OCTOBER 1971 VOLUME 8 • NUMBER 4 ^Mk a PUBLICATION of the PARK PRACTICE PROGRAM
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COMPLAINT by ZAMBIA 411 at Its 1590Th Meeting, on 8 October 1971
COMPLAINT BY ZAMBIA 411 Decisions and also the letter from forty-seven Member States contained in document S/10364,46 At its 1590th meeting, on 8 October 1971, the Taking note of the statement of the Permanent Rep Council decided to invite the representatives of Zam resentative of Zambia concerning violations of the bia the United Republic of Tanzania, Nigeria, South sovereignty, air space and territorial integrity of Zam Af;ica, Kenya and Guinea to participate, without vote, bia by South Africa, 47 in the discussion of the item entitled: "Complaint by Taking note of the statement of the Minister for Zambia: letter dated 6 October 1971 from the Per Foreign Affairs of the Republic of South Africa,4 7 manent Representative of Zambia to the United Nations addressed to the President of the Security Council Bearing in mind that all Member States must refrain (S/10352)".46 in their relations from the threat or use of force against the territorial integrity or political independence of any State, Conscious that it has the responsibility to take effi cient collective measures to prevent and eliminate At its 1591st meeting, on 11 October 1971, the threats to peace and security, Council decided to invite the representatives of Yugo Concerned by the situation on the borders of Zam slavia, India and Pakistan to participate, without vote, bia and Namibia, in the vicinity of the Caprivi Strip, in the discussion of the question. l. Reiterates that any violation of the sovereignty and territorial integrity of a Member State is contrary to the Charter of the United Nations; 2. -
Downtown Disney District: Fact Sheet
Downtown Disney District: Fact Sheet ANAHEIM, Calif. – (July 8, 2020) The Downtown Disney District at the Disneyland Resort is a one-of-a-kind Disney experience, immersing guests in an exciting mix of family-friendly dining and shopping in a vibrant setting. A phased reopening of this outdoor promenade begins July 9, 2020. The 20-acre, 300,000 square-foot Downtown Disney District features dozens of distinct venues, including Naples Ristorante e Bar, UVA Bar & Cafe, Marceline’s Confectionery, Black Tap Craft Burgers & Shakes, WonderGround Gallery, Disney Home, The LEGO Store, Wetzel’s Pretzels, Jamba and more. As they stroll the district, guests can appreciate the beautiful landscaping and colorful florals that adorn the Downtown Disney District. World of Disney: The flagship World of Disney store in the Downtown Disney District is a dynamic and distinctively Disney retail experience. Guests discover a spacious atmosphere inspired as an animators’ loft, with uniquely themed areas, pixie dust surprises in the decor, nods to the classics from Walt Disney Animation Studios and new merchandise collections. These innovative features reinforce World of Disney’s reputation as a must-visit destination for Disney fans, offering the largest selection of Disney toys, souvenirs, accessories, fashions and collectibles at the Disneyland Resort. Distinctive Dining: There are many food and beverage locations, outdoor patios and distinctive menus at the Downtown Disney District. Guests will find something for every taste—from exquisite meals at open-air cafés to gourmet treats. Recent additions include Salt & Straw, offering handmade ice cream in small batches using local, organic and sustainable ingredients, and Black Tap Craft Burgers & Shakes, serving award- winning burgers and over-the-top CrazyShake milkshakes. -
Disney's Aladdin
