[ MAY 29 – JUNE 15, 2014 ] BURIED CHILD by Sam Shepard Directed by Adriana Baer

[ MAY 29 – JUNE 15, 2014 ] BURIED CHILD By Sam Shepard Directed by Adriana Baer

CAST Dodge...... Tobias Andersen* Halie...... Jane Fellows Tilden...... Tim Blough* Vince...... Ty Hewitt* Shelly...... Foss Curtis Bradley...... Garland Lyons Father Dewis...... David Bodin PLACE AND TIME: ILLINOIS, 1978 DESIGNERS & Scenic Design...... Alan E. Schwanke PRODUCTION Costume Design...... Jessica Bobillot Lighting Design...... Kristeen Willis Crosser Sound Design...... Sharath Patel Properties Design...... Kaye Blankenship Production Manager...... Thyra Hartshorn Technical Director...... Phil Shaw Stage Manager...... D Westerholm* Stage Management Apprentice...... Bailey Maxwell Production Management Apprentice...... Olivia Murphy Board Operations...... Jenn Lindell Master Electrician...... Alexz Eccels Wardrobe...... Sara Ludeman Directing Apprentice...... Cambria Herrera Sign interpretation for June 5 performance...... Dot Hearn Rich Hall

SPECIAL Artists Repertory Theatre, Misty Tompoles, Reed College, Lewis and THANKS Clark College, Rebuilding Center, La Bonita, Switch Unique Shoes and Clothing, Cheryl’s on 12th, Michael Streeter, Hope Alexander THIS PRODUCTION RUNS APPROXIMATELY 2 HOURS WITH ONE 10-MINUTE INTERMISISON

*Member of Actors’ Equity Association

BURIED CHILD IS SPONSORED BY FRANCIE AND PAUL DUDEN

THIS SEASON IS FUNDED IN PART BY STAY WITH US, LEAN IN, JOIN FROM THE DIRECTOR US IN THE PRESENT MOMENT. ANYTHING CAN HAPPEN. The old adage “you can’t go home again” may never be truer than it is in this deeply literature brought to life. You want to leave challenging and mysterious piece of writing tonight and talk about the play for the next with which Sam Shepard has let us play. This few days or weeks, to argue with your friends is the story of trying, though – of trying to find about “what really happened,” to be made to our place in the world, of seeking connections think hard and question everything. And you that we felt as a child, of longing for the want to be entertained. security of knowing who we are and how we fit in because we’re with family. But what So here’s my offering for you tonight: happens when that connection is missing? We have questioned every moment, every What happens when what we are sure we repeated word, every pause, every exchange remember just doesn’t fit anymore? What between characters. By solving some happens to our bodies when we forcefully mysteries, we uncovered more. We thought block tragic memories? What is true? we had it figured out and then it shifted again, Directors’ notes often talk about the morphing right in front of us – just like life, universality of a play and reassure the just like memory. Tonight we tell this story as audience that the play they’re about to see truthfully as we can. Tomorrow we will do the relates to them for myriad reasons. This is same. But your presence here, in this moment, a (somewhat misguided) way of making us will change the energy in the room. You may all feel like we’re spending worthwhile time hear a line tonight said with more emphasis together. Well, fond readers, I’m not sure you than its ever been said before, and that might want to directly relate this time around. And unlock the mystery for you. Stay with us, lean to be honest, I don’t think that’s actually why in, join us in the present moment. Anything you come to the theatre. I think you’re here can happen. because you want to be challenged, to see - Adriana Baer thought-provoking and stimulating theatrical

ABOUT SAM SHEPARD Sam Shepard was born in 1943 in Fort Buried Child. His screenplay for Paris, Texas Sheridan, Illinois. He worked as a farmhand won the Golden Palm Award at the 1984 and musician before moving to New York Cannes Film Festival. In 1986, he was elected to begin his career as a playwright. At the to the American Academy of Arts and Letters, start of his career, Mr. Shepard spent several and in 1992 he received their Gold Medal for seasons with La MaMa and Caffe Cino in New Drama. Of his 59 plays, 11 have won Obie York and as playwright-in-residence at the Awards. Mr. Shepard is also a director and Magic Theatre in San Francisco. In 1979, he accomplished film actor. was awarded the Pulitzer Prize for Drama for

