROCK ROYALTY – JANE’S ADDICTION DRUMMER STEPHEN and beaten cancer, another who counselor and three or four songs 15 years later, Fishof says, “There’s Strum by strum, note by note, drum here has been one of the most grati- PERKINS; FANTASY CAMP FOUNDER, DAVID FISHOF, had served in Iraq); learn new beat by drum beat, he went over the MR. AND MRS. JERRY GREENBERG to learn. Once at fantasy camp nothing that makes me happier than fying things I’ve ever done.” skills (most were talented “closet” headquarters, you are immersed in assigned repertoire of Aerosmith’s the happiest camper. It’s great that Seven-time camp counselor Vinny musicians); reinspire the creative fire all-day practices and training sessions “Same Old Song and Dance” and they can meet and mingle with child- Appice, legendary drummer for inside (they’d reached an emotional with your assigned band, led by a Dokken’s “Just Got Lucky,” until the hood heroes, but make no mistake, Black Sabbath and Dio, agrees. “I like juncture and rather than run off to rock star counselor. It all culminates band could swiftly play the set. I want our campers to learn. I want the challenge and love the teaching Europe, they chose this); or even to in two separate live performances at them to gain insight, technical skills Part of the excitement at our part of it. There’s something cool bond with children and encourage the House of Blues in Las Vegas. and knowledge they might not ever particular Rock ’n’ Roll Fantasy about assessing someone’s skill level, their kids’ musical interest. There have access to. I want campers to What happens — the mutual Camp session was that guitarists watching them play music — and were four or five dads attending with have the full experience of getting a creativity, support and inspiration Brad Whitford from Aerosmith and sometimes, your music — then their sons and daughters (ages 11 to band put together, writing, rehears- — between the campers, counselors George Lynch, famed Dokken guitar figuring out how all the pieces of the 16). These multi-generation campers ing, recording and performing on and staff over the course of four player, came to jam with the camp- band will fit together.” share a love for music, or regularly stage. We can give people inspiration intense, non-stop, action-packed ers and perform songs with them on jam together as a family in their to go on and pursue their dreams Appice adds, “I’m a technical guy. I days is magical. Being able to interact the third day of camp. Also making respective hometowns. in music. The most important thing guest appearances were bassist Stu take apart cars and computers just one-on-one with people you once DOKKEN'S GEORGE LYNCH WITH CAMPER MARK COOK OF TATTOO ZOO is that the campers know that they so I have to put them back togeth- Mark, a guitar player and investment had posters of in your childhood Hamm, guitarist Warren Demartini are the total center of our attention. er. Here in this setting, I can help advisor from Denver, attended the room is amazing. (Ratt) and drummer Stephen Perkins camp with his two sons, Max, 15 They are the rock stars when they (Jane’s Addiction). There was major everyone come together to make (bass), and Luke, 16 (drums). Mark Rock ’n’ Roll Fantasy Camp is com- are here.” incentive for the campers to get it music. Plus, for a lot of these guys, I can give them advice about the says, “Luckily, we have similar music pletely designed for, and focused on, Part of a camper’s feeling of being tight.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Aerosmithaerosmith 03/2012 BATERA CENTER-SBO/SP
    PARTITURA PARA BATERIA DE: Por: TÇwxÜáÉÇ VÄx|àÉÇ eÉwÜ|zâxá CRYIN’ --AerosmithAerosmith 03/2012 BATERA CENTER-SBO/SP. A banda AEROSMITH A banda foi formada em 1970, Boston, Massachusetts, EUA. Através dos anos, a banda emplacou diversos sucessos e ganhou inúmeros prêmios musicais, além de conseguirem alcançar as marcas de multi-platina em vários álbuns. Após 41 anos, a banda continua na estrada em turnês ao redor do mundo e gravando novos discos, sendo a banda norte- americana que mais vendeu discos na história do rock, com mais de 150 milhões de A E R O S M I T H álbuns vendidos. A banda foi incluída no Hall da fama do Rock and Roll, e está inclusa na lista dos 100 maiores artistas de todos os tempos da Rolling Stone e do VH1, detêm o recorde do maior número de álbuns com certificações de ouro e multi-platina, ganharam 4 Grammy Awards, e 10 MTV Vídeo Music Awards. Discografia: Aerosmith (1973), Get Your Wings (1974), Toys in the Attic (1975), Rocks (1976), Draw the Line (1977), Night in the Ruts (1979), Rock in a Hard Place (1982), Done with Mirrors (1985), Permanent Vacation (1987), Pump (1989), Get a Grip (1993), Nine Lives (1997), Just Push Play (2001), Honkin’on Bobo (2004). AAmúsicamúsica CRYIN’ A canção foi a faixa de maior sucesso do disco “Get a Grip” de 1993, o décimo primeiro álbum de estúdio da banda Aerosmith. IntegrantesIntegrantes:: Steven Tyler (voz, gaita, percussão, teclado, flauta), Joe Perry (voz apoio, guitarra, percussão), Brad Whitford (guitarra), Tom Hamilton (baixo), Joey Kramer (bateria).