Disney’s Aladdin: First Steps Toward Storytelling in Virtual Reality Randy Pausch1, Jon Snoddy2, Robert Taylor2, Scott Watson2, Eric Haseltine2 1University of Virginia 2Walt Disney Imagineering Figure 1: A Guest’s View of the Virtual Environment ABSTRACT Riders filled out an exit survey after the experience, and with select groups we used a number of other data-gathering Disney Imagineering has developed a high-fidelity virtual techniques, including interviews and mechanically logging reality (VR) attraction where guests fly a magic carpet through where guests looked and flew. a virtual world based on the animated film “Aladdin.” Unlike Our major finding is that in a high fidelity VR experience, men most existing work on VR, which has focused on hardware and and women of all ages suspend disbelief and accept the systems software, we assumed high fidelity and focused on illusion that they are in a different place. We have found that using VR as a new medium to tell stories. We fielded our in VR, as in all media, content matters. Novices are system at EPCOT Center for a period of fourteen months and unimpressed with the technology for its own sake; they care conducted controlled experiments, observing the reactions of about what there is to do in the virtual world. We can improve over 45,000 guests. the experience by telling a pre-immersion “background story” and by giving the guest a concrete goal to perform in the contact author: Randy Pausch, Computer Science Department, virtual environment. Our eventual goal is to develop the Thornton Hall, University of Virginia, Charlottesville, VA lexicon for this new storytelling medium: the set of 22903. -
NARRATIVE ENVIRONMENTS from Disneyland to World of Warcraft
Essay Te x t Celia Pearce NARRATIVE ENVIRONMENTS From Disneyland to World of Warcraft In 1955, Walt Disney opened what many regard as the first-ever theme park in Anaheim, California, 28 miles southeast of Los Angeles. In the United States, vari- ous types of attractions had enjoyed varying degrees of success over the preceding 100 years. From the edgy and sometimes scary fun of the seedy seaside boardwalk to the exuberant industrial futurism of the World’s Fair to the “high” culture of the museum, middle class Americans had plenty of amusements. More than the mere celebrations of novelty, technology, entertainment and culture that preceded it, Disneyland was a synthesis of architecture and story (Marling 1997). It was a revival of narrative architecture, which had previously been reserved for secular functions, from the royal tombs of Mesopotamia and Egypt to the temples of the Aztecs to the great cathedrals of Europe. Over the centuries, the creation of narrative space has primarily been the pur- view of those in power; buildings whose purpose is to convey a story are expensive to build and require a high degree of skill and artistry. Ancient “imagineers” shared some of the same skills as Disney’s army of creative technologists: they understood light, space flow, materials and the techniques of illusion; they could make two dimensions appear as three and three dimensions appear as two; they understood the power of scale, and they developed a highly refined vocabulary of expressive techniques in the service of awe and illusion (Klein 2004). Like the creators of Disney- land, they built synthetic worlds, intricately planned citadels often set aside from the day-to-day bustle of emergent, chaotic cities or serving as a centerpiece of es- cape within them. -
Field Manual FM 5-30, Engineer Intelligence, September 1967 (With Change 1, 1 October 1971) Robert Bolin , Depositor University of Nebraska - Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln DOD Military Intelligence U.S. Department of Defense 9-1967 Field Manual FM 5-30, Engineer Intelligence, September 1967 (with Change 1, 1 October 1971) Robert Bolin , depositor University of Nebraska - Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/dodmilintel Part of the Defense and Security Studies Commons, Military and Veterans Studies Commons, Other Engineering Commons, Peace and Conflict Studies Commons, and the Soviet and Post-Soviet Studies Commons Bolin, Robert , depositor, "Field Manual FM 5-30, Engineer Intelligence, September 1967 (with Change 1, 1 October 1971)" (1967). DOD Military Intelligence. 55. http://digitalcommons.unl.edu/dodmilintel/55 This Article is brought to you for free and open access by the U.S. Department of Defense at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in DOD Military Intelligence by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. FM 5-30 DEPARTMENT OF THE ARMY FIELD MANUAL ll!~ ENGINEER ~ '1:-4 .. I·' INTELLIGENCE i I I . • ! /- PUBliCATIONS REFERENCE FILL -;.I-\_--'-_________-..:;Ji..:.,;Ui;.,..: "_0...,;"'_,c ____ ,~ I (I ~i \' HEADQUARTERS, DEPARTMENT Of THE ARMY I SEPTEMBER 1967 FH'. S-3O r C1 • llliADQl:ATITEns e CJ],\XGE DEP.ART1illXT OF THE AIDIY 5".1 W.U;ilD"GTOX, DC, 7 Octo',er 1[171 ENGINEER INTELLIGENCE FM 1J-SO, 2-2 Sf;pt(!ml){"j" 1%7, is changed llS (10) The ~ar(']j of foreig'l pb~ name;; for 10]10'1""<': Federal government agencies. V pogr. 5, paragr(Jl,h 5(,. -
