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September 1995
Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK -
News 5.16.06.Indd
12 May 16, 2006 THE RETRIEVER WEEKLY Arts & Entertainment Pearl Jam returns to their roots The semester is just about over, seniors are graduating (congratulations!), and many students are making their plans for the summer. Some students will vacation at the beach, move back in with their families, or even use their time to travel overseas. Quite a few students will also be looking for jobs and internships to gain experience, a little extra money, or both. Other students may not have even started their job search for the summer, and upon reading this article, may suddenly have a sinking feeling in the pit of their stomach. There is some good news though; it’s not too late to get a summer internship position! The Shriver Center has lots of opportunities for students in all majors, and can help students find a summer position that is relevant to their major where they can earn credit and get paid at the same time. Many academic departments at UMBC offer courses that coincide with internship experience and are geared toward students earning credit for internships. The Shriver Center also provides students the opportunity to convert their current jobs into a credit-bearing internship. If a summer job relates to a student’s area of study, and if the job provides opportunities to use skills students learned in the classroom in a hands-on [amazon.com] Back to Basics: Pearl Jam’s new record will please fans. nature, then chances are it’s a position that can be converted to an internship for credit. -
Benedict Cumberbatch Is Going to Star in the Adaptation of My Choice to Take Control of the Latest Film Set to the 'Justice League' Film Which Is Com- New Novel
lifestyle WEDNESDAY, MARCH 15, 2017 GOSSIP Pearl Jam invites ex-drummers for rock Hall of Fame earl Jam has invited all of its former drummers to join the group of Pearl Jam, performing on the band's breakthrough debut album "Ten," when the grunge greats are inducted next month into the Rock and but left soon afterwards as he struggled with alcoholism. Abbruzzese, who PRoll Hall of Fame. The Seattle band led by Eddie Vedder has had five played on the band's popular next two albums "Vs." and "Vitalogy," had drummers since its inception in 1990 despite an otherwise steady lineup. voiced dismay at his exclusion. He wrote on Facebook in December: In announcing Pearl Jam's selection, the Rock and Roll Hall of Fame only "Whoever is ultimately responsible for the decision that deemed my work included the band's first drummer Dave Krusen and its current drummer with Pearl Jam as an effort that was not important enough to grant me Matt Cameron. But Pearl Jam said it was inviting its three others drum- induction knows nothing of what we accomplished." Cameron joined Pearl mers-Matt Chamberlain, Dave Abbruzzese and Jack Irons-to join them at Jam in 1998 after playing with Soundgarden, another major act in the the gala on April 7 in New York. The three "are each individually great play- grunge scene. It was unclear whether the former drummers will perform at ers who gave their all to the early recordings and live gigs," the band said the ceremony. Navigating relationships between current and former band in a handwritten statement posted to its social media accounts over the members has frequently clouded over the annual ceremony. -
Backspacer Brani Commentati Dai PJ
BACKSPACER BRANI COMMENTATI DAI MEMBRI DEI PEARL JAM 1. Gonna see my friend [Vedder] 2.48 Un pezzo rock duro, ad alta energia, da ascoltare ad alto volume. “Tutto quello che mi ricordo è di averla scritta in una stanzetta su un tavolino con un piccolo registratore a quattro piste. L'ho ascoltata subito a volume alto, senza disturbare i vicini. Lavoro usando molto le cuffie. Non mi rimarrà niente dell'udito. Tutti noi facciamo sacrifici al lavoro, e il mio udito ovviamente sarà la prima cosa ad andarsene”. [Vedder, The Globe and Mail, 18.09.2009] Eddie dice che ha scritto il pezzo in una piccola stanzetta, con gente che ci abitava sopra e gente che ci abitava sotto e con Eddie che non voleva disturbarli. Aveva con un piccolo registratore della grandezza di un i-phone. In questo modo