Profile’s mission is to produce a season of plays devoted to a single playwright, ABOUT engaging with our community to explore that writer’s vision and influence on theatre PROFILE and the world at large. Founded in 1997 by Jane Unger, Profile is nationally-recognized for engaging audiences to have a deep experience with a writer’s work by presenting THEATRE productions of exemplary artistic merit and quality. 3 | PROFILE THEATRE BIOGRAPHIES

TOBIAS ANDERSEN [DODGE] most recently in One Flea Spare at Shaking For Profile, he has appeared the Tree and Noises Off at Third Rail. He has as Ulysses S. Grant in A been seen on Grimm, Leverage, Nowhere Few Stout Individuals, Will Man, and some independent films: Bucksville, Kidder in The Young Man Shiver, and others. From Atlanta, Charlie in Seascape, Jim in Tales of the FOSS CURTIS [SHELLY] Lost Formicans and Ray/Anson in Thief River. Foss is thrilled and honored Portland appearances include Snow Falling to be making her Profile On Cedars and Sometimes A Great Notion Theatre debut with this (PCS), The Seafarer and Vanya (ART), The incredible production. Tempest and Waiting for Godot (Clackamas Foss most recently played Rep), On Golden Pond and The Man Who Deanna in Artist Repertory Came To Dinner (Lakewood), Hamlet (Post Theatre’s XMAS UNPLUGGED; The Reason for 5) and “Salter” in the American premiere the Season. Other Portland credits include of A Number (Imago). He recently appeared Bianca in Portland Shakespeare Project’s in The Illustrated Bradbury, a one-man play The Taming of the Shrew, and Silvia in Two coauthored with Ray Bradbury and slated Gentlemen of Verona with Playmakers at for publication in 2014. He was last seen on Disjecta. Classically trained in London at the Grimm as a Catholic priest having a difficult British American Dramatic Academy, Foss time exorcising a demon. received her undergraduate degree from Sarah Lawrence College. Film credits TIM BLOUGH [TILDEN] include: Waiting, The Descent of Walter Tim is a proud member of McFea, and Tahoe. Actors’ Equity and has been acting professionally for over JANE FELLOWS [HALIE] twenty-five years. He has Jane returns to Profile’s stage, more than sixty plays, plus having appeared in The Trip To numerous film, commercial Bountiful, The Carpetbaggers’s and TV credits, including TNT’s Leverage and Children, Jake’s Women, A NBC’s Grimm. He has appeared on stages Few Stout Individuals, Lake in California, Florida, Texas and Virginia. Hollywood, and Prisoner of Favorite roles include; Lopakhin in The Cherry 2nd Ave. She has been featured at CoHo Orchard, Bolingbroke in Richard II, Starbuck Theatre in The Outgoing Tide, at Lakewood in The Rainmaker, George in Of Mice And Men, in On Golden Pond, at Artists Rep in Sherlock and Finbar in The Weir. He is thrilled to be a Holmes and the Case of the Christmas Carol, part of Buried Child, working with an amazing with Theatre Vertigo in Dead Man’s Cell Phone, director, cast and crew. Cloud 9, and The Adding Machine, and at defunkt in The Children’s Hour. DAVID BODIN [FATHER DEWIS] Dave appeared last season in TY HEWITT [VINCE] The Road to Mecca (supporting Born and raised in Ketchikan, actor Drammy award) and Alaska, Ty is proud to make in several earlier Profile his Profile debut in the Sam shows: The Homecoming, A Shepard Season. He will also Kind of Alaska, Six Degrees of be part of Profile’s upcoming Separation among them. He has been part of Festival of One Acts. Ty has many Portland productions over the years, appeared locally in The Scene at Portland