The Inventory of the Richard G. Hubler Collection #112
The Inventory of the Richard G. Hubler Collection #112 Howard Gotlieb Archival Research Center .. ; HUBLER, RICHARD G. Addenda: 1969 Manuscripts Box 1 A) Books 1) ALCIBIADES: A STUDY. Copyright 1963. a) Typescript with bolo. corrections, 45 pp. (Folder 1). b) "Retyped pages". Typescript with bolo. corrections, 22 pp. (Folder 1). c) Typescript with bolo. corrections, 206 pp. (Folder 1). d) Notes, typescript, 1 p. (Folder 1). e) Carbon typescript with a few holograph corrections, 225 pp. (Folder 2). 2) AMERICAN ODYSSEY, THOMAS RANDAL CORBIN. Typescript and carbon typescript, 53 pp. (Folder 3). 3) IN\1ALL HIS GLORY. (Working title) Novel. Box 2 a) Carbon typescript, 671 pp. (Folders 3-6). Box 3 b) Carbon typescript with holograph corrections, 622 pp. (Folders 6-8). 4) MAIMONIDES. a) Typescript with bolo. corrections, 170 pp. (Folder 9). b) Typescript notes, 1 p. (Folder 9). 5) THE ONE I HATE BELONGS TO SOMEBODY ELSE. By Oscar Levant. Copyright 1966. a) Typescript with bolo. corrections, 23 pp. (Folder 10). Box 4 b) 2 Carbon typescripts, with introduction by RGH, 229 pp. each, (Folders 10-12). c) Introduction by RGH. Typescript with holo. corrections, (F. 10-12). Box 5 d) Notes on Oscar Levant. (Folders 13-16). 1. Transcripts of tape recordings (interviews). Typescript, 266 pp. 2. Typescript, 232 pp. 3. Holograph, 110 pp. page 2 HUBLER, RICHARD G. Addenda: 1969 6) THE PASS. Coward, 1955. Incomplete carbon typescript of Volume 2. 15 pp. (Folder 17). 7) SEASONS FOUR. Novel, 1945. Incomplete typescript and carbon typescript with holograph corrections, 85 pp. (Folder 17). 8) TOUGH DAY. -
Street, Usa New Orleans Square
L MAIN STREET, U.S.A. FRONTIERLAND DISNEY DINING MICKEY’S TOONTOWN FANTASYLAND Restrooms 28 The Golden Horseshoe Companion Restroom ATTRACTIONS ATTRACTIONS Chicken, fish, mozzarella strips, chili and ATTRACTIONS ATTRACTIONS Automated External 1 Disneyland® Railroad 22 Big Thunder Mountain Railroad 44 Chip ’n Dale Treehouse 53 Alice in Wonderland tasty ice cream specialties. Defibrillators 2 Main Street Cinema 29 Stage Door Café 45 Disneyland® Railroad 54 Bibbidi Bobbidi Boutique 55 Casey Jr. Circus Train E Information Center Main Street Vehicles* (minimum height 40"/102 cm) Chicken, fish and mozzarella strips. 46 Donald’s Boat Guest Relations presented by National Car Rental. 23 Pirate’s Lair on 30 Rancho del Zocalo Restaurante 47 Gadget’s Go Coaster 56 Dumbo the Flying Elephant (One-way transportation only) 57 Disney Princess Fantasy Faire Tom Sawyer Island* hosted by La Victoria. presented by Sparkle. First Aid (minimum height 35"/89 cm; 3 Fire Engine 24 Frontierland Shootin’ Exposition Mexican favorites and Costeña Grill specialties, 58 “it’s a small world” expectant mothers should not ride) ATM Locations 4 Horse-Drawn Streetcars 25 Mark Twain Riverboat* soft drinks and desserts. 50 52 presented by Sylvania. 49 48 Goofy’s Playhouse 5 Horseless Carriage 26 Sailing Ship Columbia* 31 River Belle Terrace 44 59 King Arthur Carrousel Pay Phones 49 Mickey’s House and Meet Mickey 60 Mad Tea Party 6 Omnibus (Operates weekends and select seasons only) Entrée salads and carved-to-order sandwiches. 48 51 47 50 Minnie’s House 61 Matterhorn Bobsleds Pay Phones with TTY 27 Big Thunder Ranch* 32 Big Thunder Ranch Barbecue 46 7 The Disney Gallery 51 Roger Rabbit’s Car Toon Spin (minimum height 35"/89 cm) hosted by Brawny. -
Exciting Offerings Coming to Tokyo Disneyland and Tokyo Disneysea in Fiscal Year 2019
