Doli Incapax – the Criminal Responsibility of Children
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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
The Simpsons Tapped out - Analysis and Proposed Events Overview
The Simpsons Tapped Out - Analysis and Proposed Events Overview Players like myself have faithfully enjoyed The Simpsons Tapped Out (TSTO) for several years. The developers have continued to expand the game and provide updates in response to player feedback. This has been evident in tools such as the IRS Building tap radius, the Introduction Unemployment Office Job Manager and the Cut & Paste feature, all of which are greatly appreciated by players and have extended the playability of TSTO for many of us who would have otherwise found the game too tedious to continue once their Springfields grew so large. Notably, as respects Events, positive reactive efforts were identifiable in the 2017 Winter Event and the modified use of craft currency. As evident from the forums, many dedicated and heavily-invested players have grown tired with some of TSTO's stale mechanics and gameplay, as well as the proliferation of uninspired content, much of which has little to no place in Springfield, if even the world of "The Simpsons." This Premise player attitude is often displayed in the later stages of major Events as players begin to sense monotony due to a lack in changes throughout an Event, resulting in a feeling that one is merely grinding through the game to stock up on largely unwanted Items. Content-driven major Events geared toward "The Simpsons" version of Springfield with changes of pace, more like mini-Events, and the Solution addition of new Effects, enabling a variety of looks while injecting a new degree of both familiarity and customization for players. The proposed Events and gameplay changes are steeped in canonical content rather than original content. -
Idioletti E Dialetti Nel Doppiaggio Italiano De I Simpson
Prefazione agli Occasional Papers del CeSLiC Quaderni del CeSLiC General Editor – Donna R. Miller Occasional Papers – Comitato Scientifico: Susanna Bonaldi, Louann Haarman, Donna R. Miller, Paola Nobili, Eva-Maria Thüne Sono lietissima di presentare un altro saggio nella serie degli Occasional Papers, una collana all’interno dei Quaderni del Centro di Studi Linguistico-Culturali (CeSLiC), un centro di ricerca del quale sono responsabile e che svolge ricerche nell’ambito del Dipartimento di Lingue e Letterature Straniere e Moderne dell’Alma Mater Studiorum – Università di Bologna. Gli Occasional Papers finora pubblicati sono: Fusari, Sabrina, Il direct mail per le organizzazioni nonprofit: analisi retorica interculturale italiano-inglese http://amsacta.cib.unibo.it/archive/00000953 Louw, Bill, Dressing up waiver: a stochastic collocational reading of ‘the truth and reconciliation’ commission (TRC) http://amsacta.cib.unibo.it/archive/00001142/ Nobili, Paola, ‘Saper vivere’ con gli altri http://amsacta.cib.unibo.it/archive/00001148/ Witalisz, Alicja, English Linguistic Influence on Polish and other Slavonic Languages http://amsacta.cib.unibo.it/archive/00000918/ Larisa Poutsileva, Raccontare il mondo in lingue diverse: Sarà lo stesso mondo? http://amsacta.cib.unibo.it/archive/00002289/ Mette Rudvin, Stereotypes of 'primitivism' and 'modernity' in immigrant-related discourse in the Italian media http://amsacta.cib.unibo.it/archive/00002293/ Pano, Ana, Los anglicismos en el lenguaje de la informática en español: el “misterioso mundo del tecnicismo” -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
Read Ebook {PDF EPUB} Bart Gets Adopted
Read Ebook {PDF EPUB} Bart Gets Adopted (Volume 1) by Sage Marie Parsons Jul 27, 2014 · Hello Select your address Best Sellers Today's Deals New Releases Books Gift Ideas Electronics Customer Service Home Computers Gift Cards SellAuthor: Sage Marie ParsonsFormat: PaperbackBart Gets Adopted (Volume 1): Parsons, Sage Marie: Amazon ...https://www.amazon.com.mx/Bart-Gets-Adopted-Marie...Translate this pageSaltar al contenido principal.com.mx. Hola, IdentifícateFormat: Pasta blandaVideos of Bart Gets Adopted (Volume 1) By Sage Marie Parsons bing.com/videosWatch video23:12Sophomore Slump or Comeback of the Year | Foursome S2 | Episode 131M views · Dec 6, 2016YouTube › AwesomenessTVSee more videos of Bart Gets Adopted (Volume 1) By Sage Marie ParsonsBart Gets Adopted: Parsons, Sage Marie: 9781500536916 ...https://www.amazon.ca/Bart-Gets-Adopted- Marie-Parsons/dp/1500536911Bart Gets Adopted: Parsons, Sage Marie: 9781500536916: Books - Amazon.ca. Skip to main content.ca. Hello Select your address Books Hello, Sign in. Account & Lists Account Returns & Orders. Cart All. Gift Cards Best Sellers Prime ...Author: Sage Marie ParsonsFormat: PaperbackBart - Home | Facebookhttps://www.facebook.com/bart.therapydogintraining"Bart Gets Adopted" by Sage Marie Parsons Bart Gets Adopted is loosely based on a true story and is the first installment in the Bart Photo Books series. It introduces young readers to Bart, a lovable mutt who is left at a dog shelter by a mean man.Followers: 118People also askWhen did Bart and Lisa write their own episodes?When did Bart and Lisa write their own episodes?Bart and Lisa decide to write their own episodes of the "Itchy and Scratchy" show after they begin to grow bored with the current scripts. -