PROFILE THEATRE | 4 BIOGRAPHIES CONTINUED

Playhouse and On The Table with Sojourn Associate Artistic Director during the 2004- Theatre. Ty performed in deCOMPOSITION, 2007 seasons. BA: Sarah Lawrence College. which he co-wrote, in Seattle and NYC. New MFA in Directing: Columbia University. York credits include Opus D’ Amour at Theatre Lab, Babel Tower with Round Table Ensemble, ALAN E. SCHWANKE [SCENIC DESIGN] and as Orsino in Aquila Theatre’s Twelfth Recent design credits include The Conference Night at Lincoln Center. He has worked of the Birds (Willamette University), The nationally at Provincetown Theatre (Cape Government Inspector (Western Oregon Cod), Coterie Theatre (Kansas City), Kentucky University) and Jitney (Portland Playhouse). Shakespeare Festival (Louisville). Ty has a Favorite regional design credits include BFA from Southern Oregon University and an Shakespeare’s Amazing Cymbeline (Portland MFA from UMKC. Center Stage), Wonka the Musical (Chicago Shakespeare) and Knute Rockne: All American GARLAND LYONS [BRADLEY] (Theatre at the Center). In addition to being Buried Child marks Garland’s the Resident Design Assistant for the Oregon return to Profile after a 6-year Shakespeare Festival, Alan works extensively hiatus. He most recently within the Portland Theatre Community appeared as Tartuffe with where he has collaborated with such theatres Post5 Theatre. Additional as Profile Theatre, Artists Rep, Portland local theatrical credits include Playhouse, Third Rail Rep and CoHo Theatre. Portland Center Stage, Artist Rep, Defunkt, Alan received his MFA in Scenic Design from Theatre Vertigo, NW Classical, Stark Raving, Northwestern University in Chicago. Public House Theatre Co., NW Children’s Theatre and Quintessence. In 2010, Garland JESSICA BOBILLOT [COSTUME DESIGN] earned a Drammy for his role as The Judge Past work for Profile Theatre includes The th in Theatre Vertigo’s Romance. Favorite roles Road to Mecca, Eyes for Consuela and 5 of include Bottom in A Midsummer Night’s Dream July. Other productions in the rose city: One and Aaronow in Glengarry Glen Ross. Film/TV Flea Spair, Seven Guitars, The Big Meal, XMAS credits include: Grimm, Portlandia, Leverage, UNPLUGGED, Opus 3, A Bright Room Called Emeril, The Falls, and Restless. Garland holds Day and Lear’s Follies. Costumes for PSU degrees in Theatre and Psychology from the music department: Britten’s Midsummer’s University of Washington. Night Dream and Puccini’s opera La Rondine. Working at Portland Opera Association, ADRIANA BAER [DIRECTOR] assistant costume designer on La Callisto and Adriana is the Artistic Director of Profile L’Enfant et les Sortilèges. Ms. Bobillot says Theatre where she previously directed “Bravo!” to all of the artists at Profile. The Road to Mecca and My Children! My Africa! by Athol Fugard. New York directing KRISTEEN WILLIS CROSSER credits include Romeo and Juliet, A Streetcar [LIGHTING DESIGN] Named Desire, The Seagull, The Hairy Ape Kristeen received degrees from Centre (Columbia Stages), and work at Atlantic College and Wayne State University. Theater Company Acting School, the cell, Previously she designed scenery and/ and The Acting Company. Other directing or lighting for several Profile productions credits include Woyzeck (Bay Area Critics including My Children! My Africa! and The Road Circle Award for Best Direction), The Maids, to Mecca. She has designed scenery and/or and No Exit at The Cutting Ball Theater lighting for several area theatres including (San Francisco) where she was the Artists Rep’s The Monster Builder, Foxfinder,