ottenne questo pezzo, cosi rumoroso, di garage rock. Lo mixó e poi si mise ad ascoltarlo in macchina. Rimase stupefatto che in un ambiente così silenzioso si potesse creare qualcosa di così rumoroso. Senza aver disturbato nessuno. Mike dice che ricorda i New York Dolls e che perlomeno la sua parte di chitarra la voleva proprio così. È un bel pezzo, é eccitante, é crudo. Jeff dice che é la loro prima canzone grunge [Radio Takeover 2009 for Feeding America]. Vedder spiega di avere scritto il rockettone che apre l’album Gonna See My Friend in «una stanzetta con gente che dormiva sopra e sotto di me, così non poteva fare rumore. Avevo una piccola drum machine e una chitarra elettrica collegata a un effetto grande come un iPod, e chissà come è venuto fuori questo suono chiassoso e garage alla Kinks». -
Housing and Health to End Homelessness
HOUSING AND HEALTH TO END HOMELESSNESS Annual Report 2017 Mission Table of Contents Statement Programs ...............................p. 4 The Downtown Emergency Housing First ............................p. 5 Service Center (DESC) works Integrated Services .......................p. 6 to end the homelessness of Building Healthcare into Housing . p. 7 vulnerable people, particularly those living with serious mental Healing and Hope ......................p. 8-9 illnesses or substance use The Navigation Center . p. 10-11 disorders. Through partnerships Crisis Response. p. 12-13 and an integrated array of Employment Services ....................p. 14 comprehensive services, Survival Services . p. 15 treatment and housing, we give people the opportunity to Research & Innovation. p. 16 reach their highest potential. Advocacy ..............................p. 17 At DESC, uncommon efforts In-Kind Gifts. p. 18-19 produce uncommon results that Thank You, Volunteers . p. 20-21 eliminate homelessness one Financials. p. 22-23 person at a time. Thank You, Donors ...................p. 24-26 2 Leadership . p. 27 Notable Numbers from 2017 9,512 3,816 total clients 475 new clients served by DESC people served across DESC connected to housing 3,643 crisis outreach visits 3 Programs Permanent Clinical/Health Emergency Supportive Housing Services Shelter n 1811 Eastlake n Crisis Solutions Center n Main Shelter n Aurora House n HOST (Homeless Outreach n Queen Anne Shelter n Canaday House Stabilization and Treatment) n Kerner-Scott n Cottage Grove Commons n Onsite -
Place and Punk: the Heritage Significance of Grunge in the Pacific North West
Place and Punk: The heritage significance of Grunge in the Pacific North West William Kenneth Smith MA By Research University of York Archaeology May 2017 Abstract Academic institutions and the heritage industry are now actively seeking to understand the wider social, cultural and economic processes which surround the production and consumption of popular music histories. Music is a local creation; it is created through a flux of internal and external influences, and is bound up in questions of economy, networks, art, identity and technology. In the early 1990s the Pacific North West of the United States of America gave birth to what became known as the musical genre of ‘grunge’. It developed into a distinctive genre, presenting a style and sound which propagated within the confines of a specific time and place. As construction sites continue to emerge throughout the Pacific North West, the impact of music still provides an essential contribution to the regions character and culture. Despite this, countercultural pasts are vulnerable; not only to the passage of time but also the processes of development, gentrification and marginalization. This research explores the heritage significance of the Pacific North West punk scene. It presents a historiography of punk and an appraisal of the scholarly discourse surrounding place. This study utilizes artifacts, sites and oral histories to explore countercultural material and memories as well as the form and function of punk. Themes such as geography and environment are enfranchised into the discussion as ethnography and multidisciplinary approaches are applied to make a unique contribution to what is an essential and timely discussion regarding people, culture, heritage and place. -
Who Is Jennifer Juniper and Where Did She Go?