Functions of Intermediality in the Simpsons
Functions of Intertextuality and Intermediality in The Simpsons Der Fakultät für Geisteswissenschaften der Universität Duisburg-Essen zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) eingereichte Dissertation von Wanja Matthias Freiherr von der Goltz Datum der Disputation: 05. Juli 2011 Gutachter: Prof. Dr. Josef Raab Prof. Dr. Jens Gurr Table of Contents List of Figures...................................................................................................................... 4 1. Introduction .............................................................................................. 5 1.1 The Simpsons: Postmodern Entertainment across Generations ................ 5 1.2 Research Focus .............................................................................................11 1.3 Choice of Material ..........................................................................................16 1.4 Current State of Research .............................................................................21 2. Text-Text Relations in Television Programs ....................................... 39 2.1 Poststructural Intertextuality: Bakhtin, Kristeva, Barthes, Bloom, Riffaterre .........................................................................................................39 2.2 Forms and Functions of Intertextual References ........................................48 2.3 Intertextuality and Intermediality ..................................................................64 2.4 Television as a -
The Simpsons and Philosophy the D'oh! of Homer Popular Culture and Philosophy, Volume 02 Edited by William Irwin, Mark T
The Simpsons and Philosophy The D'oh! of Homer Popular Culture and Philosophy, Volume 02 Edited by William Irwin, Mark T. Conard, and Aeon J. Skoble a.b.e-book v3.0 / Notes at EOF (Annotations appear at the end of each essay) Back Cover: No less an authority than Homer Simpson himself has declared: "Cartoons don't have any deep meaning. They're just stupid drawings that give you a cheap laugh." Don't have a cow, man. Here comes a squadron of erudite scholars with the guts to challenge even Homer's pessimistic view of his family's historic plight. Does Homer Simpson really exhibit Aristotelian virtues? Can we learn from Maggie about the value of silence? Is Bart the kind of individual Nietzsche was trying to warn us about? How does Lisa illuminate American ambivalence toward intellectuals? Here we can find out about irony and the meaning of life, the politics of the nuclear family, Marxism in Springfield, the elusiveness of happiness, popular parody as a form of tribute, and why we need animated TV shows. As if all that weren't enough, this book actually contains the worst philosophy essay ever. Now that we have The Simpsons and Philosophy, we can all rub our hands together and say, in a slow, sinister, breathy voice: "Excellent. ." "Most scholars of mass art hold themselves at a distance from their subject. The authors in this volume really immerse themselves in The Simpsons, and the result is this absolutely unique book. Go for it!" -- Professor David Carrier, Carnegie Mellon University "Bill Irwin and his colleagues have done it again: they have produced a terrific volume. -
Homer Simpson, on His Role As Internet Journalist Mr. X
The Scoop on The Simpsons: Journalism in U.S. Television’s Longest Running Prime-Time Animated Series By Stephanie Woo “I changed the world. Now I know exactly how God feels.”1 – Homer Simpson, on his role as Internet journalist Mr. X Although the journalists of The Simpsons are far from godly, news in The Simpsons is vital, if for no reason other than its ability to provide exposition and advance a plot quickly. A week of Homer Simpson’s public service is documented with daily headlines as he gets speed bumps and safety signs installed.2 Power-plant owner Montgomery Burns’ rise and fall in a gubernatorial campaign occur through headlines reading: “Burns Skyrockets to Seven Percent in Latest Polls,” “Burns Nukes Bailey in Latest Poll,” “Forty-Two Percent and Climbing,” and, in the end, a broadcast story announcing: “The latest polls indicate Burns’ popularity has plummeted to Earth like so much half-chewed fish.”3 But media in The Simpsons are more than a plot device. They are the representation of journalistic quality, integrity, and influence. The news industry on The Simpsons faces the same dilemmas as outlets such as CBS News and The New York Times – maligned public images, a dearth of audience trust, and the chore of maintaining both credibility and entertainment value. When an anonymous Internet watchdog gains popularity in town, news anchor Kent Brockman tells his television audience: “We must never forget that the real news is on local TV, delivered by real, officially licensed newsmen like me, Kent Brockman.” But the news up next on Brockman’s show is an expose about a beer commercial’s talking dogs, presented by a newsman called Cowboy Steve.4 Stephanie Woo 2 A Show with a Message Simpsons creator Matt Groening has never been a news anchor, but he has been a journalist. -