5 | PROFILE THEATRE BIOGRAPHIES CONTINUED and Eurydice, Northwest Children’s Theatre’s production and design with a concentration Peter Pan and Pinocchio, CoHo Production’s in stage management from the University The Outgoing Tide, Miracle Theatre’s Mariela in of California, Irvine, as well as almost two the Desert and Third Rail Repertory Theatre’s decades in ballet production. Thyra has A Bright New Boise and Gideon’s Knot. She toured and worked with companies around received a 2012 Outstanding Lighting Design the world including San Francisco Ballet, Drammy for Miracle Theatre’s Oedipus el American Ballet Theatre and the Bolshoi Rey and a 2013 Outstanding Scenic Design Ballet. Locally she’s also worked with Oregon Drammy for Profile Theatre’s “Master Ballet Theatre, Portland Playhouse, White Harold”… and the Boys. Bird, Portland Taiko and BoomArts. Thyra is currently teaching theater tech/stagecraft SHARATH PATEL [SOUND DESIGN] classes at Clackamas High School and Rex Portland credits include Eyes for Consuela, Putnam High School. The Road to Mecca, Blood Knot, My Children! My Africa! (Profile Theatre), The Mother F**ker OLIVIA MURPHY with the Hat (Artist’s Rep), The Brother/Sister [PRODUCTION MANAGEMENT APPRENTICE] Plays, Jitney (Portland Playhouse), Oedipus Olivia is thrilled to return to Profile Theatre in el Rey (Miracle Theatre), A Pigeon and A a new role. She is grateful to have found such Boy (Jewish Theater Collaborative), Lion in a loving theater community in the Pacific Winter (Northwest Classical). New York and Northwest. Before Portland, Olivia spent two International credits include designs at The summers with Shakespeare Santa Cruz in Westside Theater, La MaMa, Playwrights California and four years stage managing a Horizons, Theater Row, PS 122, Columbia, variety of productions at Bennington College Yale, Harvard, India, France, England. Sharath in Vermont. Since moving here, Olivia has earned his MFA in Sound Design from the worked with Theatre Vertigo, Third Rail Yale School of Drama. Binding at PS 122 Repertory Theatre, Shaking the Tree Theatre, won the 2010 Innovative Theatre Award for The Playmakers, Portland Shakespeare Outstanding Performance Art Production in Project, Oregon Children’s Theatre, Artists New York City. Repertory Theatre, and the Quick and Dirty Art Project. Olivia is a proud member of KAYE BLANKENSHIP [PROPERTIES DESIGN] Actor’s Equity Association. Kaye is a scenic, lighting, and props designer, as well as a member of the producing D WESTERHOLM [STAGE MANAGER] company String House. She has provided Portland Stage Management credits: The Light props for many shows in Portland, including: in the Piazza (Portland Playhouse, dir. Brian Fancy Nancy (Oregon Children’s Theatre), Weaver); Eyes for Consuela (Profile Theatre, Midsummer (Third Rail), Gidion’s Knot (Third dir. Mikhael Tara Garver); The Road to Mecca Rail), Charlotte’s Web (Oregon Children’s (Profile Theatre, dir. Adriana Baer). Oregon Theatre), The Road to Mecca (Profile Theatre), Shakespeare Festival, non-equity Assistant and Mother Courage (Theatre Vertigo). Kaye Stage Manager: The Unfortunates (2013), A also works as a drafter at PCS and is thrilled Midsummer Night’s Dream (2013), Troilus to be making a living through the arts. and Cressida (2012), The Very Merry Wives of Windsor, Iowa (2012), Julius Caesar (2011), THYRA HARTSHORN The African Company Presents Richard III [PRODUCTION MANAGER] (2011). BA in Theatre Management from Thyra is currently a freelance Production Western Washington University, MFA in Stage Manager, Stage Manager and Technical Management from Columbia University. Director. Her training includes an MFA in

PROFILE THEATRE | 6 BIOGRAPHIES CONTINUED

BAILEY ANNE MAXWELL [STAGE MANAGEMENT APPRENTICE]