WHO IS JENNIFER JUNIPER AND WHERE DID SHE GO? THE MUSIC COLLECTOR’S MAGAZINE WWW.GOLDMINEMAG.COM JUNE 2020 More MONKEES MUSIC The Monkees’ live record- ing, The Mike & Micky Show, spotlights Micky Dolenz and Michael Ne- smith on the road in 2019 promoting a new album and celebrating hits from the band’s heyday. Find out more inside! ELTON JOHN | AMERICA | JOEY RAMONE PLUS! ALAN PARSONS | TOWER OF POWER GM 918 Cover.indd 1 4/8/20 1:54 PM ENTERTAINMENT AND MUSIC July 11 | Dallas | Live & Online ACCEPTING CONSIGNMENTS Michael Jackson Abbey Road Original UK Marilyn Monroe Signed The Beatles Jr. Rolling Stones Nirvana/Screaming Swarovski Triumph Tour Street Sign Black and White Vintage Toy Promo Autographed Program Trees/Tad Pine Street Helmet (1981) Sold for $10,625 Photograph (1950s) Guitar by Mastro from 2nd-Ever American Theatre Concert Sold for $35,000 Sold for $9,687 (NEMS, 1964) Concert Date (June 1964) Poster (1990) Sold for $8,125 Sold for $5,250 Sold for $2,250 Bob Dylan “Blowin’ in Duane Allman’s Circa 1961/1962 Gibson SG, Cherry, Solid Body The Beatles Introducing ... the Wind” Vintage 10” Electric Guitar, Serial #15263 Owned and Played by Graham Nash Mono Sealed LP Metal Acetate Sold for $591,000 Sold for $11,250 Sold for $2,750 Bob Dylan Signed Highway Steppenwolf “Born to Be The Beatles 1966 Wild” White Matte RIAA Grateful Dead 1966 61 Revisited Reissue Genuine, Original Red Hot Chili Peppers/ Jimi Hendrix/Janis Gold Sales Award and “Skeleton & Roses” Stereo Vinyl LP (Legacy/ Shea Stadium NYC Nirvana/Pearl Jam Joplin/The Who -
Rock and Roll Hall of Fame Induction Speeches Full Transcript April 7, 2017, Barclays Center, Brooklyn (New York)
Rock and Roll Hall of Fame induction speeches Full transcript April 7, 2017, Barclays Center, Brooklyn (New York) DAVID LETTERMAN Thank you. I can’t even begin to tell you what an honor and privilege it is for me to be out of my house, honest to God. I know Neil Young was supposed to be here. And people are saying to me, like I had something to do with it, “Why isn’t Neil Young here?” And the truth of it is, the poor guy just can’t stay up this late. That’s what I heard. Either that or he swallowed a harmonica, I’m not sure. I am so excited—and you people know this—but for 33 years, every night I got to experience the gift and the blessing of live music. For 33 years. From the people who are in the Rock and Roll Hall of Fame and people who will be in the Rock and Roll Hall of Fame. And then, for two years, that went away. CBS caught me abusing a copier and fired me. And when I came here to rehearsal this afternoon and heard live music again, I was reminded: Oh my God, what a gift live music is. I know all of these people. And my band and Paul Shaffer were tremendous. Never take the opportunity for live music for granted, that’s the message I can bring to you folks tonight. It is a delight to be back here for this. I—by the way, I’ve known Neil Young for many, many years. -
Pearl Jam Albums in Order
Pearl Jam Albums In Order Sophoclean Trev telescoped: he silver his cullender yesterday and insusceptibly. Soothing and disarranged Randy annulling her brand cross-questions while Clayborne coning some strivings imbricately. Unreservedly unculled, Barnett enforcing prehistory and preludes truckles. The title track is pearl jam albums Daft punk recording sessions drew a mix of jam albums pearl in order from your request is superb new. Shop official ambassadors of their wrigley field gig due for your apple music in the bulk of co where you how embattled they reminded the albums in! Click to approve your. Enjoy fast huge selection, all sacrifice one place. So people understand why is the icelandic music news about how much of the results amazon music together, one billion times, albums pearl jam albums? Indian programming on. Pearl jam album pearl jam will also save. Baby Crocodile Faux Leather Vinyl Click on year chart to genuine left show expand SOLD BY one YARD free of the newest Exotic Vinyls in the Skintex Product Line. Another song also saw Eddie Vedder struggling with fame. Record in GA event if ads are blocked. Tv broadcast live ones that jam albums in order your devices to all of mother of. Who in power right mind could urge have imagined Pearl Jam would try one into its finest records three decades into its illustrious career? Before a challenge themselves from best jam albums pearl in order is included, the order record the. For this album received a sense of them? Pearl jam albums pearl jam has been outspoken in order to. -