Representation of Motherhood in the Television Series the Simpsons
UNIVERSITY OF JYVÄSKYLÄ THE MYTHICAL MOTHER: REPRESENTATION OF MOTHERHOOD IN THE TELEVISION SERIES THE SIMPSONS A Pro Gradu Thesis in English by Helmi-Maria Abspoel Department of Languages 2006 HUMANISTINEN TIEDEKUNTA KIELTEN LAITOS Helmi-Maria Abspoel THE MYTHICAL MOTHER: Representation of Motherhood in the Television Series The Simpsons Pro Gradu tutkielma Englannin kieli 86 sivua + 1 liite Tutkielman tarkoituksena on selvittää äitiyden representaatiota televisiosarjassa the Simpsons . Päämateriaalina on käytetty sarjan viittä ensimmäistä tuotantojaksoa, yhteensä 105:ttä Suomessakin televisioitua jaksoa. Päämateriaalin analyysiin ja tutkimuksen taustaselvityksiin on käytetty teoriakirjallisuutta kolmelta eri alueelta; naistutkimuksen äitiystutkimuksen peruskirjallisuutta, feministisen mediatutkimuksen perusteorioita sekä televisioon, populaarikulttuuriin ja viestintään keskittyvää kirjallisuutta. Tutkielma lähtee etsimään erilaisia äitiyden representaatioita televisiosarjasta the Simpsons äitimyytin pohjalta, hakien vastausta kysymykseen, kyseenalaistaako tämä maineeltaan kovin yhteiskuntakriittinen ja satiirinen sarja myös äitiyteen kohdistuvia myyttejä ja stereotypioita, vai päätyykö se, päinvastoin, vahvistamaan niitä. The Simpsons on 1990-luvulla ”kulta-aikaansa” elänyt amerikkalainen, piirretty televisiosarja, joka nautti ennennäkemätöntä, hyvin laajalle levinnyttä suosiota. Sarjan ensimmäinen jakso lähetettiin vuonna 1989, ja uusintoja vuosien varrella nähdään edelleen eri puolilla maailmaa säännöllisesti. Sarja keskittyy amerikkalaisen -
Ÿþm I C R O S O F T W O R
The Simpsons and Philosophy The D'oh! of Homer Popular Culture and Philosophy, Volume 02 Edited by William Irwin, Mark T. Conard, and Aeon J. Skoble a.b.e-book v3.0 / Notes at EOF (Annotations appear at the end of each essay) Back Cover: No less an authority than Homer Simpson himself has declared: "Cartoons don't have any deep meaning. They're just stupid drawings that give you a cheap laugh." Don't have a cow, man. Here comes a squadron of erudite scholars with the guts to challenge even Homer's pessimistic view of his family's historic plight. Does Homer Simpson really exhibit Aristotelian virtues? Can we learn from Maggie about the value of silence? Is Bart the kind of individual Nietzsche was trying to warn us about? How does Lisa illuminate American ambivalence toward intellectuals? Here we can find out about irony and the meaning of life, the politics of the nuclear family, Marxism in Springfield, the elusiveness of happiness, popular parody as a form of tribute, and why we need animated TV shows. As if all that weren't enough, this book actually contains the worst philosophy essay ever. Now that we have The Simpsons and Philosophy, we can all rub our hands together and say, in a slow, sinister, breathy voice: "Excellent. ." "Most scholars of mass art hold themselves at a distance from their subject. The authors in this volume really immerse themselves in The Simpsons, and the result is this absolutely unique book. Go for it!" -- Professor David Carrier, Carnegie Mellon University "Bill Irwin and his colleagues have done it again: they have produced a terrific volume. -
The Philosophical and Ethical Significance of Humour: the Simpsons As Humorous Ethical Truth-Telling
The Philosophical and Ethical Significance of Humour: The Simpsons as Humorous Ethical Truth-Telling Dieter Declercq De Montfort University, UK ABSTRACT. Rooted in the Socratic care of self, Michel Foucault (2011) has out- lined a trans-historical ethical truth-telling (ethical parrhesia) that breaks radically with established conventions and lifestyles. I will outline a humorous form of ethical truth-telling that relies on humour, irony and satire to battle and trans- form the social ethos. A handful of scholars have acknowledged the signifi- cance of humour to the Socratic care of self (Zwart 1996; Vanheeswijck 1993; Schutz 1977), but humour’s philosophical significance has nonetheless often been neglected (Hadot 2002). I will understand humour cognitively as incongruity and socially as perspective, and root my discussion of philosophical humour in irony as infinite absolute negativity (defined by the young Kierkegaard) and the image of the silenus (used by Alcibiades in Symposium). In contrast to the ‘pop culture and philosophy’ book series, my philosophical approach to popular culture will not be instrumental or introductory. Instead, I will discuss The Simpsons as a modern-day form of humorous ethical truth-telling, in a textual analysis that will understand the series in a tradition of limited animation and critical comedy. KEYWORDS. Humour and ethics, parrhesia, philosophy of film, satire, The Simpsons I. INTRODUCTION t the heart of Socratic philosophy lies, as Michel Foucault (2011) has Aoutlined, the ‘care of self’. The Socratic care of self has stimulated two types of truth-telling (parrhesia) that have been fundamental to the development of Western philosophy (Foucault 2011, 158ff.; 245ff.; 315).