MUSIC | DANCE | THEATRE Bailey Anne Maxwell is absolutely delighted COMPLIMENTARY ISSUE to be returning for her second show with Profile Theatre. Bailey’s recent credits include: Lend Me a Tenor (Linfield), Chekhov’s PORTLAND PERFORMING ARTS ANNUAL | 2013-2014 The Bear and The Proposal (Linfield), Dead Man’s Cell Phone (Linfield), Seven Guitars (Artists Rep), The Lost Boy (Artists Rep), Ten Chimneys (Artists Rep), Taming of The Shrew (Portland Shakespeare Project), Tamer Tamed (Portland Shakespeare Project), Eyes for Consuela (Profile), Foxfinder (Artists Rep), and The Motherf*cker with the Hat (Artists Rep). She is also a proud member of the EMC program.

ACTORS’ EQUITY ASSOCIATION [AEA], founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, LOOK promote and foster the art of live theatre as FOR an essential component of our society. Equity negotiates wages and working conditions, ALL AROUND TOWN providing a wide range of benefits, including & VISIT US ONLINE health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an ARTSLANDIA.COM international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org

PROFILE THEATRE WAS FOUNDED IN 1997. EACH BOARD OF DIRECTORS SEASON, PROFILE THEATRE EXPLORES THE VISION Steve Young, Chair Mayer Schwartz Richard Bradspies Mary Simeone AND PERSPECTIVE OF A SINGLE PLAYWRIGHT. Paul Duden Melissa Stewart Erika George Maryann Yelnosky STAFF Stephen Guntli Adriana Baer, Artistic Director Matthew Jones, Managing Director RESOURCE COUNCIL Lauren Bloom Hanover, Director of Education Gwyneth Gamble Booth Jane Unger, Founding and Community Engagement Lue Douthit Artistic Director Paul Jacobs, General Manager Leslie Johnson Julie Vigeland Aaron Schwartzbord, Marketing Consultant Mike Lindberg Priscilla Bernard D Westerholm, Box Office Manager Patrick Stupek Wieden Alyssa Essman, Christie Craft, Ben Newman, George Thorn Box Office Representatives WEB PROFILETHEATRE.ORG PHONE 503.242.0080 EMAIL [email protected]