August 26, 2019 FOR IMMEDIATE RELEASE Publicity Department Oriental Land Co., Ltd. Exciting Offerings Coming to Tokyo Disneyland and Tokyo DisneySea in Fiscal Year 2019 URAYASU, CHIBA— Tokyo Disneyland® Park and Tokyo DisneySea® Park announced their annual schedule for fiscal year 2019 (April 1, 2019 – March 31, 2020). The two Parks will continue to offer Guests distinctive, Disney-style experiences over the upcoming year with a variety of new entertainment, special events and programs. Please see below for more details. Opening July 23, 2019 New Attraction at Tokyo DisneySea Soaring: Fantastic Flight This major attraction will open at Logo for Mediterranean Harbor in Tokyo DisneySea. Soaring: Fantastic Flight at Tokyo DisneySea Based on the popular attraction, Soarin’ Around the World, which has been enjoyed by Guests visiting the Disney parks outside Japan, the attraction at Tokyo DisneySea will feature original scenes and the newest visual images. Guests who visit this attraction overlooking Mediterranean Harbor will be able to go on a journey soaring over famous landscapes of the world, while experiencing the breezes and Exterior of scents that match the various scenes. Soaring: Fantastic Flight at Tokyo DisneySea Note: Soaring: Fantastic Flight is presented by SHINRYO CORPORATION. Through April 26, 2019 Nighttime Spectacular at Tokyo Disneyland “Celebrate! Tokyo Disneyland” This nighttime spectacular, which premiered on July 10, 2018 as part of “Tokyo Disney Resort 35th ‘Happiest Celebration!’” will come to an end on April 26, 2019. With Cinderella Castle as the stage, Mickey Mouse takes Guests on a magical, musical “Celebrate! Tokyo Disneyland” journey around Tokyo Disneyland. © Disney © Disney/Pixar © & TM Lucasfilm Ltd. -
Disneyland® Park
There’s magic to be found everywhere at The Happiest Place on Earth! Featuring two amazing Theme Parks—Disneyland® Park and Disney California Adventure® Park—plus three Disneyland® Resort Hotels and the Downtown Disney® District, the world-famous Disneyland® Resort is where Guests of all ages can discover wonder, joy and excitement around every turn. Plan enough days to experience attractions and entertainment in 1 both Parks. 5 INTERSTATE 4 5 2 3 6 Go back and forth between both Theme Parks with a Disneyland® Resort Park Hopper® 1 Disneyland® Hotel 4 Downtown Disney® District Ticket. Plus, when you buy a 3+ day ticket before you arrive, you get one Magic Morning* 2 Disney’s Paradise Pier® Hotel Disneyland® Park early admission to select experiences 5 at Disneyland® Park one hour before the Park opens to the general public on select days. 3 Disney’s Grand Californian Hotel® & Spa 6 Disney California Adventure® Park *Magic Morning allows one early admission (during the duration of the Theme Park ticket or Southern California CityPASS®) to select attractions, stores, entertainment and dining locations at Disneyland® Park one hour before the Park opens to the public on Tuesday, Thursday or Saturday. Each member of your travel party must have 3-day or longer Disneyland® Resort tickets. To enhance the Magic Morning experience, it is strongly recommended that Guests arrive at least one hour and 15 minutes prior to regular Park opening. Magic Morning admission is based on availability and does not operate daily. Applicable days and times of operation and all other elements including, but not limited to, operation of attractions, entertainment, stores and restaurants and appearances of Characters may vary and are subject to change without notice. -
A Critique of Disney's EPCOT and Creating a Futuristic Curriculum