    [Show full text]
  • November 2009 the Black Page the Black Page November 2009
    NOVEMBER 2009 THE BLACK PAGE THE BLACK PAGE NOVEMBER 2009 4 Yael: by Sean Mitchell 18 Balancing Act: by Jayson Brinkworth A Different Way to Flow: 22 by Ryan Carver 23 Global Educators Database 25 The Final Word Solo drums, beautiful drums, warm drum tones and full-on exhilarating drums. In this double CD, master-mu- sician David Jones has allowed the drums to shine in all their acoustic glory. Not since Gene Krupa in the THE BLACK PAGE is distributed via PDF 1940s or Sandy Nelson in the 1960s to email inboxes worldwide. have drums been this far out front. To get the latest edition click below: David Jones has long been famous www.theblackpage.net for his utilisation of every conceivable Send us your feedback at: [email protected] percussive instrument – yes, even the kitchen sink – to make interesting Sean Mitchell Publisher soundscapes and rhythmic flourishes Jill Schettler Editor in Chief that leave an indelible mark on the Jayson Brinkworth Writer heart and soul of his listeners. Ryan Carver Writer Click below to visit www.davidjonesdrums.com.au EARTH FRIENDLY For international sales outside Australia please click HERE. No Paper,m No Ink, No Waste 2010 THE YEAR OF THE LEGENDS Feature Artists Scott Atkins Skip Hadden Pete Lockett Danny Seraphine Liberty DeVitto Bernard Purdie May 22 - 23, 2010 Jerry Mercer Asani, Ed Mann & Bruce Aitken Savoy Theatre Paul Wertico Glace Bay, Nova Scotia Dylan Mombourquette Canada Chris Sutherland Billy Ward Roxy Petrucci Carmine Appice Special Guest Stars Sean Mitchell, Ben Ross, Moe Hashie, Denny Seiwell Mark Marshall, Todd Mercer, and The Bill Cobham Pete Lockett Cape Breton Percussion Virgil Donati Ensemble.
    [Show full text]
  • Mise En Page 1
    FREE Local News St-Barth in English Published by Le Journal de Saint-Barth WEEKLY05 90 27 65 19 - [email protected] N°235- January 12, 2012 2012 12, January N°235- 2 St Barth Weekly n°235 ROCKIN’ ON THE DOCK A first for the St Barth Music Festival: a free rock concert on the main dock in Gustavia, Saturday, January 21 at 7pm, featuring Brad Whitford of Aerosmith and some of his hot rockin’ friends. Here’s who’s in the band: BRAD WHITFORD includes co-writing Aerosmith’s hit «Last Guitarist Brad Whitford Child« as well as some joined Aerosmith of Aerosmith’s heaviest in1971, replacing the songs: «Nobody’s Fault« band’s original guitar and «Round and player Ray Tabano. Round,» and playing While Joe Perry is Aero- lead guitar on «Back in smith’s most well the Saddle« (on which known guitarist and the Perry plays six string band’s principal song- bass) and on the ballads writer with Steven Tyler, «You See Me Crying« continued to co-write singer, songwriter, and Whitford has made sig- and «Home Tonight.» nificant contributions to tracks such as «Perma- producer. His multiple When Aerosmith made nent Vacation» and talents have allowed the band’s repertoire their comeback in the over the years. This «Voodoo Medicine him to collaborate with late 1980s, Whitford Man,» and plays occa- the biggest names in sional lead guitar on pop and rock: Aero- some more recent tracks. smith, Sting, Bryan Whitford left the band Adams, Meatloaf, Scor- (as dick Perry) in 1981 pions, Clay Aiken… as to work on his own proj- well as Paul Stanley ect with singer Derek St.
    [Show full text]
  • 50 Years in Rock History
    HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control.
    [Show full text]
  • Netflix and the Development of the Internet Television Network
    Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
    [Show full text]
  • Jall 20 Great Extended Play Titles Available in June
    KD 9NoZ ! LO9O6 Ala ObL£ it sdV :rINH3tID AZNOW ZHN994YW LIL9 IOW/ £L6LI9000 Heavy 906 ZIDIOE**xx***>r****:= Metal r Follows page 48 VOLUME 99 NO. 18 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT May 2, 1987/$3.95 (U.S.), $5 (CAN.) Fla. Clerk Faces Obscenity Radio Wary of Indecent' Exposure Charge For Cassette Sale FCC Ruling Stirs Confusion April 20. She was charged with vio- BY CHRIS MORRIS lating a state statute prohibiting ington, D.C., and WYSP Philadel- given further details on what the LOS ANGELES A Florida retail "sale of harmful material to a per- BY KIM FREEMAN phia, where Howard Stern's morn- new guidelines are, so it's literally store clerk faces felony obscenity son under the age of 18," a third -de- NEW YORK Broadcasters are ex- ing show generated the complaints impossible for me to make a judg- charges for selling a cassette tape gree felony that carries a maximum pressing confusion and dismay fol- that appear to have prompted the ment on them as a broadcaster." of 2 Live Crew's "2 Live Crew Is penalty of five years in jail or a lowing the Federal Communications FCC's new guidelines. According to FCC general coun- What We Are" to a 14- year -old. As a $5,000 fine. Commission's decision to apply a "At this point, we haven't been (Continued on page 78) result of the case, the store has The arrest apparently stems from broad brush to existing rules defin- closed its doors. the explicit lyrics to "We Want ing and regulating the use of "inde- Laura Ragsdale, an 18- year -old Some Pussy," a track featured on cent" and /or "obscene" material on part-time clerk at Starship Records the album by Miami-based 2 Live the air.