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EXECUTIVE Oregon Arts JT Taylor and Barbara Martha Banyas PRODUCERS Commission West Don and Lynnette $10,000 AND ABOVE Mary Simeone Ben and Elaine Whiteley Houghton The Collins Foundation Patrick Stupek+ Virginia Hubbell Francie and Paul Duden Charlie and Darci ASSOCIATES Cecily Johns Fred W. Fields Fund Swindells $100 - $499 Alan and Dianne of the Oregon Steve Young and Jane Anonymous Johnson Community Fellows Kay Abramowitz Joanne Johnson Foundation Kregg Arntson and Ted Susan Johnson The Kinsman PRODUCING Fettig Rich and Jean Foundation PARTNERS John and Debra Bakum Josephson Ronni Lacroute $1,000 - $2,499 Ann Bardacke and Danielle and Elliott The Meyer Memorial Michael Bloom and David Wolf Kalan Trust Audrey Zavell Arlena Barnes and D. Kamali The James F. and Richard Bradspies William Kinsey Beth and Chris Karlin Marion L. Miller Dramatists Guild Fund Catherine Bax and Ann Carol and Barry Kast Foundation Rich and Erika George+ Turner The Keeton Corporation Oregon Cultural Trust Melissa and Robert Dick and Renee Binns Barbara Kerr The Regional Arts Good Jim and Karen Brunke Jeffrey and Carol & Culture Council, Susan Hoffman Jim Brunke Real Estate Kilmer including support Leslie Johnson Colleen Cain and Philip Alan Koch from the City of Leslie Labbe Miller Carol Kochenderfer Portland and Susan and Leonard Bruce Carroll Monica Moriarty and Multnomah County Magazine Cheryl Chevis and Bill Kwitman The Shubert Foundation Norma Reich Edwin Gerow+ La Bonita North Dan Wieden and Mary Rosenberg Amy Claussen Penny Lapham Priscilla Bernard Mayer and Janet Kristen Connor Mark Larson Wieden Schwartz John and Joyce Cornyn Meg Larson Susan and John Spring John and Ruth Davis Lara Lerner PRODUCERS Kathleen and Leigh Wolfgang Dempke and Ellen Levy $5,000 - $9,999 Stephenson-Kuhn Alise Rubin Byrne and Peggy Lovell The Herbert A. Tom and Linda Unger Eileen DeSandre Trina and Ken Lundgren Templeton Foundation Wieden+Kennedy Jess Dishman Billie Marx The Jackson Thomas G. Dunne Josie Mendoza and Foundation PARTNERS Jim Durham Hugh Mackworth Aline Brosh McKenna $500 -$999 Carol Edelman Miles and Libby Merwin PGE Foundation Anonymous Carmen Egido and Abel Charles Meshul and Rose E. Tucker Barbara Elizabeth Weinrib Maureen Ober Charitable Trust Bolles Carl Faber Casey Mills and Carmen Work for Art, including Dr. Sonia Buist Miriam Feder Calzacorta Mills contributions from Lynn Campbell Williamson and Edith Ed Moersfelder more than 60 Vince and Valri Fuller Veronica Paracchini companies & 1,600 Chiappetta David and Martha David Parker and Annie employees in the Bob and Janet Conklin Gardner Popkin region Christy Eugenis Maria E Gonzalez+ Jim and Sally Petersen Wells Fargo Robert Geddes Jeff Gorham Phillip H. Peterson Richard L Hay Bruce and Gwendolyn Sandy Polishuk ASSOCIATE Judith Henderson Graff Sarah Emma Quinn PRODUCERS Alan Jones Gretta Grimala Betty and Jacob Reiss $2,500 - $4,999 Mary McGlone and Ian Stephen Guntli and Brad Rence All Classical Portland Underwood Chrisse Roccaro Charles and Judith Leotta Gordon Patricia Raley Missy Vaux Hall Rooks Foundation Judith L Rice Ulrich H Hardt Howard Rosenbaum National Endowment Halle and Rick Sadle Mike and Patsy Hester Kirsten Roth for the Arts Rosalie and Ed Tank Michael Hoeye and Cara Rozell