Pearl Jam Live Issue 51
FEATURE A ball-busting backline, combined with in-ear monitors, and a digital console with absolutely no outboard…? It’s still rock ‘n’ roll Jim, but not as we know it. Text: Andy Stewart A T 42 as its loyal touring party (which still includes Greg Nelson: No, and I’ll tell you why. Pearl A ball-busting backline, combined with long-standing monitors engineer Karrie Keyes, Jam are a pretty wild bunch on stage and in-ear monitors, and a digital console with who was on tour in Australia with her two things can change radically during the course daughters – ‘Don’t call me mother…’). of a show. The set list generally flies out absolutely no outboard…? It’s still rock ‘n’ roll the window pretty early on and things can I caught up with front of house engineer get louder and louder as the gig progresses. Jim, but not as we know it. Greg Nelson backstage before the gig and Generally their sound needs to be reined in a soon discovered that he was very keen to hire Text: Andy Stewart little bit and you have to be able to anticipate, a Harley Davidson the next day and hit the to some degree, what’s going to happen – that Great Ocean Road with some mates. As it on this or that song Mike [McCready] could turned out, the following day was one of the suddenly rip into his guitar or Ed [Vedder] weirdest, coldest and windiest November days might scream unexpectedly into his mic. I can ever recall seeing in Melbourne. -
Division One: TOPSECRET
FILE: 0 0 2 3 CLASSIFICATION: TOPSECRET CONTENTS: CLEARANCE: PEARLJAMCODEBOOK division one: TEN 1. 4 During "Once," Eddie whispers "Y ou think I got my eyes 1.1 On the Stone Gossard Demos tape (which became closed but I was looking at you the whole fucking time." Pearl Jam and Temple of the Dog songs), someone 1.5 Eddie revealed his birthname in the liner notes to Ten. sneezes during the beginning of "Times Of Trouble"/ In tiny handwriting at the bottom of "Alive," it's signed: "Footsteps." On the Mamasan version of the song Edward Louis Severson III. (see Figure 1) (which involved Eddie dubbing vocals directly onto the 1.6 During the guitar notes, at the very very beginning of demos as is), the sneeze is heard, and then Eddie has "Release," (about 7 seconds into the track) Eddie whis- dubbed in, "Bless you." pers "father" very quietly. 1.2 The instrumental music that starts off the album 1.7 In the liner notes to Ten, the song "Why go" has "4 (leading into "Once") and is reprised at length a bit after heather" scribled near it in reference to the real girl the "Release" fades out is called "Master/Slave." The name song was written about, a teenaged friend of Eddie's (see of the track appears on some European and Asian ver- Figure 2). sions of the album. The song actually does contain some 1.8 In the video for "Jeremy", several words flash on the vocals most of which are un- or barely-decypherable screen. -
Rhcpfrance.Com Rhythm Feb. 1993 Matt Cameron Is Feeling Pretty Good
Rhcpfrance.com Rhythm Feb. 1993 Matt Cameron is feeling pretty good right now. In the last year, he and his band Soundgarden have enjoyed the success of their biggest-selling album, Badmotorfinger, which received praise from both the underground and mainstream media and boosted them out of college radio purgatory Despite it all, this afternoon he appears consumed by only one stubborn thourhg: that his band will soon rip through their final set on the last night of the 1992 Lollapaooza tour. Everything is coming to a head. Icing on the cake. "It's been great, man." he says, half-yelling over the music blaring from the main stage, only yards away "I'm going to miss everyone a lot. All the new acquaintances we've made. All the bands. The vibe." Some spirited fans approach Cameron, who tends to them with genuine kindness. As they walk away, however, he offers a further insight into the moment: "I just want to go home (to Seattle). I totally miss everyone there." He can tast it, everyone seems to. It's almost the end of what has been a long, productive tour, a moment when all the players--musicians, stage hands, bus drivers, sound people, food vendors, and, in the case of this particular tour, body piercers and anarchists--can begin to take stock, to exhale a bit. Ready to capture the moment, the journalist leans into Cameron, tape recorder first, and asks, "How was Lollapalooza different from other tours?" Rather than demean an obvious question, Cameron responds: "the only thing I can compare it to is doing festivals in Europe where they have ten bands in one day.