    [Show full text]
  • Student Dies at IU Natatorium Douglas Had Been at the Pool with His Girl­ Tate Douglas Through Two-Nun CPR
    Take me out to ... Shaken, not stirred Nomadic Metros find a IndianajxJi> is cauhinjj p**e bomeaway from home 1 In Voice 1 In Perspectives on to the nationwide ^ in the friendly confines o( cultural craze of the Indianapolis’ Victory Field. Society shuns gays n . Seeing stars Page martini and citfar bar. JL*.J Wriler believes (he incredible amount of attention f " " Seasonal roster of entertainment at Deer Creek Monday — Apm 28.1997 the Ellen DeGeneres affair has attracted is a result Music Center offers a plethora of shows and Single Copy Free — 1 Section VW. 20. No. 31 O 1997 Th* Sagamore ofJudeoChristian societal prejudices against gays. festivals guaranteed to satisfy fans of all genres. 9 AcMrtiUMg miorm<X'Ofv <317\ 274 .3456 Student dies at IU Natatorium Douglas had been at the pool with his girl­ tate Douglas through two-nun CPR. Douglas at the scene “for a long amount of The Marion County Coroner s office has ■ Pblke, coroner continue friend Monica Jackson, also an IUPUI stu Members of Indianapolis Fur Department time bdofteJie was transported.” McKinney not yet determined the exact cause of lKm investigating April 20 death dent. Jackson had been in the bleachers near Rescue Squad 13 were the first to arrive on said glas’ death the area of the pool and screamed for a life­ the scene — roughly five minutes after Dou­ Shortly after arriving at Wishurd Memorial “He was reportedly pulled from tin* bottom of 18-year-old IUPUI freshman. guard when she realized Douglas had not re­ glas had been pulled from the water, accord­ Hospital s trauma unit, and less than an hour of the pool and a fair amount ot fluid tame surfaced.
    [Show full text]
  • Jon Batiste and Stay Human's
    WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful.
    [Show full text]
  • Is Rock Music in Decline? a Business Perspective
    Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse,
    [Show full text]
  • Dokken the Very Best of Dokken Mp3, Flac, Wma
    Dokken The Very Best Of Dokken mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Very Best Of Dokken Country: Canada Released: 1999 Style: Hard Rock, Heavy Metal MP3 version RAR size: 1113 mb FLAC version RAR size: 1722 mb WMA version RAR size: 1834 mb Rating: 4.1 Votes: 648 Other Formats: RA AIFF MOD AA AHX MPC TTA Tracklist Hide Credits Breaking The Chains 1 –Dokken 3:52 Bass, Vocals – Juan CroucierWritten-By – Don Dokken, George Lynch Paris Is Burning (Live In Europe, 1982) 2 –Dokken 5:09 Bass, Vocals – Juan CroucierWritten-By – Don Dokken, George Lynch Into The Fire 3 –Dokken 4:27 Written-By – Don Dokken, George Lynch, Jeff Pilson Just Got Lucky 4 –Dokken 4:36 Written-By – George Lynch, Jeff Pilson Alone Again 5 –Dokken 4:22 Written-By – Don Dokken, Jeff Pilson Tooth And Nail 6 –Dokken 3:42 Written-By – George Lynch, Jeff Pilson, Mick Brown The Hunter 7 –Dokken 4:08 Written-By – Don Dokken, George Lynch, Jeff Pilson, Mick Brown In My Dreams 8 –Dokken 4:20 Written-By – Don Dokken, George Lynch, Jeff Pilson, Mick Brown It's Not Love 9 –Dokken 5:00 Written-By – Don Dokken, George Lynch, Jeff Pilson, Mick Brown Dream Warriors 10 –Dokken 4:48 Written-By – George Lynch, Jeff Pilson Burning Like A Flame 11 –Dokken 4:46 Written-By – Don Dokken, George Lynch, Jeff Pilson, Mick Brown Heaven Sent 12 –Dokken 4:53 Written-By – Don Dokken, George Lynch, Jeff Pilson Mr. Scary 13 –Dokken 4:30 Written-By – George Lynch, Jeff Pilson Walk Away 14 –Dokken 5:02 Producer – Angelo ArcuriWritten-By – Don Dokken, George Lynch, Jeff Pilson Mirror
    [Show full text]