Work for Art Participants: These patrons direct their support to Profile Theatre through the Work for Art Program within the Regional Arts & Culture Council. PROFILE THEATRE | 8 Charlotte Rubin Adriana Baer and Ryan Karen Garber and John Michaela Lipsey Rich and Joan Rubin Durham Desmarais Dawn Lisell Darrell Salk and Tricia Matthew Bailey Dawn-Lyen Gardner Eileen Little Knoll Robert Baker Mikhael Tara Garver Mikel Lubrano Shirley Salzman Tiffany Baran Carolyn Gassaway Sara Ludeman Adam Schwartz Brenda Bartell Jason Glick Lyle Tucker Carolyn and Ourry Thomas Becker and Lynn Goldstein Garland Lyons Schwartzbord Janice Haaken Katherine Gosnell Judith Marks Peter and Jeanette John Behlmann Anthony Greiner and Ty and Brenda Marshall Scott Marie Bellavia Mary Grant Nancy Matthews David and Frances Erwin Boge Michael Griggs Clara and Alan Sessions Kaye Blankenship Christina Gullion Greisman Mayer Gilbert Shaw David and JoAnne Lauren Gunderson Sarah McCauley In Honor of Mary Bodin Brett and Kami Jane McDonough Simeone by Ken Peter and Janet Hamilton Judy McKeever Simeone Bonafede Thomas Harrington Kathryn Mclaughlin Connie Smith Josephine Brassey Julie Hastings and Oren Wendy McLennan Melissa Stewart and Thom Bray Kosansky Michael Mendelson Donald Merkt Kaliswa Brewster Dot Hearn Bill and Nancy Meyer Milan and Jean Nita Brueggeman David Heath Dana Millican Stoyanov Sandra Bryson Calvin Hennig Amy Mueller and Chris Tanner and Lisa David Buttaro Helen Herner Allison Rodman Chickadonz Graeme Byrd Jonathan Horvath Stephanie Mulligan George and Edie Taylor Elliot Cahn Alicia Dhyana House Barbara Nolan Peter Thacker and Lynn Brooke Fletcher and Kimberly Howard Gary Norman Taylor Mario Calcagno Elizabeth Huffman Stormy Norman Margaret Thompson Joanne Cali Theri Humes and Lee and Chuck Norris George and Nancy Philip Callen Matthew Jones Clare O’Sheeran Thorn Ellen Cantwell Alexis Jacknow Tomi Obayashi Marcia Truman June Carryl Geri and Steve Jacobs Carlton Olson Barbara Van Raalte Siobhan Caverly Paul Jacobs Nancy Dobbs Owen Margaret and Frank van Carol and Sy Chestler Nathan Jeffrey Dee Packard Beuningen Rick Comandich Paige Jones Sheila Pastore David and Julie Verburg Clarence Coo Merilee Karr Michelle Paul Julie and Ted Vigeland Susan Cowan Abbey and Harvey Kletz Jess Prichard Janet F. Warrington Kristeen Crosser David Kinder Amy Prosser Judy Werner Foss Curtis Arthur G. Kirby Matthew Corwin and Jonah Weston Rebecca Davis Ginger Kirby Brennan Randel Grey Wolfe and Howard Ted de Chatelet Scott Kirby Karen Rathje Waskow Chantal Degroat Allison Klein Virginia Reed Kathleen Worley Sarah DeLong Teresa Koberstein Deborah Rose Reeves Alan and Janet Zell Megan S. Densmore Diane Kondrat Kristie Reeves Karen and Lawrence Chad Deverman Susan Korey and Norma Reich Zivin Sarah Dey Hirshan Merritt Linn Nancy Rilling Julie Diamond Jennifer Lakey Amanda Sayle Rinzel DONORS Stephen Dobay Nicole Lane Mary Roberts UP TO $100 Donald and Deanne Jenn Lawson Mary Ann Rodgers Anonymous (2) Doorlag Jennifer Le Blanc Elizabeth Romanski Ted Adams Karen Easter Allison and Aaron Lear Charles and Miriam Lindsey Alexander Gilbert Feliciano and Gordon Lee and Amie Rosenthal Lily Allen-Hughes Brianna Clevenger Rose William and Susan Sack Robert Amesse Barbara Felsinger Katherine Lee Salt and Sage Tobias Andersen Carol Ferris Fiona Leeds Productions Sherry Archer and Bob Betsy Fippinger Bob Lemon Tessa Salzman Grossman Laura Frizzell Bob Lemon Monica Santana James Arnoux Teresa J Frakes Joan Levy Tim Stapleton Erin Badillo Marty Fromer Sidne Lewis