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2019 FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum Alan Bowers Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Curriculum and Instruction Commons, and the Curriculum and Social Inquiry Commons Recommended Citation Bowers, Alan, "FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum" (2019). Electronic Theses and Dissertations. 1921. https://digitalcommons.georgiasouthern.edu/etd/1921 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum by ALAN BOWERS (Under the Direction of Daniel Chapman) ABSTRACT In my dissertation inquiry, I explore the need for utopian based curriculum which was inspired by Walt Disney’s EPCOT Center. Theoretically building upon such works regarding utopian visons (Bregman, 2017, e.g., Claeys 2011;) and Disney studies (Garlen and Sandlin, 2016; Fjellman, 1992), this work combines historiography and speculative essays as its methodologies. In addition, this project explores how schools must do the hard work of working toward building a better future (Chomsky and Foucault, 1971). Through tracing the evolution of EPCOT as an idea for a community that would “always be in the state of becoming” to EPCOT Center as an inspirational theme park, this work contends that those ideas contain possibilities for how to interject utopian thought in schooling. -
He Original Vision of EPCOT
CASE STUDY e Original Vision of EPCOT Many people know Walt Disney for his empire of Disneyland, Disney World, and Disney cartoons. Beyond creang new industries in animaon and amusement parks in his life:me, Disney also influenced American society in other ways. For example, during the 1950s, he explored the ideas of space exploraon and space travel in several Disneyland TV shows, which helped create strong public support for the burgeoning U.S. space program. Disney also influenced how people think about sustainable ci:es. His last film presented a bold vision for a concept called the “Experimental Prototype Community of Tomorrow”, otherwise known as EPCOT. EPCOT was an idealized city, where people would live, work and play. Building on familiar ideas of the :me, EPCOT evokes the European concept of Garden Ci:es and the popular World Fairs. A grand challenge The vision for EPOCT was first presented in October 1966 to the American public on naonal television as part of the weekly Disneyland series. In his film, Disney’s vision is structured in three parts that correspond to the first three phases of the foresight process: Perspec:ve, Opportunity, and Solu:on. In the first sec:on, the narrator presents a brief history of Disney’s work, quo:ng experts and establishing credibility with the audience—all of which offers perspec:ve to the viewers. A good vision embodies the beliefs and values of the :me, and it was no different with EPCOT. For example, the city locaon was deliberately placed at the intersec:on of two major highways, just as the American interstate system was flourishing and family road trips were becoming popular. -
Pacific Review October 1971 Pacific Alumni Association
University of the Pacific Scholarly Commons Pacific Review University of the Pacific ubP lications 10-1-1971 Pacific Review October 1971 Pacific Alumni Association Follow this and additional works at: https://scholarlycommons.pacific.edu/pacific-review Part of the Higher Education Commons Recommended Citation Pacific Alumni Association, "Pacific Review October 1971" (1971). Pacific Review. 221. https://scholarlycommons.pacific.edu/pacific-review/221 This Newsletter is brought to you for free and open access by the University of the Pacific ubP lications at Scholarly Commons. It has been accepted for inclusion in Pacific Review by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. New President ·Named Stanley E. McCaffrey, president of the San Francisco Bay Area Council and an executive with 25 years experience in top business, edu cation and government positions, has been named president of the University of the Pa CI Fie cific. Ted F. Baun, president of the UOP Board of Regents, announced that McCaffrey, 54, was selected from some 240 nationwide candidates to lead the University in the com EVI Ew ing years. He will assume the new position in December. U N IV E R S I TY The announcement of McCaffrey as the 21st president of the University comes eight 0 F T H E PAC I F I C months after the February death of Dr. Rob- ert E. Burns. Dr. Alistair McCrone, acting TO BE R, 19 71 ff1 ffJ. ffJ. president since the death of Dr. Burns, will re 0 C turn to his previous duties as academic vice president.