9 | PROFILE THEATRE Curtis Schade and Jacquie Alice and Stephen Stolzberg COMMUNITY PARTNERS Siewert-Schade Sharon Streeter Cheryl’s on 12th Deborah Schauffler Larry Teitelbaum La Bonita North Donna Schreiner Gail and Bill Tennant Laurie Schroeder Simon Thompson THE JANE UNGER HANDS Alan Schwanke Nancy Tolin ON THEATRE! FUND Edward and Lorna Schwanke Kristen Tompeck Created in honor of founding Aaron Schwartzbord and Toni Tringolo Artistic Director Jane Unger, Michael Weinstein Ethan Turner gifts to this fund help to sustain Jeremy Schwartzbord Michele Mariana Hands on Theatre Program, Jim Scott and Elaine Robin Jane Vogel bringing theatre education Luisa M. Sermol Matt Walsh into classrooms throughout JP and Monica Setziol-Phillips Paul Walsh our community. Alice and Howard Shapiro Ginger Walter Beppie Shapiro Suzan Wapnick Elisabeth and Peter Lyon Susan Shay Steve and Nancy Wasserman Marion Poliakoff Devani Scheidler Katie Watkins Beverly Unger Isabel Sheridan Ellen Weeks Sally Unger Lynne Shlom Bonnie Werther Tom and Linda Unger Ray Simmons Mike White Tom Slot Claire Willett This list acknowledges gifts received between Karla Mason Susan Willis May 1, 2013 – May 7, 2014. Profile Theatre Larry Smith Carol Ann Wohlmut and Patrick regrets any errors or omissions. Please contact Amanda Soden Wohlmut the development department at 503.242.0080 Antonio Sonera Jason Wong with any corrections or questions. Tamara Sorelli Susannah Rose Woods Scott Stephens Byron Yankou Elizabeth and Les Stoessl Kevin Yell

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PROFILE THEATRE | 10 In Dialogue is our series of lectures, pre-show talks, post-show discussions, concerts and other supplemental programming that explore our featured writer’s world. Profile Theatre is committed to providing our audiences with opportunities to engage with our featured writer in unique and varied ways. Through our In Dialogue programming, we extend the event of a Profile production beyond the bounds of what is onstage, bringing the community together for exciting, provocative and inspiring experiences. All events are free and open to the public unless otherwise noted.

EVENTS AND PROGRAMS THROUGHOUT BURIED CHILD FRIDAY, MAY 30TH OPENING NIGHT RECEPTION Opening Night reception following the performance with food provided by Cheryl’s on 12th. SUNDAY, JUNE 1ST MAT CHAT Join Artistic Director and the director of Buried Child, Adriana Baer in a post performance Mat Chat with our Director of Education and Community Engagement, Lauren Bloom Hanover. THURSDAY, JUNE 5TH DINNER DIALOGUE Dinner Dialogue with Artistic Director Adriana Baer and actors Foss Curtis and Ty Hewitt (additional tickets required). FRIDAY, JUNE 6TH LIVE LOCAL MUSIC Before the performance, enjoy the mellow sounds of Tim Acott and Dan Haley. 6:45pm in our lobby. SATURDAY, JUNE 7TH DESIGNERS PANEL Panel discussion with Buried Child production team as they discuss their individual design processes as well as the ways in which they have collaborated to create the world of the production. 6:40pm in our lobby. SUNDAY, JUNE 8TH MAT CHAT Post-performance Mat Chat with cast members. WEDNESDAY, JUNE 11TH [PRE-PERFORMANCE] WINE TASTING Wine tasting with Pairings Portland Wine Shop using Buried Child as inspiration for the selections. 6:40 in our lobby. Additional charge. [POST-PERFORMANCE] MIX AND MINGLE Mix and mingle with cast members in our lobby - with wine! THURSDAY, JUNE 12TH GET CREATIVE Before the performance, during intermission and after the play has ended, work with a friend or on your own creating a fun and simple interpretation of Shepard’s words, using the fun and kooky supplies provided by Profile. FRIDAY, JUNE 13TH TAMALE NIGHT IS BACK! Purchase an authentic taste of Mexico before the performance, by La Bonita Restaurant, right in our lobby! SATURDAY, JUNE 14TH LECTURE - SHEPARD AND THE AMERICAN DREAM

Karin Magaldi, Director of the School of Theatre and Film at Portland State University, will lead a discussion about Sam Shepard and the Example of a World of the Play Sculpture, using the line “You’re no son of mine!” American Dream. 6:45pm in our lobby.

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9 SHORT PLAYS AND STORIES//6 ACTORS//6 DIRECTORS//6 BANDS//8 PERFORMANCES

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